Disney tattoos Archives

June 7, 2023June 7, 2023

Catching up with tattoo artist Owen Paulls

We last chatted to Owen Paulls (@owenpaulls) in 2017 (read his first interview) when he was tattooing on the road. We caught up with the black and grey tattoo artist, who now works out of his private studio (Owen Paulls Tattoo) in Brighton, to find out what he’s been up to for the last six years...

How have you been since we chatted in 2017?

Great thank you! Hope you have all been good too. I’ve been traveling all over and seen some cool things…and ink!

You’ve been tattooing for almost 10 years, how does it feel to look back on where you started?

I don’t really know to be honest! I’m certainly more involved with the industry than I imagined was possible when I started, and there’s so much to learn along the way. The perimeters are always shifting and evolving in the tattoo world, so I guess I feel humbled to think of surviving it for 10 years!

Where do you hope to be in another 10 years?

I hope to be in the same creative mind space and to be focused on how I can keep improving. I really hope I never lose the drive to improve my artwork, in tattooing or painting!

What tattoo projects have you been working on?

There’s been more larger scale work in my diary as of late. I think the last time we spoke I was on the road, so I was mostly doing tattoos that had to be completed in one or two days max! Since then I’ve been able to play the role of a resident artist in a few studios and take on larger pieces over a wider time scale.

It’s been really challenging but a great push in learning how to construct legible sleeves, front and back pieces.

What’s really been getting you excited?

Well firstly, the progression of our industries artistic side over the past, I think three years or so? It’s amazing to watch such rapid evolution of an ancient thing. On a more personal note, I’m so excited and thankful for the trust in creating more surrealism and Disney mashup tattoos.

You mentioned in our last catch up that you were going into a more surrealism style, has this been the case?

I always wanted to do a little more realism that wasn’t so routed in real life or just a copy from a photo. I really enjoy being asked for portraits too, don’t get me wrong, but I love sci-fi or adding a little element of whimsy, flow and direction where I can. I’m still developing this style and trying to learn from other artists, who do this mix really well. At the moment I’m working on a few Disney projects which will see the characters collide with the real world in some way. So super excited for that!

You also mentioned you would ‘probably make the move to colour work’, how has this gone? What changed?

Honestly nothing really changed, apart from the brief pause we all took in 2020! I’m still interested in adding some colour elements but I’d have to stay somewhere long term to really polish this aspect of my work. Right now with traveling and shows, black and grey is the better choice for me and allows me to showcase the desaturated Disney work that has helped me carve a bit more of a tattoo identity over the years.

You were on the road, where’s been your favourite place to travel and tattoo?

It’s hard to pick just one place! I spent nearly two years traveling full time on the road and saw so many amazing places. I really love Italy and Florence especially. It’s so beautiful and relaxing there and in the same breath, I love Colorado for the mountains and nature. Probably because it’s a wilder, more rugged version of where I grew up! NYC and LA of course are beasts of their own, and I do love the busy hustle of city life. I’m tattooing in Germany later this year so maybe that will be added to the favourites list too! Who knows!

Any experiences or stories that stand out?

I remember being in literally the coldest weather I have ever experienced in Ottawa, Canada a few years ago. I thought I liked snow until then! There was a storm and snow stacked against the buildings around four feet. Every pavement and road was pure ice! I was there working a tattoo show and spent nearly the whole thing inside a set of three interlocking buildings with sky bridges, to escape the cold! You’d have to be tough to live there I think!

Oh and almost getting hit by lightning in Florida! I was walking to the shop in the rain when it struck the traffic lights two metres in front of me, taking out the whole block. The loudest sound I’ve ever heard in my life, I’m very lucky to not have been crispified!

How’s the tattoo scene changed since we spoke in 2017?

Change wise, aside from the rapid artistic boost that 2020 seemed to inspire, I’m thankful to see the industry start to become more inclusive. I know there’s still a way to go just like every industry, but we have started the journey and it’s nice to see artists becoming more comfortable to express themselves in their art and/or tattooing.

What’s been your proudest moment in the last six years?

One of my proudest moments has been recently, when I was asked to attend a few tattoo shows, based on my paintings alone. I’ve been working hard on my paintings for a few years on my days off and it’s very validating to be recognised for this. I’ve also had the chance to be part of some really progressive and highly talented teams, like the Empire Inks crew and the FYT artist line up. Not trying to push anything when I say they have the best approach to artist sponsorships and give back at every opportunity. I’m very grateful to be involved with them!

