The Tattooed Glam-Ma

We first met Mo Deeley, the self-proclaimed tattooed glam-ma back in 2011 at the London Tattoo Convention. The following year, we spent a day in her life up in Yorkshire. We told her story in our second print issue. Meet her here…

Photos: Heather Shuker

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I started getting tattoos in the late ‘80s after my divorce, a whistling worm on my ankle and two smaller ones on my shoulder blades, but never anything more than that. The bigger ones I have now were started in May 2011, when I went to my local tattooist to have the small ones on my back covered up. At the consultation, I explained that I was unsure what I wanted, but if I was a little bit younger I would have a full backpiece with a theme.

I honestly thought I was too old to get a full back tattoo. I’m 56-year-old grandmother. However, Tef the tattooist told me I should do as I want and it doesn’t matter at all about age – I should follow my heart. And so he started work on the back tattoo, which just seemed to creep over my shoulder and onto the front of my shoulder.

_MG_0189This was never enough and I kept thinking of different ideas, which we sat and discussed together. Then I started getting tattooed every weekend, I absolutely loved it. I also became very friendly with Tef the tattooist, which always helps, and I completely trust him.

I suppose my tattoo inspiration comes from happy memories of my childhood and, in a profound way, the loss of my dad spurred me on to keep going. I just thought life was too short. My Audrey Hepburn tattoo I got in memory of my dad, as we played Moon River at his funeral and I think he fancied her a bit.

 

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I’ve got six children, and my son who’s 20 still lives with me, so he gets very spoilt, he’s my baby – I even bought him a full sleeve for Christmas, he loves tattoos too. At first, my daughters were against the idea of me getting so many tattoos and kept telling me I needed to stop. But now I think they are quite proud that I am who I am. They were very quick to state, “That’s my mum” when we retuned from London to find Things&Ink were looking for me on Facebook

I had been at the London Tattoo Convention with my Husband, Paul, and I felt like I was being chased by the paparazzi. I’m a nan of 18 being followed by photographers from the USA and everywhere. I had been to a smaller event in Liverpool, but that was when I didn’t have as many tattoos. People would look at me, but nothing out of the ordinary. But when I was at the London Tattoo Convention – it was mental, I couldn’t sit down anywhere without people asking for a photo with me. I felt like Cheryl Cole [this was in 2011]. This reaction took my breath away. Paul spent most of the convention carrying a rather fetching handbag and vanity case for me, so I could oblige people who stopped me to look at my tattoos and pose for picture. I loved every minute of it. It was my photo taken by Things&Ink at the convention that has turned me into a bit of a celeb and won me a subscription to the magazine – which I adore [We had a competition to win a subscription to our print mag, we got got people to pose as it they were on the cover of the magazine and Mo won! Of course…]. I have never won anything before, and I couldn’t believe how many comments the photo received on Facebook.

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After that, I got invited down to London for the Things&Ink launch party. As soon as I saw the Things&Ink launch issue cover, I knew I wanted it tattooed on me. I was just unsure how to incorporate it into a design. I told Tef my intentions and we set to work on a design. I think 2012 was an amazing year in my life and I tried to incorporate this into my tattoo. I also have a Yorkshire terrier to represent the amazing time I had at Rockalily vintage salon – they have a salon dog called Ellington – even there I was treated like royalty. I feel like it is a place that I just fit in, with my vintage styling and tattoos showing. I am also adding a wallpaper pattern to the tattoo, which reminds me of my best friend Pat – she has just put up some new beautiful patterned wallpaper and has the best taste in interiors. Pat’s home is lovely and full of vintage knicknacks, which I love.

_MG_0086-2 (1)My grandkids, all 18 of them and another on the way, live very near to me, and sometimes my granddaughter comes in to see me when I am getting tattooed, she loves showing me off as her nan. Don’t think any of her friends have a nan quite like me, and they all seem to find it quite cool. My grandchildren call me Glam-ma and always bring their friends to meet me – they all say they wish their nan was more like me.

I live in a small mining village, Maltby in Rotherham, and seem to attract a lot of attention – some nice comments, but mainly stares from people who don’t know me. People I grew up with accept me as I am, I have never really been one to conform to other peoples idea of “normal.” My husband says I’m a prototype not a stereotype.

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I love big and bold clothing mainly in a ’50s style, I am also looking into collecting more garments from the 1940s. I have followed every fashion trend since my teens. Tartan, shoulder pads – the works. I love shoes and they used to be my overriding thoughts, but shoes have now been replaced by tattoos. I think about ink all the time.

