Tag: Female Tattoo Artist

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Interview with tattoo artist Jooyoung

Tattooist Jooyoung creates beautifully colourful floral tattoos near Hongik University in Seoul, South Korea. Here she tells us all about her journey into the tattoo world and love for travel…

How long have you been tattooing and how did you get started in the industry? This year marks 11 years since I first began tattooing. I have had a talent for painting since childhood and I have always enjoyed drawing.

I began to explore the tattoo industry as I wanted more opportunities to display my painting skills. When I became an official tattoo artist, I fell in love with this profession and have been practicing it ever since.

To have a deeper understanding of tattoos, I also studied English and attended multiple international tattoo exhibitions.

What inspired you to become an artist? Do you have a background in art? My interest and passion for art is my primary source of inspiration. I have art education. I worked as an art instructor at the academy for a long period after graduating from art school, although I wasn’t very interested in it.

At the time I was looking into how I could increase the value and reputation of my paintings. I happened to come upon a tattoo by chance and decided to challenge myself to do it professionally. 

How would you describe your style? What drew you to colour tattoos? My tattoos are often delicate and use a variety of colours. I’m skilled at creating tattoos with fine lines in various colours. I also incorporate a contemporary Korean style into my tattoos.

If I think about the reason I got into colouring tattoos, I believe it’s because I have always liked painting with different colours. Colour tattoos require a great deal of effort and time, but they are always pleasurable.

What inspires your designs? Does your heritage influence your art? Where I grew up was abundant with nature. I’ve always been interested in nature because I grew up surrounded by mountains and fields and spent time outdoors with my friends. I was greatly inspired by nature. I prefer mountains and the sea and I am a fan of plants and flowers.

Can you tell us about the process behind your tattoos? What do you like to tattoo and what would you like to do more of? Tattooing was not a smooth journey for me, especially during the first year or two of my career as I encountered numerous obstacles. Even though I now enjoy tattooing after numerous different experiences, I was initially terrified and lacked confidence.

I like doing small-sized tattoos. When I initially began doing small-scale tattoos, I experimented on my younger brother. I was so anxious and overwhelmed that I had no idea where to begin. Fortunately, my teacher was really kind and taught me how to do it and so I felt much better and began to gain confidence. Small tattoos are difficult to create since they require a great deal of design and detail to be unique, but I have mastered the skill through extensive practice.

I would like to try something new in the future. I will experiment with more tattoos with unique styles and designs. I will also make an effort to create more large-scale tattoos, which involve different abilities and designs.

How do you see your tattoos evolving in the future? Now that I am proficient with small-sized tattoos, I plan to experiment with various styles. I will continue to create colour tattoos in the future, as they are my expertise and my favourite. However, my tattoos will become increasingly unique and larger.

What was your first tattoo? Do you still like it? How has your tattoo collection developed since then? My first tattoo is a floral watercolour design. This tattoo was given to me by my best friend, who is a renowned tattoo artist. I like it very much. To this day, I vividly recall how painful the process was. It was too large for my first tattoo. I got the tattoo over two days sitting for for five hours each time, and it hurt so much.

Since then, when I do tattoos for others, I concentrate primarily on smaller designs because they are less uncomfortable.

Where’s been your favorite place to travel and tattoo? England is an excellent travel and tattoo destination.

I was in England as part of a guestspot. I had a wonderful and unforgettable experience. I did some excellent tattoos and met nice people there. The weather, the guests, and the vibe at that time were all perfect. 

Do you have any travels or guest spots planned? Next year, I intend to work in Europe. Europe is a lovely and romantic region with several attractions. After completing my guest work, I intend to travel with my husband on a lengthy trip.

What’s the tattoo scene like where you are? Tattoos are still seen negatively by the majority of Koreans, but tattoos are gaining popularity among young people. Due to legal and medical restrictions, tattooing in Korea is not as free as in other countries. I hope that people’s attitudes of tattoos will change in the future. I am also aiming to increase the popularity of tattoos.

What do you do when you’re not tattooing/drawing? When I am not tattooing, I prefer to exercise or enjoy my personal time by doing things like reading. Once a week, I also enjoy spending time with my husband and engaging in enjoyable activities. 