How did you find the lockdowns, were you able to be creative?

I was still in Hollywood during the lockdown, so we really only had one long one over there. It was tough to be taken away from my career plans, mid stride but I understand this was the same for so many creatives and I do appreciate the safety aspect involved there.

I set myself up with a painting and designing schedule, working 10-7, like a regular tattoo day, four or five days a week. I’d just finished a set of classes at LAFFA (LA institute of fine art) and was really keen to get to practice more. Obviously this was more paint time than I had anticipated but I believe it kept me sane and kept the wolf from the door bill wise! I’m aware I have been very lucky though and know this wasn’t the case for everyone around the world.

On a final note I want to say thank you to everyone who supports my art and tattooing. I’m always looking to expand my skill set and learn what I can to improve. I’m thankful to have done a catch up with you and hopefully we can do another in a few years!

You’re more than welcome! Make sure to read Owen Paull’s first interview with us and follow him on Instagram for more incredible tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

December 20, 2022December 18, 2022

Safe space tattooing with Clair

Clair tattoos at Degenerate Art Tattoo Studio in Staffordshire, UK. Describing herself as a dsisabled artist, we chat to Clair about her tattooing style, plans for the future and the lack of representation in tattooing…

How long have you been tattooing and how did you get to where you are today? I’ve been tattooing for around four years including my apprenticeship. I was previously a fine artist working with painting, sculpture and installation art and taught design in secondary schools. I left teaching as I had issues with my health, but ultimately I found I was burnt out and unfulfilled in that career.

I had a little bit of time where I couldn’t work as I was very unwell. During this time I had my first tattoo and with it the realisation that maybe there was something else I could do with my skill set and passion for art and design.

How would you describe your style? I think my style is a bit of a mixed bag – sketchy stippled blackwork has become the main staple, featuring lots of flowers, nature themes, and some cartoons. But I also tattoo a lot of bold colour work with Disney, cartoons, kawaii and gamer influences.

What inspires you? Super cute cartoon characters and plushies. I’ve been obsessed with Carebears since I was a very small child. I also love nature and being able to get out with my dog Rufus, this always gives me lots of inspiration. I’m often found photographing flowers and fauna.

I love artists from the fine art world such as Chris Nathrop, Anselm Kifer, Yayoi Kusama, Andy Goldsworthy, James Turrell and Fiona Rae. I like being inspired by different forms of art.

I love to travel – the differences in culture, climate and ideas are always exciting. I’m hoping next year to be able to travel more, doing guest spots and conventions. I have big plans in the future to explore Canada, Australia, more of Asia and Indonesia with my daughter and tattoo wherever possible.

What do you love to tattoo, do you have a wishlist? I love tattooing cartoon characters especially when I can mix them with florals. I would also love to do more character work – Steven Universe, Attack on Titan, Carebears and Bluey, as it’s our household’s latest obsession, and some Lord Of The Rings-inspired pieces.

As I come back from maternity leave I have a big desire to push my work and skill set, it’s given me time to reflect and think about my growth as a person and artist.

I want to try out new ideas and these include large-scale abstract rainbow pieces and flowing nature root/branch-style pieces that entwine and work with the body’s natural shape. I’m hoping to push myself to do more freehand work and develop my black and grey realism skill set too.

Do you prefer to work in colour or black and grey? I like both! How I work reflects the split in my personality and style. I like working with both the different techniques and the development of style and technique for each.

I feel it’s part of my nature to want to do a bit of everything and explore as much as I can with this art form.

In your Instagram bio you have ‘disabled artist’ can you tell us more about this? I’ve been disabled for several years now. I had an injury to my spine as a child which has set me up for a wide range of issues in life and a few other comorbid chronic conditions have come along later. I suffer especially from pain which can be extremely debilitating.

Tattooing found me at a stage in my life where I was on the verge of giving up, it’s saved me, and has given me a new passion and purpose. I can work as a disabled person as tattooing offers such freedom and flexibility for my ups and downs with managing my conditions.

I think calling myself disabled as an artist is really important as there is a lack of representation within tattooing.

Does this influence how you tattoo? So with my chronic pain and mobility issues, I have to be careful with the type of tattoo projects I take on, the placements and the type of machines I can use.

