Things&Ink

March 6, 2024March 6, 2024

“On one hand, there’s tremendous value to be found in the old ‘gatekeepers’ of tattooing, their respect for techniques and history… on the other, that knowledge was often inaccessible – especially as a young female tattooer,” tattooist, Charlotte Timmons

Tattoo artist Charlotte Timmons (@charlotte.e.tattoos) is known for her creepy cute tattoos – we’re obsessed with her iconic cat ghosts. Having made the move from the Birmingham in the UK to work at Grit N Glory in New York, here she shares more about her tattoo journey and the ever-changing tattoo world…

When did you start tattooing and how did you start in the industry?

I can barely remember when I started tattooing at this point, but it must have been around 2009, so we’re going back about 15 years.

How have you seen the industry change since then?

It’s very difficult to answer this succinctly because it’s changed so much. As a mid-millennial, it’s crazy how much I’ve seen technology evolve in my lifetime – and that’s had an impact on every industry in so many ways.

For me, tattooing has evolved in really good and really bad ways because of both the influence of social media and culture more generally. On one hand, there’s actually tremendous value to be found in the old ‘gatekeepers’ of tattooing – their respect and reverence for techniques and history, and the humility expected from people getting into the industry are lessons I internalised. On the other hand, that knowledge was often inaccessible – especially as a young female tattooer – and that it isn’t so much the case now.

As someone who loves to do guest spots in different places, it’s always fun to find fresh and conflicting opinions about where the industry is headed. Suffice to say, in my experience, the best people in the industry, both old and new, are the people who value and care for their customers, and are grateful to do the job. Not the people who always need to buy another ticket for their ego.

You tattoo in New York now, how was the move from the UK? What inspired you to move?

It was really difficult. I went from a full calendar and a shop full of people I loved like family to barely any bookings and a shop full of new people I didn’t know yet. Then a pandemic hit – which made me feel I had made a huge mistake.”

“The culture of New York is highly competitive, innovative, fast paced, expensive and exhausting. And if I think about it, I don’t really know what inspired me to move here. It’s more like I did something really insane and then made up the reason later – like a lot of my favourite tattoos.

I had hit 30 and was watching a lot of friends and family settle down. I didn’t know what I wanted to do with my life, I just felt this restlessness in my gut that I had to do *something*. When the thought came up to move to NYC after guesting there, I thought, why not? It’s kind of insane, but New York forced me to grow into a person closer to the one I wanted to be, so it was the right decision.

How is the tattoo scene different over there?

I’d say I tattoo more people of colour in New York than I used to, which is a great thing that has helped me grow as an artist, and to see different tones heal on different skin types is important for the planning of a design. I grew up in a fairly diverse community, but most of the people of colour I knew were from conservative or religious families, so they rarely had tattoos.

The tattoo scene here is as vibrant as anywhere, but there are so many people here that you have to find your specific niche or it’s highly competitive for work.

How would you describe your style and what do you love to tattoo?

My style has sort of been coined as ‘Illustrative Neo-traditional’. It’s a pretty good description. It’s like I can’t decide what lane I’m in so I just throw a bit of everything I’ve learned from people in every style into it. I love animals and floral, and I love creepy stuff and fantasy stuff the most. The themes of traditional are classics for a reason, but I’m become more interested in flow, and fitting things to the body shape.

Is there something you’d like to do more of?

I would love to do some darker themes, and some bigger more ‘stripped back’ stuff, but I also appreciate that a lot of my work is really ‘cute’ and intricate and that’s why people go for it. It’s not like I want to tattoo skulls all day, but I would love to lean more into that occasionally because I feel like I want to fine-tune that area to be a better all-round tattooer.

Have you found you’re known for a particular subject?

My little cat ghosts. Creepy cute stuff, animal portraits, and undoubtedly the most ‘famous’ tattoos I’ve made are of moths.

What’s been your proudest tattoo moment?

It’s hard to pick one but a girl said to me at a show here in the US that she followed my work when she was a teenager, and it inspired her to tattoo. And a woman once sent me a picture her 14-year-old had drawn based on one of my tattoos. Both sort of took me aback because no matter how old I get, I always have this imposter syndrome and feel kind of irrelevant in the grand scheme of things. So to have people notice anything you’ve done, and say you specifically inspired them to draw or tattoo feels really profound.

