‘Shaded’ is an on-going interview series created by 22-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.
Maidstone John is a 25-year-old Cantebury-based freelance
Can you talk me through your relationship with tattoos? I got my first tattoo at The Brighton Tattoo Convention when I was 18. I got a portrait of my mum on my forearm, and it’s still one of my favourite tattoos to this day. My Uncle was a biker, and I’d always hang out with him and his friends who were all heavily tattooed at the time. Its always been my plan to be covered before I reach 30, and so far It’s going pretty well! I’ve always been lucky enough to have a lot of friends in the tattoo industry. I was over the moon when my buddy Chris got me a full-time job as a shop boy at a tattoo shop! At the time, it was never my intention to tattoo, but I would always draw and the boss would let me display my prints and drawings in the shop. I would often get asked if I was apprenticing, but I would always say no and tell people that it wasn’t for me. I left the shop on good terms after two years and moved on to Canterbury where I got an early morning job on a farm picking fruit and doing odd-jobs. Three Crows Tattoo in Canterbury was in the process of opening when I moved, and I would pop in whenever I could to help paint the walls and frame all of the flash. I told Adam, the owner, what I had been up to and that I planned to put a portfolio together over the next year or so to apply for an apprenticeship. There and then, he offered me an apprenticeship!
What’s the most valuable piece of knowledge that you’ve gained since the start of your apprenticeship? It’s kind of hard to explain, but I would personally have to say that gaining an understanding of the tools for the job at hand has been incredibly valuable. You have to take into consideration the area of skin you are working on, what needle grouping and voltage to have set-up and, of course, the high level of hygiene for the customer and everyone else in the studio.
What attracts you to black-work and etching? I have always worked in that style from day one. Craig Scott, Dan singer and Richard Sayer got me drawing in the first place and were always such strong influences, and it wasn’t until I discovered guys like DuncanX and Liam Sparks that I ever thought it would be possible to adapt that style to tattooing. I have always loved and appreciated every style of tattooing, but I personally think that black tattoos just look so strong, and as for the etching, I just want to be able to stand out and offer something a little different.
Can you tell me about your own tattoos? I wouldn’t say any of my tattoos have any particular meanings behind them. I’ve been tattooed by a fair few people now. My legs consist of a lot of apprentice tattoos by my friends when they were learning. I recently tattooed myself a few times too. My buddy Dan Frye has tattooed some of my favourite pieces of mine. He recently tattooed a solid, black spider caught in a traditional web right in the ditch of my knee. I’ve mainly been getting tattooed by Philip Yarnell recently though. We are currently in the middle of finishing off my front, which includes a huge bat across my chest and shoulders.
What is currently inspiring you? I am currently very inspired by old medical journals, as well as monster toys from the 80’s. I have a never-ending collection of books and curiosities. I’m pretty obsessed. Me and my pal Dan Carrington have some pretty gnarly collaborations in the works that involve murder and suicide victims, so keep your eyes peeled!
Have you tattooed anyone yet? I’m currently in the process of filling up my friends’ legs with as many small designs as we can possibly fit, including cover-up work and blast over’s, which I love to do. One of the first tattoos I did on him was this tripped out Mickey Mouse, the other being this devil moon. Both tattoos took me so long to do. I was in the shop by myself for one of them which was a struggle when it came to packing the black in. I was just so lucky and grateful for my trooper of a friend who let me do what I had to do.
Despite the struggle at the time, its all healed up better than I could ever have imagined. I was never nervous as such when tattooing, it was more excitement which was just as bad at the time because it still made me a little shaky, but that shortly disappeared. I am now up to tattoo number seven and I am happy to say I have defiantly gained a lot confidence and picked up a lot of speed in a pretty short gap. I still have such a long journey ahead of me but I am so determined to reach my goal and get to a point where I am clean and consistent enough to move on to bigger and busier designs.
Who inspires you artistically? I would have to say Dan Santoro, Daniel Higgs and Duncan X predominately – as well as everybody else at In To You. At the moment, I am so inspired by Jack Ankersen and my buddy Lice4Life when it comes to tattooing and printmaking: out of the box and out of this world. They both produce very unique and exciting stuff!
How do you see your work evolving? I’m just forever going to strive to get my line-work, blackwork and shading to the point where it is as clean and consistent as possible. At that point, I would like to focus on bringing back some of my more detailed and complicated designs. I will always be putting out flash and illustrations for records. I enjoy that side of things so much! I equally want to keep pushing that too.
