Tag: tattoo

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What to wear when you get tattooed – a guide

Tattoo collector, writer and vintage fashion enthusiast, Carola Kolbeck (give her a follow @chameleoninhighheels) guides us through how to dress when we’re getting tattooed…

There are many important things to consider when getting a tattoo. First of all, the artwork itself and where it will grace your body for the rest of its life – and yours. Then, you need to find the right tattoo artist and have a few conversations with them about your idea and their take on it. Once you’ve paid your deposit and waited in giddy anticipation, the day has arrived and you’ll be getting ready, full of that indescribable excitement only an imminent new tattoo can evoke. And right at this point, we may forget another important question to ask ourselves: What should I wear when getting a tattoo?

It may sound like such a benign thing, shallow even, to think about an outfit for your big day in the tattoo studio. It’s certainly not because your artist will rank you on a list of ‘best-dressed’, nor will they care about your sense of fashion. But given that their canvas is your body, they’ll have some thoughts on your foresight on making their job as easy and pain-free for them as possible. So, what are the sartorial recommendations of the professionals for a comfortable and seamless experience in the tattoo chair?

Tattoo artist Steph Hesketh, co-owner of Evergreen Tattoo Studio in Coventry, has been tattooing for over 15 years and is the creator of six of my tattoos. Most recently, she designed and tattooed pointe ballet shoes on my leg, marking my lifelong love for ballet and dance.

Steph isn’t just one of the most amazing artists I have ever met, she also has a wealth of experience from seeing hundreds of clients in her chair over the years. Needless to say, when it comes to outfits, she’s seen it all: the good, the impractical, and the downright useless. I asked her professional opinion and suggestions on what to wear and what not to wear, depending on where you’re having your new body art.

Carola’s ballet shoes by Steph Hesketh

Tattoos on your arms and legs

Generally, when it comes to getting your limbs tattooed, opt for tank tops, t-shirts, shorts or skirts in summer, and loose tops and trousers that can easily be rolled up and out of the way of the artist and the placement of your new tattoo. “We don’t mind you bringing anything that makes you more comfortable, like slippers, blankets, pillows, or towels,” says Steph, and also confirms that taking off your shoes for long sittings is completely fine.

Tattoo by Steph Hesketh

Hand tattoos

“Be prepared to remove jewellery for the tattoo process,” warns Steph. “Rings should be removed if you’re having a lot of work on your hands done. That’s not just for hygiene reasons, but also because any swelling could cut off the blood supply to your fingers if the rings are too tight.”

Foot tattoos

When you’re getting your feet tattooed, your main concern should be with what shoes to wear after, when you’re on your way home. Chances are, the area will be tender and swollen, so you don’t want to squeeze into a tight pair of boots or trainers. Wide and roomy shoes are best, or sandals that won’t rub and aggravate the affected area.

But what about those more hidden areas on your torso – what’s the best sartorial choice without compromising on comfort and dignity?

Neck tattoos

No roll-neck jumpers for this one, please! A tank top or vest is best, and a blanket in case you get cold. Also if you have long hair, bring clips and hair ties, advises Steph. That’s not just helpful when you’re getting a neck tattoo, but also if you get tattooed anywhere near your hair, such as upper arms, shoulders, chest, back, and ears.

Tattoo by Steph Hesketh

Full back tattoo

A button-up shirt worn backward is ideal, or if the back piece incorporates the bum, then a dressing gown worn the same way is a suitable choice. If dressing gowns outside your home aren’t your thing, then wearing joggers or bottoms with loose, stretchy waistbands will also work. They can be easily pulled down to give the artist plenty of space.

Tattoo by Steph Hesketh

Breast and chest tattoo

Here, a button-up shirt worn the traditional way is ideal, and you may want to combine it with nipple covers or pasties. Those pasties are adhesive stickers you can place over your nipples; you may well have seen them in various designs on celebrities wearing sheer garments on the red carpet. Generally, the pasties are provided by your artist but if you’re unsure, make sure to check with them when you book your appointment. In addition, think about bringing a big scarf or pashmina. If you get chilly, you can wrap it around your shoulders, or stomach area while getting your upper chest piece.

