Fidjit’s story

Managing editor Keely Reichardt approached tattoo artist, Fidjit over Instagram in July 2015 after spotting an ambiguous statement posted late at night.  Fidjit chose to remove the post not long after it had gone live, but Keely decided to reach out to her, to find out about the life-changing event she had hinted at…

The deleted post described the language used against her in a recent court case… Fidjit is a rape survivor and endured a horrific court ordeal where the defendant was found not guilty. With only 5.7% of rape cases ending in a conviction for the perpetrator, Fidjit wanted us to share her story to make people aware of court proceedings and your rights as a victim. 

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“I started going out with my ex boyfriend when I was fifteen years old. We briefly broke up when I was twenty but then we got back together. Just before I turned twenty-one, he raped me.

“He had never been violent in any way before, he showed no warning signs. It happened in April 2011. I would like to keep the intimate details of what happened to myself, it’s too personal to share with everyone. There was an argument which resulted in him raping me. Immediately after it happened he broke down, burst into tears and repeatedly apologised, it seemed like he went into some sort of shock – as I did too. I didn’t cry or move or speak, I remember feeling very numb, I couldn’t process what had just happened, I just sat and listened to him crying.

“For a long time afterwards I was definitely in denial. We spoke together about what had happened, he never denied what he had done and always took full responsibility. I was in denial and so confused about what had happened that I phoned the Samaritans a few days after. I explained what had happened and they told me I had been raped and that I should contact my local Rape Crisis centre. My ex boyfriend drove me there himself and he threw up in the car park; the fact that he had taken me there got brought up in court later, but was completely ignored as he said he was just trying to be a good boyfriend. I also saw a nurse. My ex spoke to a couple of his friends about what had happened. One of his friends told him what he had done was wrong and he stopped speaking to him. The other friend told him I was his girlfriend and that it doesn’t count if you’re in a relationship?! These two friends ended up as witnesses in court. I had also spoken to one friend over the phone, he knew something was wrong and ended up guessing what had happened, I told the police about him being the first person that I had told. They said he would be my witness. They never even contacted him and he was not involved in the trial.

“Months passed and I still hadn’t told anyone else, and I continued to tell myself that it hadn’t happened but my behaviour began to change. I became incredibly withdrawn and I stopped going to my flat (which I shared with my ex) and would go to my parents every night and stay there for as long as I could until I had to go back to my flat to sleep. My parents and I are extremely close and we tell each other everything. They could see that something was bothering me. Sometimes I’d phone them with the intention of telling them what had happened but I would hang up. I knew that the second I told them everything would change forever. My best friend would be my best friend no longer, he would be my rapist. And I knew that I would have to let his mother know what her son had done, and that’s something I could never think about doing. I knew it would change her life as well as mine and his forever. I feel like because of our history I was protecting him far too much at this point.

“I carried on living at the flat until September 2011, five months after what had happened. My ex was still living there too, we weren’t together but we were just kind of going through the motions. We were still sleeping in the same bed and he was still apologising every day. The friend I had told on the phone finally convinced me to tell my parents. I was spending the night at my parents’ house and something came on the TV that just made me blow up. I became incredibly upset and was screaming about it. My dad said that this behaviour was not normal and I needed to tell them right now what was going on.  I remember saying I didn’t want to and he guessed right away what had happened. It is the worst thing I’ve ever had to tell them. This is probably one of the hardest things I had to deal with after my rape; I’m the one who has to tell everyone, including my family, about this horrible thing that had happened.

“I told my parents I didn’t want to go to the police, I refused to, and I didn’t want his mother to know. I decided to move to London as I was living in Scotland at the time. I quit my apprenticeship and sold all of my furniture and I took an overnight bus down. My ex and I still kept in touch and still spoke about what had happened all the time. It was horrible, it was like torture, it just never goes away. It still doesn’t go away.

“About a year later I moved back up to Scotland and this is when I read something that really woke me up. I read an article about rape victims, written by rape victims. It was basically about the importance of reporting these things to the police as without more people coming forward it’s hard to change things –and things definitely need to change. The main thing that made me want to report it at the time was reading about the possibility of him doing this to somebody else. I had not thought about that possibility before. I went to the police station at 11pm and I knew I had to do it immediately or I would change my mind. As bizarre as it sounds, I spoke to my ex before I went to the police to tell him that I had to do something about it and I told him about the detrimental effect it was still having on my mental health. He told me he needed to, “man up” and take responsibility, and that if I needed to go to the police then that’s fine. It was a very different story when I actually went to the police and did report it.

