“Tattooing is more than a job, it’s a way to express and communicate a person’s life,” interview with tattoo artist, Inno

Tattooist Inno, who’s based in Seoul in Korea, realised that tattoos can be art when he saw a tattoo of a small, beautiful flower. That tattoo set him on a journey to becoming an artist himself. Here we catch up with him to find out more about tattooing in Korea, guest spots and what motivates and inspires him…

How long have you been tattooing for? How did you train to become a tattoo artist?

“I started learning how to tattoo in 2019. I took classes at STUDIO BY SOL, one of the most famous tattoo academies in Korea at the time. In Korea, tattoos were illegal, so there were few places that taught hygiene education and technology properly, but I chose this place because it was the best place to train.”


How would you describe your style of tattooing?

“I live near the beach, so whenever I was frustrated or couldn’t think of an idea, I used to look out at the sea – it cleared my mind, it gave me room to think. It’s what made me realise I wanted to draw pictures of the waves and the sea. And turn other objects into waves too. Water is flexible and permeates almost anything. I guess that’s how it works with my clients too, their bodies become covered in my wave style.”

Do you tattoo lots of tourists who’ve travelled for your work?

“Most of the guests who visit me in Korea are foreign tourists. They come to visit me during their trip. Customers usually contact me through email before their holiday.”



What are the rules for tattooing in South Korea? Is tattooing more underground or becoming more mainstream nowadays?

“Tattoos are illegal in Korea, you need a special medical license to practice. However, in recent years, many celebrities are getting tattoos, and they are becoming more and more popular. I think Korean tattoos will become more and more famous around the world.”

How should customers contact you? If someone is travelling over from the UK, how much notice would you need?

“Customers come from various countries, as well as England. It is enough if you tell me the picture, location, and size of the tattoo you want. Please contact us via email at inno.waves.tt@gmail.com, with dates that you will be in Seoul.”



What’s the best way for customers to come up with an idea for you? Do you offer flash or prefer custom work?

“I don’t like doing Flash because the number of copycats has been increasing recently. I don’t like my paintings to be done by anyone other than myself. Now I prefer custom work because I want to draw a special picture for only one person.”

What is the address of your studio?

“It is located in Seoul, Korea. Please contact us via email for detailed addresses.”



Any interesting hotels / shops / cafes nearby?

“The place where my studio is located is one of the most famous tourist attractions in Korea. Therefore, there are so many foreigners and it is a place where anyone can enjoy. Perhaps that’s why I think the tattoo scene has developed a lot here.”

Do you ever do guest spots? If so, when / where?

“I have been to Australia, Canada, and the United States – so far. My drawing style is unique and rare all over the world, so I want to visit lots of different countries.”

What are your hopes and plans for the future?

“I believe my paintings will develop further. I haven’t done a lot of large-scale work yet, but I want to draw bigger pieces.”

“When asked if a tattooist is an artist or a job, I would say artist.”

Inno



What do you think about the tattoo world itself?

“Tattoos are one of the most basic acts of expressing oneself. Also, I think it is very noble work that expresses and communicates each person’s life. Therefore, I hope that all artists will be more careful and work passionately in their work. This is because many people now think of it as just a job to make money. When asked if a tattooist is an artist or a job, I would say artist.”

Follow Inno on Instagram @tattooist.inno

Three Kings Tattoo London anniversary flash day

3 year tattoo flash day

We absolutely love a tattoo flash day. It’s so exciting being part of a tattoo party, making friends in the queue and choosing a flash design to have tattooed on you forever. On Saturday July 15th, Three Kings London (@threekingslondon) in Deptford are celebrating their third birthday with a flash day and evening of entertainment.

All flash designs will be at a set rate of £60 from one of their expert tattooers, so check out the full blackwork flash sheets on offer here. If you’re one of the first 50 customers on Saturday July 15th you’ll receive a goody bag filled with:

  • Discount vouchers from Three Kings
  • Goodies from local independent neighbours
  • VIP entry for you and your pals to celebrate with the Three Kings crew to the sounds of Rinse FM loved DJ Joe Milli at Little Nan’s

So make sure you get down early!