I like to spend time with my family and friends, and I am quite lucky that Pat likes a lot of the same things I do. We can spend a whole day trawling vintage fairs and second-hand shops. I also often pop and see my daughter in the fish and chip shop she works, she recently won the Guiness world record for being the fast chip wrapper, so she’s a bit of a local celeb too. It must run in the family.

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My life in a nutshell – born in a sleepy mining village, married very young to a mine-worker, with whom I had five children, which kept me very busy. I think I only ever really wanted to be a mum and love having my kids around me. I divorced in 1989, went a little bit off the rails I think. But my second husband, Paul, put me back on track. We have been married for 17 years now and have a son together. Paul’s my rock, he’s so placid compared to me, so we’re the perfect fit. He treats me like a queen and I love him with all my heart. During our marriage, we have travelled around a bit, but we always end up coming back to Maltby, it’s our home. We ran a pub together in Scotland, but I missed my family too much. Home is where the heart is and I am a very content and happy lady, even if some people think I look a little out of the ordinary. ❦

Interview with blogger Pale Ginger Pear

We’ve been following Cara, AKA Pale Ginger Pear, on Instagram for a while. She talks openly and honestly about illness (she has lipedema and lymphedema), being fat and tattooed. We caught up with her to find out more – spoiler alert, she loves Disney tattoos as much as we do.

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076B09ED-0C9C-4FA7-9FA2-F67A696A679FTell us about your tattoo collection. When was your first? My first tattoo was a tiny roll of film on my left shoulder, it was done by Tyree Patrick of Big Nerd Tattoos – he is the only person I have been tattooed by. I had it done in the fall of 2002 shortly after finishing schooling for photography. Pretty quickly after that I added a camera to the right shoulder.

In 2006, I added some CD artwork. Then I took a few years off from getting inked. Before adding my gluten-free baking logo to my right wrist in 2013 (I am a celiac). July 15, 2014, my mom’s birthday (five years after she passed), I got a Wicked Witch and Flying Monkey from her favourite movie on my left arm in her memory. I remember thinking the Oz tattoo was big! In typical Ty fashion, he started talking to me about my next tattoo while tattooing me. The idea of an Ursula and Cruella half sleeve formed – which eventually evolved into my Disney Villain sleeve. As we were wrapping up the Disney Villain sleeve, he asked “what next?” I mentioned that the only other thing I liked enough for years was The Muppets. Next thing I know I was scheduled to start the thigh piece the following month. 

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What do you like about getting – and being – tattooed? I love getting tattooed. I enjoy the pain as crazy as that sounds. I jokingly call it “ink therapy”. Ty has been a sounding board during many sessions about all the crazy DMs and offers I receive (one guy even asked to buy my pubes). Ty has also been great at helping me ramble about possible ways to grow Pale Ginger Pear.

I love how being tattooed makes me feel. I know my tattoos are pretty amazing so it’s an easy way for me to brush off people staring at me. In my head I justify it to myself that they are looking at my ink not my fat arm.

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Do you have any more tattoo plans?  The Muppet thigh piece isn’t complete yet. There’s a spot above Swedish Chef beside Bunsen that I feel there is room for another Muppet. There will be some touch-ups and background added too, for sure. Other than finishing that, I don’t really have any plans for more ink. I like the contrast of one arm inked and the other pale and freckled. As much as that drives Ty crazy to be “unbalanced” and not take advantage of all that great “real estate”. We have talked about doing a pear with a tattoo on it but I can’t picture where it would be placed. 

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You are very open on social media about your illnesses and your size, do you think instagram transparency is important? How do you hope to inspire others? I think transparency is important to a degree. I keep my kid and my dating life (for the most part) off of my IG. I don’t feel they factor into what I’m trying to show about lipedema/lymphedema. It’s nice to have somethings about my life as mine that can’t be judged and picked apart. I already judge myself enough for being a single mom, I don’t need strangers adding to my self doubt. I also don’t post my weight as I don’t feel the actual number is going to change anything for the person reading it. People carry weight differently so my number might look different on other people, but it doesn’t change my conditions.

I hope to inspire people, especially women with lipedema and lymphedema, to embrace their body as it is. There is no reason to not wear the little black dress while wearing your compression stockings or showing off your large upper arms, thanks to lipedema.