“I had my statement taken at the police station. They take a statement from you multiple times and you have to go back many times to confirm/review your statement. Mine was not recorded, it was written down by someone and every time I reviewed it there were mistakes in it which I had to correct. They were also very specific about what I was allowed to include in my statement and what I wasn’t allowed to include. For example, he had told me why he had done it, he had told me he didn’t feel like I was “his” anymore. I was told it was irrelevant. It was many weeks after I had given my statement that I finally received a call telling me that he had been arrested and let out on bail. He refused to give a statement and just repeated “no comment” to any questions he was asked. I feel it’s important to add here that he is a middle class, wealthy, white man with his own expensive lawyer; he is basically untouchable.

“The witnesses were then both questioned . They both gave statements and both of their statements said that he (my ex) had gone to them and told them he had “gone too far”. Both of their stories matched each other’s and more importantly both of their stories matched mine. I think this is a big factor in why this made it to court. It is incredibly difficult for something to go to court because if they think that there is not enough evidence they will not take it any further. This does not mean by any means that anyone is innocent, it just means that they don’t have enough evidence for a conviction. They never made any attempt to contact my witness.

“I finally received a call saying that they had enough evidence and it was going to be taken to High Court. There were several months of waiting and he (my ex) had one hearing in which he plead not guilty. I feel I was really naive at this time and I genuinely thought that he was going to take responsibility for what he had done like he said he would.

“We got a court date for June 2014. In the time I was waiting I had to review my statement a number of times again with the Procurator Fiscal. I also had a meeting with someone to ask how I would like to appear in court. There are options that can be given to the witness; you can sit behind a curtain to give evidence, you can do it via video link, or you can be in the stand as normal but you can have a support person sitting with you while you are there. I went for the third option as I really wanted to face him. I thought that if he saw me speaking he wouldn’t be able to lie. I also had a meeting leading up to this time about the kind of things they were going to try and use against me in court. I was told that they were going to try and say that what had happened was part of some weird sexual game.

“The court date finally came. I was petrified of taking the stand. When you arrive in court as a witness they take you to a small private family room. You and whoever has come with you sit in there until you are called. In this instance the court was closed while I gave my evidence and then open for the rest of the trial, so my parents weren’t allowed to enter while I did my part. I know that this seems silly now but no one had told me that my ex would be in the room as I gave my evidence; the way they had described a closed court to me would be that it would just be me, the jury, the judge, procurator fiscal and his lawyer in the room. I wasn’t even aware that he (my ex) was in the room until I was asked to point him out. It threw me off and made me panic. The entire experience of being in the stand is hideous. I told the court what had happened and then I was questioned by the defence lawyer. I was shouted at and called a liar and a silly little girl. He said that I should have forced him off of me, and that if this had really happened I would have ran to the police station immediately. He smirked at me every time I spoke and he called me manipulative. When he asked why I hadn’t fought him off I replied, “I was terrified”. He laughed at me and said, “terrified of your own boyfriend?” I stood there crying whilst trying to defend myself but each time I tried to answer back the Judge would tell me to stop talking.

“The case ran for three days in total. The first day was my evidence and one of his witnesses. The witness on day one said that my ex had told him that he had gone too far and that yes, rape is what they were talking about. The witness solidified my story and both of our stories matched. So far it was looking quite promising that we would get a good result.

“Day two the second witness spoke. In his original statement to the police he had the same story as me and the first witness, however when he was on the stand he said that he had been forced to give that statement and that he takes it all back. He said that the Government were trying to use my ex as an example and then he started crying and saying he wanted to go home to his mum! I thought that this was great because surely he wouldn’t be taken seriously. After that, the police officer who took his statement took the stand to confirm that yes, those were the witness’s own words, he was not forced to say anything, and that he came of his own free will. Again I thought that this was a good thing because surely the Jury in a court would listen to the police officer who took the statement over the witness who was clearly lying. I was wrong.

