Darcie: Bound in Bone

27-year-old Darcie from Leeds, is a Content Executive for a Marketing Agency and founder of the blog Bound in Bone. We chat to Darcie about her style, living the goth life and what you can find on her blog…

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What inspired you to start your blog and how long have you been running it? I’ve been blogging since November 2015. I didn’t really tell anyone about it for the first few months because I was nervous about what people would think! I started it because I wanted my own space to write my own stuff and not have any restrictions (apart from my own nervousness). I’d been working in marketing for three years at that point and while I was creating content for other people, I really wanted something that was my own. It was weird that I had created so much for other people and nothing for myself!

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Does your day job help you with your blog, or vice versa? Yes, definitely. Keeping up to date with the industry means that I can be good at my job and be armed with the latest thinking to apply to my blog too. It also helps that I have people around me at work that can help me if I paint myself into a corner with SEO or when I’m liaising with a PR for my blog, for example.

What can readers expect to find on your platform? Gothy/witchy outfits, alternative lifestyle pieces and I’m hoping to write more about feminism as I get braver talking about the subject too!

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How would you describe your style? What is your favourite outfit or go-to outfit?  I can be quite eclectic in my style, but I would say it definitely errs on the gothy side of the “alternative” spectrum. I’m trying out more of a witchy style at the moment. I’m really inspired by the idea of the witch as a feminist icon.
I don’t really have a go-to outfit, but I do have certain pieces that make me feel like I can take on the world. My wide-brimmed hat, double-stacked doc martens and anything in faux leather are favourites.

What to you does it mean to live a goth life?  Oooh I love this question! To me, it’s about channeling a darker aesthetic in your personal style or tastes, but it’s also about questioning mainstream society’s ideals. How can you decide to be “alternative” in the way you look and yet not “alternative” in the way you think? It means not accepting everything you’re fed through the media and coming up with your own thoughts and values. It means being open-minded and willing to listen and accept other people’s points of view.

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Can you tell us about your tattoos? Do you have any future plans? I have three tattoos. I have an eye on the back of my neck, a pair of cat eyes on my forearm, and Beatles lyrics on my shoulder. My first was the Beatles lyrics, it’s actually a matching one with my best friend from school. When we were about 15 we would make videos in her bedroom. They were really silly because we were dorks (still are). On of the soundtracks was All You Need is Love. So that’s what I have tattooed. She has “love is all you need” on her foot.

The story behind my eye is based around The Illustrated Mum by Jacqueline Wilson. Even though she’s a very troubled lady in the book, I always saw her as beautiful, and I desperately wanted to have red hair and green eyes just like her. I wasn’t bothered by the tattoos at that point for some reason. She has loads of tattoos but one in particular that stays in my mind was an eye on the back of her neck, so that’s what I’ve got too.

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The cat eyes are based around my first cat, Myrtle. I’m a cat person through and through so I wanted something to commemorate that!I would love to get more – I really want something on my chest (I’m torn between a snake or moon phases – I haven’t decided yet), I’d love something to do with Medusa, and I’d love finger tattoos too – I just need to decide what to do first!

Pay Darcie’s blog a visit to see more of her gothic style and feminist posts.

Interview with Lucy O’Connell

Lucy O’Connell creates stunning tattoos filled with colour and personality at Red Tattoo and Piercing in Leeds, UK. We chat to  Lucy about her evolving style and inspirations…

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What made you want to become a tattoo artist? I started drawing tattoo designs for friends who were older than me when I was around 14. And through doing doodles for them, which I now realise is the most irritating thing to receive as a tattooer, because I knew nothing about the fundamentals of tattoo design, I realised I could do this for a living when I started to do more research. Fortunately tattoos were more accessible in terms of media. I would buy all the magazines available from my area and then go and look up the artists.

What do you love most about your job? I love so many aspects of my job. I love developing my practice, the ability to share ideas and discuss with people I admire, working on a moving canvas is forever a challenge. I just feel like I’m learning all the time, but I also like talking to new people about their experiences in life. And currently I’m really trying to give myself a shove to develop myself more, I give myself a hard time a lot.

