Plastic in the Tattoo Industry: Time to Kill the Waste

Everywhere we look there is plastic and it’s starting to become a big problem. Plastic waste is the environmental crisis of the 21st Century and it threatens to choke our seas and decimate aquatic ecosystems. Writer and tattoo enthusiast Matt Haddon-Reichardt met up with vegan tattooist Ashley Thomas to find out if anything can be done by the tattoo industry to cut the waste…

Ashley Thomas (11)

“I would say that my shop, Echelon Tattoo probably generates 1300 bags of trash every year, and fills six sharps containers. Since we are an all disposable shop, the sharps container contains probably 80-90 percent plastic (cartridges, disposable tubes and needles, razors), and our trash bags are probably about 40 percent (gloves, rinse cups, ink caps, blue medical bib backing, equipment barriers, and the trash bag itself). That’s a lot of plastic but most of the waste I would say is a serious mountain of paper towels and gloves.” Ashley explains as we sip black coffee.

Ashley owns Echelon Tattoo in Midvale, Utah, and is a passionate vegan, environmentalist and artist. She has been tattooing for 13 years and is acutely aware of the plastic waste problem. I ask her how plastic heavy tattooing actually is.

“Ink caps, razors, cartridges, gloves, rinse cups, equipment barriers and medical bibs are all items that either contain or are composed of plastic in varying quantities. The good news is that industry manufacturers are starting to consider this and coming up with new products to address the growing concern over plastic. Black Claw now produces disposable tubes made from cork, and Rose City Supply was offering biodegradable equipment barriers. I think you’re going to see more artists and shops look for these products too as awareness increases. In terms of metal tubes, I think there’s still a fair amount of waste; there’s still the matter of the autoclave bags that need to be used daily, and the water and electricity to run each load in the autoclave and the plastic container for the distilled water used in the autoclave. I think whether or not to use cartridges or plastic tubes vs. metal tubes will always come down to personal preference of the artist.”

We can all make a difference to the plastic problem and Ashley is doing her upmost to eliminate plastic from her tattooing:

“I am always looking for ways to reduce waste and be more environmentally friendly at work, just as I am at home and in all aspects of my life. It can be really tricky in tattooing; so many plastic items keep both us and our clients safe. I don’t know of a current alternative for gloves, but I am looking to try out biodegradable trash bags. I was using the biodegradable equipment barriers from RCS, but I believe they’re discontinued as I haven’t found another supplier that carries them.”
One problem with tattooing is that contaminated waste must be disposed of safely.  Ashley appreciates that it’s not just a matter of eliminating plastics but how we process then when they are thrown away. “Waste disposal in general is woefully inadequate when it comes to factoring in environmental impact. I think it would require working with environmental and health officials to come up with the greenest possible solution to this problem. I’m certain that manufacturing and using biodegradable options whenever possible would be helpful.”

Many artists are now going vegan when it comes to tattooing. Ashley feels vegan tattooing is the future when it comes to managing waste products including plastics.

“I believe using a vegan option is generally always a good thing. Animal agriculture, and therefore animal products and by-products, consume larger resources to produce than their plant-based counterparts, so production waste is typically less. In terms of plastic that’s obviously not a win for the environment, that’s why we need more plant-based, biodegradable solutions.”

One big waste product from tattooing is the cling film used to cover fresh tattoos. I ask Ashley if there are any alternatives.

“I believe a barrier is absolutely necessary to keep the customer, the artist, and everyone else in the shop safe from cross-contamination until the customer leaves the premises. I think, again, that we really need to work with the industries that manufacture the products we use to come up with biodegradable alternatives – biodegradable barrier films, tapes, razors, ink caps, etc, would all be a huge win for us and for the environment.”

Words: Mathew Haddon-Reichardt
Image: Ashley Thomas

Interview with Tattooist Ell Torres

Ell Torres is a 31-year-old tattoo artist based at the Gold Room Tattoo (formerly Dock Street Tattoos) on Crown Street in Leeds UK. We chat to Ell about her love for all things vintage horror and her tattooing style…

IMG_4280

When did you start tattooing and what made you want to join the industry? I started an apprenticeship in 2009, as a single mum I worked another job at the same time to keep the bills paid as most apprenticeships are not paid. Although I was within a studio I wouldn’t say I was given much guidance, looking back I was probably more of a glorified (and unpaid) receptionist but it got my foot in the door so I kept going. Tattooing was something I wanted to get into since I was 18, although I was always interested in tattooing and was tattooed myself it wasn’t as popular back then as it is now (especially for females) I guess it just never crossed my mind as an option when leaving school.

