Tag: Black & Grey

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“Tattooing someone is a real bonding experience and I love to discover what makes them tick,” tattoo artist Nick Lazaris

Tattoo artist Nick Lazaris, aka Laz (@Laz_tattoo), creates black-and-white realism tattoos at Animalistic Body Art in Adelaide, Australia. He started working life as a security guard, but art was in his heart from a very young age – so he did an old-school apprenticeship to learn the trade and now he’s known for tattooing football players and Olympic swimmers, we sat down with the artist to find out more about his art and passions…

What made you fall in love with tattooing? Was there a poignant memory from your past? Tell us about it…

I was getting tattooed at 15, which was very young – too young, really. Around that time I was collecting magazines and every time I saw a photo of a tattoo on someone I’d always stare and want to know what it meant to the person.

When did you decide you wanted to become a tattoo artist? How did you learn?

I think it was around the time I left school. I was a security guard and I was looking for a career. I’d always shown talent with my drawing, and I started getting tattooed when I was young. So, it was pretty clear to me that’s what I wanted to pursue. 

I started getting tattooed at a place on the road where I lived in Newtown, Sydney, and got to know the guys there. The boss had a few shops and someone was leaving his shop in Sydney suburb Kings Cross so I took my portfolio in to show him and he took me on. 

I did an old-school apprenticeship; getting stencils ready for the artists, cleaning and watching and I slowly got into it as I went along. 

We love that first and foremost you call yourself an artist. Can you tell us a bit more about that side of your work?

I was always drawing when I was young and never touched any other mediums. When I was an apprentice I had a friend whose parents had an art store that had closed down and she had a big box of oil paint that she gave to me. 

They sat around for a while ’cause I was a little scared to use them and one day when I was down on life I got them out and had a go. I think I painted Vincent Price from Dr Phibes and it opened up a whole new world to me.

Laz’s portrait of his mate Kyle for a portrait painting competition.

What I loved the most is it helped my tattooing and as I got more into tattooing that then helped my painting. I’ve designed album covers for some of my favourite bands, t-shirt designs and football jerseys.

It’s as much a part of me as tattooing is. I also teach drawing and painting now at an art store here in Adelaide that has a workshop, which is really fun.  

You’ve been tattooing for 20 years now, how much has the industry changed in that time? What was it like back then compared to now?

It really has changed a lot, walking into a tattoo expo used to be so loud and now it’s all quiet from all the rotary machines. When I started it was still a bit of a tough guys’ game, you’d have an element of fear walking into a tattoo shop in the mid 2000s and because of that a lot of really good artists were deterred from tattooing.

Now, those quiet people who are great at art who would never have dreamt of being a tattooist are doing it – and it’s upped the quality 1000 times, which is a good thing. Don’t get me wrong, I loved it back then too, there was an exclusivity to the industry that made the community a lot tighter, so it wasn’t all bad. But it’s great to see how far the quality has come. 

Laz and Port Power Star from the AFLW, Gemma Houghton

Why do you think you’ve become the go-to tattoo artist for football and basketball stars in Australia?

I’m a sport lover myself, so I’ve been involved in some art projects for our sport teams here in South Australia. I’ve done murals up at the clubs, among other stuff, so I’ve got my foot in to meet a lot of athletes over the years.

I tattooed a few people, then they told their mates and it snowballs. It’s become a right of passage for teams like the Adelaide 36ers and Port Adelaide football club to come see me when they get drafted or traded here. I’ve had people come in on their the first day in Adelaide at their new club hearing I was the guy to come to for tattoos, which is cool.

I’ve made a lot of great friends through the clubs, we have a lot in common – we’re meticulous about our preparation and we always want to be better.  

It’s also a good way to get to know these guys, it’s a real bonding experience tattooing someone and I love to see what makes them tick. It’s very inspiring to be around people at the top of their craft.

Laz with BA player and NBL Star Jacob Wiley – a “great basketball player”.
Laz with Port Adelaide AFL champion and cult legend Willie Rioli.

We hear you’ve tattooed Olympic swimmers like Kyle Chalmers? What was that like?

Yeah, I tattooed Kyle and that opened so many doors for me, he’s a great friend. I tattooed him a couple times and we hit it off, we’re very similar in a lot of ways, and we became like brothers over the years. We even had a YouTube show (Mates & Plates) where we interviewed athletes at his house and made a meal for them. 