Tattoo by Steph Hesketh

Bottom

Bring your dressing gown or a kimono to be worn back to front. You should also make sure you wear stretchy underwear that can be pulled aside if the artist is only working on one cheek. If your whole bottom is covered, then thongs and g-strings are best, so both sides of your derriere are visible to the artist. If you think you’ll feel uncomfortable or any areas may be exposed, bring a large scarf so the artist can drape it across those body parts.

Private parts

If your tattoo is close to your nether regions, tighty-whities are not going to make for a comfortable experience. Stretchy underwear or tie-side bikini bottoms will ensure there are no awkward conversations about the artist being able to do their work. The advantage of tie-side pants: your artist can tape them in place to make sure they don’t fall down when you have to move.

Process of elimination is often helpful when you start thinking about your outfit choices when getting tattooed, so what, according to Steph, should you be leaving in your wardrobe?

Steer clear of anything white, brand new, expensive designer gear, and precious clothes and shoes. Although tattoo artists are meticulous and conscious people, at times, ink can transfer to your clothing and it will be difficult to wash out.

Leave anything uncomfortable or super-tight at home. You can wear that swag again when your tattoo is fully healed and ready to be admired in its eternal glory.

In the end, Steph says, “The most important thing is to think where your tattoo is going. Wear something loose and comfortable that gives us plenty of access not just around the immediate area that’s being worked on, but also the surrounding area. We need to place stencils without stretching the skin and want to see that your tattoo is central, straight, and exactly where it needs to be.”

Clothes are an important part of who we are and should reflect our personalities. Just bear in mind that not every outfit choice is ideal for a trip to the tattoo studio. Keep it comfy, loose and practical. And remember: when you’ve got a tattoo, you’re always looking the part. 

Carola’s beautiful tattoo complete with ballet-inspired outfit @chameleoninhighheels

Give Steph an Insta follow @stephhesketh

We’re always talking to amazing tattoo artists, check out our latest interviews.

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What are vegan tattoos? Everything you need to know

Vegan tattoos? Yep it’s a thing. No idea where to start? Then our ultimate guide to vegan ink is for you. Given that both tattooing and veganism represent lifestyle commitments, it was just a matter of time before these two communities came together.

So, what are vegan tattoos? Vegan tattoos are essentially tattoos crafted using eco-conscious materials and methods, notably vegan ink. In contrast to conventional tattoo ink, vegan tattoo ink is entirely devoid of any animal-derived ingredients. In contrast, traditional tattoo ink is made using components extracted from animal fat, bones, or crushed beetles.

Okay, let’s dive in, here’s EYNTK about vegan tattoo ink…

Okay, so what exactly is vegan ink?

Vegan ink does not contain any ingredients derived from animals. Vegan inks use vegetable-based glycerin, witch hazel or ethanol and carbon or logwood to achieve a bold black colour. When it comes to coloured inks, what sets them apart is the liquid that companies use to mix with the powdered pigments. Vegan ink is sourced from plants or vegetables, making it a more environmentally friendly choice.

So what is traditional tattoo ink made of?

Photo: Pavel Danilyuk

Traditional tattoo inks usually consist of tiny solid pigment particles, molecular dyes, and binders all mixed together in water. However, that’s not all. As confirmed by PETA, traditional tattoo ink includes glycerin, shellac, gelatin or bone char. These are all ingredients derived from either animal fat, animal bones, or ground-up beetles. Others may contain beeswax, cod liver oil, or lanolin. These ingredients primarily serve the purpose of stabilising the ink and increasing pigmentation.

Is vegan tattoo ink safe?

While lacking scientific evidence, vegan tattoo ink is widely regarded as exceptionally safe on the skin.

Moreover, it’s often believed to have a lower likelihood of triggering allergic responses. People sporting vegan tattoos have reported enhanced colour consistency and greater longevity.

@_emily.fletcher‘s Tattoo by @carly_snow_tattoo

I got this tattoo back in 2021 from Carly Snow, a tattoo artist in Sheffield who used vegan ink. It’s been two years now, and my tattoo hasn’t really changed much quality wise. As you can see, using vegan tattoo ink doesn’t compromise the quality at all; the only distinction is that it’s a more ethical choice. I’m a vegetarian and passionate animal rights advocate, so I always strive to opt for the most ethical options available.

