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Apprentice love: Alina Benson

When we first saw Alina Benson‘s tattoos on Instagram we couldn’t believe she was an apprentice! We caught up with Alina to chat all things tattooing…

How long have you been apprenticing and how did you get your apprenticeship? I started my apprenticeship at the end of 2019, but I’ve only been tattooing full-time since June at Tätowieratelier Sieben Raben, a private studio in Schwerte, Germany. I owe the apprenticeship to my friend Benne Clarus, who is training me.

What drew you to the tattoo world? My mother and grandmother have always been very creative, drawing and tinkering. I knew very early that I would like to tattoo one day. Even before I got tattooed myself. I got into the scene through my friend Benne Clarus, who has been in the tattoo business for more than 10 years. Since June 2020 I am now self-employed and for me there is nothing better.

Can you tell us about your own tattoos, and your first tattoo? I mainly have tattoos in the neo-traditional style from Benne Clarus, Mike Ldz, Konstantin Schmidt and also from myself. I had to start practising somewhere so now I have three tattoos on my legs. My favourite tattoo is my left hand of Mike, a moon. On the other hand I have a sun. I got my first tattoo when I was 18 years old and it is a Rammstein quote. It is not the most beautiful one I have to admit, but the only one with a meaning.

Sun and a moon tattooed by Mike Ldz

Can you tell us about the process behind your tattoos, what inspires you, how would you describe your style? I describe my style as neo-traditional. But I especially like to tattoo animals or things from nature. I like to use muted colours or pastel colours. Of course, sometimes I also do a more gaudy tattoo, but I prefer natural tones.

What do you like to draw/tattoo and what would you like to do more of? I always like to tattoo animals, especially I want to do more dinosaurs, they have always fascinated me!

What’s been the best part of your apprenticeship so far and what have you found the hardest? The best part of my apprenticeship is to see how I’m developing myself and to feel that my tattoos please people. I love that I can live from doing what I enjoy.

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We need to talk about tattoos and periods

Our contributor Lucy wonders if you should ever get tattooed while you’re on your period… would you?

Tattoo by @hexenwerk_tattoos

Let me set the scene a little. It’s the very early hours of the morning before my first ever tattoo and I suddenly wake up feeling that oh so familiar cramping sensation in my abdomen, and as an individual who experiences severe dysmenorrhea (also known as debilitating period pain), I knew this was potentially very bad news. A wave of complete panic overcomes me, and I go straight to Google, trying to find every piece of advice available on ‘tattoos and periods’ while worrying I would have to cancel my booking at the last minute…

I came across a variety of advice telling me things like I shouldn’t take medication (like ibuprofen) before a tattoo, that periods make tattoo pain worse and that the general rule of thumb is ‘avoid getting tattooed on your period’.  After all my stressed-out research, I decided to do the sensible thing and wait until the morning to contact my tattoo artist and ask if I could take painkillers before my tattoo. I felt too embarrassed to be honest and say that I needed the medication for menstrual cramps, so I found myself lying and blaming it on ‘back pain’.

Luckily, my artist was happy for me to take some ibuprofen and while this stopped the period cramps it didn’t stop the fear I now had that my period would cause my first tattoo to be more painful than normal. 

Tattoo by @_hand_job_tattoo

Looking back on the experience now, I can say with certainty that, personally, my period did not affect my tattoo pain and that overall, my experience getting a tattoo while on my period was entirely normal. 

But this might not be the same for everyone, the ‘taboo’ nature of period discussion makes it so we fear talking about this normal part of life. Instead we retreat to Google which inevitably leads to us finding unsettling period and tattoo related horror stories and myths, causing stress and anxiety. We need to open the narrative on tattoos and periods to help make those who menstruate feel more comfortable and confident when in the tattoo chair on their period.