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“On the third day my ex took the stand. This is where I feel things are more disappointing than I can possibly put into words, and I know that this is an incredibly common thing that happens in rape cases. My ex was asked, “how are you today? Tell me about your family. You went to a good school didn’t you? You are working hard towards getting a degree aren’t you?” He was told that he was a good member of society, a gentleman, and even told that he was dressed very well for the trial. I was looked down upon when I gave my job title, I wasn’t asked what school I went to, I wasn’t asked about my family and I wasn’t told that I was a good member of society. Nothing derogatory was even said to him when the procurator fiscal was questioning him. When he took the stand he smiled politely, didn’t get upset, spoke of me as if I was someone to pity, kept referring to me as his “girlfriend” and then going, “oops, sorry I mean ex girlfriend.” He had been incredibly well prepped by his defence lawyer. His attitude and ability to lie in such a cold way upset me more than anything.

“Once everyone has taken the stand the procurator fiscal and defence lawyer both make speeches to the Jury to try and help them make a decision. The Judge also gives a speech to the Jury. I feel like it’s important to mention that the Judge for my case was an older man. From the minute I entered the court I felt unfairly looked upon by him. In his speech to the Jury he said that me and my ex were in a, “dedicated and loving relationship that had lasted for years, so could this really be true?” He also said that the Jury were not allowed to take into account the second witnesses statement as he is saying he did not say those things, so it has to be written off completely. The Jury were told that there were two people in the room when this incident happened. If they cannot be 100% sure that this happened then they can not find the defendant guilty.

The Jury’s verdict was not guilty.

“The second that this verdict is found I was completely on my own as far as professional support goes. I had a support person who sat with me throughout the whole procedure and she literally vanished as soon as the verdict was given. I didn’t see her again.You are left to just go home and get on with things.

“If I was to try and give any advice to rape victims, I would say to please try and take care of yourself as soon as you can. Open up to people closest to you, this can be hard but it’s harder to stay quiet. Rape is something that stays with you for the rest of your life but it certainly doesn’t have to define you. Unfortunately you can fall into patterns of self harm; I got involved with a hideous person after this who was heavily abusive. I didn’t realise that this was a form of self harm because I was so miserable about what had happened. It is never your fault and it doesn’t make you “damaged goods”. There is still so much stigma around coming out as a victim of rape but I don’t understand why. You haven’t done anything wrong and it should be no reflection on you or your character. The more people speak out then hopefully the more changes can be made in the way rape cases are dealt with by the criminal justice system.”

For anyone who has experienced sexual violence, Rape Crisis is an organisation with centres in Scotland, England and Wales. They offer support and  information about where your nearest centre may be if you need urgent care: rapecrisis.org.uk/centres.php You can also call the national helpline number: 0808 802 9999  / Scotland: www.rapecrisisscotland.org.uk and a Scottish helpline: 08088 01 03 02

 The Women & Girls Network are an organisation based in London who offer counselling services, advocacy support and telephone counselling. All information can be found on their website: www.wgn.org.uk and they also have a phone number which deals with practical support: 0808 801 0660. If you are in need of emotional support and an anonymous space to talk call: 0808 801 0770.

Tattooed Blogger: Shanice Willoughby

23-year-old Shanice Willoughby, is a blogger, barista and florist in training from Surrey. We chat to Shanice about her blog, love for flowers and bohemian style…

When did you start blogging? How did you get into it? I started blogging last year on the first of January! I’d been wanting to do it for ages but lacked the confidence and fear of people not being that interested on what I had to post, but in the end decided to take the plunge regardless of that!

What can readers expect to see on your blog? Readers can expect a range of fashion, lifestyle, mental health and plant posts!

What influences your blog posts? Anything and everything really, whether it’s bits I’ve brought fashion wise, a location spot that I have to tell people about, coffee spots, traveling to lovely new places, or ups and downs in my mental health!

How does your job and running the blog go together? Does one help the other or do they clash? It is very difficult to work a 40+ hour full time job and run a blog along side it, some weeks I won’t have the time to post and it does bother me but it’s very hard to divide time/find the time to shoot new outfit posts, etc.

How would you describe your style? A modern day young Stevie Nicks- I am obsessed with seventies-bohemian style, think embroidery, fringe and flowy fabrics with delightful prints.

