We were part of something magical that took place back on Sunday 13 March 2016…WOW! Women of the World was a festival that transformed the Southbank Centre into a space buzzing with creativity, conversation and female empowerment.
Our editor Alice Snape was there with photographer Eleni, who runs the wonderful Women with Tattoos blog, to chat to women about their tattoos. Here’s a glimpse of some of the inspiring women we chatted to…
Hazel
“I was just 16 when I got an arrow on my ribs. The more tattoos I get, the more comfortable I feel in my body. It is mine and I have chosen the way it looks.”
Carey
“I was 59 when I got my first tattoo. My daughter found Grace Neutral and I knew I had to collaborate with her. I see getting tattooed by her as a collaboration. She draws the designs on with a Sharpie and then tattoos over it. I find it a very interesting approach. I feel better about my body now than I ever have before. I love it because it is art.”
Aisling
“I got my first tattoo at 24. It’s a feminist tattoo as a tribute to the women in my life. I’m very aware of women’s representation in the media, so I would never get traditional pin-up imagery tattooed on me. I wanted to be marked for life with something that has meaning to me.”
Sian
“I was just 15 when I first got tattooed; it was on my hip. Since then, it’s been reworked by Woody at Into You, so I love it even more now. I find that women with tattoos are often fetishised. I get comments in the street and people ask me questions. I have a whole list of tattoo plans – they make me feel great about my body. I love my body anyway, but they make me feel even better about it.”
Ella
“I was 17 when I got a lizard tattoo. The first was a big deal for me, it is self marking and controlling the way I look. We are already marked by so many things. Tattoos are a commemoration of something, somewhere, someone…”
You can view the full collection of images and quotes on the Women with Tattoos blog: part 1 and part 2.
Our editor Alice Snape was asked to pose for an Art Macabre lifedrawing session at Museum of London, which was part of the Tattoo London exhibition. As a first-time naked model, here’s how she felt about the experience and seeing her body as art…
“Me? A model? That I am definitely not. I hate having my photo taken, and I am very critical of my appearance, which probably comes from years of self-conscious anxiety and a childhood spent in a chubby awkward body that I was never quite comfortable in – I think I am yet to grown into my nose! But when I was asked by Nikki, who runs Art Macabre, to be a lifedrawing model for the evening, I had to say yes. It felt like one of those experiences that should be on your bucket list, and as a 32-year-old woman who has worked really hard on overcoming that teenage insecurity and becoming comfortable in her own skin, there didn’t seem like a better time to do it.
“Before the evening, I asked Nikki to give me some advice, as a first-timer. She told me to: Breathe and relax into poses and, on a practical note, bring a dressing gown to wear in-between poses and during the break. All day before the event, I was a bag of nerves, running different scenarios though my mind – a constant reel of what ifs! But, the moment I took step onto that platform and got into the first pose (five minutes to warm up), I felt incredible, empowered, strong and beautiful.
“I fixed my eyes on the twinkling lights that surrounded the space and they lulled me into a mediative state. I listened to the sound of pencils and quiet concentration, eyes looking up at me and back down to the blank canvas, pictures of my body and tattoos slowly forming on the pages. I thought about how my body might look through the eyes of everyone in front of me, during one pose I focused on a determined looking woman who seemed lost in the movements of her pencil. A few brief moments of self-doubt flitted through my mind – what if I am not interesting enough to draw? – but they soon dissipated when I realised everyone surrounding me was creating their own interpretation of me.
“The evening consisted of a few short standing postures and some longer (25 minutes) seated poses. As the night drew to a close, each of the artists lay their work onto the floor to share it with each other and the models… Looking at each work of art, I realised I have grown very fond of my body as it has become more covered with tattoos. I have taken ownership of my body by choosing where each tattoo goes, and I love my colourful skin. Over the past couple of years, I have also started exercising regularly and even ran a marathon! I love the fact that my body is fit and healthy, and that has boosted my confidence hugely. My thighs, for example, have always been a part of my body I have hated. I always think they are chunky, they have bumps and cellulite that no matter how much I exercise will not disappear. But they are mine, they are strong and that means they are beautiful.