Any future plans you’d like to share with us?

I am currently living happily in NYC, but have guest spots around the US lined up for the spring and summer. Hopefully I’ll be visiting the UK later in the year too, but I can’t make any concrete plans just yet. I’m hoping to be back a few times in the next couple of years too.

Make sure to follow Charlotte on Instagram for more cute tattoos – and hopefully some skulls, too!

We’re always talking to amazing tattoo artists, check out our latest interviews.

March 1, 2024March 1, 2024

“There’s something fun about doing subversive tattoos in a world where being tattooed is no longer a subversive act.” The Art of Kink: Exploring the World of BDSM Tattoos

*NSFW: YOU MIGHT NOT WANT TO OPEN THIS ARTICLE IN FRONT OF YOUR GRANDMA OR YOUR BOSS AT WORK, AS THERE IS A LOT OF NUDITY, INCLUDING FULL FRONTAL (UNLESS THEY’RE INTO KINK, TOO)*

We love that BDSM offers a community of acceptance allowing people to embrace and celebrate their sexualities… We also adore that many tattoo collectors are choosing to proudly adorn their bodies with designs that reflect their connection to this vibrant, sex-positive and ever-growing community.

We spoke to the tattoo artists specialising in these designs about their perspectives on the BDSM and kink scene. Of course, we also heard from collectors about why they love these tattoos too…

@safewordbysophie – London, UK

“I was a fetish fashion model for over a decade and found myself surrounded by strong, intelligent women who owned their sexuality – I’ve always tried to replicate that both personally and artistically. As a young adult, the community really shaped me in a positive way and taught me a lot about consent and communication, which helps so much with my own tattoo clients.”

“Fetish work always seemed like the most natural thing to transition into tattooing as it was something I had a lot of knowledge of (and experience in) and I loved drawing it. My style translated to tattooing perfectly.”

Sophie’s admiration for photographers such as Bob Carlos Clarke, Guy Bourdin, Helmut Newton, and artists including John Willie and Tom of Finland sparked her interest in Shibari. With her background in fetish work and love for drawing, she found Shibari a natural fit. Transitioning to tattooing, her style remained consistent, reflecting her passion with ease.

“I’d say that 75% of my clients who get kinky work are female and most are LBGTQ+. I’ve worked with Sub/Dom dynamics before, but most of my work centres on female empowerment. I don’t tattoo women participating in anything NSFW that could be even slightly misconstrued as discomfort or pain. I also don’t tattoo fetish work anywhere that is really visible or hard to conceal – I can consent, as can my client, but the general public can’t.”

“I have a responsibility as an artist to make sure my clients’ wellbeing is the most important part of the process – that includes appropriately placing a tattoo that could potentially jeopardise job opportunities and how they are perceived in an everyday setting.”

@thatgirlsare – collector

“This tattoo screams ‘female sexual empowerment‘ and that’s exactly why I chose it. I asked the tattooist to change the fingers to ones that looked more feminine as there’s nothing more powerful than a woman who’s sexually empowered. It’s one of my favourite tattoos.”

@gabrielalastratattoos – Newcastle, UK

“I love creating sex-positive tattoos and working with a diverse group of clients who want to feel empowered through ink. These tattoos break stereotypes and attract people from all walks of life, each wanting a unique way to express themselves.

“From detailed designs celebrating body positivity to subtle symbols of liberation, sex-positive tattoos tell individual stories. I connect with clients who appreciate the art, building a community that values creativity over stereotypes – this means prioritising individuality, originality and diverse perspectives in artistic expression. It means embracing the uniqueness of each person’s creativity, regardless of societal norms or preconceived notions. It challenges stereotypes that may limit or box in people based on factors such as gender, race or background, making a more inclusive and open-minded creative community.”

“My clients might seem conservative on the surface due to their professional background or upbringing, but they express themselves through art that some might find taboo. It’s about embracing unexpected side.”