IMG_4281

What did you do before? Did you study art? I studied art and design straight from school and went straight to university to study textiles and surface pattern design I enjoyed fashion mostly. I loved college but struggled with jumping through hoops at uni, someone mentioned my work was very tattoo inspired so it was a bit of a lightbulb moment for me. I left uni in my second year and started working full time. I found an apprentishship around three years later, a year after my son was born. It’s been a struggle and it’s taken a lot of hard work but it’s what I wanted to do and it’s been worth it so far.

IMG_4296

How would you describe your style? Which do you love tattooing more colour or blackwork?  I find it difficult to describe my tattooing style as I guess it’s just naturally evolved. I do like to dabble in a few different styles, I guess it’s always very vintage and retro inspired. From films, posters, comic books, botanical illustrations from flowers to animals, I tend to do a lot of planchettes and vintage horror and spooky inspired images. I can sway toward neo trad, comic, realism and ornate depending on what the subject is. Although I’d say my work preference is colour, I’m happy to work with both black and grey or colour.

IMG_4283

What inspires you? Are there any artists you admire? I really enjoy b movies and retro/vintage horror along with other genres particurly directors such as Tarantino, Guillermo del Toro and Rob Zombie. In terms of art and artists whom inspire me I love Mexican folk art, J H Lynch, Vladimir Trenchikoff, Edward Hopper, art nouveau, Renaissance, gothic, vintage advertisement posters and movie related art from horror to Cuban travel etc. – the list goes on!

IMG_4282
I admire many tattoo artists although I particularly enjoy the work of Teresa Sharpe, Onnie O’Leary, Adam White and Alex Wright. But it’s safe to say I work with some incredible artists at my current studio who all inspire me everyday with their talent – Sneaky Mitch, Rich Wells, Abbie Williams and Sam Rivers.

IMG_4285

Do you have any guestspots or conventions planned? I have never done a guest spot before but it’s something I’m considering, although I’m a bit of a home bird. But I will be working at the Scottish Tattoo Convention this year for the second time and possibly the Leeds Tattoo Convention both of which I always enjoy.

Interview with Tattoo Artist Liv Frost

24-year-old tattooist Liv Frost works out of Tattoo HQ, Chesterfield, UK where she creates amazing blackwork tattoos. We chat to Liv about her recognisable style and love for patterns found in nature…

LFrost

When did you start tattooing and what made you want to join the industry? I joined Tattoo HQ seven years ago in March. I had been searching for a shop to take me under their wing as an apprentice for quite a while beforehand and then I got introduced to Brenden Jones and Chris Cross the owners. Who I not only look up to as inspirational tattooists and bosses but also like father figures (I’ve got a tattoo for them on my leg saying “HQ Pops”). Truly lucky and grateful to have to them in my life and for everything they have done for me over the years.

8

What did you do before tattooing? Did you study art? I did an art and design BTec at Chesterfield college when I left school, specialising in ceramics and jewellery making in my first year and then textiles in my second year. Looking back at old sketchbooks and pieces drawn/made throughout this time, they all reference tattoos, whether that be the style or the history. Tattooing was something I’ve always just been drawn to and interested in. I’ve always had a strong mindset – if you want something bad enough, you have to go out and do it, regardless of what others say, you’ve got to do it for you!

1

How would you describe your style? What drew you to blackwork?  I originally started out wanting to tattoo traditional based work, but something wasn’t quite right. I’m a lover of textures, a mix of line thicknesses and patterns. I think that’s why I use a heavier lines for the main outline of my work though as I like that bold statement that traditional work gives. When I was apprenticing I used to draw on little wooden boxes to sell and Bren and Chris suggested I tried some dotwork out on them. I loved it and I would happily sit for hours dotting away on them. I then drew flash sheets of bugs and butterflies in this style and it all started from there. Just black, dots and lines. Various textures creating depth and forever learning what liner would create the best dotted fade or how adding the smallest of line details can make such a great impact on a piece. When tattooing I only show the customer the main outline of the piece and add all the fine linework and dotwork as we go along. I find that this way, the piece flows better! Trusting customers are everything!

LF

What inspires you and what would you love to tattoo?  I love butterflies and moths, the unique prints on them and just like leaves and petals, the impressions from their veins. I love tattooing floral pieces and mandala/pattern work, I’ve found they go hand in hand with each other for creating larger scale work! Another of my favourite things to tattoo is small frilled hearts with anything inside them – often writing or something Disney related! I’d love to tattoo more large scale pieces, I’ve got a few back pieces coming up that I’m really looking forward to and this year I’m definitely going to focus on drawing up more flash sheets based around nature, patterns and of course some more Disney will pop up in there!

