Tag: Floral Tattoos

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“A tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace…” interview with tattoo artist Sofia Lanbina

Tattoo artist Sofia Lanbina (@betstattoo) based in Munich, Germany, specialises in fineline floral tattoos. We chat to her about her freehand tattoos, her private tattoo studio and her journey into the tattoo world…

What made you fall in love with tattoos?

I remember the first time I thought about getting a tattoo myself, I saw a photo of a girl with a temporary tattoo of roses. I was 15 at the time and I thought, “Omg, one day I want to be covered in flowers like this”, it felt totally unrealistic and I had no idea how my life would turn out but this was probably the moment I fell in love with tattoos and realised how beautiful they can look.

What made you want to become a tattoo artist?

I always loved drawing, when out in nature, I’d sketch different plants and flowers in my notebook – this inspired me the most. And then I just wanted to find a purpose for my drawings and to share them with the world, that’s how I got the thought about becoming a tattoo artist. I obviously loved tattoos, as well, and already have several bigger pieces on myself, so it seemed like a great idea that I couldn’t believe I didn’t come up with earlier.

Can you tell us more about your own tattoo collection?

I’m not covered with tattoos because, since I became a tattoo artist, I also became very thoughtful about what I’m getting. However, I have quite a few larger pieces, I’ve even managed to get a thigh tattoo and then to cover it up with another 20-hour piece. All of my tattoos are flowers, except for a couple of small ones.

How did your style evolve into fineline florals? What do you love about that style?

I’d say I knew what I wanted to do that from the start. As soon as I found fineline tattoos, I thought they’re so fascinating and incredible. It was hard to believe how many details it’s possible to put on skin and how amazingly delicate it can look. And there is a huge range of styles you can tattoo in this technique, from lettering to portraits, ornaments to big florals. That’s what I love about the style.

Talk us through how you work with your customers. Do you draw straight onto their bodies?

I mostly create my tattoos freehand. It means I draw the design right on the skin with a pen without a prepared sketch. Everything starts with discussing the details via email and in person, then I mark placement, size and shape on the skin to get my customer’s approval and, afterwards, I draw the detailed design. At all steps, it’s possible to try different placements and ideas, rearrange objects — only freehand allows this kind of freedom.

Do you have a favourite tattoo experience?

My favourite and most memorable tattoo experience was when I first got a freehand tattoo. It was a floral fineline sleeve that took two full days of work. Back then I was already thinking about starting working freehand myself and after seeing and experiencing how fascinating the process is, I finally decided to start doing it myself. So, those tattoo sessions and the tattoo itself means a lot, it was the beginning of a new chapter for me.

What’s your studio like? And how does it impact the experience of getting tattooed?

My studio is a lovely private space, located in the centre of Munich. It’s very bright with a high ceiling, a lot of natural light and big plants, it has a calming and relaxing atmosphere — that’s exactly what I wanted it to be. I think a tattoo session is an experience, so everything matters: the space, atmosphere, music, attitude, pace, etc.

What’s the tattoo scene like in Munich? Do you tattoo lots of tourists / people who travel to collect work from you?

There are so many great tattoo artists and studios in Munich, all have different styles though.

I do tattoo a lot of locals but at least 50% of my customers are travelling to get a tattoo from me. Some come from the US, some from all around Germany and other European countries.

Are there any myths around fineline tattoos? What are they and what is your retort?

The most common misconception about fineline tattoos is that they get all blurred or faded over time. However, it might only happen if done wrong, so before getting a tattoo, make sure to find an experienced tattoo artist who has healed tattoos in their portfolio. Another tip (that ideally the artist has to explain to you) is to not try to fit a million things into a small tattoo. All the elements and individual lines need space, so a tattoo has to be big enough for them.

What are your hopes for the future?

I hope to never stop learning, experimenting and discovering new angles for my art. Some artists with time get either bored of what they do or get stuck without any growth and progress. I think that the key to never experiencing that is to constantly work, change and improve what you do.

