30-year-old Lauren Petrie (also known as ‘Treacle Tatts’) is a popular YouTuber and social media personality who started her YouTube career in 2014 and has since amassed an 100k following. Her videos almost completely revolve around tattoos and she frequently addresses injustice in the tattoo community to raise awareness and help educate her viewers. I had a chance to speak with Lauren recently about her YouTube career, her tattoo collection and how she has been handling the covid-19 lockdown…
Tell us a bit about why you started your YouTube channel. There’s a few reasons why I started my channel! One is I studied media in college, and I loved video editing and I wanted to get back into video editing again. I thought making Youtube videos would be a great way to do that but had no idea what kind of videos to make. I definitely don’t have the best makeup, gaming or cooking skills so all of those were out of the question when it came to making content so I thought I’d make videos on tattoos.
To start off with it was more so to see if people related to stuff I had gone through as a tattooed person as at the time there was no tattooed people in my life. I then thought “hey use your experiences to help people when it comes to tattoos” as I didn’t start off getting the best tattoos and slowly learned how amazing and artistic tattoos could be! I then continued making videos on my experiences and giving advice on how to get good tattoos!
How has YouTube affected your life? It’s given me the freedom to be my own boss and work when I want and talk about stuff, I’m super passionate about! I managed to turn my hobby into my job and I got to quit my retail job to do it full time! It’s an absolute pleasure to do and will be forever thankful that I get to do it!
What do you enjoy the most about being a YouTuber? Being able to connect with people who have the same interests as me! Talking to fellow people who get super excited about an upcoming tattoo appointment and the such! Its also learning about other people’s experiences when it comes to getting tattooed and who they are as people! I just find other tattooed people fascinating! I make some videos that involve my subscribers and they are from all walks of life from lawyers, to grandparents, to chefs, to students, retail workers I mean the list can go on!
I love to share people’s backgrounds to prove that tattoos aren’t just for celebrities or criminals like some people like to think!
What first attracted you to the world of tattoos? I can’t pinpoint an exact moment because even as a child I loved them! I’d always cover myself in temporary tattoos! I’d be that weird kid that stared at tattooed people in a store and not because I thought they were weird but because I thought they were the coolest person on the planet! None of my family have tattoos so I never grew up around them so maybe that peaked my interest even more!
Can you tell us about your tattoo collection? Do you have a favourite tattoo? My tattoo collection is a huge mish mash of styles and colours. Some are personal or custom drawn and some are just flash drawn pieces from some of my favourite artists! I like symmetry and organising by colour. So my left arm is colour traditional and then my right arm is a black work blast over (still in progress) then my left leg is black work and my right leg is colour. I just thought it would be a fun way to style my tattoos.
It’s so hard to pick a favourite tattoo but at the moment I’d have to say it’s my black work peony neck tattoo by Heidi Furey! I spent a couple of years really deciding if I wanted to be very visibly tattooed and I finally went for it and it’s the best decision I’ve ever made!
We love your outfit posts on Instagram! How would you describe your style? Ow thank you!! My fashion is all over the place to be honest one day I’ll be wearing loud plaid trousers and the next I’ll be wearing all black and studded stuff but one thing I continuously wear I guess is oversized printed tees! I can’t get enough of them! Most of them are tattoo art inspired because why stop at getting just tattoos when you can have the art style on a t-shirt!
How have you been coping with the covid-19 lockdown? I’m very much an introvert so staying in didn’t really affect me much at first. I did start to get restless here and there as time went on! I really missed my best friend Yasmin and our little restaurant and cinema dates! Before lockdown we would go to the cinema and out to eat at least once a week!
Do you have any future tattoo plans now that a lot of tattoo shops have reopened? Yes! I have an appointment to do more work on my black work blast over arm! I also want to finally get my knees tattooed! I’ve been putting them off for years as the thought of getting major bony areas tattooed grosses me out – I hate the feeling!