“My clients showcase the inclusive nature of sex-positive tattoo artistry. These tattoos aren’t seedy; they’re a celebration of personal thoughts and fantasies, breaking free from societal norms. My passion goes beyond the ink; it’s about witnessing clients reclaim their bodies and embrace their unique journeys.“

“Whether a client is quiet or outspoken, they become a platform for empowerment. Conversations sparked by these tattoos challenge norms and redefine beauty. This mix of art and self-discovery keeps me loving what I do, fostering connection and understanding.”

@latexpapi – Montreal, Canada

“I am a big fan of trying to push the boundaries of what a traditional tattoo is. I often source my inspiration from vintage fashion and fetish illustrations and photography.”

“My goal is to create designs that will shock your grandma but still portray the high class. I want to make designs that are sexy but not pornographic.”

@onnieolearytattoo – Sydney, Australia

“I think people often get these tattoos for the same reason gay men used colour coded handkerchiefs in their back pockets – it allows the wearer to signal their preferences indirectly, without broadcasting them to everyone.”

“Other people might use them to celebrate or commemorate an event.I got a two-headed snake after my first MMF threesome, and a jar of coconut oil after I tried anal successfully for the first time.”

“Plus, some elements of tattooing revolve around trust and pain in the same way that BDSM does, it’s a practice that requires you to be present in your physical body and exert a considerable amount of willpower, and you have to have faith in and good communication with your artist.”

“Artist Damien Hirst once said he wished art would be treated with the same respect as medicine and I think tattooing is as close as we get to that. When done right a tattoo offers us the opportunity to test our physical limits in a safe and protected environment.”

@dexterkay – Brighton, UK

“Getting into queer kink tattooing was a natural progression for me. This came from my growing confidence of my own sexual identity, and demanding space for acceptance and understanding. Because of this I have created a space where LGBT clients can come into a shop and feel comfortable to be 100% themselves throughout the experience. A lot of heteronormative clients don’t understand the stress and dilutions-of-self that queer clients go through. ‘Do I say boyfriend or partner? Is it a safe space?'”

“Queer sex still is still viewed as taboo; violence and rejection is a huge part of queer existence. Seeing that people have the confidence to wear what they were once ashamed of is exciting and opens fun conversations without judgement.”

“As an artist, it has made me push my drawing and ability to capture different positions and energy within an image. It’s always interesting to think how people can wear such an image, and how to play with ideas.”

@guerilla_needles – Edinburgh/Leeds – UK

“I love doing kink/BDSM tattoos because I’m part of the subculture, it’s fun to decorate my fellow perverts!”

“I’m not a gatekeeper in tattooing, but I also think that there’s something very fun about doing subversive tattoos in a world where actually being tattooed is no longer a subversive act. I like to be a part of that.”

@gerfer_tattoo – Dublin, ROI

“My name is German Ferreiroa AKA @gerfer_tattoo, I’m an Argentinian tattoo artist based in Dublin and co-owner of Secret Door Studio with my best friend Julie Midnight. My work is inspired by all gay subcultures, mostly leather and uniform men and, of course, I get specific requests and I do designs with whatever kinks or fantasies the custumer has.”

“At the end of the day what I love to do is to portray how beautiful the male body is in any way, shape and form.”

“I’m now known for my male genital tattoos [see below]. Something that not a lot of artists do. Alongside my tattoo career, I did a few different art projects including The Male Project and the Dick Pic Project, working with real models and self publishing six books. I’ve done different exhibitions in different studios and tattoo conventions around Europe and many more to come.”

@jaggyleightattoos – Glasgow, UK

“I created this because with all of the censorship that happens with vaginas and any sexual reference at all, I wanted it to be a confrontation to the viewer. And for them to simply enjoy it.”

Have you got any kink or BDSM tattoos? Or are you thinking about getting one? DM us on our Insta @thingsandink

About Things&Ink

Originally a printed tattoo magazine, Things&Ink is now a popular blog that takes an artistic approach to content. Our goal is to create work that utilises tattoo artists and people with interesting stories to share. This is a blog for artists, collectors, and those yet to go under the needle. As a reader, you will find out about new artists, products, and ideas that will enrich your tattooed lives. To stay up to date with our socials, check out the Things&Ink Instagram where we post frequently!