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What inspires your work and drawings? Everything. Recently I’m trying to look more into myths and old stories to inspire me, but I’ll probably sit on them for a while as they’re such epic tales I need a while to ponder it before I know how to combat it. Nature has a lot to play. Whatever I’m watching can have an impact, or just my mood in general. I find if I’m struggling I’ll watch Attenborough or go to a gallery. Just kind of soak something new in.

What would you love to tattoo? Like I said before I’d like to sink my teeth into some myths and legends. Maybe some religious stuff too from all faiths. Norse gods are really interesting. I think subject matter that’s way bigger than me so I can try break out of my comfort zone. And always birds.

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Do you have any designs that you really want to do? I’ve got loads of designs I wanna tattoo, I keep a majority in a little book and take them everywhere with me, and the big ones don’t often get a home so they end up getting painted. I’m struggling more than ever to get rid of stuff I draw, which I can’t decide if that’s me, social media or brexit. I’ll keep trying.

How would you describe your style? It’s a clash of a lot of things. I can’t quite put a definition on it, I’m usually categorised as neo-traditional but I wouldn’t put myself there. I think neo-traditional lines have been blurred. I kind of think I’m a pop culture, neo-trad, art nouveau clash.

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Is it fair to say that it has been evolving lately? I hope so, I’m trying to evolve all the time but I’m very aware of it, currently. Since the first convention of the year I’ve had a fire lit under me that makes me want to push myself somewhere that’s not so comfortable. But I hope everyone likes it or can see I’m trying.

What kind of direction would you like to take your work in? I’d like to go into a more layered version of my work. And making everything more animated. I’m also trying to take in light sources. We’ll see what happens.

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Do you have any conventions or guest spots planned? I do! No mor plans other than these:

Newcastle – Big North Tattoo ConventionApril 28th & 29th

Essex – Jayne DoeJune 14thth, 15th & 16th

Leeds Tattoo ExpoJuly 7th & 8th

Berlin – Sticks and StonesAugust 9th, 10th & 11th

Shaded: Pot Yer Tits Away Luv

‘Shaded’ is an ongoing interview series created by 23-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people who wear their work and both the artist and canvas’s relationship to the craft.

Emma Low is a Leeds-based ceramic artist who creates pots that represent the human-form in all of its wonderful shapes, sizes and colours. At first gifts for those closest to her, Emma’s pots were soon in-demand, and the Glasgow-native found herself starting up her pottery business ‘Pot Yer Tits Away Luv’. Here, Emma speaks about her “inclusive brand”, tattoo tributes to her cat Trouble and how her work aims to celebrate differences and liberate women. “Tits don’t mean sex.”

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Tell us about ‘Pot Yer Tits Away Luv’?
 Pot Yer Tits Away Luv is a pottery business that I started in February 2017. My main inspiration is a realistic representation of the female form, but I also do some work with the male form as well. It all started with a Christmas present that I made for my boyfriend. I wanted to give him something that was personal so I made him a pot with my tits on it. It was okay for a first attempt, but it looked nothing like mine – regardless of that fact, he loved it. People saw it and wanted me to create pots that represented them, and then from there it’s just snowballed. I never expected that it would eventually become my full-time job. I now spend five days a week crafting pots with tits on them, which is pretty mad.

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What first attracted you to working with clay? My boyfriend had done a short course and really enjoyed it, so I thought I’d try it out! It was really difficult to figure out in the beginning, but like everything else, practise makes perfect. I then enrolled in a night class and learned more about the craft. I never made any tit-related items, though. It was all really basic, and most of it wasn’t actually that great.

As well as creating works that celebrate the human body, you also share the work of painters, illustrators and photographers that aim to do the same thing. Can you speak about your on-going relationship with the subject? I’ve always been fascinated by form. It’s amazing how we all have bodies that essentially do the same thing, yet they vary drastically in relation to what they look like. I grew up in a very body positive environment. To me, naked bodies were never deemed as sexual. I like to try and express that in my work – especially when it comes to the female form. Tits don’t mean sex. I think a lot of people misunderstand what my work is about. It’s supposed to be liberating, not about sexualising women. I always love to share other artist’s work because I think it’s important to express gratitude towards the people who inspire you. Social media can be such a useful tool when it comes to finding out about new artists or being exposed to new ideas. There are so many amazing artists who share similar views to me when it comes to feminism, and I like to promote those ideas.

