Tag: interview with a tattoo artist

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Interview with tattoo artist Sambee

We chat to North London tattooer Sambee about her journey into the tattoo world and her experiences as a woman of colour in the tattoo industry…

What inspired you to become a tattoo artist? To be honest it was never an ambition of mine, even though I had always drawn, been creative and did art at school. I also used to go home after school and watch LA Ink and NY Ink. I thought they were pretty cool shows but I never saw them as a future career.

Saying that, the idea of making things with my hands was attractive to me. It meant I would always have a way of being able to provide for myself without relying on someone to hire me.

How did you become an artist? A friend took a design of mine to a local tattooist and asked if I would go with him to get the tattoo done. Whilst I was there the tattooist talked to me about my designs, he was opening a studio soon and asked if I’d like to be the apprentice.

At the time I was looking to go to university but my parents were surprisingly supportive of me becoming a tattoo apprentice.

Can you tell us about your experiences in the tattoo industry? My apprenticeship started two months before my nineteenth birthday. I’m at the end of my twenties now, so it has been quite an education. It’s been a strange world to navigate through especially when you come into it quite young.

Tattooing is a great expressive art form and there’s always something to learn or a way to challenge yourself. The more you put in the more you’ll get out.

You meet all types of people, some sweet and some more savoury, but that’s like all industries. It’s nice to see more women and women of colour coming up in the industry.

Can you tell us more about the experiences you have had as a woman and a woman of colour in the industry? I’ve had some awkward moments. I think the frustrating thing about being a woman in a male dominated industry is that you can feel obliged to not create what’s sometimes perceived as ‘trouble’, or perhaps what used to be perceived that way. 

Even now, I initially felt like I had to answer this question by downplaying or lightly glossing over experiences.

If I were to mention every little moment where race or gender felt to me like a disadvantage or something I’ve had to speak out to defend against, it would be a long list. 

Toward the end of my apprenticeship, I was being tattooed by someone (who my mentor invited to the studio). I can’t remember how the subject of race was brought up, but somehow we got talking about it and mid tattoo session, with my limb in the tattooists’ hand, he says the words “ya know, I don’t actually believe in ‘mix raced’.”

My ears perked up, my heart rate rose and I had to control my facial expression. I just thought, let me make it to the end of the tattoo session and then I won’t have to listen to any more ignorance. 

I’ve also heard clients say they don’t believe in racism, casually, while I’m tattooing them. I’ve also seen someone point out the window at a person in a wheelchair and say the words “look, that’s a n*gger in a wheeelchair”. I was in that room. 

Are there any female artists and women of colour artists you’d like our readers to know about? Hell yeah there is! There’s lots of women that I know and follow on social media that make me proud to be in this job, at this time, because it has come such a long way since I started. 

My colleagues Trang and Chanelle are so talented, focused, driven and kind hearted. I used to work with Jade and we both had the ambition to get into tattooing. She’s got a beautiful heart and does beautiful tattoos. 

People should also follow:

The list goes on!

What attracted you to black and grey tattooing? I’m not sure why I was more interested in black and grey. I appreciate all styles, but when it came to doing them I found that black and grey made more sense. It feels more straightforward.

Have you always tattooed like you do now? I started out doing anything and everything and then slowly just narrowed it down to black and grey realism.

I’m sure in another 10 years my style will change, but I can’t see it changing too drastically. That’s the thing within any creative industry the only limits are what you put on yourself. It’s sometimes scary to change because it’s new to you and you obviously lack experience. Also you’re beginning the process all over again and that creates more self doubt.

Can you tell us about the process behind your tattoos? Sure! There’s not too much to it, my client would have given me images or a description through an email enquiry. With that information I search and source photos relevant to the idea and begin putting that into a composition to suit whichever area the tattoo is going. I tend to do image sourcing the night before and then put together designs in the morning showing a few options.

What inspires you? Other artists, not just artists who do black and grey. Or seeing people who have older tattoos and wondering how can I do my work to a standard that will hold and look sick as it ages.

It would be cool when my clients are in nursing homes and still feel excited about their tattoos or getting compliments.

What do you like to tattoo and what would you like to do more of? I really enjoy tattooing animals. Anything fluffy! I’d love to do more iconic portraits too. I’ve done a few civil rights projects and I loved those! Also any Marvel/DC characters would be a dream!

Are you a tattoo collector? I’ve got a few cats! I wouldn’t say I’m a collector maybe just an enthusiast, I’m definitely not at that level by any means.