Do you have any upcoming projects or plans for your channel or new merchandise you would like to tell us about? I don’t have anything major in the works at the moment I kind of just make content when I come up with the ideas or if something major happens with in the tattoo world like the recent sexual assault allegations I like to make content on that so more awareness is made!
At the moment I’m trying to create more awareness for black and POC in the tattoo industry! There’s a lack of representation so I want to use my platform to celebrate POC tattoo artists and those that tattoo on darker skin tones! As for merch, I think I want to start getting my artistic subscribers involved and commission some fab art from them to use on merch!
Words: Lucy Edwards, a 20-year-old tattooed university student, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.
Claire Louise Tarrant creates cute girly tattoos with a tough edge at Gravity Tattoo in Leighton Buzzard. We chatted to Claire about her tattooing style and inspiration...
I was first inspired to become a tattoo artist when I was at university studying fine art. My work has always been illustrative, but I never thought tattooing could be a “grown up” career. Nowadays, I think it’s the most intense job I’ve ever had! I was very lucky with finding a studio where I could learn to tattoo, but found the male dominated studio and industry difficult to navigate.
When I first started dating, before I met my partner Josh, I got the typical weird questions about my tattoos and if it meant I liked pain. Even now I often get the odd customer who says comments such as “women with tattoos are sooooo sexy”. It’s boring! People who have loads of tattoos or can easily get tattooed, honestly forget that they’re a big thing to other people.
I quit tattooing around three to four times due to anxiety and fear of what committing to tattooing meant. It’s such an amazing, insanely cool job, but it’s also overwhelming. It’s helped shape me as a person in more ways than I can count.
I’m now at a all female studio, Gravity, run by the fabulous Holly Astral. Having a female mentor who understands what being a woman in the industry means has given tattooing an entirely new light. It’s now fun and exciting! Tattooing makes me feel like my inner child is playing every single day; I get to be creative, I get to chat with exciting people all day and I get to travel around and discover new places all the time (well before lockdown I could).
I feel as though I’m doing what I was put on earth to do; I practice Reiki and I’m studying to become a counsellor as well. I get to use these tools I’ve learnt on clients too and I feel so connected to the people I tattoo and other tattoo artists. I hate getting tattooed as I’m a huge baby, but the powerful feeling of having another piece of art on me forever reminds me how clients must feel!
I would describe my style as traditional, playful, feminine and illustrative with a pastel and muted colour palette. In the future I’d love to concentrate on traditional style pieces covered in glitter effects, pink and gold!
I am massively inspired by history in my flash sheets and tattoo designs. I’m obsessed with the Tudor period; there’s something so magic about castles, weapons, royal flags and embroideries. I also love traditional styles of tattoo flash, but with the colour palette of mustard, gold, pink, mint and maroon.
I like the idea that something tough can be beautiful; women can soften anything!
I love tattooing flash sheet pieces; I only ever tattoo them once, so I like knowing that it’s been tailored colour wise to the client specifically. I do, however, love connecting with a client and understand them more to do a custom piece!
Heleena, a tattoo artist and owner of Francis Street Tattoo in Leicester specialises in traditional south Asian folky tattoos. A ‘Guji baby’, shes’s been speaking out about the inequalities and discrimination in the tattoo industry, here she talks about cultural appropriation within the tattoo world and why it’s problematic…
I only found out what cultural appropriation actually meant very, very recently. We all know the term and get the gist – it’s not yours and you’ve taken it, also don’t make money off it if it’s not yours. But, the definition is adopting something from a culture when you belong to a different culture, so it’s the adopting that’s the issue.
I feel like cultural appropriation is such a tough subject to speak about and I feel like a lot of people don’t speak about it. It’s difficult to talk about because it’s hard not to offend anyone, but it’s good to have uncomfortable conversations, it’s important.
In my point of view, I think it’s wrong to profit from someone else’s culture, especially if you’re profiting from something you don’t actually have much knowledge about. Profiting off a culture is bad. I’m not saying you should know everything about Indian culture, I’m not expecting someone to know a lifetime’s worth of culture. But if you’re going to use that art work, you should give back to the community that you’re taking from.