Asking vegan tattoo artists why they use vegan ink

I spoke to Harriet Hope, a vegan tattoo artist based in Brighton, UK, about why she uses vegan ink. She said: 

@harriethopetattoos

“I choose vegan inks because there is no reason not to. Many of the popular brand inks such as Solid or Eternal are vegan, so it’s just as easy to choose vegan quality ink than anything else.

Why wouldn’t you want to limit suffering to animals when there is no loss of quality or convenience choosing vegan ink brands?”

Tattoo by @harriethopetattoos

Another vegan tattoo artist based in Hamburg kept it short and sweet with:

“I use vegan ink as I’m vegan and I don’t use animal products anyways.”

Simple and to the point, love it.

Tattoo by @authentic_vegan_tattoos

Jimmy Galan, a Brighton based vegan tattoo artist also commented on his decision to use vegan ink:

@jimmygalan at @lovemore.tattoo

“Well since I’m vegan myself I believe that animals are in this world with us and not for us. 

The notion of exploiting them just because we can doesn’t sit well with me and doesn’t align with my morals.

When I went vegan 10 years ago I had to obviously bring my morals to my job as I thought it would be hypocritical otherwise. 

Today the majority of mainstream ink brands label their products as vegan. So these inks aren’t something that you’ll only get from a vegan tattoo artist, as most people use the same ink without even knowing that they’re vegan. 

So vegan ink is “traditional ink” in many cases. People were using inks free from animal products before the term ‘vegab’ came along.

Some brands still use animal products such as bone char, glycerine from animal fat, gelatine from hooves , insect parts and others but as the world progresses these brands that choose to not move with the times get left behind.

But it goes further than ink. When a tattoo artist says ‘vegan tattoos’ it means (or should mean) that all their supplies are free from animal products and cruelty free (not tested on animals) This goes for cleaning solutions, tattoo ointments, stencil papers, stencil applicators, skin preparation solutions, surface flooring and all cleaning products in general.”

Tattoo by @jimmygalan

Do vegan tattoos cost more?

No, vegan tattoos generally don’t come with a higher price tag. But, it really depends on the tattoo artist. Tattoo costs vary from one artist to another. Some base their charges on the time spent, some on the placement of the tattoo, and others may charge extra for their experience level. It’s subjective.

While a few artists might charge a bit extra for using vegan ink, usually, there are other factors that take priority when determining the final price.

Do vegan tattoos fade faster?

No, vegan tattoos do not fade faster. The longevity of tattoo ink isn’t affected by it being vegan or not. What truly counts for fading is the quality of the ingredients used and how you care for your tattoo afterwards.

Are vegan tattoos the future?

With the surge in veganism’s popularity and a growing shift towards progressive and eco-conscious values, the tattoo industry has undergone a transformation. Today, many tattoo studios and artists are embracing vegan-friendly practices and products that are both cruelty-free and environmentally friendly. As a result, the use of vegan ink is becoming increasingly mainstream within the tattooing community.

Vegan tattoo aftercare

If you’re all about that vegan life, that’ll include tattoo aftercare too. Make sure to keep an eye out for these ingredients when you’re on the hunt for vegan tattoo aftercare products.

  • Aloe butter
  • Calendula
  • Coconut oil
  • Lavender
  • Vitamin E
  • Peppermint
  • Rosemary oil extract
  • Shea butter
  • Sunflower, grapeseed and rice bran oils
  • Various essential oils and natural fragrances.

Vegan tattoo aftercare skips harsh chemicals and synthetic ingredients, sparing your skin from irritation. Instead, it uses natural ingredients to soothe and speed up healing, reducing scabbing too.

How to find a vegan tattoo artist

To find a vegan tattoo artist, you can easily search for ‘vegan tattoo artist‘ on Instagram. Instagram is great for tattoo artists because it lets them showcase their work visually. If you can’t find a specific artist, searching for ‘vegan tattoo studio’ can introduce you to multiple vegan tattoo artists.

Usually, these artists or studios will mention their use of vegan ink in their social media bios. If not, you can send them a quick direct message (DM) to ask if they use vegan ink or have a vegan ink option available. It’s a simple way to make sure you’re getting a tattoo that aligns with your values.