What moment in your career are you most proud of? I enjoy doing tattoos for people from various countries. I also travel to various countries as a guest spot and attend tattoo conventions. These opportunities allow me to experience a variety of things and engage in artistic exchanges with top tattoo artists. As a tattoo artist specialising in the Korean style, I am also pleased to represent Korea through my tattoos and educate a wider audience about Korean tattoos.

When I receive recognition from a large number of tattoo lovers and other professionals, I feel the most accomplished. This strengthens me and motivates me to work harder. If they enjoy and value the tattoos I’ve given them, I feel that my value is increasing.

Follow @jooyoung_tt for more incredible floral tattoos and travel updates.

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Interview with tattoo artist Yerae

Tattooist Yerae creates beautiful floral tattoos at Dasibom studio in South Korea. We chatted to the tattoo artist about her love for colour and creating coverup tattoos for her clients…

How long have you been tattooing and how did you get started in the industry? I’ve been tattooing for over three years and I have always been interested in drawing. However, I didn’t attend art school as my family encouraged me to focus on academics instead.

My interest in art and painting has never ceased and I often wondered how I could continue my artistic career. Then one day, I accompanied my friend to Seoul to get her first tattoo. As soon as I saw the tattoo artist at work, I fell in love with the job. I found drawing on people’s bodies to be absolutely stunning. Since then, I have taken tattoo classes and pursued the profession. My paintings have gradually evolved into my own tattoo style. 

What inspired you to become an artist? Do you have a background in art? As mentioned previously, I have been interested in art since I was a child. I became a tattoo artist as a result of my enthusiasm for art, particularly drawing on people’s bodies.

As a hobby, I have always painted, yet I’ve never received any art education. In school I studied International Relations and Political Science, which are completely unrelated to art. The topic itself was interesting, but I could not envision myself working in the industry, because I had always wanted a job that would allow me to utilise my creativity.

How would you describe your style? What drew you to colour tattoos? My tattoo style is both feminine and eye-catching because I use  lots of brilliant and strong colours – I create numerous floral tattoos. Initially, the majority of my work was in black ink, but after realising that the uniqueness and character of flowers are derived from their colour, I decided to concentrate more on colour tattoos.

Despite the range of colours and species, I believe that every flower has a distinguishing hue that identifies it. When you think of sunflower or daffodil, the colour yellow comes to mind, but when you think of violet, the colour purple comes to mind.

I believe the usage of multiple colours adds vibrancy to tattoos because we inhabit a world of colour. In addition, I execute numerous coverups, which, in my opinion, far more dramatic results are produced with colours.

What inspires your designs? Does your heritage influence your art? Since the majority of my work focuses on floral and botanical elements, I get inspiration mostly from flowers, plants, and nature, but also from my clientele.

Regarding coverups, for instance, I have had numerous clients who were desperate to cover their existing tattoos. Before confirming an appointment, I discuss with my clients how they wish to cover it up so that they do not regret their decision. Once covered, it is difficult to remove or apply additional coverups, therefore I strive for perfection. For coverup work, my designs are inspired by the client’s preferences, their present tattoo’s shape, placement, and flow, as well as their body’s positioning and placement.

I remember that my grandfather was so pleased to see me sitting down with my sketchbooks and drawing as a child. He bought me crayons, coloured pencils, watercolors, and additional art supplies. When I first saw his drawings, I was astounded since they were primarily portraits and I never anticipated my grandfather to be so talented in art, as he was an accountant and I never saw him draw. Later on, he explained to me that after surviving the Korean war, he was unable to follow his dream of being an artist. When he saw me drawing, he was delighted and believed I had inherited his artistic talent. He complimented me, offered me advice, and gave me his old sketching books. I believe that his encouragement of my artistic endeavors influenced me to become an artist.

What do you like to tattoo and what would you like to do more of? Recently, I had the chance to create a back coverup with flowers and a dragon. It was difficult, but I enjoyed tattooing the dragon so much that I’d like to do more fantastical animals surrounded by natural elements.