Follow Sofia on Instagram for more beautiful fineline tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattooing is leaving a lasting impression that transcends skin,” interview with tattoo artist India

Tattoo artist India @india.tattooartist (she/her) owns a gorgeous monochromatic studio in Lisbon, Portugal, in which she “welcomes all souls seeking to connect” through her art. Here she shares her tattoo journey, opens up about creativity and her tattoo tour plans…

How long have you been tattooing?

I’ve been tattooing for about seven years now and each day feels like a new adventure in self-expression and creativity.

How did you become a tattoo artist?

Growing up with a Portuguese mother and an Indian father, I’ve always been surrounded by creativity. From my mother’s ceramic art to my own love for drawing and painting. Despite initial discouragement, I pursued my artistic interests through academic studies and eventually found my way to tattooing in 2018, thanks to the encouragement of my husband.

I decided to explore this new artistic avenue, and I haven’t looked back since.

What first drew you to the world of tattooing?

What initially drew me to tattooing was the opportunity to delve into another form of artistic expression. I’ve always been passionate about art and tattooing felt like a natural progression in my creative journey.

What was the first tattoo you did? Do you still remember how you felt doing it?

The first tattoo I ever did was on my boyfriend, who’s now my husband. I tattooed a mermaid on his ankle and it was a mix of nerves and excitement. But his trust in me fuelled my determination to create something beautiful on his skin. Nowadays he has a lot of tattoos done by me and I don’t feel nervous anymore.

Can you tell us about your own tattoo collection? We’d also love to know more about your “lockdown leg” tattoo project? 

My own tattoo collection is a reflection of my journey as both an artist and an individual. I started getting tattoos at the age of 17, always with designs I had created myself. During the lockdown, I embarked on a personal project – tattooing ornamental and floral designs on my own legs.

This experience marked a significant turning point in my career, showcasing my dedication to my craft and my commitment to pushing artistic boundaries.

People began to see how well my tattooed style looked on legs and started requesting more projects from my portfolio. I can say that legs are my favourite areas of the body to tattoo.

How did your ornamental style come to be and what inspires you?

My ornamental style is deeply inspired by my Indian heritage and my love for intricate details. I find inspiration in everything around me, from nature to cultural symbols, and I strive to infuse my designs with elegance and femininity.

My ornamental style focuses on delicacy and intricacy.

I utilise techniques such as contrast and variation in line weight to enrich and add interest to the designs. By incorporating these elements, I create tattoos that are not only visually captivating, but also dynamic and engaging.

Each project is carefully crafted to achieve a balance between elegance and complexity, resulting in unique and compelling pieces of art. I’m also greatly inspired by nature and constantly take photos of flowers and plants to incorporate into my projects.

Do you have a favourite style of art, artist or work?

I’m an admirer of all forms of art, but I can say that Baroque painting has always fascinated me. When I studied Art History in high school, I remember being captivated by the intricate floral arrangements of Jan van Huysum. He has always been a reference for floral delicacy and the texture of plants with remarkable precision.

Nature plays a significant role in my life and consequently in my art. I’m also greatly inspired by the Indian tradition of Rangoli, which involves creating geometric and floral designs on the ground using rice powder or coloured sand. In the world of tattoos, thanks to social media, I am inspired daily by various artists, and it’s incredible how accessible the connection becomes.

Do you prefer flash or custom designs? 

I prefer custom projects because they allow me to create something that connects my artistic creativity with the essence and desires of my client. I always have numerous ideas and my mind is quite creative when fueled by my client’s concept.

There needs to be a lot of trust and freedom in the development process and I’m grateful that my clients are always incredible and trust me as an artist.

We engage in a collaboration of ideas and opinions, always resulting in a wonderful and unique project.

I also work extensively with my freehand technique, which allows me to create a fluid and harmonious design on the chosen area of the body. Since we are all different, it’s essential to create something unique and tailored to our physique. I enjoy understanding what the client wants and, before finalising the design, I send them a mock-up for visualisation. On the day of the appointment, we take the necessary time to refine the details and bring the creation to life.

How many sessions does a delicate sleeve tattoo take? 