Tattoo by @carlabianchitattoos

To help start dispelling myths and opening up discussion, I’ve compiled a short list of some important things to know when getting a tattoo during your period:

  1. Be aware that some individuals who menstruate do experience heightened skin sensitivity. If you feel particularly worried about this, if possible, it may be best to book larger tattoos or tattoos in sensitive areas on days when you are not on your period, but smaller ones should be fine. Sensitive areas are more prone to period related inflammation, so they hold more potential to cause worse pain during your tattoo. 
  1. Always check with your artist when taking any kind of medication or herbal supplements before your tattoo. Ibuprofen and paracetamol have blood thinning properties that can cause your tattoo to bleed more and herbal supplements can sometimes affect the clotting process. A small amount of medication is usually fine, but always check with your artist.
  1. Make sure to bring extra sanitary products to your appointment and don’t be afraid to ask to use the toilet during your tattoo. Some people like to double-up on their protection before an appointment (e.g. using period underwear and a sanitary pad or tampon or using a heavier flow sanitary item for extra protection against leaks). 
  1. Finally, don’t let your period control your life! If you are experiencing painful cramps, extremely heavy flow, or other symptoms you feel are abnormal for you, it’s always best to seek medical advice, you don’t have to suffer in silence. Menstruating is normal and we shouldn’t have to feel ashamed of it. 
Tattoo by @lolweib_ink

Overall, always remember that it’s your body and your rules. While some people might entirely avoid getting tattooed during their period, others might not mind it at all, but by talking about it and being vocal we actively help to break the harmful stigma that surrounds periods. 

Words: Lucy Edwards, a 20-year-old tattooed university student, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.

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Get involved in the movement with Sarah Louise

Nottingham tattooist Sarah Louise is encouraging the tattooing world to speak up and stand up. We chatted to Sarah about her tattooing and what everyone can do to fight racism…

How long have you been tattooing?

I’ve been tattooing for officially four years and I’m currently at Black Antlers Tattoo, but I have been in the industry for a total of six years. Through all my childhood years I have always been drawing, it quickly transcended into a passion that never left me. I did a creative art and graphics design degree at Nottingham college then a illustration degree at Lincoln University. Once I graduated I did freelance illustration, but it never really paid the bills.

How did you become a tattoo artist?

One of my childhood friends asked me to design a tattoo for him. Which he then fell in love with the design and decided to take it to a studio to get tattooed. The artist asked me about my work and offered me an apprenticeship. I began working there at weekends as well as taking on full time job allowing time for me to slowly progress and transition into picking up a machine. 

How would you describe your work?

I try to keep all my work evolving. I don’t think I have a direction I’d like my work to go in or a set style as such. I take a lot of inspiration from music, films, plants, scenery, and wildlife. At the moment I really enjoy doing colour realism mixed with elements of watercolour, as I’ve always been fond of using colour within my tattoos and painting. I will always try my best to complete each tattoo with high contrast if I’m using colour in particular. I used to focus on doing neotraditional, which will creep back into my work from time to time, but I always want to try something new.

What advice would you have for anyone wanting to become a tattooist?

I love this question! As all I want to do is to champion passionate people! I think the only solid and best thing to do is to work on a portfolio. The only advice I can really stress is spending as much time drawing and showing how enthusiastic you are willing to learn through your art.

Finding a place that will apprentice you is so hard now, I think because the social media algorithm manages what is most aesthetically pleasing to its viewers. If you  spend a large amount of time drawing and promoting your artwork it’ll be easier to find a place that will take anyone seriously. 

You often speak out about social justice issues, can you tell us about your experiences in the tattoo industry.

Expressing and sharing information about social justice; means so much to me.  I was first inspired by female tattooist Heleena who spoke so openly about culture appropriation within the tattoo industry. She posted her video on a IGTV and it inspired me to do the same – to talk about problems and my experience on the movement. It inspired me so much, because I think one of the main problems is a lot of us are guilty for not talking openly about how we feel about the inequalities within the tattooing industry.