Can you tell me what having lymphedema and lipedema means, and how it affects you day to day? Lymphedema is where the lymph fluid flows down but, in my case, doesn’t flow back up from my lower legs properly. The lymph flow pools in my lower legs causing swelling. I wear compression stockings daily to keep the swelling to a minimum. If I don’t, my legs feel super tight, almost like they can explode. Lipedema is when fat cells absorb lymph fluid, damaging the cells causing it to not react to diet or exercise like typical fat cells. Lipedema is a dull constant ache. It also is very sensitive to the touch and bruises easily. It hurts if I try to sit in a tight seat where the arms can’t be adjusted.

When were you diagnosed? I was diagnosed in 2008 with lower leg lymphedema. It wasn’t until about 2016 that I was told I had lipedema as well. Then it wasn’t ’til 2018 that I found out lipedema was the cause of my bigger upper arms. I had originally been told that it was just hips/thighs/buttocks. Lipedema is more frustrating to me because there isn’t much relief for it, short of liposuction to remove the damaged fat cells. But most US insurances don’t cover the cost of the liposuction as they view it as cosmetic.

Does it affect you getting tattooed? Lymphedema areas can’t be tattooed, which is why my Muppet piece will be just on my thigh. Cuts or injections are to be avoided as lymph fluid will leak out of the opening and can be difficult to heal. Before I started my thigh 6D8DD8B4-E490-466B-9EFC-5CED267A500Dpiece, I reached out to some specialists in lipedema asking about tattoos. They had no real information or studies on it. Basically, the replies back were: “Not really sure, but if you go through with it, update us afterwards.” It wasn’t until mid-summer last year that I realised I had already tattooed on lipedema damaged area with Ursula. It made a lot more sense looking back at how Ursula was harder to heal and seemed to be “too wet.” My thigh has been really tender during the actual tattooing. My skin puffs and pinks up in the lipedema areas pretty quickly and makes it more difficult for Ty to see the saturation of the ink. It also seeps lymph fluid, which can be annoying.

4C5C3166-DE34-4E48-82BC-9F11F8FF1D62Healing the thigh has been interesting. There is a very fine line of just enough ointment to keep it from being dry and cracking and too much that keeps it too wet that doesn’t allow it to scab over. The lymph fluid can cause some deep scabs which are really painful and sore. Ursula and The Muppets have been harder to heal than any of my other tattoos but not bad enough that it keeps me from completing my vision.

There are a lot of fat shamers online, how do you respond to haters? I tend to ignore the hate. I believe that they are just hurting, so they want people to hurt with them. There’s been a time or two that I’ve responded if I felt I could explain something in more detail to them. 

What made you start blogging and instagramming as Pale Ginger Pear? I started my IG (and website) as the result of a bet with someone very dear to me. “Schmidt” had felt that I would get a lot of followers due to dressing well for my size/shape and having a story to tell. I thought he was crazy. We playfully bantered back and forth about it. February 11 2018 I decided to start PGP Instagram to prove him wrong and for the longest time I thought I was. I remember hitting 50k and his reply was: “So no followers…”

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I often hear women say they don’t want to get tattooed on the parts of their body that they hate, but to me, tattoos are about owning your body and feeling happier in your skin in a way you can control, do you feel that too?  I NEVER used to show my arms. I hated how different my upper arms were in comparison to my forearms. But now I get so bummed when it starts to get cold again and I have to cover up my arm. I used to hide my legs and rarely wore dresses. Now I find myself picking out skirts or dresses, so when people talk to me about my tattoos, I can show them the Muppet thigh piece. My ink has helped me embrace my size and condition, things that I can’t really change. I feel more me with the brightly coloured ink than I ever did before. 

We feel that too. Follow Pale Ginger Pear on Insta and check out her blog.

 

Powder Beauty Boutique in Brighton

We had a fun Things&Ink outing to Brighton back in February for Brighton Tattoo Convention. While we were there, we couldn’t resist getting our nails done at the gorgeous Power Beauty Boutique.

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Editors Rosalie Hurr and Alice Snape got their nails did at Powder Beauty Boutique

image2 (1)Behind a discreet door on Duke Street, you will climb some stairs and enter a little haven with warm and welcoming therapists who can do anything from nail art and bikini waxes to make-up and micro-blading.