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What’s your relationship with tattooing? I started getting tattooed quite late in comparison to most of my friends. I think I was 24. My first tattoo was done by my friend’s boyfriend when I went to visit them on holiday in Berlin. It’s a black heart with ‘Trouble’ running through it. Trouble was my cat, he passed away last summer but I’d had him for around eight years. The last tattoo I got was by Olivia Chloe Lewis, and it’s a vase! I think regardless of whether your tattoos have a specific meaning you can tell a lot about a person from their tattoos and that’s what’s always drawn me to them. I’ve only ever had my thighs tattooed, I wouldn’t want to move on to anywhere else on my body until my legs are completely covered.

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Your pots represent the human body in so many different ways – large and small, and sometimes tattooed. What is it you feel you are addressing with your all-embracing work, and how do you feel tattooing is part of that conversation? I just want to have an inclusive brand where everyone feels like they are represented. People who have tattoos usually want me to incorporate them into custom pieces, and I really like drawing them on because it can sometimes be challenging! Just like anything else; scars, piercings, moles, third nipples, freckles. Regardless of whether it was a choice, like a tattoo, or a mole you were born with, it all makes you the individual person that you are and that’s what my work is all about: celebrating differences.

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Who influences you? My boyfriend, Archer. He’s very creative, and I wouldn’t be doing what I do now without him. My best friend, Tammy, has built her own nail empire (NAF! Salon). She has shown me that it’s not at all about getting lucky, it’s about hard work, dedication and endless passion. When it comes to artists I absolutely love, the work of Sally Hewett. She is unapologetically honest. Her work is so well thought out and the end product is always so beautiful even if to society the subject might be seen as “ugly”. I have a massive girl-crush on Jen Gotch, founder of Ban.do. Her personal Instagram is so refreshing. She talks openly about her struggles with mental health, is a huge babe, dresses like a crazy old lady, and pulls it off, and somehow also manages to run a very successful business.

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What’s next for you? I have a few collaborations in the pipeline! The only one I can really talk about at the moment is a jewellery collaboration with Lou Clarke. We’re doing earrings! It’s such an exciting time for me. I feel like there are endless possibilities when it comes to doing fun things, but at the moment I haven’t really got a clear path. I’m just gonna keep doing what I’m doing and see where it takes me. I’m not really one for planning – plans stress me out! So yeah, to be honest I have no idea, but for now I’m happy just living in the moment.

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In Colourful Company Street Spotter

If you haven’t heard of In Colourful Company yet you may have spotted their colourful community walking around a city near you. The group is ‘an all inclusive community of kindness, encouragement and adventure’ that started out in Sheffield just over a year ago.

Their goal is to bring people together in fun and creative ways, and to encourage each other to take chances and make changes, all whilst grabbing their cameras and searching the streets of their favourite cities in search of colour.

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Our music writer Amber caught up with a few from this colourful lot during their Leeds walk to find out more about their creative careers, tattoos and their experience of In Colourful Company…

Name: Kayley Mills
Instagram: @Kayleymills
Job: Illustrator and etsy shop owner
Tattoos: Sleeve and forearm by Raychel Maughan at Northern Glory in Newcastle.

“In Colourful Company has brought me right out of my shell and has helped me meet so many awesome like-minded people.”

Name: Lisa Barlow
Instagram: @lisa__barlow @magicalthunderpress
Job: Illustrator and freelance designer
Tattoos: Sewing sleeve by Sway at Northside Tattoos now at Sacred Electric
Cactus, gypsy lady, castle and snow globe all by Bailey at Sacred Electric

“This is my first experience of In Colourful Company for the Leeds colour walk and it has been loads of fun meeting new people”

Name: Sarah Jane Smith
Instagram: @sj.sdsphotography
Job: Photographer
Tattoo: Rose by Polly at Cry Baby Tattoo

“It’s been a bunch of warm, welcoming, like-minded people who have been great fun to hang out with.”

Name: Alice Christina
Instagram: @awonderemporium
Job: Blogger & Photographer
Tattoo: Wildflower bouquet, by Lea Snoeflinga at Northside Tattoos

“This is my first walk and everyone is so friendly and colourful. It’s inspiring to see so many incredible women bossing it!”