I have thankfully not been affected by the problems within the industry regarding gender and racial inequities that would inhibit my work with clients recently. Saying that, I still regularly experience micoraggressions from clients assuming I wasn’t born in the UK. Or receiving the classic comment of “I am trendy for a black girl”  with the assumptions that this wouldn’t be my scene, as it’s still a predominantly marginalised white industry. But I am very grateful that this hasn’t deferred me from speaking up about my experiences. And won’t continue stay silent on these issues, because re-affirmed education is key. 

I have seen the somewhat egotistical sides of the industry taking a lot ‘ownership’ of what women and POC have brought to the table. There still is a long way for black people and POC to experience recognition for their talents amongst their white peers.

I  do think that sadly my skin colour has become more of a highlight to the inequalities within the industry, but it has made me more determined to inspire others to stand up against racism.

Do you think we can make a change to the industry?

I believe how we make the change is to continue to come together and expose a lot of the issues regarding race by educating each other. Whether that be by sharing knowledge and achievements, by reading books and openly asking questions about tattooing. We can make change with every piece we do. One of the biggest ways I found is by actively asking questions but being consistent with what knowledge we gain and what we want. I think the more knowledge we share then the more exposure we can get. I feel we need to be very consistent on how we share this information on social media with other black people and POC.

I recently followed Shades Tattoo Initiative created by tattoo artist  Rizza Boo. The page often does shout outs to promote small pages and boost them, but I think the consistency of other people is where the buck stops. I also think the major problem also lies within the industry’s structure in relation to sponsorship. I feel as black people we get less recognition for our achievements, which adds to the unfortunate white-washed view of the industry. But with education and by consistently pushing each other and our tattooing we will force the industry sponsors to finally take note.

Protests are a way to start a conversation. Given the history and  importance of protests and the content they generate, it’s imperative that we actively continue to push for change.

I think that we are at a place in time that we have a platform to actively keep sharing knowledge with one another. And although I am aware that there are some struggles we face with not having confidence and knowledge, I do not think it’s entirely justifiable for not taking action at all.

If you do not decide to take action in a form of a protest, I would suggest you look at other ways to support an essential causes. Such as signing petitions, listening to podcasts, donating to charities and local communities – supporting black or other ethnic minorities. These are the things that can bring dramatic change, it can easily happen within the art community and eventually tattooing. 

Sarah is continuing to speak out and challenge the tattoo industry, make sure to follow her Instagram and why not join in the conversation yourself?

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Halloween cat tattoos

We have to admit our Halloween tattoo round-up is more #spoopy than spooky this year, unless you’re scared of cats that is! Use your paws and scroll on for some of our favourite Halloween inspired cat tattoos…

@hayleyploos – Cauldron check, candles check, witch’s hat check! Oh and the creepiest cat around.

@naaat.j – We love this little cat’s spooky green eyes, do you think they drank the cauldron’s potion?

@iris_lys -We’ll be matching our Halloween costume with this spooky kitty, orange tights and all.

@sallywilkinsontattoo – Such a pretty kitty, just look at that little ear poking out of the hat – too cute to be scary!

@charlotte_eleanor88 – Oh my pumpkin! Look at this little ghosty, we love how its little paws are holding on.

@charlotteannharris – This little spook looks like they want to share their pumpkin with us.

@roxyrydertattoo – Wouldn’t be Halloween with sweets and a bat, we love the kawaii details on this ghosty.

@kerste_tattoo – What spell do you think this little cat is reading?

@catherine_alice_ – Black cats are the best cats, change our mind.

@kayatatto – Have you ever seen a cat shaped pumpkin at your local pumpkin patch? We wish we’d find one!

@kirabishoppp – Look into those big kitty eyes, of course we’ll share our Halloween candy with you.

@xanthianmoon – I ain’t scared of no ghost, especially not this paw-some ghoul.