So if you wanted one of my ladies, you’ve come to me, you’re not appropriating. I’ve done it, I’ve designed it for you. You’ve come to a south Asian person to have south Asian art, I don’t think you can appropriate art it if this is the route you’ve taken. It’s like if you go to India and buy a piece of art. You’re giving back to that community, and to a person who has that culture. What would be an issue is if you went to a white artist and say; ‘I’ve found this on Pinterest, it’s so cute, I know nothing about it, please tattoo it on me.’ That’s a big issue. I’m genuinely hurt that people are making money off my culture and don’t understand basic facts about it.
The line between appreciation and appropriation
There’s a very fine line and obviously it’s very hard to tell if someone is on that line without getting to know them or knowing the person who they are. It can be very disrespectful to want something cause it looks cool, rather than knowing about it. I wish more tattooists would question a person before they tattoo something religious on them, for example.
I feel like I might get criticism here, because I do tattoo religious iconography on people that aren’t brown, because Hinduism is more of a spiritual thing – you don’t have to convert to Hinduism, it’s more of a state of mind. So some of my clients and regular clients are white. Many of them get a lot of my work done, and they’ve been to India, they’ve prayed in temples, they’ve done everything to assimilate to the culture that they’re in while they’re in it. And I appreciate that, that is a form of appreciation, you didn’t go there just to take cute pictures and look cultured. You went there to actually learn about the culture and immerse yourself. It’s a huge difference.
This is the thing with appreciation and appropriation, because someone can seem very much like they’re appreciating. But if you appreciated properly, if you knew enough about something, then you wouldn’t adopt it for yourself. Like the cornrows and Bantu knots of African women – ‘oh I’m appreciating cause I’m wearing this’, but if you really knew the oppression black women have faced about their hair, why would you want to join in with that? It just shows when people adopt things they don’t actually know shit about them.
I don’t claim to know it all, but the things I do know about I’ve learnt through reading – we’ve all got the internet you know! Google it all! What’s that saying? In the age of the internet, ignorance is not an option. I think that’s very true, and I don’t think there’s any reason to be appropriating at this point.
Whitewashed your feed
There’s been an influx of artists that have been trying to compensate for the lack of colour in their posts. It’s really strange did you know that you were doing this? Was this unconscious or did you know and now you’ve been called out for it? Or did you not realise and you’ve come through to own up to your mistakes?
There were a lot of angry people around my post about desaturation and taking the colour out of tattoos, saying things like, “so what we can’t edit our photos, we’re just taking the redness out?” I don’t know if anybody knows this but tattoos get red. I don’t know where the obsession with taking the redness out of pictures has come from. That’s what they look like. Nobody actually knows what they really look like, for some reason when we post a picture of a new tattoo it looks like it’s already healed, there’s no redness or swelling, no blood.
https://www.instagram.com/p/CBTLultndIu/
I used the term ‘corpse like’ on Instagram, which somebody didn’t really like, but that’s how it feels when you see someone taking the colour out of your photo – you look cold, you don’t look yourself, it makes you question – why did they do that to me? Why did they take the colour out of my skin? That’s definitely why I think stop erasing our skin tones. There’s no need for it.
It’s nice to see brown bodies, that’s something I wanted to see when I first started getting tattooed. I only came across one Indian/south Asian tattoo artist after a lot of searching. I’m very appreciative that my feed is very brown, it’s orange and warm. I really wish I saw stuff like this when I was 18 and first wanted a tattoo and I wanted to know what it would look like on me. Google Indian/south Asian tattoo artist now and a whole bunch of stuff will come up and I’m a part of it!