Vegan tattoo ink brands

Are you a tattoo artist looking to switch to vegan ink? Check out these 5 brands that provide high-quality ethical tattoo ink.

Final thoughts

Opting for a vegan tattoo is no different from getting one with conventional ink. If you’re interested in getting a vegan tattoo, explore the mentioned artists or search for one near you. If you can’t find a vegan tattoo artist nearby, keep an eye out for upcoming tattoo conventions where you’ll likely find talented vegan artists!

About the author – Emily Fletcher

“In 2022, I received my BA (Hons) in English Literature. Currently, I work as an SEO Executive at a digital marketing agency in Sheffield, while also freelance writing in my spare time. I have always loved writing, and I thoroughly enjoy delving into people’s opinions, dissecting the significance behind topics, and discussing unconventional subjects. I find great fulfilment in challenging people’s thoughts. My aim is for readers to gain fresh insights and learn something new from my writings.

On my 18th birthday, my parents gave me money for my first tattoo. My dad sat with me for the whole three hours with a Lucozade orange on hand. Since my first tattoo, I haven’t stopped, nor intend to just yet. To me, tattoos are like a permanent piecing of clothing. How you express yourself in your dress sense, I express myself through my tattoos. They make me feel confident and happy when I look in the mirror. I love finding new artists, new styles, though I stick to American Traditional, I love treating my body like a personal diary. My favourite tattoo is my first arm piece done by Sheffield based tattoo artist Earl Reyn, a red dragon as seen below. Though I get a lot of compliments on my tattoos wherever I go, this one in particular strikes people’s attention.”

Tattoo by @earlreyntattoo

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The growing bodies of Lauren Hepple

Lauren Hepple of String of Hearts Tattoo in Southsea shares her love for cat tattoos and the inspiration behind her ‘growing bodies’ tattoo series…

Photograph taken by Bradley Salmon

How long have you been tattooing and how did you get into the industry? I have been tattooing for around three years now. Tattooing was always something I wanted to do but after being discouraged at school from looking into it seriously as a career, I moved onto other arts practices and worked in textiles briefly. After a few months of this, I saw a local studio advertising that they were looking for apprentices. I sent my portfolio in and that’s where it all started.

What does tattooing mean to you? Tattooing is a big creative outlet for me. Even while I can still draw at home, creating a piece for someone and bonding over the experience is very fulfilling. It is also a medium unlike anything else. It is constantly evolving and changing and with each tattoo I do I get new opportunities to push myself to create the best work I can. It’s a huge motivation to be able to see myself grow as an artist.

Outside of my personal work, tattooing is all about the community. I have been missing my clients and seeing other artists. Over the last year especially, even while we haven’t been able to see each other in person, the support has been overwhelming.

How would you describe your style? I always use the term illustrative to describe my work. It has strong roots in printmaking which is where the off registration colour comes from. 

Where do you get your inspiration? I tend to separate my work into two categories of things that are full of fun such as the fruit cats or animals, and then the work that focuses on the growing bodies – and the inspiration comes from different places for these.

The cats are created when I’m in a good mood and am not too stressed. I’m always influenced by what I scroll past on social media – and an idea will usually stick from there and I have to make it into a cute illustration.

The bodies are created from days I don’t feel so great and am feeling the pressures of the world around me. They’re a great way to get emotion down onto paper. They help me work through anything that’s bothering me and having them resonate with other people feeling a similar way is what made me keep creating this work. 

We love your cat tattoos, are they your favourite animal to tattoo? Cats are always my favourite animal to tattoo – not that that means I don’t enjoy others, but their round faces always make me smile so much. Along with the fact that I do a lot of these pieces to look like my clients cats – hearing their love for their animals as the most wholesome thing. 

What else do you love tattooing? I love tattooing anything with a little note of love to their owners on them. This could be on illustrations of hands or on little envelopes. I love hearing what they mean to my clients – each one is so unique. 