A delicate sleeve tattoo can require two to four sessions to achieve the desired level of intricacy and detail. The number of sessions can vary depending on the size and complexity of the design, but I always prioritise quality and precision in every session.

Is there anything you’d love to tattoo?

I’m intrigued by the idea of delving into full-body concepts, infusing them with my signature ornamental and floral style but with heightened contrast and diverse dimensions.

Exploring the human canvas in its entirety, weaving intricate designs that dynamically interact with the body’s contours and movements, is a creative endeavor I eagerly anticipate embracing.

Can you tell us more about your tattoo studio? Why did you decide to use just one colour?

The studio was designed to be a safe and comfortable space for my clients. Its decoration exudes calmness due to the chosen colour: terracotta, a hue reminiscent of the spices of India, known for its tranquil and harmonious sensation; leaving those who behold it pleasantly surprised by its aesthetic.

My clients find the studio’s concept quite different from the usual tattoo shop, they appreciate the visual and are fascinated by the fact that all the decorations match with the floor, the ceiling and the walls by being in the same colour. With everything in terracotta, the space directs focus to the main art, the one we will create.

My clients and the art we will create are the main focus, with energy concentrated fully on them.

We’ve seen you’re on a tattoo tour; how can people book in with you and where will you be?

Currently, I am travelling to various countries to share my art with new audiences. Those interested in booking a session with me can reach out through my website www.indiatattooartist.com. I’ll be visiting some countries in Europe but I would love to tattoo in USA and maybe go back to Australia.

What’s been your proudest moment so far?

One of my proudest moments so far was winning first prize at Lisbon fest tattoo convention for my ornamental leg project. It was the first time the fine-line category existed in my hometown. It was a validation of my artistic vision and a reminder of how far I’ve come on this incredible journey.

Finally, what does tattooing mean to you?

Tattooing is more than just a job for me; it’s a form of self-expression and a way to connect with others on a deeper level. It’s about creating meaningful art that resonates with both the wearer and the observer, leaving a lasting impression that transcends skin.

Make sure to follow India on Instagram for updates on her tattoo tour!

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Tattooing is based on mutual respect, so It’s important to find the middle point between what the customer wants and what I want,” tattoo artist Isle

Tattoo artist Isle (@1sle_tattoo) works in Korea and has been honing her craft for the past five years. We sat down for a chat about her journey, her inspiration and what’s next for her beautiful botanical tattoos…

What first made you fall in love with tattoos? Do you have a strong first memory?

I’d always wanted to get a tattoo since I was a college student. But Korea was a very conservative society at the time, and the various styles of tattoos didn’t exist like they do today. I just thought that people with the tattoos looked so cool. After college, I switched my thinking, I started to think about what I actually wanted for myself and my life.

My body is mine, and I thought I should do what I want no matter what others think.

So I got my first tattoo, and two years later, I started learning the craft. The reason I started was not because I liked tattoos, but the more I did it, the more difficult it became, and the more fun and rewarding it was. It’s the same now, five years after I started tattooing.

What made you want to become a tattoo artist?

I’ve been doing painting whole my life since I was kid. So I’ve been thinking about how I can use my paintings commercially – other than exhibiting. And I wanted to learn a technique that will never disappear.

How long have you been tattooing for and how did you practice?

I started tattooing in 2019, so it’s heading to five years now. At first, I learned tattooing from my teacher. He thought me basic skills and then I practiced on a silicon pad. I repeated it until I drew the line straight, practised with my drawing, and I got confirmation from my teacher. I did it many times, and I finally did it on the human body. It became my graduation work and my first work.

We absolutely adore your beautiful botanical style, how would you describe it? 

Thank you for the compliment. In fact, I don’t just stick to botanical tattoos, I can draw anything interesting. But most interests come from nature. That’s why I’m drawing a lot of things related to nature. When I draw for tattoos, I use an iPad and a coloured pencil brush the most. Sometimes I use a watercolour brush when I want to express it in a different way. My style is hard to describe in one word, but I think it’s a mixture of asian and western paintings. Since I majored in oriental painting, I think that kind of atmosphere naturally manifests itself.