Excitingly, they now have a room to rent that would suit a professional body piercer or tattoo artist. They already have a licence from the council in place, so are looking for someone who is self-employed to rent the space. We can’t wait to pay them a visit again once they find someone… especially as the room looks like a perfect – and private – sanctuary to get pierced or tattooed in… Just look!

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If you’re interested in renting the room either on a part-time or full-time basis, contact Rachel at rachel@powderbeauty.co.uk or give her a call 07899884170. Visit powderbeauty.co.uk, for more information. Powder Beauty Boutique is an established salon with a large client base situated in the heart of Brighton’s city centre. 

 

Bold, feminine and romantic: tattoo-inspired jewellery

Inspired by classic tattoo art, Maggie handmakes all her jewellery in silver and sets it with Sapphires – dreamy. Maggie’s small collection, titled Norma Kerr is bold, feminine and romantic. We caught up with her in her studio in Hay on Wye to find out more…

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Tell us a little about yourself and what you do? I have worked as a jewellery designer and maker for many years in London and in Italy. Designing for costume and fashion jewellery at one end to fine jewellers at the other. I started my career working at Garrard & Co (the Crown jewellers) so I have seen all sides of the industry. I especially love the tiny Dickensian workshops in London’s Hatton Garden and the Jewellery Quarter in Birmingham –  I don’t think they’ve changed in 100 years. In some ways, there are many similarities between the skills of jewellers and those of tattoo artists – working in small studios down a side street off the main drag. Somewhere you wouldn’t go unless you knew what you’re looking for, or are part of that tribe.

Where are you based and what is your workspace like? I live and work in Hay on Wye, one of the best places you can possibly imagine – it’s full of bookshops and surrounded by stunning countryside. The town is very small and all of the shops, restaurants, pubs and cafes are independent so the place is full of personality. Hay is a thriving town – which is pretty hard to find in such a remote part of Britain (25 miles from a train station and an hour from a motorway). There is a great quality of life here. When I am not at my work bench, I’m the Director of Development for the Hay Festival – but that’s another story…

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My workbench is on the ground floor of my house next to the kitchen – a jeweller’s bench doesn’t take up much room. Over the years I seem to have acquired lots of skills, so I can also turn my hand to making my own jewellery display pads – covered in beautiful dusky pink silk, lining the lids of my leather boxes so that my jewellery is really beautifully presented – like old fashioned jewellers’ boxes that are beautiful in their own right. I love that I have the skills to make everything look exactly how I want it to, bespoke and special. Having craft skills is such a source of pleasure, I can’t recommend it enough.

Tell us about your working day… My daughter Grace is 12 years old, so getting her up and ready for school is how my days start. I like to leave a little early to drive her to the bus stop, so we can sit in the car and chat or listen to music. Billie Eilish is our latest discovery. Grace is quite chatty in the car, I love that.

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When I get home, I prepare everything for the day: tidy up my bench, heat up the pickle (an acid solution used to clean something after soldering), make a coffee, then get on with making. The process starts with filing and cleaning up the cast components – components that are unique to me from models I made in wax. Once each piece is ready to be soldered together, I start with attaching the wings to the heart. This takes a big flame on my torch – these are big pieces that take time to get up to temperature to be hot enough for the solder to flow. Once that’s done – it goes into the pickle bath for 10 mins or so – I repeat the process with the ribbon, then one of the three motifs: sword, flame or flower. Next is the chain and clasp, once they are soldered on, the piece is ready to be polished. Polishing is my least favourite part of the process and it’s a real skill. I often send pieces up to workshops in Birmingham to be polished for a really stunning finish.

Setting the stone (Sapphire) comes next – it’s a delicate job and I love choosing a beautiful stone to set. When everything is looking fabulous, the next job is to send it off to the Assay Office – to be hallmarked with my makers mark and assayed sterling silver. Last is engraving, this is a specialist skill I don’t have so I work with another great craftsman in Birmingham who engraves the name or word across the ribbon. It’s a long process from start to finish.

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What do you love about the process of making? Is each of the pieces you create unique? I set up my workbench a couple of years ago after a long break from jewellery (when I turned my hand to become the Producer of Hay Festival in Wales and in Kenya). I did it as a way to help myself relax. I had forgotten what it felt like to make something by hand. How you can lose yourself in the process, the concentration it takes to really focus on the craft. The skills I had learnt, I had not forgotten. Buying new tools and equipment, sourcing precious stones, researching the best engravers and polishers, being a part of the trade – it does feel quite special. I imagine being a tattoo artist has a similar mystique.