The tattoo artists at Three Kings London
The Three Kings Tattoo London crew

We first spoke to Amanda Rodriguez in 2019 (read her interview here). With it being three years in July since Three Kings Tattoo out of NYC and Brooklyn launched a studio in Deptford, South East London under the leadership of New York artist Amanda Rodriguez, we wanted to catch up with the tattoo artist.

How have you been since we last spoke in 2019?

I’ve been really good. It’s been really up and down work wise since COVID but now it’s starting to pick up again. We’ve got an amazing crew at the shop now with five full time artists other than myself. My clientele is building slowly but surely and I’ve been able to work on some really amazing pieces in the last few years.

You’re now owner of Three Kings Tattoo, can you tell us how you got to where you are?

Just a lot of hard work and determination to be honest. My business partners from America were super helpful in getting me here to the UK also.

What’s owning a studio like – the highs and lows?

Owning a studio is different than I thought. I love the space I have curated and the artists I have chosen to work with and our employees. However, as a business owner you always have work to do and you are responsible for others’ income which is a lot of pressure. I’ve found juggling the business stuff and my own tattooing career really difficult at times as I have less time to draw and post online.

Amanda's flash tattoos
Amanda’s flash sheet

We think a flash day is the perfect way to celebrate three years, what can people expect on the day?

The flash day is so much fun! We usually have people waiting to get in at 11am and tattoo straight through to 7pm with a little lunch break. This will be our fourth or fifth flash day so I think we’ve got a good system – we take people’s details and what tattoo they want and then let them explore Deptford until we are ready for them. Our customers will get a goody bag with some merch and vouchers for local businesses and this year we are giving them to people before they get tattooed so they can utilise some of the vouchers while they wait (if they have a wait!) This is the first time we’re doing a Saturday so we’re expecting more people. Afterwards we have a party happening at Little Nan’s with a DJ. It’s going to be good fun!

What are you most looking forward to on the flash day? 

We always meet some amazing new people on the day and I’m really looking forward to having new people come and experience the shop and the fun vibes. I’m also looking forward to people enjoying Deptford on the day while they wait. I really love the area and we tend to get a lot of people who don’t know it well so this is a great opportunity to get people here and see what Deptford is all about!

What does the future hold for Three Kings Tattoo?

Hopefully lots more guests and our artists being very busy! Brand collaborations down the line would be amazing and trying to give back to the community. 

Three Kings Studio

The flash day is open to the public from 11am to 7pm on Saturday 15th July on a ‘walk-in’ basis. The after party at Little Nan’s Grandad’s Shed in Deptford Markey Yard starts at 7pm.

Location: 182 Deptford High Street London SE8 3PR

Cheeky blackwork: Interview with tattoo artist Alice

Tattoo artist Alice (@oneskinnyleg) creates “cool tattoos for cool people” at Sanctuary Body Art in Edinburgh. We caught up with the artist to find out more about her style, inspirations and hopes for the future…

Tattoo artist Alice
Portrait of Alice by @continuous_portrait_project

How long have you been tattooing? 

My first tattoo was October 2021 – so you could say it’s been since then. 

What inspired you to become an artist?

As soon as I started getting tattooed, I knew that’s what I wanted to do. It was a horrible itch I needed to scratch. I knew the remedy was tattooing, but I couldn’t reach the ointment at the back of the bathroom cabinet. You get the idea with this dermal analogy, so I’ll stop there. I got my apprenticeship aged 29 – a bit late to the party, but I normally am anyway. 

What’s your earliest memory of tattoos? Did you want them as a child?

I didn’t think about them much until I was 16, then they were all I thought about. I desperately wanted some Death Cab for Cutie lyrics down my forearm – not just one line, like actual verses.

I also tried to get my fingers tattooed when I was 18. It was in a shop in Yorkshire where I went to school, and it was pretty much just in the living room of a terraced house. I got told to come back when I had more than zero tattoos.  

Can you tell us about your own tattoos and your first tattoo?

My first tattoo was a falcon on the back of my arm. It’s been described as looking like a fish and a cannabis leaf, but never a bird. I wanted it to be as small as possible so this is absolutely my doing. 

Some recent cool stuff by Edinburgh pals Justin Yaroma, Enrique Vega and Sophie Bellingham, all of whom I can’t recommend enough. 

Do you have a favourite tattoo experience?