I’ve enjoyed getting pieces so far from my talented colleague Matt Lunn and the awesome Anrijs, Ash Higham and Edgar Ivanov.

What moment in your career are you most proud of? Working my first convention felt quite pivotal. There’s a lot of anticipation for that moment, so much preparation and it can feel like a big hurdle when you build it up in your head. But it was a lot of fun!

I’m currently at a big transitional moment in my career. I’m joining my friends in making our own artist led studio. I cannot wait for it to be finished! This will definitely be the proudest moment in my career once it’s up and running.

Make sure to follow Sambee for more amazing realism tattoos and updates on her new studio.

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Interview with tattoo artist Songe

Shin Song Eun (@songe.tattoo) creates colourful floral inspired tattoos at Inktable tattoo studio in Hapjeong, Seoul. We chat to the tattooer about her journey into the tattoo world, her intricate style and favourite things to tattoo…

What inspired you to become a tattoo artist? I happened to see a tattoo on my SNS app. It was so detailed and I thought how can you express that kind of detail on the body? That’s when I started to get interested in tattoos.

 How did you become an artist? I was a student at art college and then I found a tattoo academy after much consideration.

I learned to tattoo under my teacher, @soltattoo. I worked on my tattooing every day for two and a half years to get where I am now and grow as an artist.

How would you describe your art? I like natural things so my tattoos feature a lot of flowers. I try to express a composition and arrangement that goes well with the body of the person I’m tattooing.

Your tattoos are really bright, what do you love about colour? I think a lot of people also like my bright pastel colours. I also like to use a lot of colourful tones rather than dark colours.

What’s the inspiration behind your work? I read a lot of fairy tale books. And I usually read botanicical books too. I like to look at the pictures of nature that have been taken by the writers as well.

What do you like to tattoo? I work on a lot of ‘fluttering flowers’ and I like them. I think small flowers flow beautifully on different people’s bodies, I love the feeling I get when I see them.

Even if they’re the same flowers, they all look different and give off a different vibe.

Where can people get tattooed by you? My tattoo studio is near Hapjeong Station in Seoul and I’ll also be in Singapore in June.

What’s your favourite thing about being a tattoo artist? Every day I can draw and express myself through my drawings. When I would draw at work or school I would design inside a fixed frame, or so it felt. But with tattooing it’s different, I can draw in my own way.

I also really like drawing in a way that combines my customer’s style with my own style.

How do you create your small tattoos, are there any challenges with these? Some people work on a small tattoo because they think it’s going to be faster and easier.

But, I think small tattoos need to be even more detailed than bigger tattoos, because they need to express the same details in a smaller areas. It takes more time than you’d think.

Do you have a favourite tattoo? I like plant tattoos I do the most.

What moment in your career are you most proud of? When I was guesting abroad of lot of people really liked my work and wanted to get tattooed by me. There was someone who had waitee several years to get tattooed by me, which made me feel so happy and proud.

Make sure to follow @songe.tattoo for more beautiful tattoos.

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Interview with tattoo artist Pauline

Tattooer Pauline (taken from his mother’s baptismal name) creates beautifully delicate fineline tattoos at Inktable in Seoul, Korea. We chat to Pauline about capturing the feelings of a specific moment in his tattoos…

Why did you want to become a tattoo artist? There are many reasons, including thoughts and memories that I don’t want to forget. Tattooing allows for elements of beauty in my life. It also indicates a direction and ideals that I want to live in and live by.

How did you become a tattooer? Since I was young I have encountered art in my natural environment. Being around art so much inspired me to go to university to study sculpture.

I was attracted to painting and the field of tattooing and so wanted to study this too. While studying sculpture, I fell in love with tattooing and creating my own paintings, especially the idea of engraving these onto skin.

How would you describe your style? I think my tattoos capture the emotions and stories of the moment. Due to the nature of my line drawings it’s difficult to get the same picture more than once. So, I can only draw the lines and the feelings expressed in that very moment. I think it’s this part that is so attractive to me and my clients.

Have you always tattooed like this? No, there’s been a lot of changes in how I paint. At first I did blackwork and oriental paintings as I liked this painting style. However, I was always drawn to line style paintings without realising it and then I openly fell in love with linework.

Your lines are mainly in black, do you prefer this over colour? I don’t insist on black, but I think I prefer black to color. In my tattoos I like to change the thickness of the line as well as the strength and weakness of it. Personally, I think black can express these things best.