“I saw that each person had drawn my body slightly differently, my curves slightly more or less rounded, in some I looked bigger and in some small. Everyone sees an object through their own eyes, putting on that object their own preferences. It was enlightening and uplifting to see that subjectivity about the form of my own body – no one is ever going to be as critical of it as myself.
“I walked away from the evening with renewed self confidence and a want to relive the experience. It felt like a true celebration of my naked self and at last a goodbye to any anxiety I had!”
Our editor Alice Snape is getting excited about the next Brighton Tattoo Convention, here she takes a glimpse at just some of the faces who attended last year in a stunning portrait series, including some familiar faces from the pages of past issues of Things&Ink…
We LOVE tattoo conventions, here at Things&Ink, and one of the highlights in the tattoo calendar is always Brighton Tattoo Convention. Not sure if it’s the sea air, but there’s always such a friendly, party vibe! And it’s the perfect convention to meet up with friends, old and new. Nothing brings people together like a passion for tattoos, after all.
At last year’s convention, I had my photograph taken by James Hole for a portrait series capturing convention-goers and artists. The results are absolutely stunning and a real insight into the contemporary tattoo community. I think this is down to the wonderful nature and talent of the photographer James, who made me feel instantly at ease in front of the camera – I normally hate having my photo taken and he even managed to capture a natural smile (see below). The setting for the images was incredible! In a grand room in the Hilton in Brighton, which you can see glimpses of in each image behind the backdrop.
As part of the portrait series, some interviews were also filmed. They will be coming soon, so watch this space.
Portrait of editor Alice Snape
The next Brighton Tattoo Convention is 30 April – 1 May, which will hopefully mean the sun is shining (the convention is usually in February!) and in a brand-new venue, The Brighton Centre.
And we have TWO weekend tickets to give away, all you have to do is share one of the images in this blog post on Instagram and use the hashtag #BTCTIcomp. We will pick a winner this Sunday 24 April. Good luck and hopefully see you at the convention! We won’t have a stand this year, but we will be taking pics and enjoying the convention, so come say hello!
Some of our favourite BTC portraits are below… all these people have also graced the pages of T&I over the years…
Wendy Pham, cover star of The Identity Issue
Cally-Jo, cover star of The Anatomy Issue
Grace Neutral, cover star of The Modification Issue
Claudia de Sabe, cover star of The Launch Issue
Matt Lodder, art historian
Brian Wilson, cover star of Stripped Back 2/3
Tiny Miss Becca, cover star of The Celebration Issue
Rebecca Vincent, interview in The Love Issue
Andrea Furci, interview in The Art Issue
you can see more portraits on the Brighton Tattoo Convention blog
Come see us and get your tattoos photographed by Eleni (the brains behind Women with Tattoos) and chat to Things&Ink editor Alice Snape about what your tattoos mean to you.
Where: Level 2, Royal Festival Hall, Belvedere Road, London, SE1 8XX When: Sunday 13 March, 11am – 6pm
Editor Alice Snape photographed by Eleni for the Women With Tattoos blog, check out her interview at: womenwithtattoos.co.uk
Editor Alice Snape recently got tattooed by Berlin-based Myra Brodsky, 27, aka spinsterette on Instagram, while she was guesting at Seven Doors in east London. Alice couldn’t resist asking Myra some questions while under the needle…
Tattoo artist Myra Brodsky and editor Alice Snape at Seven Doors in east London
“Myra’s work is heavily influenced by art nouveau and the Victorian age – the periods of art that I am drawn to… so I couldn’t resist getting a tattoo by her while she was over in London. I picked a moon and hand from her flash, and conducted this interview while I was getting tattooed… just imaging the buzz of the needle as you read.”
Alice: “How long have been a tattoo artist for?”
Myra: “I started tattooing in late 2008, after studying visual communications at university. My parents were always very anti me going into tattooing, but my father has now passed away and my mother has moved to Spain, so they are not part of my life anymore and are not aware of what I do. My parents were very religious and this is probably where their attitude came from. I was born and raised in a very conservative, jewish family.”
