“I blend my clients’ stories with my own artistic vision to create unique designs that resonate with them,” tattoo artist Lass

Tattoo artist Lass, @lasstattoo, tattoos her ornamental style from Allskins studio in Hamburg, Germany, which looks like a high-end spa. She’s been tattooing for more than eight years and specialises in botanical and ornamental tattoos. Collectors often come to her with themes related to significant moments in their life and she adores diving deep into their inspirations to translate feelings into beautiful floral designs…

What made you fall in love with tattooing?

Tattooing has always felt like a calling, but I vividly remember the moment it truly captured my heart. Growing up in Kazakhstan, I was fascinated by the stories that tattoos told – each one a unique expression of identity and culture. I was drawn to a local artist’s studio where I saw people getting tattooed. The way they transformed their skin into a canvas, expressing their journeys and emotions, left a lasting impression on me. That moment ignited a spark – and I knew I wanted to be part of that world.

You create “tattoos that blossom with personality” in a floral and ornamental style. How did you develop this? Explain to us how this works when you tattoo someone.

My floral and ornamental style developed from my love for nature and its beauty. I believe that flowers symbolise growth and femininity, and I wanted to incorporate that into my work.

When I tattoo someone, I take the time to understand their personality and what they want to convey. I blend their stories with my artistic vision, creating unique designs that resonate with them. Each tattoo is a collaboration, and I strive to ensure that it feels like an extension of their personality.

Do you create mostly unique pieces for each customer? How do you like to work with collectors on tattoos? What sort of ideas do people usually come to you with?

Absolutely! I pride myself on creating unique pieces tailored to each client. When working with collectors, I love to brainstorm ideas together.

People often come to me with themes related to their life experiences, personal growth, or significant moments. I enjoy diving deep into their inspirations and translating those into beautiful floral designs that hold meaning and significance.

Do you have any favourite tattoos you’ve done? Tell us about them and why you love them.

One of my favourite tattoos is a large floral piece I did for a client who wanted to commemorate her grandmother. It incorporated her grandmother’s favourite flowers, each with its own meaning. Seeing the joy and connection it brought her made the experience incredibly rewarding.

I love tattoos that tell a story and evoke emotion, and this piece perfectly captured that essence.

Your studio Allskins looks absolutely beautiful – elegant and modern, a new breed of studio – what inspired the decor? Why is how the studio looks so important? Were you thinking about how your customers will feel while they are getting tattooed? It looks like a spa in the photos…

Thank you! The decor of Allskins was inspired by my desire to create a serene and inviting space. I wanted it to feel like a sanctuary where clients can relax and be themselves. The calming colours and modern design elements were chosen with the intention of making the tattooing experience enjoyable and comfortable.

I believe that the atmosphere plays a significant role in how clients feel, and I want them to leave not just with a tattoo, but with a memorable experience.

Do you think there are misconceptions and myths around tattooing? Is this something you think about and are trying to combat in your work and on social media?

Yes, definitely. There are many misconceptions about tattooing, such as the idea that it’s only for rebellious individuals or that it lacks artistry. I use my platform to showcase the beauty and craftsmanship behind tattooing.

Through sharing my work and the stories of my clients, I aim to break down these stereotypes and show that tattoos can be a beautiful form of self-expression for anyone.

What are your feelings about the industry as a whole?

I feel that the tattoo industry is evolving and becoming more inclusive and diverse. There’s a growing appreciation for artistry, and more artists are exploring unique styles. However, there are still challenges, such as the need for better representation and respect for the craft.

I believe we can continue to push for positive change and elevate the art form.

Do you ever work conventions and travel for guest spots? How do we book in?

Yes, I love attending conventions and collaborating with other artists! It’s a great way to connect with the community and share ideas. For bookings, I usually announce my guest spots appearances on my social media platforms, where clients can find information on how to reserve a spot. I also accept inquiries through my website www.lasstattoo.com for those interested in getting their projects done by me.

What are your hopes for your future in tattooing?

My hopes for the future include continuing to grow as an artist and expanding my reach. I want to further develop my style and collaborate with other talented artists,. I also run workshops, to help tattooists refine technique, gain confidence and support them in their journey as an artist. I hope to make them more accessible by doing them online, too, to inspire the next generation of tattoo artists.