What inspires your designs? In the past I was very inspired by Klimt’s drawings and Egon Schile’s drawings. These artists are one of the reasons why I became more interested in drawing.

I always try to look at other artists’ paintings to broaden my horizons. Mainly because other paintings, music and movies are also inspired by areas of art that surround them.

What do you like about tattoos? Tattoos are a way that you can live with pictures of your own stories. Then when we see a tattoo we remember ourselves and others from that time. You can express your personality through them and to me they’re a part of art.

What do you love the most about being a tattoo artist? I get to do what I like to do. It’s a very good thing as I love painting and I’m able to do a job that’s related to it. I also like having a free schedule and control over my time, that’s one of the many factors that makes it so good.

Can you tell us about the process behind linework tattoos? When you’re painting, you’re drawing and so you’re creating a line without any hesitation. It’s different when you’re transcribing that line into a tattoo. You have to express every line well from the neat ones to those with strong and weak points too. I think it’s better to make a line in the skin rather than draw it on paper.

Tell us about your own tattoos, do you collect them? Yes, I have a lot of tattoos. I have the face of my mother, whom I respect, engraved on me. Then there’s also a figure from Korean history, this tattoo helps to give me direction and live the life I want.

Sometimes I collect tattoos because I just like the artist’s paintings. I have a wide variety of tattoos.

When in your career have you felt the happiest? My tattoo appointments are a time where I can be supportive of people. Everyone has pain and some people want to overcome their pain by getting one of my tattoos. I feel proud and happy to be an artist who can be of any help in other people’s lives.

Do you have any guestspots or travel planned? I have been to so many countries including Germany, America, England and France. I’ll be in Singapore soon but currently I don’t have a planned schedule.

Make sure to follow @pauline.tattoo for more beautiful tattoos and travel plans.

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Interview with tattoo artist Norang

Artist Norang creates exquisite tattoos at Sol Tattoo Studio in Seoul, Korea. We chat to the tattooist about the inspiration behind her work and how she hopes her tattoos will help the wearers to love their bodies…

How long have you been tattooing and how did you become an artist? It’s been two years since I started tattooing and getting tattoos. I’ve been painting since I was very young and I’ve always been interested in this field.

There was a moment where I had to make a choice about my future and that’s when I realised that I liked to paint pictures with my hands. I thought about what I could do with my favorite pastime. I found a special world called tattooing and jumped in without hesitation.

If you weren’t a tattooer what would you be? Maybe I would be an illustrator. It would allow me to express my art through my hands, like tattooing does. The charm of it all is that I can combine colours as I think of them and stories appear as I draw. In my free time I draw and give my illustrations to my friends.

What’s your favourite thing about being a tattooer? That the people who visit me like my paintings. It’s amazing to me that they want to engrave my art on to their bodies. I also like it when they are happy when they see my finished work.

Can you tell us about your experiences in the tattoo industry? I feel a great responsibility in every moment, because I do work that is indelible to the human body. This also includes how I try to get my customers to have a tattoo of what they really want. It’s been two years since I started tattooing, but I still try to work with the same mindset.

How would you describe your work? Fairy tales for adults. I want to beautifully express the same innocence that still remains within these stories. I interpret all the designs I see with my own viewpoint. The charm of my tattooing is to make the things around me more delicate and special.

What inspires you? Twinkling things like stars in the night sky and things with delicate patterns. I also like symmetrical natural objects such as birds and butterflies.

There’s a novelty to the wonderful forms of nature that man cannot imitate. When we try, what is produced is special, it is this that gives me comfort and allows me to dream.

Do you have a favourite tattoo artist or someone who inspires you? My tattooist colleagues and my close friends. Thankfully, I have a lot of friends who have unique and creative minds. I’m always grateful to them for giving me fresh and artistic stimulation.

Can you tell us about the process behind your tattoos? I always try to draw the same theme from different angles and poses, or a new combination. Sometimes, when I do this there are unexpected designs and colour combinations that come out.

What do you like to tattoo and what would you like to do more of? Working with various objects is very fun for me. I like to reproduce the form and the delicate lines I see through tattoos. These days, I am interested in flower shapes, so I want to develop these in my own style.

Can you tell us about your own tattoos? Are you a tattoo collector? My first tattoo is an ornament on my finger without much meaning. I didn’t get another tattoo for a long time after that, because I wanted to be careful about the tattoos on my body.