Do your tattoos reflect this? Can you tell us about your collection I think they do in a way yes, I absolutely adore flowers and have a fair few pieces now on my body which I love and want more of! I have the element symbols on my fingers (a true bohemian child) along with a few moons dotted around my body. I have a old sailor’s chant scripted on my arm about a mermaid, and other bits linked to the sea! I think my tattoos definitely reflect my wild spirit side.

Do you have any future tattoo plans or a wish list? More flowers, a lot more! (I have a very good friend who does wonderful flower work and she’s done all my new pieces!) And i’d love to get some mandala/henna style work done for sure!

Apprentice Love: Chloe Candela

31-year-old Chloe Candela, is a tattoo apprentice at Black Market Tattoos Leicester. We love Chloe’s recognisable watercolour style and beautiful ladies, so much so that our editor Rosalie had to get one of her own! 

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How long have you been an apprentice? I started officially as an apprentice in January 2017, but have been working at the studio on alongside my other job for three years.

You work with your husband, Alex, did he teach you? Yes he did! He encouraged me to get into tattooing, as it was a passion we shared when we met. He’s been really great and pushed me a lot in a good way. Everyone else at the studio has been so supportive, I learn a lot of from everyone.

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Your styles are very different, yours reflects your watercolour paintings while Alex creates more traditional pieces. Was there a reason why you didn’t choose to do more traditional work? How did you find your own technique? I think it will take a long time to truly find my way of working as it does for everyone. I really love traditional work and what Alex does, and I’d definitely love to give it a try. But I think one of the reasons Alex encouraged me into tattooing was that I could hopefully bring my own style to it. I’ve been painting and selling work since I was in my teens, so it’s more instinctive for me to go for that style. I’ve been putting my work out there for a while, online, at fairs and art shows. I’m really lucky that now people who’ve supported my artwork in the past are coming to get tattooed and asking for my style, which is amazing. I’ve also been lucky to learn from Del (co owner at Black Market) who does realism, and I think the kind of tattoos I’d like to make sit in the middle of the two.

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With your lady heads you blood line the stencil first, why is this? What effect does it create? For the first few tattoos I did, the style was solid colour, no outline, so I tried bloodlining to act as the line work for when the stencil disappears and to make sure the carbon doesn’t contaminate the edge. I’ve carried on doing it as a bit of a safety net for the stencil, and also because it kind of helps me get my head around the tattoo, the area and the clients skin before I start putting colour in. In terms of the effect I think it definitely helps with soft, watercoluryness, because there’s no bold edge.

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What inspires your work and are there any artists that you admire? Also do you still have time for your paintings? At the moment I’m quite focussed on tattooing, but I will never abandon painting! I love portraiture and historical painting, and also movies and comics have always been a big influence for me. I love old shit, anything from the 30s through to the 70s. Claudia de Sabe was the first tattooist/painter I discovered who blew me away and has definitely been a major inspiration. My other faves at the moment are Miss Orange, Hannah Flowers, I always look out for them on my feed. Painting wise I adore James Jean, mind blowing painter.

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What would you love to tattoo? And what styles would you like to try out? I’d love to tattoo anything! I’m just into trying anything right now. It would be really cool to try something more straight up traditional, and also to try completely translating one of my paintings into a tattoo.

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Interview with James Musker

23-year-old James Musker is a Creative Writing student, freelance illustrator, and not only does he write for us but he also writes for Nine Mag. From Bournemouth but based in Manchester, James talks to us about his connection with tattooing, what inspires him and his illustrations…

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Photo credit @rob__bell

Can you tell me about your relationship with tattooing? Since I first started getting tattooed a few years back, it’s never not felt vital. I’ve worked every kind of terrible job just to keep getting work! It immediately gripped me, and since my first, I’ve lost count of how many additions I’ve made, as it stopped feeling important to tally them up. The direction of it all has changed so much since I started out, and continues to change. Raw magnetism guides my relationship with tattooing. It’s all dictated by spontaneity and intuition, and although these things have betrayed me at times, I feel I’d never have learned as much as I have without having made some mistakes. You need to make big mistakes to learn big, and however much you might be able to veil a tattoo with meaning, I do think it’s a very instinctual process. You don’t always have to understand why it is you gravitate towards one image over another at the time you do, as the work often speaks for you more than you can for it. It’s easy to be fooled into thinking that each tattoo needs to be loaded with significance. You can’t deny your instincts, and acting on them only serves to better hone your senses. I’ve gotten to this point now where I automatically absorb any visual information I can relate back to tattooing, and it doesn’t really matter where that information is sourced. I can’t help but see potential everywhere.