Your drawings and tattoos of the ‘bloom girls’ share a message of self-love and growth, how does this resonate with you? Is this something you like to talk about and share with others? I first created one of the growing bodies after hurting myself skating and it meant I couldn’t do something I loved for a long while. I found that super tough so had to channel this energy into something else. After creating this first one, it resonated with a lot of people – and they expressed to me that it really showed what they were going through. This connection is a huge driving force for me when creating the growing bodies. These have now moved from encapsulating how others and I were feeling emotionally, to expressing the journey we had been on and the progress we are still making.

To me, the phrase ‘still growing’ is a constant reminder that I am always on a journey with self-love, and it’s not an overnight achievement or something to be ticked off a list. It’s a constant practice. 

During this time I also wanted to see more representation of bodies that looked like me in this industry, and when changing how the bodies looked, I had input from others wanting to see more of these illustrations that represented them. What these illustrations mean to others is what keeps me creating them. I have drawn pieces to specifically look like clients and being part of their self love process is something I am so grateful for.

For me, when I create these they are a time of focus for me. I am an anxious person and sitting focusing on these creations of self-love, stop me spiralling. Literally writing ‘I am enough’ or ‘watch me grow’ stops me being so hard to myself, and taking a beat to think what’s actually going on right now and what I can make manageable.

Things might be tough but that’s okay, I’ll get through it.  

Can you tell us about your own tattoos, have these helped you to see your body differently? My tattoos make me feel more at home in my own body. I don’t have many where the design has any hidden meaning, but so many are done by friends, and always take me back to a positive moment in time.

My work focuses so much on self-love and self-positivity – I feel the artwork that is on me is part of my process in being more comfortable with myself. Having artwork on me that makes me feel strong always helps on days when I am struggling with my body image. 

Follow Lauren on Instagram for more gorgeous growing bodies tattoos.

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Sextiles: Molly Cavell

Molly Cavell is an erotic feminist artist based in Leeds where she creates stunningly colourful and detailed textile art, ranging from sex themed rugs to plush vaginas and sex toys. We caught up with Molly to discuss her personal tattoo collection, her inspiration and what drew her to creating sex inspired art…

Tell us about your artistic journey, how did you first get into textiles and how did you come to create your business? My mum first taught me how to use a sewing machine whilst I was in high school and I absolutely adored it, but never stuck with it. It wasn’t until my foundation course and then university that I properly got into textiles as a medium. I just adore creating things with my hands and find sewing beyond therapeutic. Being such an impatient person, it’s taught me patience and allowed me to take that time out for myself and just sit and listen to music or be at one with myself and create art.

From sewing I then started to get into punch needling. Amy Hastings on Instagram was the first account I saw creating rugs and I became obsessed (her work is beyond beautiful). However, I still wanted to create art by hand as the process of hand work is really important to me, through this process I then discovered punch needling which is now my main way in which to create work.

As for my business, this came about accidentally to be honest, I first created my art account during my foundation course about three years ago. I made this account as a way to document my art and in no way thought I would ever make money from my art let alone grow a following. As I kept on posting my art the account slowly grew momentum and eventually, I got a message requesting a commission. This is mad to think but this only happened at the end of 2019 so just over a year ago and from then I have started selling my work. My dream goal is to become a freelance artist, so fingers crossed I can get this going in 2021.  

What made you want to create sex/masturbation/pleasure/genital diversity inspired work? Since high school I’ve been creating feminist art, however it wasn’t until my A-levels that I began looking at sex and masturbation. For me personally, I have always been a really open person in regards to talking about sex and masturbation. I just did not care, I’m a very sexual person so why should I hide that when it’s something I love? I soon realised though that with owning your sexuality comes a lot of backlash. I’ve had creepy men assume that just because I talk openly about these things it must mean I automatically want to have sex with them. I’ve had people make pre-assumptions about me, I’ve been called a ‘slag’ and all kinds of sexist names, all because I’m not embarrassed to say I love all things sex.

Creating my art is all about being true to myself and saying a huge fuck you to all the misogynists that expect a woman to act a certain way, cause news flash hun, women are just as, if not, more powerful than you. Why should women have to sit at home like I did when I was younger and think my labia are wrong, that I have to act this way, I should orgasm through penetration alone and I can’t express my sexuality because I’ll be shunned etc? It’s just disgusting that women feel that way and have for so long.

My art is all about empowering and educating women and it’s also been a personal self-love journey too. My work is really for all women (myself included) encouraging us to own that sexual power! 

