Tag: Tattoo art

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Reclaiming the Narrative – a new tattoo installation at the NMMC by Black and POC tattoo artists

We’re so excited to reveal that The National Maritime Museum Cornwall has opened a brand new temporary exhibition: British Tattoo Art: Reclaiming the Narrative, which is now open in Falmouth.

Reclaiming the Narrative features 14 pieces of artwork by Black and POC tattoo artists, all working in the UK today. The artworks represent a celebration of contemporary tattoo art on Black and brown skin. The installation forms a powerful artistic response to the museum’s critically-acclaimed 2017 exhibition Tattoo: British Tattoo Art Revealed, which was the largest gathering of real objects and original tattoo artwork ever assembled in the UK. 

The artworks represent both a celebration of tattoo art – especially on Black and brown skin – and a thought-provoking and powerful challenge to National Maritime Museum Cornwall’s own cultural decision-making around the original 2017 exhibition, Tattoo: British Tattoo Art Revealed. There were omissions (the 100 Hands for example were all created on white / male tattoo practise skin) and the exhibition should and could have been approached differently. There should have been more conversations – and this new addition to the exhibition is acknowledgment of that. It’s time for change, to admit where mistakes have been made.

These works are also intended as a positive intervention into a wider, necessary conversation around diversity of representation – historical and contemporary – in the story of British tattoo art. Reflecting on the original exhibition approach, these works have been commissioned to address omissions and cultural biases contained in the narrative of the 2017 exhibition, and are intended to be a direct  intervention into a wider, necessary and vital conversation around diversity of representation in the story of British tattoo art.

The installation has been guest curated by our editor Alice Snape (who also curated the 100 Hands, the centrepiece of the original exhibition) and created in partnership with lead artist Charissa Gregson aka Glasgow-based Tattoo artist Rizza Boo, of Shadow Work Tattoos. 

Lead artist Charissa Gregson with her tattooed torso, Starry Crown – which is the central piece of work in Reclaiming the Narrative

Here’s what Charissa Gregson / Rizza Boo, owner of Shadow Work Tattoos, Glasgow had to say about the exhibition:

“Following the brutal killing of George Floyd in 2020, people all over the world have been engaging in more conversations about social injustice, police brutality, institutional racism and anti-Blackness. We saw this echoed through the tattoo community with clients and tattooers sharing some of their experiences of anti-Blackness within the industry, ranging from subtle microaggressions to outright racism. There were conversations about the lack of appreciation and representation of black artists, insensitivity when tattooing cultural subject matter, the harmful effects of whitewashing photos of clients to fit a specific aesthetic and the general lack of knowledge and misinformation around tattooing darker skin.

“We know that representation matters. This exhibit feels like an important addition, showcasing the work of Black and POC tattooers, making sure we are included in this particular record of tattoo history. It is a small sign of progress that the plaques and silicone arms used in this project are now available in a slightly more diverse palette, which one would hope will continue to expand. Offering a wider range of colours, skin tones, so that even more people would see a representation of their skin included in an exhibition like this. 

“When asked to contribute to this project, it was obvious to me that we must get more artists involved. A single piece by one artist would only be the illusion of diversity and give a false impression of the cultural and artistic diversity that actually exists in our communities. Holding space for more artists and giving platform to their creativity gives a truer look at who is tattooing in Britain right now. With this project we seek to disrupt and challenge some of the misinformation, give voice to the individual artists and allow us to share some of our collective story.”

Reclaiming the Narrative is open now at the National Maritime Museum in Cornwall:

The exhibition includes:

Charissa Gregson’s tattooed torso, Starry Crown, which celebrates the Black female body and forms the centrepiece of the exhibition.


Additional designs on synthetic skin plaques including works from:

Manni K, Jolie Rouge
Natasha Jackson, Prophecy Tattoo and Piercing
Lord Montana-Blue, The Good Fight Tattoo
Sarah Louise Powell, Neon Wolf Tattoo Studio
Samantha Bee, INKLOUNGE Tattoo Studio 
Rakhee Shah, Xotica Tattoo Company 
Nish Rowe, Blu Xion Tattoo 
Jade Clark, Heart of Glass Tattoo
Samuel Ayobami Paul, Artkilledme
Ash Tyson, Ouroboros private studio  
Yasir, Fake Skin Tattoo
Jezz-lee Wood, Samsara Tattoo Parlour
Pedro, Grey Area Custom Tattoos

by Yasir, Fake Skin Tattoo
by Ash Tyson, Ouroboros private studio  
by Samuel Ayobami Paul, Artkilledme
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Interview with Maksim Twenty Eight

Tattoo artist Maksim Twenty Eight of Gangstas Paradise Tattoo in Moscow, Russia tells us about his journey to become a tattooer and artist, how he strives to keep developing his craft and the ornament-inspired tattoos he creates…

What inspired you to become a tattoo artist? How did you become an artist? I’ve always loved tattoos and at school I became interested in heavy music and rock culture, which only increased my interest in tattooing. Back then I couldn’t imagine that tattooing would occupy such an important place in my life and become my main occupation.