Ultimately, I aspire to create a lasting impact in the industry while helping my clients feel empowered and beautiful through their tattoos. Watch a film about the workshops here.

Follow @lasstattoo for more beautiful ornamental, botanical tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“A tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace…” interview with tattoo artist Sofia Lanbina

Tattoo artist Sofia Lanbina (@betstattoo) based in Munich, Germany, specialises in fineline floral tattoos. We chat to her about her freehand tattoos, her private tattoo studio and her journey into the tattoo world…

What made you fall in love with tattoos?

I remember the first time I thought about getting a tattoo myself, I saw a photo of a girl with a temporary tattoo of roses. I was 15 at the time and I thought, “Omg, one day I want to be covered in flowers like this”, it felt totally unrealistic and I had no idea how my life would turn out but this was probably the moment I fell in love with tattoos and realised how beautiful they can look.

What made you want to become a tattoo artist?

I always loved drawing, when out in nature, I’d sketch different plants and flowers in my notebook – this inspired me the most. And then I just wanted to find a purpose for my drawings and to share them with the world, that’s how I got the thought about becoming a tattoo artist. I obviously loved tattoos, as well, and already have several bigger pieces on myself, so it seemed like a great idea that I couldn’t believe I didn’t come up with earlier.

Can you tell us more about your own tattoo collection?

I’m not covered with tattoos because, since I became a tattoo artist, I also became very thoughtful about what I’m getting. However, I have quite a few larger pieces, I’ve even managed to get a thigh tattoo and then to cover it up with another 20-hour piece. All of my tattoos are flowers, except for a couple of small ones.

How did your style evolve into fineline florals? What do you love about that style?

I’d say I knew what I wanted to do that from the start. As soon as I found fineline tattoos, I thought they’re so fascinating and incredible. It was hard to believe how many details it’s possible to put on skin and how amazingly delicate it can look. And there is a huge range of styles you can tattoo in this technique, from lettering to portraits, ornaments to big florals. That’s what I love about the style.

Talk us through how you work with your customers. Do you draw straight onto their bodies?

I mostly create my tattoos freehand. It means I draw the design right on the skin with a pen without a prepared sketch. Everything starts with discussing the details via email and in person, then I mark placement, size and shape on the skin to get my customer’s approval and, afterwards, I draw the detailed design. At all steps, it’s possible to try different placements and ideas, rearrange objects — only freehand allows this kind of freedom.

Do you have a favourite tattoo experience?

My favourite and most memorable tattoo experience was when I first got a freehand tattoo. It was a floral fineline sleeve that took two full days of work. Back then I was already thinking about starting working freehand myself and after seeing and experiencing how fascinating the process is, I finally decided to start doing it myself. So, those tattoo sessions and the tattoo itself means a lot, it was the beginning of a new chapter for me.

What’s your studio like? And how does it impact the experience of getting tattooed?

My studio is a lovely private space, located in the centre of Munich. It’s very bright with a high ceiling, a lot of natural light and big plants, it has a calming and relaxing atmosphere — that’s exactly what I wanted it to be. I think a tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace, etc.

What’s the tattoo scene like in Munich? Do you tattoo lots of tourists / people who travel to collect work from you?

There are so many great tattoo artists and studios in Munich, all have different styles though.

I do tattoo a lot of locals but at least 50% of my customers are travelling to get a tattoo from me. Some come from the US, some from all around Germany and other European countries.

Are there any myths around fineline tattoos? What are they and what is your retort?

The most common misconception about fineline tattoos is that they get all blurred or faded over time. However, it might only happen if done wrong, so before getting a tattoo, make sure to find an experienced tattoo artist who has healed tattoos in their portfolio. Another tip (that ideally the artist has to explain to you) is to not try to fit a million things into a small tattoo. All the elements and individual lines need space, so a tattoo has to be big enough for them.

What are your hopes for the future?

I hope to never stop learning, experimenting and discovering new angles for my art. Some artists with time get either bored of what they do or get stuck without any growth and progress. I think that the key to never experiencing that is to constantly work, change and improve what you do.