The work I produce is quite unusual in how it’s made, I combine the techniques of costume and fine jewellery production. Each piece is unique and depends on the client’s choice of Sapphire stone colour and engraving – it is totally bespoke, in the same way you would choose a name or word to have as a tattoo. It is something that will last forever, something that is important and meaningful. There is a lot of romance too.

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Logo transparent backgroundWhy Norma Kerr? I am one of four sisters and we all share the same middle names Norma (from my Dad’s side of the family) and Kerr (from my Mum’s side). It was always a great source of embarrassment to me growing up – especially Norma, as it sounded so old fashioned. I hated anyone asking “what’s your middle name?” As I got older I started to like the names more (especially when I discovered Marilyn Monroe’s real name was Norma) and that we all four sisters had the same name felt quite unique and special. So, when I started the business, I knew I wanted the logo to be based on classic 1940s-50s style female tattoo design – I had seen in a tattoo reference book years ago. So, once I drawn my own version I called her Norma Kerr. Norma Kerr is a sort of alter ego, a kick-ass girl who sits on top of the world – a strong woman.

Are all your pieces inspired by tattoos? Yes, my collection is entirely inspired by what I think of as classic tattoo motifs; hearts, wings, flowers, ribbons and so on. I think there is a real affinity between engraving and tattooing. I like the idea of engraving one of my necklaces with a name or something meaningful that you can wear and then pass on as an heirloom to future generations. Where there is the story behind the engraving, a story of love, something or someone being commemorated perhaps – just as you would with a tattoo.

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What is your favourite piece you have created? Is there a meaning to the stones you use? Originally, I came up with three necklace designs; Love, Hope and Grace. The piece called Love has a sword through the heart – let’s face it, there is nothing more painful than love. Hope is a flame, a flame of hope is something about nurturing a spark, hope for the future. Grace is a state of mind, to be graceful is about beauty and serenity. The rest of my collection complements these three pieces – with matching earrings and bracelets. I use blue, pink or yellow sapphires in my work – I chose precious stones over semi-precious, there is nothing semi about my work, only the best will do! Precious stones are cut so beautifully the colours are intense. Jewellery set with yellow or pink sapphires is quite unusual too. I like that.

If you could be a piece of jewellery, what would it be and why? I would be a diamond – bright and full of sparkle!

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IMG-20190704-WA0010Please tell me about the significance of the Grace necklace. The Grace necklace is the heart, wings and flower design. All things of beauty, a heart is something we want to give or receive from our loved ones, wings – wings of desire, wings to fly free, to be a free spirit. And flowers – there is little more beautiful in nature than flowers. I love to grow them, have them in my house always they give me so much pleasure. And did I mention – Grace is the name I gave my daughter?

Visit normakerr.bigcartel.com or follow on Insta @normakerrsapphire for sparkly inspiration 

Brighton Tattoo Convention: Street Style

We adore tattoo conventions: everyone united by their passion under one roof, that buzz of tattoo needles and endless inked skin. We love stopping people to have a chat to find out more about their style and what they love about tattoos. Here’s who we chatted to at Brighton Tattoo Convention a couple of weeks ago… 

Photos by Amber Carnegie

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Anna Harvey Williams @wonderlander
Job: MUA
Tattoos by Antony Flemming, Kate Selkie, Vicky Morgan
Star sign: Aquarius
“I am at the convention because my tattoo artist Antony has moved to Canada and he is back in the UK for this!”

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Lizzie Guy @lizzytotaltattoomag
Job: Editor Total Tattoo
Tattoos by Jon Longstaff and Enzo Barbareschi at Black Dog Norwich and Alex Binnie
“This bag is made from an old bouncy castle, by Wyatt and Jack

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Grace Reed @_gracereed
Job: Tattooer at No Friends Tattoo Club in Brighton
Tattoos by James Grave and Jane Rose
“I had to use my straighteners on my tee this morning because I didn’t have an iron!”

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Lydia Amor @lydiaamor_tattoo
Job: Tattooer, Black Market, Leicester
Scorpion tattoo by  Vinny Garcia
“I love lamps”

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Louise Henesy 
Job: photographer and business owner
Tattoo by Valerie Vargas
“Babe Cave started three years ago. I wanted my own little brand as a side hustle.”

Hopefully see you all at some more conventions this year? Let us know which ones you’ll be going to #thingsandink