Design tattooed on Alice from Myra’s flash
Alice: “What do you think drew you to tattoos then?”
Myra: “It was really actually by accident that I came into tattooing. I never planned it, I never had the wish to become a tattoo artist. My best friend started to tattoo, and I thought that seemed kinda fun. So she immersed me into the tattoo world, she had all the gear at home, and I started tattooing too. At first, just for fun – it was never big business or starting something serious. I did shitty little tattoos on my own body, but never thought it was something I could make a living from… I thought my parents would hate me and turn against me.”
“What did you do for a job at this time?”
“I worked for an ad agency. I found it really boring.”
“When did you start tattooing properly, as a job?” “I actually started tattooing when I was still at university too, I used to have to do 12-hour days. I was still working at that agency and attending university and I was already tattooing. It was a lot to do. I found it easy as I didn’t have the wish to meet up with friends in my spare time. I was dedicated to my work, being productive was great. Now I need tattooing for my living.”
“Do you think that is something that is hard being a tattoo artist? Would you want to change it or be something else?” “Yeah. I mean being self employed is hard in general. I hate that. I hate doing my taxes, I am really bad at counting, I cannot count at all! If I had the choice I would be a magician. My father comes from the casino business and when my sister and I were still young we used to go to Las Vegas pretty often. My sister and I grew up watching shows like David Copperfield. I admire those magic shows, even if it is an illusion, I love it. I wish I could do that.”
“Do you think that has a big impact on your work?” “Totally. I love all that imagery surrounding all those magic things. I also believe in magic powers. Whenever I have a problem I call my fortune teller instead of going to the doctor. They tell me different things, I can ask her anything. When I was planning my tour through Europe I asked her which shops would accept me. In London, she said there would be a chance that only one shop would accept me and now I am here at Seven Doors.”
“Do you plan to live in New York?” “I want to move there and work Red Rocket tattoo in Midtown.”
“Do you think that is part of the beauty of being a tattoo artist being able to travel around?” “I think it is a good thing. I know a lot of people who aren’t into travelling, but I am because I don’t really feel comfortable in just one place. I get bored so easily. I think it is a fun game to have to challenge yourself to act like a local in so many cities. I like that kind of game.”
“What is your favourite city you have been to so far?” “New York. I like London too. You cannot really describe New York in words. It is just perfect.”
“How would you describe your style as a tattooist?” “I would say I don’t really want to put a name on that. I can only say what inspires me and what I use as reference. These are actually images from all of the great eras from the past, in art history. I know a lot about art history. Most of the things I take are from art nouveau and the Victorian age and Edwardian age. Art Deco is also nice but it is too geometric for my kind of thing. I rather like organic decoration elements, because you can always take them and change them for every part of the body.”
“Do you like doing bigger pieces as well?” “I prefer doing bigger pieces. But I don’t get to do many of them, I think because I’m not in one place all the time.”
“What would be your favourite thing to tattoo? If you could do anything on someone’s back what would you do?” “I think it would be a scene out of a classic novel or play. Maybe a play by Shakespeare or a novel by Kafka. Anything that is already existing, that I could adapt. That is what I like, because I think it is timeless.”
“How would you like your style to progress in the future?” “I am planning on starting more big pieces with more detail, more history behind them. More details and meaning in general.”
Myra at Seven Doors
To view more of Myra’s work and to see where she will be working next, follow her on Instagram @spinsterette
“Me? A model? That I am definitely not. I hate having my photo taken, and I am very critical of my appearance, which probably comes from years of self-conscious anxiety and a childhood spent in a chubby awkward body that I was never quite comfortable in – I think I am yet to grown into my nose! But when I was asked by Nikki, who runs Art Macabre, to be a lifedrawing model for the evening, I had to say yes. It felt like one of those experiences that should be on your bucket list, and as a 32-year-old woman who has worked really hard on overcoming that teenage insecurity and becoming comfortable in her own skin, there didn’t seem like a better time to do it.