What’s your favourite piece? My favourite piece is probably this tiny rune I have on my arm. I first came across the symbol in some strange book, and was initially attracted to it for its raw power. It looks as if it was made for skin. If I still had the space, I would probably wipe-out my back with a huge version of the thing! I later discovered that the symbol stands as a protective, teaching force, and I feel like that’s what tattoos have the potential to be. 

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Photo credit @jdrroberts

Who inspires you? In-terms of tattooing, Duncan X. Aside from being hugely influential in that he leads the charge of tattooing with no regards for the future or anything that has come before it, I remember meeting him and seeing his body-suit for the first time. There were so many overlapping ideas and timelines – history overlaid with new history, but you could see him in all of it. I was stunned by what he’d achieved. Some people lose themselves to their tattoos, in that you stop seeing them due to the extremity of their work. They get aggressive, shocking statements that, although powerful, draw you away from who they are, and shed light on that dangerous fine-line between self-expression and self-erasure. Duncan described his tattoos to me as “black mush”, but seeing his body-suit in-person was evidence that the only thing a tattoo needs to be disarming is a sense of honesty, and honesty can be romantic or vicious or ridiculous or confessional.

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Photo credit @jdrroberts

Can you tell us about your illustration work? 

I’ve never studied art or anything like that before, but I’ve always been pretty restless. I need something to put my energy into, and without that, I’m not myself. I tried taking illustration seriously a while back, but I was too focused on figurative accuracy and tweaking-out details that I’d always end up driving myself crazy and hating whatever it was I was working on. It wasn’t until things went kind of wrong for me on a personal level that drawing started to feel like a necessity. I finally felt like I was producing sincere work, because it was charged by more than the desire to get things “right”, and with that I gained the confidence to start sharing it. I was world-building with each piece I put out there – creating some place far-removed from where I was at, I guess. There are elements featured in each piece that connect them to each other, and I think that keeps it all suspended in this imagined head-space.

 

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In the same way that tattoos can overlap and interact, I feel that blasting my work over old Japanese Ukiyo-e prints and hijacking the power that they hold provides this immediate sense of depth and history that I love. I’m interested in the ways in-which people read images. I think it’s natural for us to read images from left-to-right when trying to understand them, as that’s the way we read text, but that changes from culture to culture, and with it so does the image that’s being read. When it comes to Hokusai’s ‘Great Wave…’, we are moving with the wave, but in other cultures, they are moving against it.

I like the way tattoo-flash just hangs on the page, and can sometimes look chaotic. I like how there’s no starting point and no implied path to follow, and that you can read different things from a sheet of flash if you connect the significance of the images in different ways. I have my own intentions when putting a piece together, but I like it when people read something in a piece of mine that I never considered. Although I don’t tattoo, I always have tattooing and the strength it’s imagery holds in the back of my mind when composing my work and considering things such as placement and balance.

 

What influences you? I guess I’m influenced by things I don’t fully understand, and sometimes a singular experience can become this abundant well you endlessly draw from in-hope of grasping it to some degree. I see making things as a way of climbing back inside of moments you can’t necessarily speak to, but the attempt is what’s important. I naturally gravitate towards anything with a sense of romance and surreality. I think that we’re all guilty of distorting our own history through a romantic lens, and I think the ways in-which we mold past-chaos into these perfect, hyper-edited shapes can lead memories to feel fantasy-like. I try to inject a sense of that into my work. I don’t really draw with anyone else in-mind, but it’s important to me whenever people respond to whatever it is I do. I like to think that when people do, it’s because they’ve unwillingly imprinted their own memories and fantasies onto something that was driven by my own. I can be a thief – pillaging the past for references and inspiration, but it all comes back to how these found-images and twisted revisions relate to my own experiences, and what I’m trying to translate.