Where does your inspiration come from?

Art work, films, landscapes, everything visual. Most of the subjects are nature, and the way of expression and colour are inspired by many things such as paintings and the scenery made by light.

You’re currently based in Korea, what’s the tattoo scene like there? Do you often tattoo tourists or mostly locals?

Mostly local. Korea’s tattoo scene has grown so quickly. As I said, Korea was a very conservative about tattoos but suddenly it became a trend. A lot of tattoo artists in Korea have good skills and a unique style. 

How do you like to work with your customers to bring designs to life? Is it a collaboration, or do you prefer to have full control of your work?

Normally I prefer to have full control of my work. Clients come to me believing in my paintings and abilities so I want them to trust my aesthetic. Tattooing is based on mutual respect. So It’s important to find the middle point between what the customer wants and what I want.

Do you tattoo flash pieces or mostly custom?

Mostly custom I think. I’d love to do more flash works, but it takes a lot of time. Flash designs are good because I can present more in the direction I want.

What are your hopes and dreams for the future?

I want meet a lot of clients who can make a bond with me. I want to do more big pieces and develop my skills and style. And I want to draw many paintings and maybe even put on an exhibition.

Any other thoughts on the tattoo world itself?

It’s getting more competitive. With different styles emerging and blurring the boundaries between tattooing, painting and illustration, more artists seem to be entering the field.

It’s a good thing for the clients, but I’m not sure if it’s a good thing for an artist. Tattooing is not a must, so it’s also an industry that is badly hit by the economic situation. I think it’s been tough worldwide since COVID-19. Still, I love this job and I don’t think I’m going to quit art, so I try to survive.

Do you have any plans to travel for guest spots?

Maybe Europe. Since I started this work, I have become more brave. To live in a place I don’t know well, meet various people, experience culture, etc. After going through it, it’s not as difficult as worrying about it, but I think it’s a good experience to expand my world.

Make sure to follow Isle on Instagram for more stunning botanical tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

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“Understatement and neatness are what I’m all about,” interview with tattoo artist, Foret

Tattoo artist, Foret (@foret_tattoo on Insta) is based in Itaewon in Seoul, Korea, and has been tattooing for six years now. She works out of Nandostudio. On her own body, she has just one secret hidden tattoo, and she loves creating miniature works of art for collectors who love fine line tattoos. We sat down to have a chat with her…

How did you become a tattoo artist?

When I was in college, some friends had tattoos and I was fascinated with them. My interest just grew from there…

What made you want to become a tattoo artist?

When I saw my friend’s old tattoo, I had a cheeky thought, ‘I’d do better than that’.
It was such a small curiosity, but it’s what made me start tattooing.

Did you have a background in art?

I studied art for around two years at art college.

Do you have any tattoos? Can you tell us about them…

I have a small heart-shaped tattoo on my collarbone, it sort of looks like a little dot. I got this tattoo before I learned how to tattoo. I wanted to know what it would feel like. But I also just wanted to have a small, cute tattoo – it’s like a secret tattoo that others don’t necessarily notice. I love that, like it’s something just for me.

What was the first tattoo you did on someone else?

It’s a tattoo of three small and cute people holding hands. I remember being so nervous that my hands were shaking.

How would you describe your style?

My own design, understatement and neatness are the things that represent me. When drawing, I pay attention to the each tiny part.

Would you call yourself a fine line tattooer?

I’m ashamed of the name, but I admit it.

What drew you to small, delicate tattoos?

There are many people who like small and delicate tattoos in Korea. It’s like that in any country. So I’m continuing to do a lot of small tattoos. Originally, I liked big tattoos too, but of course, I need to meet the needs of my customers. That’s what tattooing is all about.

What do you like to tattoo? Do you prefer colour or black and grey?

I like both. But if I get more tattoos on my own body, I think I’ll get them in colour. I like the vintage colour and how it looks when it becomes one with my skin after time.

What inspires you and do you have any artists you admire?

One of the tattoo artists I’m interested in these days is Cheon moon (@moon.cheon). There’s an authenticity to his work. I actually met someone with one of his tattoos and I was so jealous. You can see how much he cares about doing tattoos.