In addition, a few months ago I worked on a floral leg piece that extends from the ankle to the thigh. It required four complete sessions, each lasting 8-9 hours. I enjoyed the way the flowers, stems and leaves flowed along the leg line despite the lengthy duration of the project. I would love to create more full-leg and full-sleeve designs.

How do you see your tattoos evolving in the future? Since I already have a high level of expertise in floral tattoos and a large number of clients come to me just for floral tattoos, I believe that I will continue to concentrate my work on flowers and other elements from nature. I would also like to focus more on coverup and larger pieces in the future. I am also considering using more toned-down colours to add variety to my design, as I have predominantly used brilliant tones.

Where’s been your favorite place to travel and tattoo? Last summer, I visited London, Hamburg, and Leeds, and each of these cities was fantastic.

I visited London for the first time abs I made some tattoos there. Not only was it enjoyable to do tattoos, but also to explore the city.

In Germany, I attended graduate school. Visiting Hamburg brought up many pleasant memories from the past. It was a wonderful opportunity to return to the country, and in Hamburg, the tattoo studio, the people, and even the weather were perfect.

I attended the Leeds Tattoo Convention when in Leeds. I finished three outstanding tattoos at the convention, and my clients loved them. This exhibition also raised awareness of Korean tattoos among a wider audience. Everyone who passed by at the convention was drawn to my unique tattoo style, and they conveyed their admiration and affection for Korean tattoos to me. I am pleased that people are taking a keen interest in my tattoo style and complimenting it positively. Participating in such a big event is very valuable to me because I am able to communicate with so many tattoo artists from multiple countries, share my tattoo experience with them, discuss the challenges and solutions of working in the tattoo industry, and discuss various tattoo techniques.

Do you have any travels or guest spots planned? Although I don’t have any concrete plans as of right now, one of my goals for the coming year is to travel to Australia for a guest spot.

What was your first tattoo? Do you still like it? How has your tattoo collection developed since then? My first tattoo was a script of my name in Dzongkha, a Sino-Tibetan language, on my shoulder. However, it had faded with time, so I covered it with flowers. All of my tattoos are floral designs. My intention is to cover my left arm with black flowers and my right arm with coloured flowers. 

What’s the tattoo scene like where you are? I think that most people are aware that in South Korea, tattooing was not previously a common practice or topic of conversation. Due to fine line designs and work details, the market for Koran tattoos continues to expand, and Korean tattoo artists are increasingly famous for their talents and designs.

However, the tattoo industry in Korea still has a long way to go in terms of developing a safer and more comfortable environment for both tattoo artists and clients. I am optimistic about the future. I hope that one day a growing number of individuals will value and be proud of their tattoos. I am also working to promote Korean tattoos internationally by traveling to different countries and presenting my work. 

What moment in your career are you most proud of? I enjoy and appreciate all of my works, but I am particularly proud of my scar coverups. Many of my clients were traumatised by the scar or recall the time they were injured. One of my clients had multiple red marks on her legs and praised my job by stating that she had never worn a short skirt since she was a child because she wanted to conceal them. She said that even her parents were pleased to have the scars covered, and so I felt proud and pleased to be a tattoo artist. 

Follow Yerae for more beautiful floral tattoos and impressive coverups.

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Interview with tattoo artist: Maret

Maret aka @lordenstein_art, creates incredible tattoos at Capsule.3, a private studio in Berlin, Germany. Here she tells us about making tattoos that tell a story, her most memorable tattoo experience and her fun tattoo collection…

How long have you been a tattoo artist? I slowly started tattooing friends and people I knew in 2014 and I became a full time tattoo artist in 2016. I tried to get an apprenticeship in 2005, when I was 15 years old, but at that time it was quite impossible.

How have you seen the industry evolve since you began? I was interested in tattooing as a child, but even then I had the impression that the scene was very male dominated. Women were mostly just cover girls on magazines and the tattoo shops were full of male tattoo artists – the environment seemed hard and rough. But that didn’t bother me and I really wanted to be a part of it.

I’m glad that the scene has opened up a lot more. There are more styles and different ways into tattooing as a career is possible. More variation exists and everyone inside a tattoo studio can feel like they’re in good hands.