The chest piece Laz did on Kyle Chalmers is probably the most recognised tattoo he’s done.
When Olympic gold medalist Kyle Chalmers asked Laz to tattoo his name on his arm.

Who’s the most interesting person you’ve tattooed?

I tattooed Fred Durst from Limp Bizkit some years ago and we had a really good chat about an incident that happened at a music festival where a young girl lost her life. Fred opened up and showed a lot of emotion during the tattoo and I saw a side that only people that know him would see. It was a fun day hearing some of his touring stories from over the years. 

Tattooing Fred Durst at Bondi Ink.

What album covers have you created for bands?

I’ve been very lucky to do album covers for some of my all-time favourite bands. Most recently, I did Carnival of Killers by Macabre – if you haven’t heard them you should check them out they do true crime songs and call it ‘murder metal’, a very unique band.

I did The Murder Junkies album Road Killer, which was quite controversial and received a lot of angry press – perfect for an offensive punk band!

My good friend Nick Oliveri who played in Queens of the Stone Age and the Dwarves has a band called Mondo Generator and I did the cover For Hell Comes to Your Heart.

Does this mean you get to go to lots of fun gigs?

Absolutely, I love my music as much as I love my sport so I’ve been lucky to tattoo a lot of musicians when they tour. Also projects like this get me in touch with bands directly so I get lots of tickets thrown my way, which never goes unappreciated.

How do you like to work with your customers? Do you mostly do custom work or flash too?

I do all kinds of tattoo work, but I mainly specialise in realism. So, people will come to me with an idea and give me a few references and they’re usually fine with me doing my own thing with it. That’s the good thing with online portfolios and social media these days, our clients put trust in us when they’ve seen what we’ve done before.

Does your style of art and the style of your tattoos complement and inform each other – if so, how?

It’s funny but I do mostly black and grey with tattooing, but mostly colour in painting. I don’t know why that’s turned out like that but it has.

However they’ve really helped each other over the years. I use a lot of the structure from my painting from my tattoo preparation and I’ve used a lot of colour theory to help my tattooing.

So they definitely complement each other. I find I’ll be doing something while I’m painting that I’ve adopted from years of tattooing, like working in a certain direction and not even realising it’s happening at the time.

What do you do when you’re not tattooing?

These days I have a bit more of a low-key life, if I’m not tattooing I’m teaching art or painting and hanging with my pets (my dog Curtis and my cat Polly) as much as I can.

Going to sport games, live music, hanging with friends and seeing my family as much as I can, too.

Laz and his pets.
Laz’s dog Curtis and cat Polly.

What are your hopes for the future? Both for your personal work and more general in tattooing?

I’m looking to tap into the horrorcons and comicons to share my art. It’s a bit of a dream of mine to go over to the US to tattoo and showcase my art at conventions and do as much of that kind of stuff as possible. I love to paint horror movie characters and things like that and no one does those kind of expos like they do over there.

Same with the tattoo conventions – we don’t have a big market for it over here and I’d love to be able to get my name out more.

We’ve loved chatting… See who @Laz_Tattoo is tattooing next and find out more about his painting commissions by following @PaintingsByLaz.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattoos leave an imprint on everyone – whether good or bad. I thought this was so interesting, and I guess I got hooked,” interview with tattoo artist Edvin Tedebring

Tattoo artist Edvin Tedebring (@e.tedebring) has been tattooing for seven years and now works at Dropout in Copenhagen. Back when he first started, he thought about giving up, but his wife encouraged him to keep going – and we’re so glad he did. His work is monochrome with a beautiful ethereal quality to it and his tattoos are a collaboration with each tattoo collector. He takes us back on his journey to discover how his style has become what it is today…

When and why did you first fall in love with tattoos?

I honestly think my love for tattoos was always there. I found tattoos fascinating and intriguing – even as a kid. Tattoos seemed to leave an imprint on everyone, whether good or bad. I thought this was so interesting, and I guess I got hooked.

The interest in making it a career probably started out when Miami Ink was popular on TV. My drawings started becoming influenced by tattoo designs I saw. I pretty much made up my mind that I would make this a career, even though my designs were absolutely terrible at the time.

How long have you been tattooing for? What was it like learning?