For example, I can’t really stand or bend excessively when I tattoo as I find that incredibly painful, it’s a huge limitation but it’s something I’m now used to. I have to use lightweight machines and plan my days very carefully with my use of energy.

Is there a particular type of space you want to create while working? So I’m passionate about creating more accessible spaces within tattooing – for artists and clients.

I just think it should automatically be thought of when setting up a studio, whether it’s a street shop or more private space, that includes suitable and well-thought-out access to the frontages, doors, steps, corridors and accessible bathrooms. But that’s not the norm from my experience.

I’ve worked in a few studios that will not provide accessibility and that’s just embarrassing to not be able to offer basic human rights to clients.

So, where I’m working from now there is a commitment to finding a way to open up the studio so it’s more accessible to all clients. It’s a work in progress as I’ve been on maternity leave but I’m hoping real progress can be made.

Can you tell us about a memorable tattoo experience? Being tattooed by Anthony Lennox – I had a sloth tattooed on my lower leg. It was just an all-round memorable day, with the tattoo design, getting to see how he tattoos, the studio set up, and the other clients and artists there. It’s the best when a tattoo artist whose work you love turns out to be absolutely lovely!

What was your first tattoo, do you still love it? My first tattoo is a slice of cake and some sweets done by @KeelyGlitters. I still love it and that’s what inspired me to even think about becoming a tattoo artist.

What’s been your proudest moment in your career so far? I have a lot of proud moments but ultimately it comes down to tattooing so many people that have said they have felt safe, respected and happy with me and their tattoo.

That’s so important to me and as I strive to become a better artist, person and now a mother. I want to continue in my journey to make sure clients are made to feel comfortable and happy throughout the tattooing process.

Follow Clair for more awesome tattoos, available designs and book in via her website.

April 14, 2020

Disney tattoos: Meagan ‘Megz’ Stevens

Megan ‘Megz’ Stevens creates Disney inspired tattoos at Bosco’s Tattoo Shop in, Tehachapi, California. We spoke to Megz about how she found she could connect with people through tattooing, and of course her obsession with Disney…

How did you get into tattooing and what made you want to become a tattoo artist?

I was on track to obtain my Masters in nursing. I had completed all the prerequisites to apply to a Nurse Practitioner (NP) programme. However, I found myself drained and not in a good way; a draining of my soul was beginning. In other words, I was losing my ability to empathise and sympathise. I love people, and when I chose a career in the medical field I assumed it would allow me to connect with people in a deeper way. However, when immersed in it I found it to be quite a different world.

I came home one evening, drained as usual, and unloaded on my husband, explaining how I didn’t think I could do it anymore. My husband, always the calm and rational listener, asked me if I could do anything, any job what would I do?

My mouth moved before my brain could register
“I’d tattoo!”

I had always loved the tattoo industry, specifically since the age of nine when I saw a man with a tattoo of Sebastian from Disney’s The Little Mermaid. I just never really thought I would be allowed into this seemingly exclusive club. I thought I would only ever be a client, so I pushed my intrigue down deep, keeping my art closeted as a refuge for me and me alone. Being told by my husband to go for it really sparked a gut response, a flame of determination, a whisper within me stating that I will.

Immediately I wanted to learn the anatomy of a tattoo machine, so I looked up any video and diagram I could find. I am not ashamed to say that I started to “scratch” out of my home on people – I owe my career to friends and family. Within a few months I was able to create a small portfolio of my work. It was enough to land me an apprenticeship.

How long have you been tattooing? Can you tell us a little bit about your apprenticeship.

I have been tattooing for three years. My apprenticeship was a fly or fall scenario, but in the best way. My mentor, Bosco, has this very calm energy about him. He believes in the people he brings into his shop, believes that they have the tools necessary to create a career. He simply observes, and when he sees that you definitely need guidance he comes in and gives it.

What inspires your work? You draw a lot of Disney flash, is this something that influences you? Which character is your favourite?

Disney inspires me the most. I love the nostalgia it brings up in everyone. It’s hard to find someone who does not smile when you bring up Disney. A true Disney fan never has one favorite character. My favorite animal character is Patch from 101 Dalmatians, Belle from Beauty and The Beast is my favorite Princess, and Mamá Imelda is my favorite Pixar character.

What do you like to tattoo and what would you like to do more of?

