Covered: a photo project where tattooed people bare all

Covered: a portrait project of tattooed people. This beautiful photographic project illustrates the variety of people who get tattooed and the vastly different reasons why…

Photographs by Alan Powdrill | Interviews by  | Feature from theguardian.com

Woman tattoos underneath

Victoria Clarke, 37, Coventry
My tattoos are part of who I am, and I’ll always love my bodysuit, now and when I’m 80. The respect and love I get for what I look like is what it’s all about.

Woman tattoos underneath 2

Man tattoo underneath

Graham Platts, 58, Cleethorpes
I was 51 when I started getting tattoos. I wanted one in my teens but my parents wouldn’t have agreed. About 10 years ago, I stopped smoking and thought, “I ought to do something with the money, to have something to show for it”; I decided to get a tattoo. I got one on my right arm. Then I got one on my left arm. Then on my right leg, then my left leg – it just escalated. I’ve replaced one addiction with another, but a healthier one. When I see a gap, I want it filled. Once I’m covered, I think I’ll start saving for a nice holiday.

Man tattoo underneath 2

Tattoo underneath

Izzy Nash, 48, Maidstone
I was 16 when I got my first tattoo, a tiny rose on my thigh. For me, it’s about being different. You’re never naked, because you’re covered in artwork. My bottom is always the talking point: I’m forever showing people.
I’m talking with my tattooist in Brighton about doing my neck and my legs – then there’s only my stomach left. My kids love it. I’ve told them, “When I die, you need to skin me, dry me out and put me on the wall.”

Tattoos underneath 2

Tattoos underneath photo

Alex Coates, 49, Whitby
When I started getting tattooed, over 30 years ago, it was frowned upon. It was the skinhead era, and I saw a guy with two swallows on his hands. That was it: I wanted them, too. My mum wasn’t happy. Now I’m completely covered. Recently, I asked my mother if she’d mind if I got some little tattoos on my face: a cross and a few dots. She said, “As long as they’re not too big.” I had it done that day. I woke up the next day, and thought, “What have I done?” But everyone said they looked cool and now I love them.

Tattoos underneath photo 2

Drew tattoos

Drew Beckett, 32, London
When I was 27, my hair fell out. I have total alopecia. I decided to reinvent myself so that the first thing people see is my tattoos, rather than the fact I have no eyebrows. I thought, “I’m a blank slate.” I started, embarrassingly, with a 90s tribal dragon on my stomach. I was 18, and thought it was the coolest thing ever. The artist was a Goldsmiths graduate called Thomas Hooper, who is now an internationally famous tattooist. I’m a civil servant; I check with my boss before I get a tattoo. If I was told no, that would be OK. It’s good manners to ask.

Drew tattoos 2

You can view more portraits on photographer Alan’s website, the Covered portrait exhibition of tattooed people will open on 11 November 2015 at Mother, in east London, RSVP alan@alanpowdrill.com.

One Day Young: Mothers and Babies

Photographer Jenny Lewis has created a collection of photographs showing mothers and their babies, one day after the birth. These portraits have been published as a book by Hoxton Mini Press titled One Day Young.

It’s really quite simple — I wanted to tell a story about the strength and resilience of women post-childbirth that I feel goes largely unacknowledged in today’s world. To reassure women that childbirth is ok; yes it’s painful but it is a positive pain, one that has purpose and is just part of the journey, a rite of passage into motherhood. To make visible other emotions that are far more powerful: the joy, the overwhelming love and the triumphant victory every new mother feels. In my mind this is the supportive message we should be passing on to future generations rather than paralysing them with fear.

Very early on in the project I knew I wanted to concentrate on the first twenty-four hours, when a woman’s body is engulfed by hormones, to capture the unrelenting physicality of the moment, straight from the battlefield. Sweat still glistening on the mothers’ skin, the translucent umbilical cord, freshly severed, and wide-eyed wonder as the women come to terms with the magnitude of what they have achieved and survived.