What else inspires you, your art and designs? Women have always been at the forefront of what inspires me, not only in regard to my artwork but in my personal life as well. Female artists that create work surrounding their sexuality have always drawn me in. The fact that when I was in school, boys could freely have sex and talk about it openly but a girl doing the same was shameful. To then come across these powerful women that were essentially saying ‘fuck you’ to a system that told them to behave a certain way was amazing to me. Womanhood and the coming together of all women, whether they’re cis, trans, white, woc, disabled, working class etc. is what really inspires me and my work. 

The power sexually rebellious women exude is something I really try to bring into my own work as I think it’s so important for other females to know they can exert that same power.

How important is feminism within your life? Feminism to me is everything and is beyond important to me in everyday life. I have seen so many women from my mum to my closet friends experience struggles, backlash, and abuse at the hands of patriarchy and there is nothing more important than standing up against it. I speak from the position of a very privileged person, I am a cis white femme woman and although I am working class, I am still very privileged compared to other women, so I feel its so important for me to knowledge that and support and uplift the voices of those who do not have this privilege.

Feminism is extremely important to every aspect of my life especially my art. 

Feminism is all about equality and not just between women and men, it’s about trans women and women of colour having equal opportunities and rights as white cis women. It’s about non-binary folk and all those on the gender and sexuality spectrum having equality.

We love that your art and designs are so strongly empowering, do you intend to help educate your followers on female sexual liberation? I think my work started as more of a reassurance for myself more than anything. I used to be a very shy and quiet child and as I grew up and discovered that I was a very sexual person. I started creating art to express that and kind of input the message that ‘yeah you are completely normal and it’s okay to express yourself this way’.

My art has given me so much more confidence. When I started posting on my Instagram account and explaining my own personal experiences about things such as labia shaming and masturbation and the ignorance. I experienced more and more women came forward and began messaging me with similar experiences and then it’s just become this creative outlet for me to empower and validate myself and also educate and (hopefully) liberate other women. I absolutely adore this aspect of my work and it still blows my mind that people actually enjoy and connect with the art I make. 

Can you tell us about your personal tattoo collection, do your tattoos inspire your work at all? I only have 15 tattoos at the moment, but I plan on covering my whole body in them. I got my first tattoo at 18 and god its such a bad tattoo but we move! Most of my tattoos are done by completely different artists, I have all sorts of different styles on me, however my most recent piece is more traditional style, and this is something I want to stick with going forward. If I’m completely honest my current tattoos don’t have much connection to my art and I don’t take my tattoos too seriously. I feel like some people want really meaningful tattoos (which is so lovely) but for me it’s not about that it’s more about the art side of them. Most of them are animals – I got my flying pig because pigs are my favourite animal, the two headed lady because I saw her on a flash sheet and fell in love with her and

I am starting to get more meaningful tattoos though, the most recent ones I got was the words ‘feminist killjoy’ above my knee because that is exactly what I am! I have a Venus symbol on my arm with plans to get ‘no terfs no Tories’ above my opposite knee. I want my body to reflect my political beliefs as I’m a VERY political person but also displaying my genuine love for art at the same time. I’m really not precious about the tattoos I get, most of the time if I see a design or a flash that I love as an artwork then I’ll get it tattooed.

Tattoos for me are self-expression and make me feel literally about 100 times more confident in my skin and I cannot wait to be covered head to toe in them. 

Do you have a particular design you want to create more of? At the moment I am enjoying creating my sex scene work. I started making work about sex toys in order to normalise them and their use and slowly that developed into me actually showing scenes of sexual nature displaying masturbation, pegging scenes, oral sex etc. I’m really loving how it’s going. I don’t think too far into the future about where my work is going. I just think the best things develop and grow naturally so I’ll continue creating this work until I feel another direction or concept would be exciting to explore! So, expect a lot more sex scene rugs! 

Do you have any upcoming plans or collaborations you want to share with us? My plans for the rest of the year are to hopefully get my website up and running and I’m going to be bringing back my vulva cushion commissions very soon which I am so excited about! I graduate from university this year and I’m so excited to be able to put all my focus on building up my business and hopefully going freelance! I have a few collaborations coming up with some amazing artists that I can’t wait to share, mainly creating pieces to raise money for various LGBTQ+ charities and individuals, so keep an eye out on my Instagram for the details of these bitzz! 