I would love to tattoo more watercolour Disney pieces. My watercolour technique is very free – I don’t stencil it on. I free hand with sharpie or the tip of my motion-less cartridge. It is all based on feeling. These are the most fun tattoos to do because the trust a client has to have in that moment connects you far past the session. It’s like you’re behind them on a cliff, they may have met you once before or even not at all, and they have to have faith that you won’t push them. They have to believe you have their best interest at heart. It makes me work harder to create the best possible watercolour piece I can for them.

Can you tells us about your own tattoos, what do they mean to you? Have they helped you to see your body differently?

I am fully sleeved on both arms. My right arm is exclusively old Hollywood icons, Marilyn Monroe, Elizabeth Taylor, a large upper arm piece of Rett Butler and Scarlet O’hara from Gone With the Wind. On my left arm, to name a few, are little pieces of memorabilia, a best friend tattoo of a coffee cup from the show Friends, Simba, a daffodil, and initials to represent my son, an Alice in Wonderland piece to remember a departed loved one, Sailor Mars kissing Tuxedo Mask and Scar from The Lion King done by my mentor.

My tattoos make me feel unique and confident. I love that they speak for me when I may not want to open my mouth. Quite simply, they are my armour.

How does tattooing make you feel? Is there a particular part of it that you love?

Tattooing makes me feel liberated, but what I love most about it is the connection I make with the client. I find that there is no better sound than a story being spoken by a client paired with the hum of my machine. I love being a person they feel they can unload on. It’s funny, I went into the medical field hoping to help people in this way and all along I could do just that by tattooing.

December 11, 2018December 12, 2018

Have Courage and be Kind: An Interview with Lady Chappelle

Birmingham-based illustrative artist Lady Chappelle has been tattooing for over three years. With a passion for travelling, Lady Chappelle has managed to do a lot in what could be considered a short time in our fast-moving industry. Guest blogger, Rebecca Rimmer Givens chats to the Disney fanatic about hopes, dreams, ambitions and why it’s important to stay focused in what can be a crazy place to be…

Photo by Calvin Tasker

Photo taken by Calvin Tasker

You are based in Birmingham but also regularly tattoo in London. You’ve also done guest spots at a lot of different shops in the last few years. Has it been a busy journey so far? I have crammed a lot in – it has been a crazy few years but in a good way! The moment I got my apprenticeship there were certain goals I had, so I wanted to work hard at them. I used to not feel confident enough to approach places for guest spots, or I was worried I wasn’t good enough but then I thought – ‘what have I got to lose?!’

Luckily, some fantastic shops agreed to have me work with them. I’ve loved getting to know cities like Leeds, Edinburgh, Derby and Manchester, and recently visited Heerlen in The Netherlands. I can’t express enough how valuable guest spots can be for artists, both in the early stages of your career and thereafter. They are a great way to learn off of other artists and have valuable conversations.

In terms of travel goals for the future, I have a love affair with Southern California so I would love to guest there as well as the East Coast, Canada and Australia.

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Which is your favourite studio to visit, if you have one! I have been to so many now but I have to say one of the best is Semper Tattoo in Scotland. I worked there this this year and had the best time. David Corden and the other artists are all crazily talented and friendly, some of the most super humble people I’ve had the pleasure of tattooing alongside.

Let’s talk Birmingham. You work with Dawnii and the team at Painted Lady – what’s life like there? I adore working with Dawnii and love being a resident artist at Painted Lady. I followed Dawnii and her shop online for years and really idolised both. To work there now in all honestly feels like a dream – I feel so so grateful to be part of the team, I work with some very talented people and again, learn so much from each of them.

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You’ve come such a long way in three years. Do you take time to stop and reflect on where you’ve been so far and what you plan to do in the future? In terms of achievements so far, a lot of this is down to mindset and being clear about what my goals were, and are. I have always been quite an ambitious person and if I really want something then I will work hard to achieve it. I didn’t start tattooing until I was 31 and so felt like I had a lot of catching up to do – not with anyone else but with my own personal goals.

I think when I take a few minutes to reflect on the whirlwind that has been the last three years, I am proud of what I’ve achieved in a short space of time. I feel very grateful for all the opportunities I’ve been given. For me it’s imperative to have goals – without goals and dreams I would lack focus, direction and probably live a mediocre life. I want the best life for my family and it’s all possible so why not aim high?