February 22, 2024February 22, 2024

“I look at myself as a canvas”, interview with Beckie Bold

25-year-old digital creator Beckie Bold (@beckiebold) lives in North Wales where she creates inspiring content for her followers. We chatted to Beckie (she/her) to find out more about her tattoo collection and body confidence journey…

What made you want to get tattooed?

I’ve always loved tattoos and thought they were super cool when I was younger. Growing up I realised that I look at tattoos as someone painting their own canvas (their body). I think it’s really unique and brings lots of confidence and is definitely a way to express yourself as a person.

I knew when I was younger that I would definitely be a tatted person.

What was your first tattoo? Can you tell us about the experience?

The last time I got tatted, I got three in one sitting. I got a small love heart with the number 13 in behind my ear, because it’s my favourite number and it seems to follow me around. I got a coffin with flowers around it on my upper arm because I thought it went with the spooky vibe of my sleeve and then I also got some crystals and flowers, again to fit the theme of my sleeve.

The experience was great! I was tatted by Emma-louise Bolton (@emm.dots) in Salford, she’s fabulous. She’s so lovely and chatty and always makes you feel super comfortable! She always gives me the prettiest ink.

Talk us through your tattoo collection – any favourites or meaningful ones?

I have lots of tattoos, probably too many to go into detail about each one. Some of my favourites are my mandala in my ditch, that one hurt super bad I wont lie but it’s absolutely stunning. I love my flowers on my chest too as they make me feel super pretty and confident. Another favourite of mine is my little skeletons with the black rose between them, little skeletons in love!

I have one on my back which is quite meaningful to me as it reminds me of my nana and taid (Welsh for grandad) as they were travellers back in the day, so I got a Gypsy wagon wheel for them.

Do you have any themes?

Yes! My right arm is spooky/space themed and I am totally obsessed. I love it and I can’t wait until its completely finished!

You share body confidence and your mental health, do tattoos help you love your body?

Definitely. They let me express myself in a way that is unique to me. They’re beautiful and I want to show them off, which helps me be confident in myself. When I have low days with my body image, I look at all the ink which helps me push through the body battles a little bit more.

Have they made you see your body differently?

I look at myself as a canvas. I get to fill in my own canvas with everyone I love or makes me happy. It’s such a brilliant way to be create in my opinion.

My tattoos make me want to be proud of the skin I am in.

What’s it like getting tattooed when you have lipoedema?

I think it’s different for everyone with lipoedema. For me personally, my upper arms (where the lipoedema is) have bruised whilst healing, while my lower arms (where I don’t have lipoedema) didn’t bruise at all. My lower leg tattoo didn’t hurt at all which surprised me as I have lipoedema there too.

Do you have any advice for anyone who has lipoedema and wants to get tattooed?

It depends on the person and pain tolerance but be prepared for it to potentially be a little more sore in areas where your lipoedema is! I can’t comment too much on this as everyone’s body will react differently.

Can you tell us about what you share on socials, how it all started?

In 2017/2018 when I started university, I began to use Instagram as a mental health diary to help me through my battles. I never set out to do any of this “influencer” stuff and never thought I would reach 40,000 people, but I somehow did.

Seeing all the different content creators on Instagram has saved me in a way, they’ve inspired me to love me for me and I can now hopefully inspire others to love them for them. It’s an amazing platform when you follow people and connect with people that help you feel happy and good about yourself.

I actively speak about body acceptance, mental health and sometimes chronic health such as lipoedema. I want to help people as much as I can. Even if its just one person that feels better because of something they have seen or read on my page, then I’m doing it right.

How do you want people to feel when they see your corner of the internet?

Safe. Included. Inspired. Beautiful. Good enough. Worthy. All the good things! I want them to start treating themselves how they would treat their loved ones. It’s great to love others, but lets love ourselves too shall we?

Follow Beckie for more beautiful photos and tattoos.

Read more tattoo stories including tattoos to mark transformative moments and our interview with Cicely Rae Jackson.