Follow Sofia on Instagram for more beautiful fineline tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“It’s hard to split my style from my personality – I’m very delicate in my personal life and work,” interview with tattoo artist Yoshi

Tattoo artist Yoshi (@yoshi_tattooer) works at Third Eye Studio in Busan, Korea. Their career spans 14 years. We sat down with the artist to talk openly and super-honestly about what inspired their journey into the tattoo world, their work, hopes for the future and where it all began…

Yoshi’s first tattoo was a memorial tattoo. “I wanted to keep a memory forever,” Yoshi says. Born in Japan to Japanese and Korean parents, sadly his father passed away when he was just a year old. “After that, my mom changed my citizenship to Korean, and I grew up in Korea,” Yoshi tells us.

Yoshi is Korean, but he always wanted to find the roots of his family in Japan. It was when Yoshi met his grandma and family in Japan that he decided to get his first tattoo.

And it was this experience that made Yoshi fall in love with tattooing. “The tattoo makes me remember who I am, it makes me stronger. I now have a lot of extremely meaningful tattoos, so I don’t forget those special things.” But that first tattoo is the most precious. “It’s the dates of both of my parents’ deaths, and they are on both ankles. I have Japanese kanji for my father and Korean hangeul for my mom.”

When we ask what drew Yoshi to that tattoo world, he’s very honest. “It was the financial aspect,” he says simply. “That’s why I became a tattoo artist. We all need money in our lives. Especially if we don’t have parents to help us start out.” Yoshi says his parents’ deaths forced him into the “hard mode of life.”

Dropping out of university, Yoshi needed to find what he wanted to do, what he could do well and how he could make money from it. “My major was fine art, so with that background, I just needed to learn the technique of tattooing,” he says, “I already knew how to make designs, so I needed to start tattooing. It was perfect for me.”

The first tattoo he ever did on someone else was a complicated pattern in a three centimetre clover shape. Yoshi did this with a coil machine with a 1203 round liner. “I wasn’t too nervous,” Yoshi says of this experience, “but maybe just a little bit, because I did the tattoo on my best friend. I knew I could always do a cover-up later on, if we needed.”

When it comes to describing Yoshi’s style of tattooing, he tells us that it’s hard to split it his style from his personality, as Yoshi is very “delicate” in both his personal life and work life. “My style also comes from way back when I was at middle school,” he explains, “when I would do a lot of drawing with pencils and fine pens.” Back in 2010, when Yoshi learnt to tattoo, he mainly did traditional tattooing, although his art has always retained a fine-line style.

“When I started experimenting with fine-line art in my work, everyone around me told me it wasn’t a real tattoo.”

But Yoshi kept getting told that fine-line tattoos weren’t the way it was done in the tattoo world. “So I did traditional style tattoos until 2022,” he says, “I do still enjoy this type of tattooing but fine line is more me.”

Yoshi recalls when he first tried to do a fine-line tattoo for a walk-in client – “it was so much fun,” he enthuses. It’s what made him realise that he was really good at these delicate style of tattoos. It reminded him of how he used to draw with pencils. “So from then on, tattooing and my art just clicked, I began to make delicate line tattoos in my style. I now tattoo what I love.”

There’s a theme to Yoshi’s work and the eye is a recurring motif. “I like the Korean proverb: ‘the eyes are the window to the soul’. Our eyes can see a lot of things in others – including emotions like fear, anger, sadness, hate, contempt, disgust,” he explains.

“Eyes don’t lie. I also just really like drawing eyes.”

When it comes to inspiration, Yoshi admires any artist who does their own custom work, especially those who can make their own original designs.

And that’s how Yoshi works, too. His portfolio of tattoos is about 95% custom work. “I often post a design idea that I have, and a client can fill in a form to claim this piece,” Yoshi says.

When it comes to travel, we ask Yoshi where he’d like to go. “Space?!” he laughs, “tattoos for aliens! Just kidding, but I would really like to go to America. I really loved my time in Amsterdam. I worked at the Amsterdam Tattoo Convention and there was a lot of talented artists there.”

For 12 years, Yoshi says he worked as a tattooist that not many people knew. But then with Instagram, he started to make a name for himself. Instagram opened up his portfolio to the world. “I tattooed many people and gained a lot of likes on Instagram,” he says. Yoshi even noticed that other tattooers began to copy his designs! Which he took as a sign that he was starting to make it, carving out a name from himself. “2022 is a year I won’t ever forget, when I really found myself and style,” he says. “From then on, I pushed myself to be the best I can be and do the best work I can.”