How would you describe your work? Has your style changed since you started? I would describe my work as mostly driven by linework with some shading to set the contrast. I love dreamy, beautiful or cute designs and a “clean“ image instead of chaotic or abstract designs. Saying that, when I started out I would sometimes work in a more abstract way, I also would use bigger lines and apply dots instead of light shading – I wouldn’t do this anymore.

What drew you to linework rather than colour? As well as aspiring to become a tattoo artist I wanted to become a manga artist. I found the implementation of shadows and structures with black ink especially exciting. I have always liked to work with fineliners instead of pencils.

What appeals to me is that you can’t correct what you’ve drawn, but instead you have to accept it.

I think I felt more comfortable with black lines and with a few exceptions, no one has ever asked me for a colour tattoo. So, from the beginning I have stayed with the technique I felt most comfortable with.

What inspires your tattoos and what do you like to create? I like to create cute and joyful designs, but sometimes they also include a hint of melancholy.

I love it when they tell a story or when I can hide Easter eggs in there which you don’t notice immediately.

I get inspired pretty easily by all kinds of stuff that’s around me, sometimes it’s just the light falling through the leaves of a tree or a butterfly sitting on a flower on my balcony. I also have a good collection of artbooks, including Studio Ghibli animes and others, which display a great collection of landscape designs.

In the end I want to create something that makes my customer happy and gives them a positive feeling.

What’s the tattoo culture like in Berlin? I feel the tattoo culture is very diverse and modern. From the classic old school walk-in shops to the private studios and safe spaces, everything is there – stylistically as well. Nevertheless, I sometimes feel that the scene could benefit from more networking and communication between the styles of tattooing.

But, then again there are events like joint art exhibitions that break down these discrepancies by inviting everyone to join in and contribute a design in their style. In my opinion, there should be more of these.

Also tattooing should finally be officially recognised as an art form, which unfortunately has not been the case in Germany so far.

Do you have a tattoo experience that sticks out in your mind? Almost all of my experiences so far have been very good, whether I have created the tattoo or been tattooed.

Getting tattooed in South Korea was a particularly special experience. I was quite nervous at first as I had to transfer the full amount for the tattoo months in advance. When I arrived in Korea, I was given the address which I was not allowed to share. I was also asked not to post anything on social media.

The shop looked like an apartment building from the outside and the inside was like a small office. Little by little the equipment was taken out of different closets and corners and a tattoo shop emerged. Tattooing is still illegal in South Korea, so everything is done in secrecy.

In addition, the tattoo artist took a long break every hour and had two assistants on site. Rarely have I seen a tattooist allow themselves so much selfcare, although it would do us all so much good! Who doesn’t know the constant back pain and eating unhealthy snacks quickly between appointments?

Everything there felt peaceful and mindful.

Can you tell us about your own tattoo collection? My right leg is mainly a collection of tattoos from friends, acquaintances and people I’ve met during guest spots. Most of the tattoos on my leg have something in common – they all do show llamas or alpacas. I just love these animals and they are so funny! Many of them are doing things that reflect me, like eating ice cream. One sleeps on the back of a snail, because in life I generally need a little longer to tackle things or find my way. This leg is obviously also a bit more colourful.

Otherwise I like a lot of black and now and then a coloured accent. I also prefer dark and bold designs. For example, on my left leg I have a centipede which crawls into the open mouth of a woman’s face and on the side of my thigh I have a huge Hydra. I especially like the contrast between the dark colour and the free (open/not tattooed) skin.

Perhaps you can tell that I was a big fan of the classic tribal as a child and that it had a lasting aesthetic impact on me. However, only on myself.

What’s been your proudest and happiest moment in your career so far? I have a few and new ones are happening all the time. Mostly it’s when a tattoo artist I admire tells me that they like my stuff and follow me. Or when clients keep coming back to me for more tattoos after many years.

I have been doing this successfully for eight years now, that makes me very happy.

What do you do when you’re not tattooing or drawing? I spend most of my free time playing video games. I used to paint with oil but haven’t done that in a while, because I don’t have the space for it at home. Otherwise I like to go on long walks or ride my bicycle. I also went back to university in 2020, so there isn’t too much time left to do anything else really.

Follow @lordenstein_art for more amazing tattoos and sign up to her mailing list for updates.