Do you have any guest spots planned?

Yes. Next year, I have guest spot plans in Hong Kong, New York, Singapore and Japan. I’m already happy and looking forward to meeting guests from each country.

What’s been your proudest moment so far?

When I felt like I was ready to teach others the craft of tattooing. I was very proud of myself when I shared with them what I’ve learnt over the years. I want to continue to help many people – without forgetting the joy of such a magical job.

Give Foret a follow on Insta @foret_tattoo

We’re always talking to amazing tattoo artists, check out our latest interviews.

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Painting on skin: Interview with tattoo artist Dareum

Precious things tattooed to capture a moment in time, tattoo artist Dareum (@dareumtattoo) creates beautiful drawings for the people that visit her. Here we found out more about her art, hopes for the future and how you can get your very own “drawing tattoo”…

Tell me about what made you fall in love with tattoos?

I fell in love with tattoos when I first got them. Having loved drawing since I was a child, I fell in love with the charm of being able to paint on skin, not paper for only one person.

What’s your earliest memory of tattoos? Did you want them as a child?

I didn’t know I would be a tattooist when I was young. It hasn’t been long since Korean tattoos became popular. I think tattoos and tattooers are still in the stage of changing that perception. Tattoos were strongly perceived to be negative, their images were frightening in Korea. Of course I thought so too when I was young.

How did you train to become a tattoo artist?

I first learned to tattoo in 2016. At the time, I majored in visual design at university, and I had the opportunity to learn tattooing, but I slowed down for a while because it was a time when I was thinking about my career path. Then in 2018, I started again properly. I learned the practice of expressing my paintings in tattoos and how to handle machines.

How would you describe your style of tattooing?

“Drawing tattoo”, I want to say that! I transfer the drawings that I make on paper onto my client’s skin. I like to express the texture of the materials I’ve used. That’s why it’s better to call it “drawing tattoo”!

Do you tattoo lots of tourists who’ve travelled for your work?

Yes, Of course most of my guests are Koreans, but I’m so grateful to the customers who come to me while traveling.

How long is your wait list? How do customers book in?

My books are always open. I accept reservations for the next one to two months first.

How should customers contact you? Of course if someone is travelling over from the UK, how much notice would you need?

I communicate with all my customers through messenger or email. First, if you contact me with the date you want, I will send you a notice and a booking form. Please contact dareumtattoo@gmail.com, Instagram DM, or Kakao Talk.

What are the rules for tattooing in South Korea? Is tattooing more underground or becoming more mainstream nowadays?

I think Korea is still in the middle stage. All Korean tattooists are striving to develop a tattoo culture. I hope that the day will come soon when we can legalise and work confidently.

What’s the best way for customers to come up with an idea for you? Do you offer flash or prefer custom work?

I prefer to work on flash designs. I’m so grateful to the customers who accept my personal drawings as tattoos. Of course, I’m so grateful to the customers who trust me with custom designs as well. Knowing and trusting my style can be a pleasure for both customers and myself.

What is the address of your studio?

The studio is located in Yongsan-gu, the centre of Seoul. It is adjacent to Myeongdong, Jongno, Itaewon, and Hannam-dong tourist attractions.

Do you ever do guest spots? If so, when / where?

In 2019 I went to Paris, then in 2022 I was in London and in 2023 I visited Tokyo. I haven’t been to many different places due to the pandemic, but now I want to try to visit lots of different places again!

What are your hopes and plans for the future?

The current plan is to develop more hand-drawings and to go to various countries. I want to do art books or exhibitions with my drawings someday too.

What do you think about the tattoo world itself?

Tattoos are an art that you can use to express oneself without explanation. It marks a time that has passed. Many of my clients got their tattoos to remember a time or leave precious things on their body.

Over time, you can take out your old diary, look at the tattoos as if you are immersed in memories, and look back on yourself at that moment in time.

Make sure you follow Dareum (@dareumtattoo) for more beautiful tattoos

We’re always talking to amazing tattoo artists, check out our latest interviews.