Share your fave spooky cat tattoos with us on Instagram by tagging us, @thingsandink

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Alice Needham illustration

Leeds-based freelance illustrator Alice Needham creates artwork with vibrant colours, detailed lines and graphic styles. Alice also created this beautiful tattooed woman just for us, read on as we chat to her about her amazing tattoo collection and the art she creates…

Can you tell us about your tattoos, do you have a favourite or favourite artist? I don’t know how many tattoos I have these days but I still have plenty of space left to fill, always got ideas ticking along for what I want next. A large proportion of my tattoos have been done by the lovely people at Easy Tiger in Leeds, I’ve been going to Lucy O’Connell since I first got tattooed and she is the artist who has done my botanical sleeve and the huge whale on my thigh that we call Susan.

I’ve got two blackwork pieces on my shins by James Butler of Lord of the Rings and The X-Files and a chameleon that I got done for my mum by Barney. I just think they’re all amazing and seriously nice people, Easy Tiger is definitely my favourite studio. All the people I’ve been tattooed by are fabulous and I highly recommend them all for their individual styles; Nat Hues at The Aviary, Luke , Collette at Snake and Tiger, Lucy at Cobra Club, Joshy at Rose and Thorn, Hannah at Rose and Thorn and I have to give a specific mention to Chloe who did the Van Gogh piece at the top of my arm, I put her way out of her comfort zone and she did such an incredible job!

When did you start getting tattooed? What was your first? It was my 18th birthday that I got my first tattoo and it was part of what now makes up the sleeve on my left arm all done by Lucy O’Connell. I got my full inner forearm done, it’s a floral piece with a Poppy, Rose and Forget-Me-Nots. I’d always wanted to get tattoos and I booked in a year in advance with Lucy for my birthday with that idea because I’d been following her work for so long. It covers up self-harm scars from when I was a teenager and reminds me of my growth.

I hate when people ask what tattoos mean but I would say that my first is probably my most meaningful, I always used to say it is inspired by the Edvard Munch quote, ‘From my rotting body, flowers shall grow and I am in them and that is eternity.’

Have tattoos affected how you see yourself and your body? Having tattoos has helped me with loving my body, I like being a walking piece of art and that I can show so many different stories through my skin. They just make me feel more comfortable even if they do attract unwanted attention at times, it usually makes me laugh.

What inspires your illustrations? How would you describe your style? I’ve always been interested in illustration but I went to uni to do Fine Art which drew me away from traditional methods of art making, it was only in my final year that I started doing my illustration work on the side that I really got back into it. I tend to take inspiration from what’s going on in the world, feminism and representations of the body but I also love anything to do with botanical illustrations and bold tattoo work.

I’ve always wanted to get into the tattoo industry and it’s become what feels like a bit of a pipe dream for me, I think that’s why I like creating work that takes inspiration from tattooing but with my own style on it that works for illustration. I would say my style is bright and bold with detailed line work, I tend to work in a range of styles depending on the client or what works best with an idea.

What medium do you use? How do you create each piece? I work digitally mainly through Procreate, it just offers the freedom to be able to work wherever I need to and there are no limitations. I do occasionally work in pen and ink but it’s been a while since I have! Most of the time when it comes to creating I just get an idea that pops into my head, usually if I’ve seen something that has inspired me.

I tend to do a quick sketch to get a rough idea of what it’s like then build on the detail as I go, I think I’m fairly methodical with it and I like to use colours that are complementary even if they aren’t realistic to what is being portrayed. If I’m working on a commission then I follow the client’s brief in a similar way.

What message do you hope to share with your work? Or is there a driving force behind what you create? I think a lot of my work is a bit of fun and it’s something to brighten up their spaces. Though a lot of my pieces do have a political or social stance to them which I think is important.

Do you do commissions? Where can people buy your art? Yes, I do! I’m always taking commissions and the best way to commission me is to have a look at my website then give me an email. I also currently sell my prints through Etsy.