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Interview with tattoo artist Sambee

We chat to North London tattooer Sambee about her journey into the tattoo world and her experiences as a woman of colour in the tattoo industry…

What inspired you to become a tattoo artist? To be honest it was never an ambition of mine, even though I had always drawn, been creative and did art at school. I also used to go home after school and watch LA Ink and NY Ink. I thought they were pretty cool shows but I never saw them as a future career.

Saying that, the idea of making things with my hands was attractive to me. It meant I would always have a way of being able to provide for myself without relying on someone to hire me.

How did you become an artist? A friend took a design of mine to a local tattooist and asked if I would go with him to get the tattoo done. Whilst I was there the tattooist talked to me about my designs, he was opening a studio soon and asked if I’d like to be the apprentice.

At the time I was looking to go to university but my parents were surprisingly supportive of me becoming a tattoo apprentice.

Can you tell us about your experiences in the tattoo industry? My apprenticeship started two months before my nineteenth birthday. I’m at the end of my twenties now, so it has been quite an education. It’s been a strange world to navigate through especially when you come into it quite young.

Tattooing is a great expressive art form and there’s always something to learn or a way to challenge yourself. The more you put in the more you’ll get out.

You meet all types of people, some sweet and some more savoury, but that’s like all industries. It’s nice to see more women and women of colour coming up in the industry.

Can you tell us more about the experiences you have had as a woman and a woman of colour in the industry? I’ve had some awkward moments. I think the frustrating thing about being a woman in a male dominated industry is that you can feel obliged to not create what’s sometimes perceived as ‘trouble’, or perhaps what used to be perceived that way. 

Even now, I initially felt like I had to answer this question by downplaying or lightly glossing over experiences.

If I were to mention every little moment where race or gender felt to me like a disadvantage or something I’ve had to speak out to defend against, it would be a long list. 

Toward the end of my apprenticeship, I was being tattooed by someone (who my mentor invited to the studio). I can’t remember how the subject of race was brought up, but somehow we got talking about it and mid tattoo session, with my limb in the tattooists’ hand, he says the words “ya know, I don’t actually believe in ‘mix raced’.”

My ears perked up, my heart rate rose and I had to control my facial expression. I just thought, let me make it to the end of the tattoo session and then I won’t have to listen to any more ignorance. 

I’ve also heard clients say they don’t believe in racism, casually, while I’m tattooing them. I’ve also seen someone point out the window at a person in a wheelchair and say the words “look, that’s a n*gger in a wheeelchair”. I was in that room. 

Are there any female artists and women of colour artists you’d like our readers to know about? Hell yeah there is! There’s lots of women that I know and follow on social media that make me proud to be in this job, at this time, because it has come such a long way since I started. 

My colleagues Trang and Chanelle are so talented, focused, driven and kind hearted. I used to work with Jade and we both had the ambition to get into tattooing. She’s got a beautiful heart and does beautiful tattoos. 

People should also follow:

The list goes on!

What attracted you to black and grey tattooing? I’m not sure why I was more interested in black and grey. I appreciate all styles, but when it came to doing them I found that black and grey made more sense. It feels more straightforward.

Have you always tattooed like you do now? I started out doing anything and everything and then slowly just narrowed it down to black and grey realism.

I’m sure in another 10 years my style will change, but I can’t see it changing too drastically. That’s the thing within any creative industry the only limits are what you put on yourself. It’s sometimes scary to change because it’s new to you and you obviously lack experience. Also you’re beginning the process all over again and that creates more self doubt.

Can you tell us about the process behind your tattoos? Sure! There’s not too much to it, my client would have given me images or a description through an email enquiry. With that information I search and source photos relevant to the idea and begin putting that into a composition to suit whichever area the tattoo is going. I tend to do image sourcing the night before and then put together designs in the morning showing a few options.

What inspires you? Other artists, not just artists who do black and grey. Or seeing people who have older tattoos and wondering how can I do my work to a standard that will hold and look sick as it ages.

It would be cool when my clients are in nursing homes and still feel excited about their tattoos or getting compliments.