Then last spring I received my long awaited and much cherished flowers and birds from @soltattoo on my arm. I will continue to fill my body with flowers that I like.

What moment in your career are you most proud of? There are so many that I can’t choose. As a tattooist, I think the way I can draw a design to better fit a person’s body is the best. I hope my clients can love their body more with my tattoos.

What’s the tattoo scene like where you are? Our country is the only country where tattooing is illegal. As a result, a lot of generations generally distrust tattoos and tattooing. But ironically, for many young people, it’s a means of self expression. I think there are so many talented tattooists in Korea. I hope that someday Korea will be welcoming of tattoos.

Follow Norang on Instagram for more beautiful tattoos.

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Interview with tattoo artist SOOSOO

Tattooer SOOSOO owns a private studio in Hongdae Korea where she creates incredible tattoos. We chat to SOOSOO about how she became a tattooist and her work, including her amazing fire tattoos…

How long have you been tattooing and how did you become an artist? I’ve been working as a tattooist for four years. Four years ago I went with a friend who was getting a tattoo, that was the first time I came across them.

I’ve been drawing since I was a child, and I wanted to have a job where I could draw. I thought being a tattooist looked so cool. I decided to learn to tattoo and I saw @SolTattoo was recruiting students at the time, so they became my teacher.

Do you have a background in art? Before becoming a tattooist, I majored in visual design. I went to an art high school to major in design, and I have always learnt about and painted different works, including Western paintings and illustrations, as well as my major.

What’s your favourite thing about being a tattooer? I’m really glad that I can enjoy my job. I love it when my clients like my paintings and they’re happy when they see my finished work.

How do you hone your tattooing craft? To me, tattooing isn’t just about engraving beautifully drawn designs into the skin; it’s about skill and dedication. I think tattooists should polish their skills, so the work doesn’t strain or damage the skin. It’s important that we practise by using various machines and needles to find the ones that best fit us.

How would you describe your work? I interpret every design with my own style. The attractive aspects of my tattoos are the vivid colours and textures, like I’m using coloured pencils.

What inspires you? I usually watch a lot of movies and animations. I also think about tattoo designs when I see scenes and props in the movies. I also try to experience a variety of music, paintings and photos to get inspiration.

Can you tell us about the process behind your tattoos? When I’m drawing tattoo designs, I try drawing the same design in different colours. When I do this sometimes I come up with an unexpected design and colour combination which is really good.

How do you create your fire tattoos?  When I look at the irregularity and intensity of fire, I thought I should draw it. I was impressed to see the colour of the flame fused with the surrounding environment and I thought I could express it in various ways.

I think it’s very attractive to draw fire blooming on the skin in various shapes and colours. The fire isn’t in a clear shape, but I can create a frame to contain it in. I then keep revising the appearance to complete the design.

We love your food tattoos, are these a favourite of yours? I’ve been doing food tattoos a lot recently, they’re quite new to me. I want to draw a variety of painting styles including still life paintings. The shape of food and bottles attract me and lend themselves to this style. Although, I’d definitely like to try more diverse things in the future.

What do you like to tattoo and what would you like to do more of? These days, I enjoy drawing fire and I’ve been working on a lot of small fire tattoos. As mentioned above, I feel the flow of fire on the skin is very attractive and looks good. I want to make a big fire tattoo on someone’s arms or legs, hopefully I can someday.

Can you tell us about your own tattoos? Are you a tattoo collector? When I first started tattooing, I worked at StudioBySol, a shop run by my tattoo teacher SolTattoo. There were loads of tattooists in the studio and they gave me a lot of tattoos. 

I don’t have many tattoos on my legs yet, but I want to get a big tattoo on one of my legs at some point.

How does it feel making tattoos in Korea when they’re still illegal? There are so many talented tattooists in Korea and a lot of people want to learn how to tattoo. It’s really unfortunate that it’s not legal. There are a group of Korean tattooists that are trying to legalise tattooing, so I hope it will be soon.

How are tattoo artists seen by society? Older generations still have negative views, but many people are looking at tattooing as art. I hope it will be accepted by more people as an art and legalised.

What moment in your career are you most proud of? I’m very proud and I feel at my best when clients tell me they really wanted to get a tattoo from me. Also when they are satisfied with the tattoo I have done for them.

Follow SOOSOO on Instagram for more awesome miniature tattoos.