January 28, 2024January 28, 2024

Apprentice love: Emily Roberts aka tv dinner tattoo

Emily Roberts (she/her) apprentices at Cock A Snook in Heaton, Newcastle Upon Tyne. You might know her as tv dinner tattoo (@tvdinnertattoo), here we about her “ignorant” designs, her journey into the tattoo world and her hopes for the future…

You grew a large social following through your art and flash designs before you were tattooing. Can you tell us about this?

I started my account in 2022 – the goal was to find an apprenticeship and get into tattooing as a career. To get my name and designs out there, I was determined to draw and post every day to help me find my audience. The support from my followers gave me great motivation to keep searching for a placement and improving my drawing until I eventually find my place at Cock A Snook.

How did you become a tattoo apprentice? When did you start?

My account was still new when my now mentor sent me a lovely message about my profile and gave me some words of encouragement to keep pushing and building my portfolio. At the time, they already had an apprentice so there no space for me, but one year later I got a message asking if I’d like to come into the studio to see it and have a talk about a possible apprenticeship opportunity. It all went amazingly and I officially started my apprenticeship in June of 2023.

What inspires your designs?

I look to my personal interests for inspiration – I find enjoyment in drawing things I’m passionate about. For example, I look back to things I remember from my childhood or I’ll be inspired by a favourite film, song or video game. I also like to look to the ordinary and turn everyday objects into silly designs.

How would you describe your style?

Ignorant blackwork with some illustrative thrown in there.

What’s the studio like where you’re working?

The studio is an absolutely amazing space to work and hang out in. All of the artists I work alongside are so supportive and helpful and it’s somewhere I can openly be myself without fear of being judged. Cock A Snook always stood out to me as a studio, even before I found my place there, as it strives to be a safe and inclusive space that is welcoming to everyone.

We’re huge fans of tattoo artist Kezz and the work she does under Tattoo Smarter, is she mentoring you?

Yes, Kezz works as my mentor and has taught me an insane amount about all areas of being a tattoo artist as there is so much to learn both on skin and off. She is also just an incredibly thoughtful, kind and caring person who wants to improve tattooing for the better for artists and clients alike.

What’s been your favourite thing you’ve learnt so far?

I think trying out and learning how to use different types of tattoo machines was so fun and informative but I also love the satisfaction of being able to pull a crispy bold line. I’m constantly learning so my answer is always changing…

What’s a day in the life as an apprentice like for you?

During a typical day, I get to the shop and do some of the shared studio cleaning jobs and then start getting set up and ready for whatever I’m tattooing. Any spare time I have inbetween is spent drawing and catching up on admin as well as all the behind the scenes stuff that goes into the job.

When I have time I also like to record “Day in the Life” videos for my social profiles to show off specifically what I get up to as an apprentice. Now that I’m getting progressively faster at tattooing, I sometimes tattoo three clients in a day which is great practice! I also tend to ask a lot of different questions during a day so I can learn new things to help me progress in my journey.

Do you help set up for other artists?

Before I ever went near a tattoo machine, I used to set up my mentor Kezz’s station as much as possible. Repeating the steps I was shown repeatedly was so useful in teaching me the ways to assemble and disassemble a station correctly. There have also been times where artists have been running a bit behind so I’m more than happy to set up for them and help out wherever I can!

What drew you to the tattoo world?

I’ve been fascinated by tattoos since I was a child and I always knew I wanted to get tattooed myself. Even as a kid, I talked about wanting to become a tattoo artist but didn’t think I’d ever get there. Outside of that, I also just think carrying a permanent piece of art with you through life on your skin is the coolest practice.

What’s your first memory of tattoos or tattooing?

My grandad had a very old-school traditional swallow tattoo on his upper arm, which I remember being obsessed with when I was small – probably because he was the only person in my whole family with a tattoo. A few years ago, I got a swallow tattoo on my arm to match in his memory.

Can you tell us about your own tattoo collection?

I started getting tattooed just after my 18th birthday and now I have 21 tattoos in total by many talented artists from up and down the country. I’d say my favourite tattoos are probably my matching glittery knee webs by @keelyglitters. They’re just stunning and have helped me feel so much more confident about myself and the area they’re tattooed on.

What does the future look like for you?