10

Do you have any guest spots or conventions planned? I currently don’t have anything lined up for any guest spots or conventions but I’m definitely going to change that! My books reopen in March so by that time I’m hoping to have a few shops booked for guesting at! I always post about anything up and coming on my Instagram and work Facebook page!

6

Interview with Tattooist Artem Iam

32-year-old tattoo artist Artem Korobov Iam works out of a private studio,  in Tel Aviv Israel and creates tattoos in what he describes as a graphic style. We chat to Artem about his unique tattoo pieces and what inspires his abstract work…

11

How long have you been tattooing? How did you become a tattooer? I work at my private studio in Tel Aviv Israel. I opened this space together with Shiran, my girlfriend who is also a tattooer – our shop is called DUMIYA. I’ve been tattooing around four or five years now. I become a tattooer when I was in Spain, that’s when the idea of tattooing came to me. Before tattooing I worked a lot of different jobs – almost most of them shitty.

What drew you to the world of tattooing? I’ve been drawn into the world of tattooing, mainly because I think the time, place and everything was right and felt right. Everything was exactly how it needed to be! I know that now I have found myself!

Untitled-1michael

How would you describe the tattoo scene in Israel? What sorts of reactions to tattoos get over there? The tattoo scene in Tel Aviv is a little bit better than in the rest of Israel. Because Tel Aviv is the centre, and Israel is not a big country, most of the good artists can be found in Tel Aviv. I don’t really have a lot to say about the scene in Israel but it is good. Everything is moving slowly here, but the clients that are here have open minds which is so good! You can also find some super unique artists here as well. But you can count them on one hand, if you know what I mean.

I love to tattoo in Israel though, it’s my home. From a really young age I grew up in this country, although I was born in Siberia. So I love Israel, when people ask I say I was born here. I also really love my clients, well almost all of them! They are open minded with me, which is great for me as I can do what I love and what I like which is a great thing!

Untitled-1artempageaaa

How would you describe your tattooing style? I would call my style graphic Avantgarde. I mix different techniques with some graphic realism, abstract texture or different kinds of elements. Some of these I make on my iPad and some of them I draw, or I make the parts on Photoshop and then mix it altogether to get the design. Sometimes I make some abstract works that are all freehand.

Untitled-7diannadum

What inspires the pieces you create? Everything is inspiring to me, it could be a sport, a player or fighter. It could be music, good movies, lyrics from songs or writers that I love. Other times it can be the weather or the atmosphere around me – really I think I am inspired by everyone and everything.

Untitled-7luisartem

Do you admire any other artists and do they influence your work? There are a lot of good artists that I love and that I am inspired by. I travelled around the world for two years meeting loads of good people, whose work I loved as well. My good friends are from Brazil, they’re like my brothers and they inspire me a lot. But also lots of the other places I have been have an affect on my work too.

Untitled-1-Recovered-Recoveredartemnew

What do you like to tattoo, and what would you like to do more of? At the moment I like to tattoo women’s faces with a mixture of different emotions. I also like to tattoo abstract stuff, I like to improvise and experiment. Every time I do this I am finding more and more out about myself! I don’t really know what else I want to tattoo, I do want to progress. I’m always looking to make something, new and fresh, or at least try to!

Kewpie Tattoos

If you’ve been following us for a while, you’ll know that we’re just crazy about kewpies. We first shared our love for these adorable dolls in Number 3 of Things&Ink magazine – The Love Issue. Now we’re seeing that a lot of tattoo collectors and tattoo artists share our feelings for these little cuties… 

@rat666tat

Screen Shot 2019-01-20 at 15.53.24

@drewlinden

Screen Shot 2019-01-20 at 15.55.47

@_cattnip

Screen Shot 2019-01-20 at 15.56.18

@jodydawber

Screen Shot 2019-01-20 at 15.58.08

@juliazombitattoo

Screen Shot 2019-01-20 at 16.00.35

@showpigeon

Screen Shot 2019-01-20 at 16.01.19

@attackofthe50footwoman

Screen Shot 2019-01-20 at 16.10.22

@monikadarling

Screen Shot 2019-01-20 at 16.13.02

Do you have a kewpie tattoo? Tag us in your photo on Instagram so we can see it!