And we can’t wait to see where his tattoo journey takes him next.

To book in, clients can get in touch by sending a DM on Instagram @yoshi_tattooer. Keep an eye on his Instagram as he often does guest spots – including London at Princelet Tattoo back in June. Travel plans also include Tokyo, Osaka, and Kyoto and LA.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“Working on sugar-paste and soft skin feels sort of the same – and a moving person is similar to a spongey stacked cake!” from cake maker to tattoo artist, interview with Laura Raña

From cake decorator to tattoo artist, Laura Raña (@lifeininklr) runs a private, eco-friendly, vegan and woman-led studio and she holds the honour of “Surrey’s best tattoo studio 2023”.

She was a cake artist for 16 years – and she used to teach and write columns for magazines – so Laura came to tattooing late, but her passion shines through. Here she chats all things cakes, tattoos and creating a welcoming studio for all to enjoy. Make a cuppa and settle in for the ride…

Before you became a tattoo artist, you were a cake artist, what inspired you to make that change?

After spending 16 years juggling life as a mum of two daughters (Bella now 16 and Eva 14 ) and being a cake artist, I felt like I had achieved everything that I wanted in the cake world. I was 35 and I wanted to use my artistic flare and creativity for something that wouldn’t  get stuffed down the throats of my customers week after week.

After spending so much time perfecting colour blending, modelling and painting on tiers of delicious sponges, I began thinking how I could transfer the skills I’d learnt. I wanted to create something that would last forever and not just briefly as brightly coloured crumbs on the side of people’s mouths.

Tattooing had always been something I was fascinated with. My grandad, who was an antiques dealer in the 50s until the 80s, was covered head to toe – back then, it was very taboo and frowned upon in his industry. I used to glare at the naked ladies and dragons strewn across his back, chest, arms and legs. He was six foot five, both tall and wide, his art work made quite an impression on me as a keen young creative artist in the making. He would definitely be one of my inspirations. 

Tell us about your journey to becoming a tattooer…

I started slowly getting covered in tattoos at the very illegal age of 14. I would walk past the only tattoo studio in my town, hoping they wouldn’t notice me in my school uniform. Then when it came to holidays or weekends, I’d try to dress older and strut into the studio beaming with anxious confidence to keep topping up my ink collection. This was when my interest was sparked.

Skip forwards 21 years and after ignoring the narrow-minded warnings from everyone (including my parents) that it was a dangerous industry to get involved in, I began my search for a studio that wouldn’t laugh in my face. 

That was the hardest thing – starting a new career at 35. I’m a strong-headed person, so  I kept knocking on doors, in the hope someone – anyone – would see my passion. Rejection came thick and fast, but I found a studio, eventually.

Apprentices make zero money, well at least I did. I had lots of people offering their skin but trying to throw myself into this amazing new career was not financially viable. So I’d work four days at the studio, then balance part-time work and cake making around that.

What was it like being a cake maker? And how does it compare to tattooing?

I adored my career as a cake artist, what a dream to have a career in the cake industry. I actually entered Kirsty Allsop’s Handmade Christmas TV show by making a fully decorated Christmas cake in under four hours – I ended up winning. It blew up my career and I began making celebration and wedding cakes, and that led me to teaching. Then I opened my own cake studio – I even had my own little cake column in a magazine. I felt just like Carrie Bradshaw. I began entering cake competitions and I’m very proud to have many gold awards. I was even cast for Extreme Cake Makers on TV. I specialised in chocolate modelling, airbrushing and then painting on cakes – all things I brought through to my tattoo career.

Cake and tattoos although very different, there are some elements that feel similar. The use of colour and blending work is the same in tattooing. Working on soft sugar-paste and soft skin feels the same too. Also a moving person is similar to a spongey stacked cake! It could move at any time…

Can you tell us about your studio?

Everyone is welcome in my little private studio. It’s nestled among the bamboo trees in my back garden. It’s a comfortable, cosy, funky little safe space where no one should feel intimidated. I created a studio I would be comfortable being tattooed in, as I think the more at ease you are, the better the whole experience will be.

Tell us about the award your studio won…

Having spent seven years building up my (very) little business, I was stunned to be nominated for England’s Business Awards in 2023. I was even more taken back when I won the title of “Surrey’s best tattoo studio”.