There’s a lot that I would still like to achieve and someday I believe I shall, but for now I just focus on making each tattoo better than the last and giving it my all.

What do you see as your single biggest accomplishment? I think having the opportunity to work at such a reputable shop as Painted Lady – it was my proudest moment when they told me I had gotten the job.

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What pushes you the most out of your comfort zone? I tattoo a lot of character work and although it still requires skill I can only push myself so far with it. I love a challenge so recently I have started doing more portrait tattoos in my style – I used to really love painting and drawing them and was intrigued to see how they would turn out on skin.

It took me a little while to be brave enough to try one but thankfully my fiancé James offered me a free thigh so I thought ‘why not?’ I was happy with how it turned out and most importantly, so was James, so that gave me confidence to try more. Now, portraits are one of my favourite things to do and I really hope I get to do more in future.

Do you have a favourite tattoo of all time? Or a favourite recent one that you’d put at the top of your portfolio? I have a few favourites so it’s hard to pick. I am currently working on a large back-piece though which has taken multiple sessions and has been a huge learning experience. I think once that’s completed, it will be my ultimate favourite.

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Do you think you’ll always focus on Disney-themed tattoos or are you keen to explore other avenues? I would say that 98% of my tattoo work is based on Disney characters. I grew up on Disney and will never get bored of it but there are certain elements in my character work that I want to develop and explore.

When you are using a pre-existing image of a character, there is only so much you can do with it to turn it into your own creation, but still there are so many of us Disney tattoo artists out there, all identifiable by the little quirks we have that make us unique. There will always be a long-running argument that tattooing Disney characters is an easy job but I want to show people otherwise. I hope what makes my creations different and likeable is the way I add other elements to them and have an attention to detail with every tattoo I do. I LOVE detail and in 2019 I want to focus on larger-scale pieces without so many elements in, so I can do less elements, really well.

Regarding keeping Disney to its true form, sometimes I ask clients why they have picked me to do their tattoo and they say it’s because I keep the characters’ faces true to the movies and original Disney concepts. Because I have always used Disney film stills and books to reference my material, I have always tried to make the designs as honest to the original as possible. However, there are some amazing artists out there who create their own more stylised versions of characters – this is something I would love to dabble around with more in 2019.

As much as I love tattooing characters, I also love flowers, animals and portraits, and enjoy working in more of a photo-realistic way. This imagery and approach offers me a different and exciting challenges (in comparison to my character work) because I have to think more and question myself and my decisions. I will definitely be doing more of this moving forward – I get a thrill from challenging myself with something new and then being pleased with how something has turned out.

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Tell us five tattoo artists that you look up to:

Russell Van Schaick – He was the first artist to introduce me to an illustrative, sketchy style and is someone that inspires my daily.
Michelle Maddison – There is nothing this lady can’t do! I’m obsessed with all of her tattoos. I fell in love with her floral work first of all. She tattoos in a colour realism style and it just feels so rich and luxurious.
Miss Mae La Roux – She’s the queen of Disney tattoos – no more needs to be said!
Marie Cox – I have known Marie since my apprenticeship and she’s always been a massive support to me. I’ve had the privilege of working with her too at her studio in Tamworth. I love her nature and botanical work and her amazing compositions.
Jenna Kerr – I love how intricate and detailed Jenna’s work is. Everything is so clean, precise and super pretty.

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I know you’re quite interested in motivational speaking. What drew you to having a focus on self-improvement and self-care, why do you think it’s important in an industry like tattooing? I spent the entirety of my 20s feeling incredibly insecure – insecure in myself, insecure in life and insecure in my purpose. I had great jobs but never felt fulfilled. As I was reaching 30, a friend introduced me to a book called The Secret – after a few listens to the audiobook and further time researching The Law of Attraction, something began to click. Shortly after got my first tattoo it all fell into place – I knew what I wanted to do and knew how to get there. What I needed was to write an action plan, work hard and most importantly have the right mindset. I gave up my managerial job and went in pursuit of an apprenticeship.

I was focused, positive and relentless, which is important because the tattoo industry can be crazy (in good ways and bad ways). If I hadn’t done so much work on self-development then I wouldn’t have been so. Overall, this is an incredible industry and we are all so lucky to be part of it, we should be grateful and humble that tattooing enables us to pay our bills whilst doing what we love. As the tattoo industry grows, having an awareness of your own self-development and improvement really aids your work. I don’t think you can be a true artist if you don’t care about doing the best you possibly can, wanting to be better each time.