I have been tattooing for seven years now. When I started out, I did an apprenticeship in the north of Sweden, where I am from. I remember the first time I tattooed synthetic skin, and I came home to my girlfriend, now wife, and told her this is not for me. I thought I was so bad that I would never manage to ever learn, so I’d better just quit immediately. Luckily for me, she pushed me to continue and she has kept on pushing me since the first day in this career. If it was not for her, I don’t think I would be where I am today.

With that said, it was tough in the beginning. I kept developing slowly but steadily and I worked really hard to make this a serious career. I am glad I didn’t give up, even though I considered it several times.

How did you develop your style to what it is today? What draws you to using just one colour?

When I started out I was drawn to gothic and horror themed tattoos. At the time, I thought that was what I wanted to keep doing. But as I progressed, I felt like a copy of a copy, and the horror motives felt so generic and repetitive. I needed to do something different.

I started adding abstract elements such as splatters and sketchy lines to my designs, to make them into something different. This led to me going more and more abstract and away from the gothic styles towards more peaceful and calm motives. That is where I essentially found myself, and that is where I am now. I am still developing ,of course, but I do believe I will be within this realm of style for a long time – if not the rest of my career.

I only use black and grey because I never personally liked colours. Don’t get me wrong, I appreciate some great colour work out there, but it was never something I wanted to either make or wear myself. How I think in terms of design is simply monochrome.

Your tattoos have an ethereal artistic quality to them. Do you consider yourself an artist, first and foremost?

It is interesting that you should ask that. I actually consider myself a designer rather than an artist. Before I got into tattooing I did a bachelor’s degree in Digital Media Production; where graphic design, UX / UI design, communication and photography were some of my favorite focuses.

With that in mind, I make great use of my eye for design and knowledge from my education in my tattoo work. I combine my graphic design skills and abstract artistic side to create my work. I don’t have any training in fine arts or such, and therefore I just consider myself a designer and a tattoo artist.

How do you usually work with customers? Is the process a collaboration?

All my work is custom, based on the communication with my collectors. Normally we will exchange ideas and thoughts and then I will make my design and present it to them on the day we meet for the session. Sometimes I draw the design freely on the skin, in which case I first sit down with my collector looking at inspiration from my previous work, to get an idea of what they want.

I sometimes make design concepts I want to do and post them as available, but I do that less and less now, as I prefer custom work.

Do you love to travel? Where have you been and where’s next?

I do love to travel, yes. Part of why I like this career is due to the travelling and the opportunities that it creates. My next trip will be to London, where I have been many times before. I enjoy that city a lot.

Which artists do you admire and why?

I like a lot of different artists, both within tattooing and other forms. I have had the pleasure of meeting a lot of fantastic tattoo artists over the years, and they each leave something that I take with me. Whether technical skill, entrepreneurial skill or anything else. I admire any artists who stay true to themselves and their vision.

Are you planning any guest spots? If so where and how do we book in?

This year I did a lot of guest spots and the last one will be London in November. I will be guesting at EXP Haus / 10a Collective. Then I will go to Berlin in January. It’s all booked up already, but normally I take requests through my website etedebring.com.

What are your hopes for the future?

I always have a lot of big hopes and plans for my own journey, but I keep them quiet until I’ve made progress worth sharing.

As for the tattoo world, I hope we all can embrace the new era of tattooing and stop with the gatekeeping and negative attitudes. Tattooing is part of the creator economy, and everyone has to adapt if they want to remain in the game. That means working as an entrepreneur and an artist. The tattoo industry has never been better, in my opinion. It holds endless opportunities for the ones who are willing and hungry.

Make sure to follow Edvin (@e.tedebring) on Instagram and check out his website for more tattoos and to book yours.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“When I first started tattooing, the stress was so intense that I couldn’t sleep properly two days before an appointment,” interview with tattoo artist, Kim Hoon

Tattoo artist Kim Hoon (@uncogrim) runs Frame Seoul tattoo studio in South Korea. We chatted to the tattooer about their incredible blackwork tattoos and how they use the body to influence their designs…

When did you first fall in love with tattoos?

From a young age, my biggest hobby has always been drawing. I’ve spent most of my time drawing. I enjoy creating forms and adding detail with pens, pencils and using different colours. Naturally, I started seeing designs meant for tattoos and found them incredibly appealing.