I had just the most fun with Justin Yaroma. We laughed a lot and I left the studio a better person with a banging tattoo. 

Do you have a background in art or anything creative?

Growing up I worked on my mum’s stables picking up a lot of horse shit. Over the years, I became an expert – my muck-heaps were something of an artform and have been known to make builders cry.

During lockdown I started drawing digitally for the first time, made a bunch of t-shirts which sold alright, and then managed to get an apprenticeship from there. Cheers, furlough! 

How would you describe your work? What drew you to this type of tattooing?

I would describe my work as cheeky blackwork plus cats.  

I was inspired a lot by the work of tattooers Sad Amish & Matt Bailey during the immaculate conception of One Skinny Leg as an art Instagram page. I love the way the artists can express so much movement with lines and solid black – nice bold ideas and bold tattoos.

I was drawn to this type of tattooing as I love the contrast of solid black against the skin. 

Portrait of Alice by @continuous_portrait_project

What do you like to tattoo and what would you like to do more of?

I like to tattoo lady faces, and I would like to tattoo more lady faces. I’m really digging a big bold line at the moment so anything with this I’m super excited to do. Shoutout to my customers who have an awesome range of weird and brilliant ideas – always down for more of these. 

What inspires your pieces and flash?

Things I think are cool get added to the list. Cars are cool. Fire is pretty cool. Cars on fire? Yeah, that makes it. I’ll probably do some cowboy flash –  everyone who’s anyone has wanted to be a cowboy at some point. Christian imagery is iconic too, so a little pinch of that. 

Where do you see yourself and your art in the future?

Looking forward to my first guest spots next year. I’m super happy to be in a warm and welcoming studio – so looking forward to growing and improving within a supportive environment. 

Make sure you follow Alice (@oneskinnyleg) for more fun blackwork tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Interview with tattoo artist Gigi

Tattoo artist Gigi (Heaji Choi) tattoos beautiful fine line tattoos from Monday Island, Seoul, South Korea. We love her one-liner tattoos and chatted to the artist about her style, journey into the tattoo world and inspirations…

How long have you been a tattoo artist? 

I started tattooing in 2020, so three years now.

How did you become a tattoo artist?

I happened to see a video on YouTube where Doy, a Korean tattooist, was being interviewed about his job and life as a tattooer. Afterwards I did loads of research, searching for more information around this career. I thought it looked like an interesting career and so I began learning to tattoo.

What made you want to become one? 

The act of leaving a meaningful and long-lasting piece of art on a person’s body was an attractive concept to me, it still is. That’s why I have always been respectful of tattooing and responsible.

What’s the best thing about your job? 

I think meeting different people is the best thing. It is a wonderful and enjoyable experience when I meet not only Koreans but also guests from other countries

How would you describe your work?

I find the characteristics of a subject be it an object or person and express these using a flow of lines.

How do you do your one-line tattoos? 

Sometimes the lines are quite complicated and the area and size of the tattoo is small, so I can’t exactly see the lines when I place a stencil. If I draw a line wrong even once, the drawing and tattoo might look a bit different. So I am often checking the design and tattoo while I work on it.

What inspires your designs? 

I like to take a walk and listen to music. It seems I am inspired by seeing and feeling nature, observing objects and animals around me. Of course, I try to get inspiration by going to art galleries and exhibitions as well.

What do you like to tattoo? What would you like to do more of? 

I like to make tattoos of nature, natural subjects and animals. This is what I usually do now, and I want to work on various topics in the future.

Do you have tattoos? Can you tell us about them? 

I have a few small tattoos. Most of them are flowers and animals. I got some of them because they were made by my favourite artists, and I got some because I happened to see the design and I liked it so much. I love my tattoos so much!

What do you do when you’re not tattooing? 

I like to do yoga. At first, I started doing it just for the physical benefit because I work a lot. But the more I did it, it seemed to help me mentally too, so it suits me really well. 

What’s been your proudest career moment?

There’s one client I remember. She got a very meaningful phrase and image on her wrist. It was her first tattoo. She couldn’t take her eyes off it for a while after getting it tattooe. She was very moved and started crying, saying thank me so much.

That’s when I felt once again that this kind of work really does provide a really meaningful moment for people. Since then, I have become more serious about my work – I’m very proud to have this job.