The only brown person in the room
I asked my followers what it felt like to get tattooed as a POC and some of the answers were hard to read. Some of them were really heartbreaking. I asked because I didn’t know if it was a just a me thing, obviously me being a tattoo artist I’m usually in white spaces a lot, having white friends as well. I’m always the minority, it sounds terrible but I always feel uncomfortable, I sit with that discomfort a lot and I don’t say anything. When it comes to finding a tattoo artist, I’m heavily tattooed and like traditional work. Most traditional tattoo artists are white men. Whenever it comes to meeting a new artist, I’ll get scared and I’ll hesitate and think, I don’t want to go to this person in case they’re racist. It’s a genuine fear any time I meet somebody I’m terrified that I’m going to walk in and they’re going to look at me and think, ‘oh shit, she’s brown, I don’t want to tattoo her.’ I fear that they’re going to say something horrible to me and it’s happened before.
Kelly Smith did my back and she’s the loveliest person I’ve met in my life, but before I met her I was thinking, I’m going to be sitting day sessions with this woman, never met her, she could look at me and be like ‘omg she’s brown I can’t tattoo her.’ It’s a genuine thing, are they going to be racist, are they going to like the fact that I’m Indian? It’s like those fears you feel when you meet a new artist for the first time, I’ve never met this person before. Are they going to be a complete dick? We’ve heard all the horror stories of the victims of sexual assault in the tattoo industry, they should never feel that way. Then the added fear of being a POC and a woman, and being in that situation. You’ve got double the fear, are they going to be racist, are they going to sexually harass me? It’s horrible.
https://www.instagram.com/p/CBQ7CuvnsWk/
Those were the things I was expecting when I asked the question to my followers but the things I heard were far worse. People had paid someone to scar them and then weren’t given the satisfaction of seeing that post on Instagram or if it was posted, the artist had edited away that person’s skin tone. People told me that tattooers had outright refused to tattoo people them or people’s skin had been ruined. It’s horrible, it’s so sad, and it breaks my heart that people have to deal with this. And I’m glad I asked that question because it opened up so many people’s eyes, it opened up my own eyes to the extent of how bad it was – as I haven’t gone through all of it. As a tattoo artist I am privileged as I know my clients will never have to deal with that. I think it was an eye opener for everyone!
It’s when people don’t see it as an issue, obviously I am a POC, I am very aware when I’m the only brown person in the room, but when you’re the majority in the room, you wouldn’t notice. In some sense I don’t blame people for not seeing something that doesn’t affect them, but when people are listening to you and they say, ‘I don’t feel like that, I’ve not noticed that’, you have to continue to say I’m telling you this has happened to me.
Everything I drew was black and white
I’ve told people about the struggle I felt getting into this industry and they were like, well I didn’t do that to you, that’s not me. I’m not telling you that you did it I’m just telling you that’s what happened. When I got my first apprenticeship the artist actually said to me, ‘I hired you because Indian people work hard’. And I thought, ‘omg sick, being Indian got me a job’. Now I’m like he thought I was going to be an obedient little stereotypical Indian girl. And obviously I wasn’t that so I got fired very quickly.
I thought that in order for me to get a job in this industry I had to whitewash myself into very Eurocentric drawings in order to fit in. So I did a lot of neo-traditional work, but I still gave things a sort of Indian-y flair because that’s what I’ve always been drawn to. It’s interesting cause I feel like my work hasn’t really changed but then when I look at it, there’s new things.
When I moved back to Leicester, obviously there’s a huge asian population. Embracing the Indian side of my work would be liked here – people would like it more. Funnily enough I don’t really have a lot of clients from Leicester. Most of my clients travel from different parts of the country, which is amazing. Obviously it’s mad cause no one knows there is a little brown girl in Leicester that does tattoos, when I meet people they can’t believe it.
No two skin tones or skin types are the same
I think if you are a colour work artist, it is important that you figure out how to adapt your colour palette to other people’s skin tones. Something I saw a lot from my questioning and the POC experience of getting tattooed, a lot of people got turned down or were told colour wouldn’t work.
I’ve seen colour tattoos on black and brown people, and they look amazing, they’re gorgeous. They don’t look the same as they would on white people, that’s not the point and it doesn’t need to look the same. It’s beautiful in its own right.
No two skin tones or skin types are the same. You have to be able to adapt no matter what. Cause you don’t know what the person’s skin is going to be like if you’ve never tattooed them before. Everyone’s skin is different, so I don’t understand why if your skin is visibily different people would refuse to tattoo you – that’s a huge issue.
