Tattoo Artist Myra Brodsky

New York tattoo artist Myra Brodsky has created a line of spooky inspired tattoos titled Cabinet of Curiosities, which features ghouls, goblins and 19th century magic. Strongly influenced by art nouveau and the Victorian age, Brodsky has developed a style that is feminine, classic yet dark…

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I’m not interested in making little girls happy in the simplest way, and if I was I wouldn’t even be able to serve that, I only see the world through my own twisted mind and it just happens to be dark inside of there. I cannot help it.

What inspired you to become a tattoo artist and what drew you to the world of tattooing? I did not become a tattoo artist because I really wanted to. For me it came out of an emergency situation. I was 19 when I started to tattoo. I had to pay college fees and rent all by myself after I lost my father. My mother stopped talking to me and disappeared after he passed so I had to figure out a way to provide for myself. Luckily tattooing gave me the chance to generate some pocket money. At that time I had no idea what I was doing so I let my insane state of mind direct my actions.

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How long have you been tattooing? I started tattooing in 2008 when I met my best friend at the time who was already working at a tattoo shop. I did not take it seriously when I started and it was more of a way to try out things and tattoo my friends. It took me a while to figure out that it was something I could actually get really good at.

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How would you describe your style? How has it developed over time? It’s always very hard for me to put in words what my style is about. I get inspired by a lot of different things, periods of art and places I’ve been to. I settled down in New York City a while ago. But when I was still traveling from one place to another without a steady home base, I was so mad about absorbing all sorts of inspiration I was able to find anywhere in this world. Soon my style transformed into a blend of decorative elements you can basically find in any given period of art from the past and comic-like rather more modern characters that bring the scenery to life. I’m glad that I received my O1-visa for aliens of extraordinary ability as I have the privilege to travel back and forth between America and Europe whenever I want to. I’m sure my style is going to transform again in a few years.

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Designs from Cabinet of Curiosities

What do you love to tattoo and what would you like to do more of? What I most like about tattooing is trying to figure my clients out and find a personalised idea that really suits them. Everything has to make sense no matter what idea we are talking about. If I tattooed a large-scale griffin on someone’s arm there’s supposed to be a reason why. Personalities become alter-egos become simplified images.

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What inspires your tattoos? Do you think your German roots inspire your designs? I would not necessarily say that my German roots play a fundamental role since I consider myself a European citizen rather than a German. I went to art school and I know a lot about art history and love to help myself to all the decorative and adorning elements that most periods offer. They’re classic, they’re organic and can easily be used as a timeless way to complement your design. It just makes sense to me to tattoo them since classic art never gets old. People still pay admission to see old paintings in museums so I’m sure they won’t regret getting details of them tattooed. But still I need something else to break the sweetness in there. And I’d like to manifest that these days I mix my knowledge of art history with more modern elements I find in adult cartoons from the 70s-90s.

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You’ve created a series of designs based on a Cabinet of Curiosities, where did this idea come from? I take the subway everyday, I drink a lot of wine among other things and I watch a lot of B-Movies. I guess that explains at least something.

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Design from Cabinet of Curiosities

Interview with Myra Brodsky

Editor Alice Snape recently got tattooed by Berlin-based Myra Brodsky, 27, aka spinsterette on Instagram, while she was guesting at Seven Doors in east London. Alice couldn’t resist asking Myra some questions while under the needle… 

Tattoo artist Myra Brodsky and editor Alice Snape at Seven Doors in east London
Tattoo artist Myra Brodsky and editor Alice Snape at Seven Doors in east London

 

“Myra’s work is heavily influenced by art nouveau and the Victorian age – the periods of art that I am drawn to… so I couldn’t resist getting a tattoo by her while she was over in London. I picked a moon and hand from her flash, and conducted this interview while I was getting tattooed… just imaging the buzz of the needle as you read.”

Alice: “How long have been a tattoo artist for?”
Myra:
“I started tattooing in late 2008, after studying visual communications at university. My parents were always very anti me going into tattooing, but my father has now passed away and my mother has moved to Spain, so they are not part of my life anymore and are not aware of what I do. My parents were very religious and this is probably where their attitude came from. I was born and raised in a very conservative, jewish family.”

Design tattooed on Alice from Myra's flash
Design tattooed on Alice from Myra’s flash

 

Alice: “What do you think drew you to tattoos then?”
Myra:
“It was really actually by accident that I came into tattooing. I never planned it, I never had the wish to become a tattoo artist. My best friend started to tattoo, and I thought that seemed kinda fun. So she immersed me into the tattoo world, she had all the gear at home, and I started tattooing too. At first, just for fun – it was never big business or starting something serious. I did shitty little tattoos on my own body, but never thought it was something I could make a living from… I thought my parents would hate me and turn against me.”

“What did you do for a job at this time?”
“I worked for an ad agency. I found it really boring.”

“When did you start tattooing properly, as a job?”
“I actually started tattooing when I was still at university too, I used to have to do 12-hour days. I was still working at that agency and attending university and I was already tattooing. It was a lot to do. I found it easy as I didn’t have the wish to meet up with friends in my spare time. I was dedicated to my work, being productive was great.  Now I need tattooing for my living.”

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“Do you think that is something that is hard being a tattoo artist? Would you want to change it or be something else?”
“Yeah. I mean being self employed is hard in general. I hate that. I hate doing my taxes, I am really bad at counting, I cannot count at all! If I had the choice I would be a magician. My father comes from the casino business and when my sister and I were still young we used to go to Las Vegas pretty often. My sister and I grew up watching shows like David Copperfield. I admire those magic shows, even if it is an illusion, I love it. I wish I could do that.”

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“Do you think that has a big impact on your work?”
“Totally. I love all that imagery surrounding all those magic things. I also believe in magic powers. Whenever I have a problem I call my fortune teller instead of going to the doctor. They tell me different things, I can ask her anything. When I was planning my tour through Europe I asked her which shops would accept me. In London, she said there would be a chance that only one shop would accept me and now I am here at Seven Doors.”

“Do you plan to live in New York?”
“I want to move there and work Red Rocket tattoo in Midtown.”

“Do you think that is part of the beauty of being a tattoo artist being able to travel around?”
“I think it is a good thing. I know a lot of people who aren’t into travelling, but I am because I don’t really feel comfortable in just one place. I get bored so easily. I think it is a fun game  to have to challenge yourself to act like a local in so many cities. I like that kind of game.”

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“What is your favourite city you have been to so far?”
“New York. I like London too. You cannot really describe New York in words. It is just perfect.”

“How would you describe your style as a tattooist?”
“I would say I  don’t really want to put a name on that. I can only say what inspires me and what I use as reference. These are actually images from all of the great eras from the past, in art history. I know a lot about art history. Most of the things I take are from art nouveau and the Victorian age and Edwardian age. Art Deco is also nice but it is too geometric for my kind of thing. I rather like organic decoration elements, because you can always take them and change them for every part of the body.”

“Do  you like doing bigger pieces as well?”
“I prefer doing bigger pieces. But I don’t get to do many of them, I think because I’m not in one place all the time.”

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“What would be your favourite thing to tattoo? If you could do anything on someone’s back what would you do?”
“I think it would be a scene out of a classic novel or play. Maybe a play by Shakespeare or a novel by Kafka. Anything that is already existing, that I could adapt. That is what I like, because I think it is timeless.”

“How would you like your style to progress in the future?”
“I am planning on starting more big pieces with more detail, more history behind them. More details and meaning in general.”

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Myra at Seven Doors

 

To view more of Myra’s work and to see where she will be working next, follow her on Instagram @spinsterette