Make sure to follow Molly on Instagram and check out her shop.

Words: Lucy Edwards, 21-year-old tattooed freelance writer, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.

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Interview with Ciara Havishya

Ciara Havishya is a self-taught tattoo artist based in Calgary, Canada. Ciara creates intricate decorative art style tattoos, using both blackwork and colour to produce stunning pieces that are deeply inspired by Indian art and Indian art history. We caught up with Ciara to explore their inspirations, their mehndi style tattoos and what tattooing means to them…

How long have you been tattooing and what led to you becoming a tattoo artist? I’ve been tattooing just over five years now, it’s been the longest five years of my life. I have wanted to be a tattoo artist ever since I was a young teenager when I discovered mehndi at a wedding party I attended. I started practising more and more and developed a love of working with people and on skin. I wanted to take it further ever since then and I’m lucky to have the opportunity to make it a career today. 

Where do you get your inspiration from/what influences you? I’m most inspired by Gupta period indian art, like the murals from the Ajanta caves and the sculptures from Ellora. The Gupta period in Indian art refers to art made in the northern region of what we now call India in the years 300-480 CE. It’s a really unique sliver of time and space and the Buddhist art from that period has a lot of influence from Chinese and West Asian contact, you can see it in the way the figures are drawn and the compositions of wall panels etc.

I love the way women are represented in this period as well, every bump and roll of skin is accentuated and their bodies are just dripping in jewellery without covering anything except for the pubic region. There’s a lusciousness and a freedom and a deep acceptance of nature in the art that speaks to me all the time.

Unfortunately there are precious few remaining art pieces from this period. In order to get closer to this period in art I’ve gone on to study Japanese art and Tibetan Buddhist art from later periods that have stylistic similarities, in the hopes that I can one day get closer to this Gupta period aesthetic that has moved me so much.

It makes me snicker a little to think that it took Europeans another 1200 years to learn what a woman’s body is supposed to look like and another 100-200 years after that to learn perspective, but that’s just me!

How would you describe your tattooing style? My style is an application of decorative arts from a few different sources to the body. I look at textile patterns, embroidery, architecture and historical documents of tattoos from times and people past to create new patterns that reflect my focus on timelessness, elegance, and love of the human body in all it’s manifestations. 

Tell us about your own tattoos, do you have a personal favourite tattoo or a memorable tattoo experience you would like to share with us? I’m honestly mostly covered in terrible, awful, ugly tattoos that need to be lasered or covered up because I let a lot of my friends tattoo me as they were learning, so maybe I’m not one to be asked!

But I do have a truly stunning piece by @BooneNaka . It’s inspired by the Trajva traditions of Gujurat and he did the most beautiful job of creating his own composition, adding his own elements and making one of very few tattoos I have that I’m truly proud of. He’s also a gentle, thoughtful and wicked talented artist and he made the entire experience really lovely and I’m so grateful for that. 

What does tattooing mean to you? Tattooing is a strange thing, it means everything to me and nothing to some people and too much to others.

For me it’s probably the closest thing I have to a spiritual practice, it’s a daily practice of being present, of seeing another person in their entirety and of trying to create an experience that affirms dignity, agency and power.

I have a few daily rituals with my practice, I listen to music by indigenous Canadian artists each day before I start to listen and recognise the people who lived here longer than any of us settlers. I pray before I start with incense to breathe in focus and good intention and to send my exhalations to God or Spirit or whoever’s listening. It’s all meaningful and meaningless in the end but that’s the beauty of doing it anyway. The artists I listen to, in case anyone is interested, are Tsimka, to remember my West Coast family and Tribe Called Red and TchuTchu to get grounded for the prairies I inhabit today.

We think your mehndi style tattoos are beautiful, could you tell us more about your decision to practice this style? I was doing henna before I was drawing which is how I got started with the style. It took me a long time to get to the point where I felt comfortable tattooing in this style. I don’t think it was entirely conscious, but as a teenager I did receive some critiques from people around me that my mehndi wasn’t “real art” because it was just copying the same pattern over and over again according to these others. I didn’t really ever stop doing mehndi-style drawings entirely but I did shift to doing a lot of ink drawings of people and animals and that was actually the style I primarily worked in for most of my tattoo career.