Growing up seeing tattoos on people and learning about the various tattoo genres made me want to get a tattoo of my own. This desire evolved into wanting to learn and create tattoos myself. Drawing something that remains on someone’s body for life is more special and everlasting than drawing on a canvas.

What was the first tattoo you got? How do you feel about it?

My first tattoo was a four-line piece of lettering on my chest. It’s an Indian proverb that means “live without regrets.” I got it in 2012, and at that time, social media wasn’t as developed as it is now, so it was hard to find out about tattoos. I found information about tattoos through personal blogs, and lettering felt like the easiest type of tattoo to get.

I didn’t know how much it would cost, but I remember it was calculated based on the price per centimetre. Sometimes tattoo artists say that you might regret getting lettering tattoos, but I don’t really regret it. It reminds me of what I was thinking back then, and it’s a fun memory. I was so fascinated by having a tattoo on my body that I would look in the mirror every day and read each letter.

How long have you been tattooing for?

I started in 2017. Unlike drawing on paper, there was immense pressure not to make mistakes. When I first began, the stress was so intense that I couldn’t sleep properly two days before a scheduled appointment. After doing a tattoo, I’d often feel guilty about my shortcomings and sometimes, driven by a sense of inadequacy and inferiority, I would stay up all night drawing. These experiences have shaped who I am today.

How did you develop your style to what it is today?

When I first started tattooing, I preferred creating smaller designs compared to what I do now. I used to draw mostly on A4 paper or sketchbooks rather than large canvases, which meant I made similar-sized designs for tattoos.

However, after doing a large tattoo, I found it appealing to consider the body’s lines and muscles. I liked designing something that used the entire body rather than just a part of it. This gradually changed my style.

Your style is so unique, your tattoos are so dark and striking, what inspires you?

I draw inspiration from countless sources. Sometimes it’s movies, sometimes music, sometimes the surrounding scenery, and even the clothes someone is wearing. These days, I mainly focus on the flow of clothes or the body.

Do you have any themes in your work or things you love to tattoo?

Many people like my snake and dragon designs. Snakes and dragons are fluid and can flow with the limbs. They emphasise the body’s lines to look sexier or more intense, and they can also cover up any perceived weaknesses or complexities. I also like using elements like flowers, wind and clouds. Recently, I’ve been trying to incorporate more Korean elements into my designs.

Which artists do you admire and why?

There are so many, but to name a few, @fibs_, @gakkinx and @filouino. They are all artists who understand the body well and design accordingly.

How do you usually work with customers? Do you mostly do custom work or do you create flash too?

I mainly do custom work. Most of my clients are from overseas, so I conduct thorough consultations via email before they travel to Korea. If the design is large, they’ll need to stay longer, so we spend a lot of time coordinating schedules and designs. I also ask for various photos of their bodies in advance to understand their features and vibe before proceeding with the design.

Do you draw your designs straight on to the body?

Sometimes, I draw directly on the body. To minimise errors, I meet with clients beforehand and draw directly on their bodies before preparing a design digitally. I sketch the positions and flow that suit their body features, checking in the mirror and moving to see if anything looks awkward. Based on this, I prepare a design digitally again. When starting the work, I use both the digital preparations and my hand drawings.

Are you planning any guest spots? If so where and how do we book in?

I am preparing for the Gods Of Ink convention in Frankfurt in March 2025. I have already announced it on Instagram and I am taking reservations via email.

What’s the tattoo scene like in Korea these days? We’d love to visit, do you tattoo tourists?

You are always welcome. Just make a reservation via email in advance. Korea has many highly skilled artists that are recognised worldwide. However, ironically, Korea is in a unique situation. It is the only country where tattooing is illegal, and although there is a job code for tattooists issued by the government, they are not legally protected. Many are striving to have tattooing recognised as a legitimate profession in Korea.

What are your hopes for the future?

That’s a great and difficult question. For some, tattoos are a beautiful art form, but for others, they can feel threatening, scary, or even repulsive. Personally, I hope tattoos will be seen more positively as a form of art, and I wish that both artists and clients ensure their tattoos do not evoke negative feelings in others.

My personal goal is to gain experience and network through various tattoo conventions worldwide. I hope to travel to different tattoo studios in different cities too. I want to see and experience how other tattooers’ lives and styles differ from those at my studio in Korea.