I’m guilty of it too, I used to tell people that I didn’t do colour because I didn’t know how it was going to work on POC. I didn’t think it would work because during apprenticeships, that’s what anybody is told – tattoo a POC and the colour turns out like this, the tattoo does this and this. Then you believe it, but seeing other artists be like no it actually does work. I feel like an idiot, why did I just take somebody’s else word for it instead of learning about it and implementing it in my own art work?
By colouring a different coloured piece of paper or just turn the screen brown on your iPad, then add the colour to find what colours work. I see a lot of tattoo artists do that as well with their flash sheets, instead of having it just on white paper they use brown paper. That’s so cool, they’re so smart! Obviously tattoos won’t look like how they do on pen and paper but you get the gist. The contrast more than anything seems to be what everyone has the issue with. The lighter you are the more contrast black has one white, the darker you are the less contrast, it doesn’t mean that you can’t see it – it’s not invisible.
The patch test thing has been controversial too, because if you wouldn’t do a patch test on a white person, why would you do it on a black person? It kinda make sense but I guess we’re not at the stage yet where we know enough about doing colour tattoos on POC. We need to build that skill set and can look at a POC and know exactly what colours will work with their skin. Since we’re not at that stage the best way to do it is to just put pretty little coloured dots on people, obviously it’s not going to look terrible but it’s like a little rainbow. I think the patch test should be a free service though, I don’t think you should be paying for it. It’s not your fault that you need a patch test, it’s that artist’s lack of experience.
One last thing I would like to say to anyone who reads this, stop getting Buddha heads tattooed. It’s very offensive. In Thailand they have signs everywhere saying do not get a Buddha tattooed on you. I don’t know the ins and outs of it but the fact they have to have signs up telling people to stop getting them tattooed on you kind of says it all, doesn’t it? So now whenever I see a Buddha tattoo I’m like NO. You don’t understand, if you really knew about Buddha you wouldn’t have got that tattoo. If you really cared that much about Buddhism you would have known it offends them – so shame on you.
Heleena is continuing to speak out and challenge the tattoo industry, make sure to follow her Instagram and why not join in the conversation yourself?
Chelsie Harrison co-owns Sweet Peach Tattoo with @emgormleytattoo in St. Helens, Merseyside, where she creates sweet, girly and cute tattoos. We love Chel’s work and so we had to find out more about the artist behind the tattoos…
We love your girly cute style, would you describe it like this? Yes I describe it as a girly take on traditional style tattooing. I draw things I would like to have on my own body and I think traditional never goes out of fashion!
What inspires and influences your tattoos? To be honest almost everything inspires me, from watching the telly to going on walks. I have to jot ideas down before I forget them, my phone is backed up with screenshots of stuff that gives me ideas on what to draw – flowers, cartoons, patterns and colours.
What do you love to tattoo and draw and what would you like to do more of? I’m a big Moomins fan, I love tattooing anything Moomin related, me and @emgormleytattoo (who I work with) are both dinosaur obsessed and the studio is filled with lots of dinosaur stuff, we both love drawing them and have dinosaur offs!
I’d love to tattoo more traditional lady head designs, I think they are so pretty and I have a few tattooed on myself! Cute animals are something I enjoy too and of course always love flowers! I get excited when a customer completely trusts my judgement and just wants my style and designs on their body.
How long have you been tattooing? I’ve been tattooing nearly six years and I’ve loved every second of it. I got into it by getting tattooed by local artists and always talking about how much I’d love to tattoo, until one day my favourite artist that I was getting tattooed by at the time asked me out on a date! (@pau1terry_) We have been together ever since and he has been the best partner in crime. He encouraged me to find an apprenticeship because he knew how much of an awesome job it is, he is so supportive and I love the fact that we are both tattoo artists. We can just talk about the industry together and ask each others advice and opinions on designs and tattoos we’ve done. He gives a lot of constructive criticism which has helped me get better at tattooing over the years.