Follow @gigi_tattooer for more adorable tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Interview with outstanding tattoo artist NAKKAB

Tattooist NAKKAB creates incredible tattoos that flow with his client’s bodies. We caught up with the artist to find out more about his style, process and plans for the future…

How did you get into the industry? 

I got into it the old school way I would say. I was young and full of energy! You know; cleaning around the studio, making tea for clients, setting up the stations, taking bookings etc. That’s when I learned most about tattoo equipments and hygiene, and of course how to tattoo. I was an apprentice for about seven months, by the end of my apprenticeship I was already tattooing clients. 

I’ve now been tattooing for around eight years and I enjoy every year more than the other. 

Blue abstract tattoo on head

What made you want to become a tattoo artist?

When I think back, I can say that the roots took hold back in my childhood. I was working as an apprentice at a barber shop between the ages of 10-12. I remember one evening when our boss got a tattoo inside the barber shop! It was a wing tattoo on his neck. I was fascinated by the process as it was pretty badass and looked very cool to me. Just as I turned 18, I got my first tattoo and that day I decided to do my research on how to become a tattoo artist in Turkey.

How would you describe your tattooing style? 

To describe it quickly we can say abstract tattooing. But of course this is not enough so I named my technique as “sernakkab”. This is where I use the possibilities of traditional Turkish marbling (ebru) and blend them into the individual’s skin by taking their muscle and bone anatomy as a reference.

It’s a combination of traditional paper marbling and contemporary tattooing with a minimalistic approach.

What inspired your unique style?

I studied fine arts and painting when I was in Istanbul. There we had a class called “Traditional Turkish Arts”. It was optional to take the class but I went for it to grow my vision, since we were mostly taught about contemporary art and Bauhaus school disciplines. I was so inspired by that class and I wanted to blend it into the lineworks I was working on then. At first it was a bit experimental, I was showing my designs to our professors and they were giving me constructive comments. In time I got more and more conscious and deliberate with what I was doing. 

Can you tell us more about performing humanity in an artistic way?

That has been written in my bio for years now. I don’t even know if it’s gramatically correct but it sounds poetic. It means that with my artistic identity, I am actually performing as a human, rather than just being one.

What’s the process behind your pieces? 

In my atelier I have a corner where I create shapes through marbling. I usually spend time there and work on new designs on different papers. When my clients ask for a design, I search through these papers and pick the one that fits their vibe. Then I study the individual’s body part where they want the tattoo.

In the end I blend the design with the anatomy of my client so that it flows on them. On the tattooing day we make slight adjustments if necessary. Sometimes I go freehand on some parts of the tattoo. Eventually we end up with a tattoo that is organic and unique for each individual.

How long do they take? 

Smaller works usually take about two to three hours. Bigger works mostly vary from four to eight hours. Even though I do big works sometimes, I use a lot of space in my designs to emphasise the anatomy, that’s why some very big tattoos might take less time. My longest tattoo took 16 hours, of course we completed it in three sessions.

Do you prefer working in colour or black ink?

It depends on the individual’s vibe. Sometimes I make suggestions when I believe some colours would look good on the design, even if my client had black in mind. Mostly they give me the freedom to go with whatever I have in mind. I appreciate it a lot and do my best to come up with a design that we both love.

What tattoo projects have you been working on?

Lately I have been studying traditional Turkish calligraphy (hat) and interpreting it with my tattoo designs. I am looking forward to sharing it with my followers very soon!

What’s really been getting you excited? 

I am excited about the future. Meeting new people, doing new projects, being part of fun collaborations and inspiring the newcomers!

Close up abstract tattoo

What do you want to do in the future?

I want to start a YouTube channel and share the experience I have with people. To this day I have learnt a lot of things online, and made too many important decisions with the help of people on the internet. Well, I want to give back to the community whatever I can! 

Head tattoo

What’s been your proudest moment?

The sernakkab works came out as my final project when I was studying at university. Being the only one in the university who did artwork with tattooing was a proud moment for me. I always love to play around with the limits of the materials, give them different purposes to bring out anything progressive. Finding a sweet spot between traditional marbling and contemporary tattooing was one of them.

Make sure to follow @nakkabdoesit for more outstanding tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.