I did a lot of engraving style botanical tattoos and blackwork illustrative animals before I slowly started to make the switch to doing almost entirely decorative patternwork inspired by mehndi. It took a while to technically get comfortable with this style as a tattoo artist, it’s actually quite challenging to do well even though it can look simple. It also took me a while to feel comfortable with creating cultural art within a consumer culture and I’m still finding ways of identifying areas of discomfort and recentre my needs in the interaction.

As a mixed race Indian person with limited ties to my family it’s also taken me a while to feel as though I have the right to be doing this work, in many ways there are tattooers with closer and more direct ties to our culture than I do.

But, part of the reason why I’m a little more distant from my origins is colonial history and inter-generational violence. My grandparents were the children of indentured labourers who were brought to Mauritius 150 years ago to work sugar cane plantations. Their families adapted and assimilated and gave up certain traditions and beliefs to gain greater access to the world. I’m blessed to be doing this work of learning and finding my roots in a way that’s opened so many doors for me that were shut to my grandparents. 

What would you like to tattoo more of? More flowing freehand mehndi pieces without symmetry! Symmetry is so overrated even though it’s pretty. I also really love exploring Kolam traditions in tattooing. But I’m extremely careful about how I design them and without ready access to information on exactly what certain pieces of pattern mean or how they’re supposed to be, I’m limited in what I can do. 

We understand that mehndi is often culturally appropriated. Do you feel that it is inappropriate for certain people to get mehndi style tattoos? No. I don’t think it’s innappropriate for certain people to get mehndi style tattoos IF they’re getting them from someone who should be doing the tattoos. Big if.

As an Indian tattoo artist I’ve had to recognise that I can’t control who does or who doesn’t get my tattoos. Some of my absolute worst clients were Indian people and some of my best clients were white and both ways I don’t screen my clients for race when they ask me for mehndi tattoos. When people talk about mehndi style tattooing though, they often conflate actual mehndi inspired tattooing and the entire emerging genre of blackwork tattooing of Indian/Asian patterns and deities. There needs to be some distinctions between the two.

Mehndi as it’s done in India for weddings and celebrations is truly decorative, there are nuances to the patterns that indicate the wearer’s regional background, or religious affiliation, but for the most part the henna designs aren’t sacred. However, when we get into non-Indian, non-Hindu tattooers who are making a living from doing tattoos of deities on other white people who aren’t believers I think it starts to feel like Orientalism.

Unfortunately there is a culture of white tattooers who tattoo Indian imagery with religious and spiritual significance indiscriminately and they have a clientele that’s happy to buy it up. It feels very hollow to see from the outside.

I feel like I can tell when an artist has a true investment in learning about the culture and history and faith, but when they don’t it’s obvious. I also see a lot of disparity between how these artists are somehow almost elevated for doing something “different” while Indian tattooers are so few and far in between and many are almost anonymous. I don’t see these white tattooers sharing resources with others, I don’t see them apprenticing Indian artists, I don’t see them even tattooing many Brown folks, all I see is a culture of Indian art production that is made entirely by and for white people and it’s not right. Until it’s a more level playing field for POC and BIPOC tattoo artists exploring their heritage and tattoo ritual, I can’t support the work and ethos of white tattooers doing Indian tattoos. 

Do you have any upcoming projects you would like to share with us? I had so many before Covid. I was trying to arrange an artist’s residency in India to learn Pata Chitra which is a line based art form representing deities in traditional styles. I was even teaching myself hindi to prepare, but sadly the world had other plans.

For now I’m engaging in a new mentorship opportunity where I’ll be learning from Doug Fink at Bushido about refining my work and pushing myself into new styles of working. He’s a traditional Japanese tattooer with a few decades of experience and I’m really looking forward to the next year and a bit of study and improvement.

Words: Lucy Edwards, 21-year-old tattooed freelance writer, cat mum and trying-new-things enthusiast. You’ll most likely find Lucy posting about mental health awareness and self-acceptance on her Instagram.