If you weren’t a tattooer what would you be? I’ve always set my sights on tattooing so I haven’t really gave it much thought, tattooing is my dream job and I’m so lucky to a lifelong hobby as a job. If tattooing was out of the picture I think I would like to work with children in a nursery as me and Paul have a little boy together and he brings us so much joy and laughter.
Can you tell us about your own tattoo collection. I’ve got a mix of different styles, I like both blackwork and colour. I have a lot of tattoos from my boyfriend Paul Terry I’m in love with his work and i just let him have free rain and he can tattoo whatever on me! Some of my favourites are from a Leeds based artist called Lucy O’Connell, she has done my chest, neck and forearm and I absolutely adore them, her work is just amazing! I have already booked in with her for more!
We travelled to Madrid last year as Paul was invited to do a guestspot at La Mujer Barbuda, I got tattooed by one of my favourite artists Derbora Cherrys while I was there, she tattooed a shattered lady face with a peach on me and it’s just perfection!
How does tattooing and tattoos make you feel? I love making people’s ideas come to life, it’s mad to think that my artwork is on them forever! (if they don’t get it removed that is). I also love how you meet so many nice individuals, the people I work with are like my family and a lot of clients I would call my friends.
We recently spotted Ella Eve’s tattoos and artwork on Instagram. As soon as we saw her botanical babes series and nature-inspired tattoos, we knew we had to find out more…
How long have you been tattooing and how did you get into the industry? I’ve been tattooing for six years and I’m currently tattooing at Blind Pig Tattoo club in Brighton. My journey into the industry was a little unusual. I knew I wanted to be in a tattoo studio environment and Initially I took a job in a studio doing nail art for a short time. Consequently it was through the people I met in that space I eventually plucked up the courage to ask for advice from my friend who was a tattooist, and her guidance pretty much led me to where I am now, so I’m very thankful for that.
How does it feel to be a woman in the tattoo industry, do you think this has an affect or impact? I remember when I started tattooing I felt and continue to still feel very empowered to be a female tattoo artist. However, as a previously very male dominated craft, it’s hard to not feel slightly mismatched to the job at times of insecurity, and quite often there’s an underlying feeling of having to prove yourself. It can be hard not to overthink what your place is within an already quite judgemental industry, and especially now that social media plays such a huge role within advertising and promoting services.
In terms of being a female, I’ve heard from some clients that they prefer to be tattooed by women. Some completely inexcusable behaviour from certain male tattooists really tarnish it for the rest of the completely respectful men in this industry which is really awful. Hopefully we will put a stop to those people who abuse their positions of ‘power’ by calling them all out. I do feel I need to say, I wouldn’t explicitly say that I myself hold the opinion that being tattooed by a woman is a favourable experience to that of a man, I think it’s all dependent on the clients preference at the end of the day. As a tattoo can be such a private experience in terms of placement, it’s understandable some would specify a preferred gender anyway.
On the whole, it’s so great to see so many women making incredible work all over the world, making a stand for huge changes within the industry and also to personally know some insanely talented female artists too.
What inspired you to get your first tattoo and then become a tattoo artist ? I got my first tattoo at 18 because I was driven by a need for self expression and rebellion which is pretty much exactly what everyone would say I expect! I come from a big family of artists most of which are women and so finding your own identity was a lot harder.
I loved the idea of having something permanent on my skin that was mine and also back then I wanted to design everything I got myself. I think when you have been creatively driven your whole life, self expression is like the air you breathe and getting tattooed was another way of tapping into that.
As for inspiration for becoming a tattooist, the hardest years of my life were those where I put a cap on my desire to create and just existed in a more ‘realistic’ job making ends meet. I spent a lot of time, maybe too much, determining where I belonged in the world. It’s funny because when I think back, the concept of me working as a tattooist when I was 18 was completely terrifying to me. I was so afraid of failure, had no belief in my abilities and the pressure attached to adhering something permanently to someone else’s body was just mind blowing.