Follow Kim Hoon on Instagram for more outstanding blackwork tattoos and travel updates.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“I am still working on perfecting the tattoo style I want to be known for. It’s a journey,” interview with tattoo artist JayHan

Tattoo artist Jay Han (@jayhan_tattoo) works at Goodvibes Gooddays tattoo studio in Ulsan, South Korea, where he creates tattoos mixing realism, brush strokes and oriental motifs. Here we chat to the artist about…

How long have you been tattooing?

I’ve been tattooing for around nine years. I came to tattooing quite late compared to a lot of tattooers. Before that, I ran a hot dog restaurant in Daegu, South Korea, for two years, it was called: Han Sangjo Hot Dog. After that, I moved to Seoul and worked as a carpenter for two and a half years – which overlaps with the tattoo apprenticeship. I started my tattoo artist apprenticeship when I was 30, and I’m now 40.

Do you have a background in art?

I have loved pencil drawing and Oriental art since I was young. I majored in Oriental art and graduated from Oriental Art College in Ulsan. After graduating from college, I worked a few different jobs as I was looking for other things to do besides painting.

But in the end, painting and my experience were always in the bakground so I then decided that I wanted to work in the painting field again. Art chose me.

What made you want to become a tattooer?

When I decided I wanted to paint again, at the same time, my best friend became a tattoo artist. I saw what he was doing, and through him I was recommended to a studio. I found tattooing interesting and thought the profession was really cool. So, I started tattooing.

How did you become a tattoo artist?

I was able to become a tattoo artist with lots of practise. I simply turned my drawings into tattoos and gave them to my clients. To make the best tattoos I can I am training more and continuously studying.

Do you have any tattoos?

Yes, I have a few tattoos. My chest features Chicano-style lettering. I also have realism portraits on my arm. I love music so I have a few musicians on me. When I was 13 years old, my neighbour owned a record store and played American hip-hop and R&B to me rather than Korean hip-hop. I have portrait tattoos of Michael Jackson, Snoop Dogg, and Tupac.

What was the first tattoo you did on someone else?

I gave my friend a rat tattoo. It was a simple line design, but I was sweating a lot and nervous. I can’t forget that feeling because it was also my birthday that day.

How would you describe your style?

I like mixing oriental art with black and grey. I also like doing backgrounds with brush strokes. I am still working on perfecting the tattoo style I want to be known for. It’s a journey.

What do you like to tattoo?

The tattoos I want to do are a collaboration between oriental and black and grey. That’s important to me, but I also want to do tattoos that make my clients feel happy and satisfied.

What inspires you and do you have any artists you admire?

Yes, there are a few people. Artists I respect include Q Tattoos, BackGGang, Robert Hernandez, Chenjie, and many others. There are more black and grey tattoo artists and oriental tattoo artists that I respect. Looking at their work inspires me.

How can clients book in with you?

In Korea, there is a messenger called “KakaoTalk” and I receive a lot of enquiries through that. I am also communicating with customers and receiving reservation enquiries through Instagram. But clients can email me too.

Sometimes I’d like to receive booking enquiries through just one platform, but clients want to contacts me in their own convenient way, which I don’t mind so I have opened up multiple methods.

Do you have any guest spots planned?

If a good opportunity is available, I would like to experience various countries. However, I think there may be visa issues, so I am refraining from traveling as much as possible.

Is tattooing underground or becoming more mainstream nowadays in South Korea?

Koreans’ thoughts on tattoos are very open. Because many artists (singers, actors, etc.) have been exposed to tattoos they talk about tattoos on social media and YouTube. This means the younger generation’s negative thoughts about tattoos have decreased significantly. However, celebrities who appear on broadcasting stations still cover their tattoos with flesh-coloured stickers.

It can be said that tattoos in Korea still remain underground. And among tattoo artists, there are some who think it’s a subculture. But there are many people who think of it as just a job and only for money. The interesting thing is that, although tattoos are illegal in our country, there are many talented Korean tattoo artists around the world. When I see this, I am so proud and I want to develop further, and follow the same path as them.

What’s been your proudest moment so far?

I created a tattoo on a client who had a keloid scar. He was so stressed out about his skin that he couldn’t even date people. However, many good things happened to the customer after we covered the scar with a tattoo. Seeing that customer happy and satisfied made me so proud of the work I do.