 

 

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Do you have an end-goal for your body of tattoos? Not so long ago, tattooing felt like the only freedom I had. I mentioned how important instinct is to getting tattooed, but at that point in time instinct had no relationship to imagery, but more the process of getting tattooed. It didn’t matter so much what I was getting tattooed, just that it was happening. I’d let artists try out all kinds of wild ideas on me, and some sit confidently, but others were just that; wild ideas. I only developed an end goal once I’d made one too many untamed judgements. It was quite destructive, but it sharpened my view. At this point in time, I’m investing in the body of work I want to wear for the rest of my life, and that process involves additions and subtractions, but at least now each move I make feels like a huge step forward.

Interview with Elle Donlon

30-year-old tattoo artist Ellena Donlon works out of Sweet Life Gallery in Birmingham and creates traditional tattoos. We caught up with Elle to chat Korean tigers, as well as what and who inspires her work…

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How long have you been tattooing? I started my apprenticeship September 2015. Prior to that I went to the University of the Arts in London studying a degree in Fine Art and I think I graduated in 2012. Graduating was a tough time, I never really enjoyed my degree as I felt I had to stop drawing and painting to make way for more conceptual work to please the tutors, that meant I lost a lot of direction, so I decided to figure things out and move back to my hometown, Birmingham.

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What inspired you to join the industry? Did you do anything related to art before? Me and my partner opened up a record shop and as I started to get tattooed again after a good 5 year gap, I realized that tattooing would be my dream job. I started to seek out an apprenticeship, which took a long time, but I persevered it was the only thing I could think of that I wanted to do with myself, and that was worth waiting for.

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Can you describe your style? Starting off my apprenticeship my style was very different to what it is now. Then it was purely a case of turning my style of illustrations into tattoos. I’ve only ever really had traditional tattoos on myself, and as my career has progressed my designs have evolved into a stylised version of western traditional.

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We love your Korean style tigers and animals, what inspires these? What influences your work? What inspires you? Korean style tigers! They’re so freaky I love them, I have a huge one on my back done by Will Geary who has a crazy good imagination, it’s actually bonkers. I guess I’m drawn to beautiful oddities. I see no point drawing things how they are in real life, the world can be very monochrome it’s up to artists to mix that up, so I guess that’s why I’m drawn to them.

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Also you create more traditional women and flora is this inspired by something completely different? I get inspired by a lot of religious imagery particularly from Asia, I love south western tribal art, alchemy and witchcraft and the 70’s! But I must say my biggest push are other tattoos artists. Some of my inspirations are Walter McDonald, Dan Higgs, Robert Ryan, Windle Berry and Gregory Whitehead. All of these people adopt this weirdo traditional style, which is what I hope to one day pursue. I love that surreal style it pushes me to work harder with my own and attempt to think in different ways.

But my true loves are Claudia de Sabe, Rachel Rhatklor, Valerie Vargas, Wendy Pham and Lizzie Renaud. Apart from Wendy Pham these women predominantly tattoo traditional ladies and lady heads. Ladies and flora have always been my favorite subject to draw even before I tattooed, I can draw and tattoo them forever no inspiration even needed, it just cheers me up. I don’t really see my lady heads as a separate thing per se, but they certainly come a bit more naturally to me than my animal or surreal work.

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Is there anything you would love to tattoo? I’m desperate to do more famous lady heads. I Would love to do anything from a John Waters’ film, Dolly Parton, Cher, Poison Ivy from the Cramps, the girls from B-52s, Kim Gordon if any of those trigger anyone’s fancy!

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Can you tell us about your own tattoo collection. My personal collection is predominately traditional. The thing I love so much about a traditional tattoo is that is gets better with time, like fancy cheese! In my opinion this is the style (alongside Japanese traditional and tribal) that celebrates the body so perfectly, it is timeless yet has still evolved with each decade. I love Dan Higgs, I have tributes from both Nick Baldwin and Teide who are both fans of his work and I think they’re my favorites. Me and my partner are going to LA later this year we’re hoping to get tattoos from Derrick Snodgrass, And I’m saving my hands for Rachel Rhatklor, if I ever get chance to go over to Australia or she guests over here.

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Do you have any guest spots planned? I will be guesting at Crooked Claw in Sheffield in April and Death’s Door, Brighton in June, with some other exciting ones in the pipeline!