Name: Katie Abey
Instagram: @katieabey
Job: Illustrator and company director
Tattoos: Hogwarts by Vicky Morgan, cat by Jody Dawber, WIP back piece by Ashley Luka, lemon grab by Paul Tipping.

“In Colourful Company has brought me so many new friends. It’s inspiring to go on adventures with amazing girl bosses!”

Name: Nicola Fernandes
Instagram: @fernandesmakes
Job: Illustrator
Tattoos: Lady by Adam Steel, Squirrel by Adam Cornish, Wasted Rita quote by Mike Boyd, Cat and Scribble by Rainey Harley.

“It’s like I’ve stepped inside of Instagram. It’s great to meet people in real life and make connections and hopefully BFF’s”


To find out more about In Colourful Company and how you can get involved head to their website.

Cold Girl Fever: Katie Thirks

We chat to 27-year-old Leeds based blogger and zine creator Katie Thirks about her blog www.coldgirlfever.com, her tattoo collection, and why she created her now sold-out Love/Hate zine…

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How would you describe your style? My day-to-day style is pretty laid-back. I don’t really follow fashion trends consciously – I buy clothes and style my outfits depending on my mood. I can never plan outfits in advance because of this, so packing for holidays is always a nightmare. My priorities comfort and versatility – clothing that I can mix up – and good denim. Shoes are my weakness, I have around 50 pairs – you’ll mainly find me in Salt-Water sandals, Vans or 70s Chuck Taylor’s.

My tattoos are, for the most part, pretty American/Western traditional. That’s the style of tattooing I am drawn to. I like the aesthetics, the colours and the boldness. I have a lot of older traditional flash tattooed, such as my backpiece which is based on a Bert Grimm original, Sundance (or Raindance, depending on who you ask!). It’s always interesting to see how a tattooer will put their spin on an old piece of flash and make it their own.

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What do you think of social media as a platform, how do you feel about sharing your life in such a public space? I only really use Instagram, which I love. I have a Twitter and a private Facebook, but they don’t get used as much. I don’t agree with the stance that social media is bad for us, or narcissistic. I dislike that negative spin, it’s a very bitter outlook. In saying that, there can most definitely be a darker side to social media. I think it can be hard for some people to separate reality from the online world. Although, given that we document so much of our lives these days, it can be easy for the lines to be blurred. I don’t think it’s a bad thing, technology has enabled us to do so much and connect in more ways than ever before.

I’ve dealt with negativity online (which I’ve blogged about) and I do think, in some cases, social media can perhaps encourage unhealthy behaviour. For me personally, social media has allowed me to fulfil creative pursuits and promote them – Love/Hate, for example. My Instagram is a really useful tool for interacting with like-minded people and it gives me a voice, in some ways.

I think it’s time to accept that social media is as much real-life as, err… real-life. That being said, it’s important to not get too sucked in and be sure to live life away from a camera lens, enjoying the moment. I don’t put my entire life online, but I generally post highlights and nice things I get to do, nice places, my cat and, of course, selfies! Big selfie advocate over here – I love seeing women feeling confident and beautiful enough to document it.

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How did you start your blog, what inspired you? Making the decision to start blogging was an extension from my Instagram account, I guess. I have always dabbled in blogging in some way or another – I’ve had a MySpace, Live Journal and a Tumblr. I like sharing stories and experiences, I like connecting with people and I like writing. Blogging is something that feels natural for me. As someone who seems to have gone through a fair few challenges in my life, sometimes it’s difficult for me to express what I’m feeling or going through vocally (I’m working on that!) and I’ve always found writing a cathartic process. It helps me get my thoughts in order and is very therapeutic.

What can people expect to see on your blog? What do you write about? I write about personal topics – health, self-care, travelling. Talking about mental health is something I think is especially important. It was never an agenda of mine to write about mental health, but it just happened. When I write, it tends to be from the heart and spontaneous, and I rarely plan or schedule posts so again, depending on my mood or situation, it dictates the direction of what I write.