Follow JayHan on Instagram for more tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“I make very well-tailored custom suits and dresses and my customers wear them,” interview with tattoo artist Ogi

Tattoo artist of seven years, Ogi (@ogitattooer) currently works at Bk.ink studio in Seoul, Korea. We caught up with him to find out about his journey into the tattoo world and unique take on tattoo design…

How did you become a tattoo artist?

Korea doesn’t have any educational institutions related to tattoo education because tattooing used to be illegal. That’s why I reached out to tattooists on Facebook, I was interested to see if they could give me a tattoo masterclass. Among them was @bk_tattooer. I was able to learn tattoo from them and it was this opportunity that enabled me to become a tattooist.

What made you want to become a tattooer?

From a very young age, I loved drawing and it just came naturally to me. Due to the obligation of Korean men to join the military, I had to join when I was 20 years old. It was a time when tattoos were illegal and people with tattoos were not common. But, the military was a place where a variety of people came together and I was able to see many people with tattoos.

It was the first time I was able to see a tattoo up close. I found it really interesting that the canvas was not paper, but the human body. I was instantly fascinated by the uniqueness of the art, which was different from the art I’d seen before. At the same time, I thought, “Oh, I think I can do it better if I could do it.” From then on, I dreamed of becoming a tattoo artist.

Did you have a background in art?

I graduated from art school and majored in video design at a prestigious university. At that time, I also worked as a lecturer at an art academy for college entrance exams.

Do you have any tattoos – can you tell us about them?

I have a tattoo with a harmonious design of a statue shedding tears and a rose. It’s my first tattoo. It’s meaningful to me because it is my first tattoo, but the meaning behind this design also has a lot of meaning.

When I was in high school, I practiced drawing sculptures for 10 hours a day in order to get into the art college of my choice. This was very difficult for me. However, I endured this difficult time and was eventually able to go to the university of my choice. This tattoo expresses these things. The statue in the tattoo design represents the statue that I used to practice my drawing from. The image of the statue shedding tears represents the hard work I have done to prepare for college entrance exams and, finally, the rose represents me achieving my goal.

What was the first tattoo you did on someone else?

The first tattoo I did was for a friend of mine, a tattoo of the artwork ‘Cow’ by Korean artist Lee Jung-seob. I made the tattoo with the intention of transferring the work of a very famous Korean artist to my friend’s skin. Although I did not have a high level of skill in tattooing as I had only practiced tattooing on my leg before then, I am still satisfied with the result even now. 

How would you describe your style?

For my tattoos, the most important thing is a design that flows along the muscle line of the area of the body that it’s being tattooed on. At the same time, geometric elements are used to create the beauty of blank space.

I wanted to differentiate my work from the existing traditional black and grey tattoos, with dense colouring on the skin – a style that I sometimes feel is too much for me. In this way, my customer’s unique skin colour can be brought out and harmonises well with the tattoo. It’s a style of black and grey tattooing with an understated richness and sexiness.

What do you like to tattoo?

I like tattoos of any theme. Rather than saying what motifs I like to work on, instead I like doing huge-sized tattoos that can be designed to suit each customer’s different muscle lines and body shape. To put it simply, I make very well-tailored custom suits and dresses and my customers wear them.

What inspires you. Do you have any artists you admire?

I respect a tattoo artist named Oscar Akermo. I think he is the first artist to express tattoos that are understated yet rich. They follow the flow of the human body, which I think is the most important thing when creating a design. I have been greatly inspired by him.

How can clients book in with you?

They can access my work through social media – Instagram and Facebook, and they can contact me through my email (ogitattooer@gmail.com). 

Do you have any guest spots planned?

Currently I have guest spots scheduled in Frankfurt, Stuttgart, Düsseldorf and Munich in Germany.

Is tattooing underground or becoming more mainstream nowadays in South Korea?

The number of people who have an open mind about tattoos is gradually increasing, and many people are getting tattoos. More and more current Korean celebrities are seen with tattoos, too. Originally in Korea, hair dye, body exposure, and especially tattoos were regulated even for celebrities. However, these things gradually began to change one by one as public perception changed, and the same goes for tattoos. So, I think tattoos will become more and more mainstream.

What’s been your proudest moment so far?

The answer to this question comes to my mind immediately without me even having to think about it. The moment is when I see my clients happy after getting a tattoo from me. All of these moments are precious and the proudest ones for me.

Make sure you follow @ogitattooer for more amazing black and grey tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.