I’ve never claimed to be the most sought after artist – and there are thousands of artists around Surrey that are phenomenal – but these awards are about your art and your business. So that includes reviews and customer service, amongst other things. I was even mystery shopped so they could see the kind of service I offer, how I dealt with my client and the overall experience.

My little framed award sits proudly in the studio where all can see.

How would you describe your style, what do you like to tattoo?

My style isn’t just one thing. Tattooing different styles and using different techniques allows me to broaden my work to appeal to a larger client base. I know it’s probably frowned upon in the industry, but I did the same with my cakes.

Learning different things is beneficial for a successful business and it enables me to become a better artist. I don’t want to pigeon-hole myself to just one thing. I don’t want to wake up one morning and be bored of the same old stuff. So, for me personally, variety is most definitely the spice of life.

How do you work with clients, what’s your tattoo process?

I find the industry has changed from years ago when you’d walk into a studio covered wall-to-wall in flash designs and people choose “number 10”. There’s absolutely nothing wrong with that, but now with Pinterest and social media, people find ideas they like and perhaps want to combine a few ideas together. That’s where I come in, to create a design that fits their brief.

My focus is to ensure my clients are well informed, feel heard and understood and happy with their tattoo.

Is there anything you’d love to tattoo?

My “wannados” are based around pop art – bright, bold, almost comic sketches. It’s timeless art that stands out and looks super cool. But I feel like there isn’t much of a place for that as many clients want super fine line delicate pieces. I’d love to continue to tattoo thick lined patterns that are edgy and look amazing on everyone. 

Any guest spots or travel plans?

I’m going to start guesting at a few studios towards the end of this year to get myself out there and socialise with other artists. I might attend a few conventions too.

Follow Laura on Instagram for more tattoos and updates on guest spots.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Interview with tattoo artist Gigi

Tattoo artist Gigi (Heaji Choi) tattoos beautiful fine line tattoos from Monday Island, Seoul, South Korea. We love her one-liner tattoos and chatted to the artist about her style, journey into the tattoo world and inspirations…

How long have you been a tattoo artist? 

I started tattooing in 2020, so three years now.

How did you become a tattoo artist?

I happened to see a video on YouTube where Doy, a Korean tattooist, was being interviewed about his job and life as a tattooer. Afterwards I did loads of research, searching for more information around this career. I thought it looked like an interesting career and so I began learning to tattoo.

What made you want to become one? 

The act of leaving a meaningful and long-lasting piece of art on a person’s body was an attractive concept to me, it still is. That’s why I have always been respectful of tattooing and responsible.

What’s the best thing about your job? 

I think meeting different people is the best thing. It is a wonderful and enjoyable experience when I meet not only Koreans but also guests from other countries

How would you describe your work?

I find the characteristics of a subject be it an object or person and express these using a flow of lines.

How do you do your one-line tattoos? 

Sometimes the lines are quite complicated and the area and size of the tattoo is small, so I can’t exactly see the lines when I place a stencil. If I draw a line wrong even once, the drawing and tattoo might look a bit different. So I am often checking the design and tattoo while I work on it.

What inspires your designs? 

I like to take a walk and listen to music. It seems I am inspired by seeing and feeling nature, observing objects and animals around me. Of course, I try to get inspiration by going to art galleries and exhibitions as well.

What do you like to tattoo? What would you like to do more of? 

I like to make tattoos of nature, natural subjects and animals. This is what I usually do now, and I want to work on various topics in the future.

Do you have tattoos? Can you tell us about them? 

I have a few small tattoos. Most of them are flowers and animals. I got some of them because they were made by my favourite artists, and I got some because I happened to see the design and I liked it so much. I love my tattoos so much!

What do you do when you’re not tattooing? 

I like to do yoga. At first, I started doing it just for the physical benefit because I work a lot. But the more I did it, it seemed to help me mentally too, so it suits me really well. 

What’s been your proudest career moment?

There’s one client I remember. She got a very meaningful phrase and image on her wrist. It was her first tattoo. She couldn’t take her eyes off it for a while after getting it tattooe. She was very moved and started crying, saying thank me so much.

That’s when I felt once again that this kind of work really does provide a really meaningful moment for people. Since then, I have become more serious about my work – I’m very proud to have this job.

Follow @gigi_tattooer for more adorable tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.