My blog has opened up some really helpful dialogue and I’ve had great conversations off the back of some of my posts. Ironically, keeping to a regular blogging schedule is something that I struggle with, thanks to my mental health, which can be erratic. I go through phases of productivity and it can be hard to not feel pressure. I have to remind myself that my blog is for me and try to keep it easygoing, rather than beat myself up for not posting anything for two months.

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What was your first tattoo, do you still love it? My first tattoo was a lesson in how not to get your first tattoo. I was 17 and it was Bob Tyrell flash off of the wall in a scratcher shop. It was a gothic heart with wings and I had it on my stomach. It’s since been covered by a much bigger Japanese piece by Fil Wood. Please don’t get your first, or any, tattoo in this way.

What drew you to the world of tattoos? My favourite uncle is heavily tattooed and pierced. Growing up I was in awe of him, his leather jacket and his motorbikes. We would go to a biker festival called The Rock & Blues with my parents and him, and it was always so much fun. I would stare at everybody’s tattoos and ask questions about them. I also used to draw on my skin and have stick-on transfers. I just love how tattoos look and the history behind them fascinates me. I am so glad that I learned a lesson and waited longer before I started getting ‘seriously’ tattooed with more visible work.

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Do you think tattoos have to have a meaning? I don’t think tattoos have to have a deep, profound meaning, but I appreciate the notion that they can have a meaning. I have tattoos that are ‘for’ something or to preserve memories – a place, a pet, my husband’s name. When people have larger scale work and ongoing projects, I absolutely understand how it can become more of a spiritual journey for them. Being tattooed, no matter the size of a tattoo or the duration of a session, requires so much physical and mental energy and it’s going to change your body permanently.

Has having tattoos changed how you feel about yourself and your body? With each tattoo, I feel like I come into my own a bit more. I’ve always struggled with body image for various reasons and, as glib as it sounds, I’m so much more confident in my own skin now. I have plenty of space left, but I’m in no rush to fill up – it isn’t a race. For me, being tattooed is a process. I don’t have a master plan where everything is mapped out. I seek out artists I love when I travel and choose pieces based on factors such as the size and shape of the space it’s going to fill and how it will complement other tattoos surrounding it.

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Why did you decide to create a zine around women, tattoos and the reactions they encounter? What do you hope to achieve? My inspiration for the zine was basically my own experiences of having people let me know what they think of my tattoos. All. The. Time. I never invite people to comment (or to touch me), yet their need to express their opinion baffles me every time it happens, which is on a daily basis. In turn, I found myself having frequent conversations with other women about dealing with the same unwanted attention – catcalling, sexist remarks and negative comments from family and strangers in the street regarding our tattoos and bodies.

With the zine I simply wanted to create a space for tattooed women/trans/non-binary folks to share their experiences. I knew I wanted to bring together a range of stories and for it to be a collective effort. One woman’s story about street-harassment may shock us, but over 30 stories is even more powerful. The finished product almost feels celebratory – whenever I received a new submission, I would be beaming from ear-to-ear upon opening the email because of the beautiful photos people sent with their writing. I love nothing more than seeing women proudly show off their bodies and the choices they have made. By creating this project, I hope it lets other tattooed women know that A) it’s unacceptable behaviour and we have the right to stand up for ourselves and B) make people think twice before they interrogate or shame a tattooed woman.

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Was this zine drawn from your own experience? Have you struggled with what to wear because of other people? As much as I love my tattoos and don’t feel the need to seek approval from anybody, I am definitely affected by other people’s reactions to them. Whether this is my auntie telling me that when she sees a pretty girl in a dress who happens to have tattoos that she “looks trashy and has ruined her looks”, or the stranger in the cafe whispering loudly that I look “like a thug”, or the customer at work who touched my arms, telling me, “I like your tattoos – I mean I like all of you, if you know what I mean…”, the charity worker shouting for “the lady with the tattoos” to come for a chat in the middle of a busy street… It goes on.

I, and other women, have to navigate this intrusive and embarrassing behaviour daily. It’s constant. How can we not consider what we’ll wear each day, and the responses it will evoke from the general public? I noticed a theme with the stories – people said that things got worse in the summer, which is something I absolutely relate to. It broke my heart that, on top of all the usual obstacles women face, our choices and ownership of our bodies is still being brought into question with each summer dress or vest top that we wear.