My main goal is to continue learning and growing as an artist. In the short time I’ve been an apprentice, I’ve seen great growth in my art and in myself as a person, which I hope continues as I make my way. In the long term, I’d love to be able to guest spot at other studios as well as take part in tattoo conventions and other events. I’m just super excited to see what’s next and where this journey takes me.

Make sure to follow Emily (@tvdinnertattoo) on her tattoo journey and get booked in.

We’re always sharing our favourite tattoo apprentices on the blog, read more interviews here.

January 24, 2024January 24, 2024

“I find small things in everyday life – I contemplate whether those elements can be expressed through a tattoo,” interview with tattoo artist, Chou

When Korean tattoo artist Chou (@chou_tatt) was becoming curious about the wider world, a serendipitous email landed in her inbox from Chronic Ink tattoo shop in Toronto, Canada. She grabbed the chance to work there without hesitation and moved from her native Korea to her current home of Canada. Here she shares more about her tattoo journey…

What first made you fall in love with tattoos? Do you have a strong first memory?

I first learned about tattoos when I was 16. The guy was a sort-of gangster, I supposed, but also an artist in the Irezumi genre – he always drew dragon faces. At that time, tattoos in Korea were associated with the underground culture of gangsters. I found it quite shocking.

A few years later, I came across a watercolour tattoo by a Korean artist named Graffiti. He gave his client a vibrant red plum blossom on their side. Seeing that artwork, I realised that tattoos could truly be beautiful art forms. This experience became the catalyst for my love of tattoos.

What made you want to become a tattoo artist?

The job seemed cool. The idea of giving people lifelong art on their bodies really appealed to me. Before getting tattoos on my own body, I wanted to understand the principles of tattooing. So, I started learning about tattoos.

How long have you been tattooing for and how did you practice?

I think it’s been around five years now. I fell into the world of tattooing, and I’ve been searching for many teachers. I’ve had four tattoo teachers…

We absolutely adore your beautiful style, how would you describe it?

I’m an artist who uses rich and sophisticated colour palettes to beautifully adorn the body parts that customers desire.

Where does your inspiration come from?

It seems like I always find something small in everyday life. When exposed to certain visual stimuli, I contemplate whether those elements can be expressed through a tattoo. If it seems feasible, I quickly jot down notes. When I feel the desire to create a design, I revisit those notes, allowing me to filter out the ones that align more with my criteria.

You’re currently based in Canada, what brought you there and why?

While working in Korea, I became curious about the wider world. The tattoo market in Korea had less demand compared to the supply. By chance, Chronic Ink – the shop I now work at in Toronto – reached out to me and I came to Canada!

How do you like to work with your customers to bring designs to life?

It’s incredibly exciting when customers suggest interesting themes to me. Especially, the tattoo ideas featuring blue chrysanthemums, eyeballs, and pocket mice. These have been the most amusing topics in my life. When expressing my own colour palette with various themes, I fall in love with my job all over again.

Is it a collaboration, or do you prefer to have full control of your work?

Well, most of my customers trust me completely. They simply tell me the themes they want, and there’s little to no need for further adjustments when I send them the designs. Thankfully, my clients genuinely trust and respect me.

If a customer has a firm idea of what they want, and it slightly differs from my opinion, I tend to show them a few examples to broaden their choices. Since a tattoo is something that lasts a lifetime once done, I consider this aspect to be very important.

Do you tattoo flash pieces or mostly custom?

I like both, but working with flash pieces is a bit easier. That’s because the completed images are already visualised in my mind, and I just need to bring them to life. So, I sell flash pieces at a bit more affordable prices.

What are your hopes and dreams for the future?

It’s truly wonderful for me that my profession gives me happiness and I find joy in touching my customers through my work. I genuinely feel blessed. I hope to continue experiencing this happiness in the future and share it with others.

Do you have any plans to travel for guest spots?

I will be working in the UK and Germany from March. If anyone would like to meet me, please contact me through the profile link on my Instagram, @chou_tatt.

Be sure to follow @chou_tatt on Instagram and fill her guest spot spaces.

We’re always talking to amazing tattoo artists, check out our latest interviews.