Like many artists, I live and breathe my craft and am always pushing to improve myself. Whilst I am entirely grateful and happy that I have been so busy this year, I have neglected my own welfare a little too. One of the biggest lessons I’ve learnt is that you cannot serve to be the best you can if you are not looking after yourself. In 2019 I have promised myself more time out because resenting my art is something I never, ever want to happen. Self care is essential.

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Well that’s tattooing… what about non-tattoo life? Where would we find you during your free time? Outside of tattooing, you’ll find me playing my cello (I’m part of a symphony orchestra) walking our little sausage dog Winnie, or jetting off to Southern California (when time and money permits).

Any last words? In the words of Cinderella, ‘have courage and be kind’.

September 7, 2018

Interview with Tattoo Artist Hannah Mai

We chatted to 24-year-old Hannah Mai who works at Lucky Rabbit Tattoo Cult in Birmingham about her stylised tattoos, love for Disney and travel plans…

How long have you been tattooing? I have been tattooing proffessionally now for two years but I started my apprenticeship three years ago.

What inspired you to become a tattooist? I wouldn’t say at a young age I was surrounded by tattoos as none of my family had tattoos, but my Grandad used to tell me about how his parents had them which initially fascinated me. His mother had a clover on the top of her arm that covered up an ex-partner’s name and his father had a mermaid that swam when he tensed his arm. I also used to draw doodles on my friends in primary school with gel pens. I can’t imagine that was particularly good for us but I found it too much fun!

What did you do before? Art. Art has been my language since I can remember. It’s something that has never left my side. It’s the only thing I was decent at in school that I’d look forward to. I wasn’t fond of homework but when it came to art homework I’d practically be doing it as soon as I left the lesson. I have always loved the idea of creating artwork based on imagery taken from my childhood, and now I get to do this for a living!

As a young female you have great pressure by society and what the media tells you – that your value is in your appearance. I however am a firm believer that ‘as long as what I am creating is beautiful, so am I!’

How would you describe your style? A lot of people have told me my style is quite vintage and slightly rag-doll like. I would agree with this. When I first started out I did mainly floral and animal work but I soon switched to doing what I had really aimed to do all along which was Disney. However I knew I didn’t want to just do carbon copy Disney. I wanted to bring something new to the industry a style that was recognisable as my own and I’d like to think I’m on the right path with this! So I’d describe my style as delicate stylised pastel Disney which I know is a bit of a mouthful!

You tattoo mainly Disney tattoos, are you a Disney lover? I’ve always been obsessed with Disney it is one of my favourite things ever! It means so much to be in a position where I get to create this magic on fellow Disney obsessed lovers. My customers really keep me going I’m super thankful and I always look forward to having a week filled with Disney conversations with my customers.

Who is your favourite character and why? It’s so so hard to pick just one! I have a few. One would have to be Megaera from Disney Hercules. Her sass and independence taught me feminism from a young age. Another would be Judy hopps from Zootopia. I can super relate to her emotional ways and yet such strong positivity. If I was a Disney character I would like to think I’d be her.

Do you have any Disney tattoos? Yes! And I’m planning more when I have the courage. I super suck at getting tattooed and I’m running out of the lesser painful areas to get covered! I have a Snow White and Prince Charming on the top of my arm done by Sarah Cooper and went back to get my second tattoo which was Marie from Aristocats on my thigh, but I’ve also had Disney work from Angharad Chappelle and Isobel Morton.

What would you love to tattoo? Ahh I have so many ideas! I’m always excited to do lesser known characters from Disney movies. The ones that seem to be a bit forgotten about. I’m dying to do any of the characters from the Disney Robin Hood or Princess and the Frog. I’m also a huge fan of the Don Bluth movies.

Are you doing any guest spots or conventions? I have so many already planned to get through before the years out! I wouldn’t know where to start. The best thing to do would be to check my Instagram for all my dates!

Although I am in a Birmingham studio with my pals at Lucky Rabbit Tattoo Cult. I am mainly travelling this year. Recently I’ve been lucky enough to do Europe based guest spots as well which is great because it means I can cater to my European followers and soak in some culture at the same time!