What do you like to tattoo and what would you like to do more of? I really enjoy tattooing animals. Anything fluffy! I’d love to do more iconic portraits too. I’ve done a few civil rights projects and I loved those! Also any Marvel/DC characters would be a dream!

Are you a tattoo collector? I’ve got a few cats! I wouldn’t say I’m a collector maybe just an enthusiast, I’m definitely not at that level by any means.

I’ve enjoyed getting pieces so far from my talented colleague Matt Lunn and the awesome Anrijs, Ash Higham and Edgar Ivanov.

What moment in your career are you most proud of? Working my first convention felt quite pivotal. There’s a lot of anticipation for that moment, so much preparation and it can feel like a big hurdle when you build it up in your head. But it was a lot of fun!

I’m currently at a big transitional moment in my career. I’m joining my friends in making our own artist led studio. I cannot wait for it to be finished! This will definitely be the proudest moment in my career once it’s up and running.

Make sure to follow Sambee for more amazing realism tattoos and updates on her new studio.

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Interview with tattoo artist Norang

Artist Norang creates exquisite tattoos at Sol Tattoo Studio in Seoul, Korea. We chat to the tattooist about the inspiration behind her work and how she hopes her tattoos will help the wearers to love their bodies…

How long have you been tattooing and how did you become an artist? It’s been two years since I started tattooing and getting tattoos. I’ve been painting since I was very young and I’ve always been interested in this field.

There was a moment where I had to make a choice about my future and that’s when I realised that I liked to paint pictures with my hands. I thought about what I could do with my favorite pastime. I found a special world called tattooing and jumped in without hesitation.

If you weren’t a tattooer what would you be? Maybe I would be an illustrator. It would allow me to express my art through my hands, like tattooing does. The charm of it all is that I can combine colours as I think of them and stories appear as I draw. In my free time I draw and give my illustrations to my friends.

What’s your favourite thing about being a tattooer? That the people who visit me like my paintings. It’s amazing to me that they want to engrave my art on to their bodies. I also like it when they are happy when they see my finished work.

Can you tell us about your experiences in the tattoo industry? I feel a great responsibility in every moment, because I do work that is indelible to the human body. This also includes how I try to get my customers to have a tattoo of what they really want. It’s been two years since I started tattooing, but I still try to work with the same mindset.

How would you describe your work? Fairy tales for adults. I want to beautifully express the same innocence that still remains within these stories. I interpret all the designs I see with my own viewpoint. The charm of my tattooing is to make the things around me more delicate and special.

What inspires you? Twinkling things like stars in the night sky and things with delicate patterns. I also like symmetrical natural objects such as birds and butterflies.

There’s a novelty to the wonderful forms of nature that man cannot imitate. When we try, what is produced is special, it is this that gives me comfort and allows me to dream.

Do you have a favourite tattoo artist or someone who inspires you? My tattooist colleagues and my close friends. Thankfully, I have a lot of friends who have unique and creative minds. I’m always grateful to them for giving me fresh and artistic stimulation.

Can you tell us about the process behind your tattoos? I always try to draw the same theme from different angles and poses, or a new combination. Sometimes, when I do this there are unexpected designs and colour combinations that come out.

What do you like to tattoo and what would you like to do more of? Working with various objects is very fun for me. I like to reproduce the form and the delicate lines I see through tattoos. These days, I am interested in flower shapes, so I want to develop these in my own style.

Can you tell us about your own tattoos? Are you a tattoo collector? My first tattoo is an ornament on my finger without much meaning. I didn’t get another tattoo for a long time after that, because I wanted to be careful about the tattoos on my body.

Then last spring I received my long awaited and much cherished flowers and birds from @soltattoo on my arm. I will continue to fill my body with flowers that I like.

What moment in your career are you most proud of? There are so many that I can’t choose. As a tattooist, I think the way I can draw a design to better fit a person’s body is the best. I hope my clients can love their body more with my tattoos.

What’s the tattoo scene like where you are? Our country is the only country where tattooing is illegal. As a result, a lot of generations generally distrust tattoos and tattooing. But ironically, for many young people, it’s a means of self expression. I think there are so many talented tattooists in Korea. I hope that someday Korea will be welcoming of tattoos.

Follow Norang on Instagram for more beautiful tattoos.