I was fascinated with the process of tattooing, the development from ancient tattooing and the current modern day abilities of tattooists. So, the desire was always with me but I had no idea who I was or how to find the confidence to do anything with it. It’s so scary to present your work to someone and ask for a chance, you really do feel like you’re laid bare waiting to be torn apart, and it was a whole eight years later that I eventually found the courage and thankfully it paid off.
Are there any artists you admire or female tattooers that helped you get to where you are? There are SO many artists I admire, it’s hard to whittle them down to just a few. Artists such as Greggletron, Kamil Czapiga, Tyler Pawelzik, Jack Peppiette, Kelly Violence and Suflanda are hugely inspirational for their consistently flawless work. There are some pretty special ladies I admire for their incredible talent and hard work also such as Tahlia Undarlegt, Liz Clements and Jo Black, the gals at Black Moon in Frome, and Deaths Door in Brighton. All of which have helped me in various ways, they may or may not realise.
What do you love about tattoos? Adorning your body permanently with whatever you feel and want is one of the most powerful things you can do. There aren’t many things in life where we have the ability to take complete control of something to that extent. In the same breath, being able to be part of that process with someone can be seen as nothing less than an honour. There’s no other feeling like it.
Can you tell us about your own tattoos? Do they change how you feel about your body? I would honestly say that I have never got a tattoo to change how I feel about my body. I genuinely see an incredible piece of tattooing and want to own it. Most of my tattoos are a homage to the people who made them and their talent. It’s also awesome to collect tattoos from friends who are tattooists, that feels pretty great. There is so much to learn from getting tattooed when you are a tattooist which just makes the experience even more invaluable.
When it comes to the tattoos you create how would you describe your style? What inspires you? I am a nature freak through and through. There seems to be a running theme through anything I do. It’s not as recognisable as some other people’s practices, but there is something that has innately captured me when it comes to the intricacies of nature. I love repetition and sequences in the natural world and without literally focusing solely on sacred geometry or mathematical sequencing translated into imagery, I think there is always an underlying botanical theme in whatever I do.
My belief is that people should appreciate the benefits of going outside and actually looking at the insanely amazing intricate natural world we live in. That’s definitely something lacking in the modern technological world. I’ve seen that lockdown seems to have reignited this in people a bit more, which I’m hoping will carry over when the world is up and running again.
You’ve been doing a series of botanical babes, we love the one you did of our editor Rosalie. How did these come about and how can our readers get involved? The botanical babes project started during the early stages of lockdown and Initially it was a way of giving back to my clients and followers, giving people something to look forward to and get intrigued and excited about, and of course keep me busy!
The idea carries directly over from the work I was developing within my tattoo practise beforehand so it was also a great way to develop those ideas further. In turn it’s become something so much more than I expected. The feedback I’ve received from people on a personal level about seeing themselves in a totally different light due to these drawings has been amazing. I really didn’t expect that. I’m also so grateful for the amount of submissions I’ve had so far. I’m still open for more, so any readers can just visit my Instagram, drop me a follow and a message with a photo of themselves. Submissions are completely free and open to any age or gender, and physical prints are available for £20 each.
What do you love to tattoo and what would you like to do more of? I love to tattoo portrait style pieces, especially within the style of these botanical faces I’ve been doing recently. Having done my botanical babes project I’d love to go back to work and be able to tattoo more developed pieces within that vein. I love the ‘nature on nature’ element of these pieces. I’ve literally joined the beauty of the human form with the beauty of nature and I’m excited to be able to work more on this concept.
Do you have any guest spots planned (obviously when lockdown is over!) This year was meant to be my year for travelling! Typical! But I’ll definitely be rebooking the guest spots I had planned before the pandemic. These include Parliament in London, Northgate in Bath, Easy Tiger in Leeds and Two Snakes in Hastings. I also had plans to travel to LA and San Francisco in October which I don’t think will be going head, but I’m hoping to rebook those dates also. Thankfully, I did manage to attend my guest spot at Black Moon in Frome, and I’ll now be doing regular guest spots with those very lovely guys in the near future!