Initially, I showed a great interest in music and dreamed of connecting my life to it. But I’ve always drawn and done art. It just so happened that in the end I received an art and pedagogical education in the speciality – Teacher of Fine Arts. Since then, drawing has taken up most of my time.

At the age of 18, I started getting tattooed in one of my hometown’s tattoo studios. At the time I was already getting an art education and somehow everything coincided so much so that my tattoo artist invited me to start working in his studio. And of course I agreed. It was in that studio that I learnt the basics of tattooing and began my journey.

Have you always tattooed like you do now? I have been tattooing for 11 years and I’m always in search of interesting solutions and new ideas for my work. During my career, I have worked in many artistic styles which has allowed me to gather enough knowledge and experience to develop my handwriting. It’s helped me find a balance between technical and artistic moments in my work.

Now my works are mainly Baroque floral ornaments and stylised realistic objects with the addition of ornaments and various details. These range from all sorts of realistic objects and lettering to cartoon characters and elements of street art culture.

What attracted you to this type of tattooing? It’s the perfect style for my mindset as it allows me to be creative in my work and be free, even within the limits set by my client. Very often, or rather almost always, I allow myself to go beyond these limits when creating a design. I am very glad that there have been no refusals and customers are always pleasantly surprised by what they see. This allows me to work with pleasure, which is very important when creating a good tattoo. 

I love the details! My perseverance helps me to give them a lot of attention. And I see that people like that. I think that sets me apart. 

Can you tell us about the process behind your tattoos? During the first conversation at the consultation, I try to get as much information as possible about how the client sees their tattoo. It helps me understand which direction to take the tattoo and what will suit this person best. If a person wants a certain object, but in my style, I just need to determine the list of details that are possible in the design. Some details I offer myself or add in when I create the design.

Most of the time I scroll through all the projects in my head, looking for new interesting options. This process is very important to me, because it means my brain is constantly working and processing. I develop the design the day before the session, my clients don’t see the design until the moment of the session. This usually adds a little intrigue and excitement – I love seeing their first reaction!

What inspires you? I am very inspired by music! It takes up quite a large part of my life. I create music in my spare time as it helps to relax my brain. I also love to watch detective thrillers – my love of observation and detail works here too. In general, I have a lot of sources for inspiration ranging from a simple smile to grandiose films and events.

What do you like to tattoo and what would you like to do more? Most of all I’m interested in Baroque floral ornaments and combining them with various objects and elements of street art culture. In ornaments and street art there is a certain and very strong atmosphere. They’re completely different, but saying that they do have something in common. The ornaments and street art are both part of the exterior and interior and I’m very interested to see where mixing them will lead.

Can you tell us about your own tattoos? Are you a tattoo collector? I have a lot of tattoos and they all appear on my skin often spontaneously. I never had the goal of tattooing my entire body, but over the years I’ve met many different and very interesting masters and received tattoos from them – as a sign of respect for their work. All my tattoos are like a part of my memory and I think it’s beautiful. I think I can call myself a tattoo collector. 

What is the tattoo scene like where you are? In Russia, modern tattooing, relative to tattooing in Europe or America, began its journey relatively recently. But in a fairly short time gained momentum and gave the world of tattooing a lot of big names. The growing interest in this craft among artists contributed to the rapid growth of the industry in Russia. Tattoo conventions in Russia are held at a very high level too.

It seems to me that the presence of modern and safe technologies as well as strong masters is only half of what is needed for tattooers to develop creatively. The other half being the mentality of the society in which an artist lives. Often new customers talk to me about the fear of accepting something new or something they’ve seen online. This fear of can hinder my development as an artist. To counteract this I’ve travelled a lot to help me develop creatively and communicate with other tattooists from other countries.

Have you got any plans for future tattoo conventions? In the past few years, it has been psychologically difficult for me to tattoo at large events, as my work requires a lot of attention to detail and focus. Tattooing at conventions can affect the quality of my work. That’s why I try to exhibit already existing projects, and devote time at conventions to communicating and demonstrating my work on canvases only.

Do you have any future projects you want to share with us? Currently, I try to devote a lot of time to painting and creating new concepts for myself. I also plan to participate in various exhibitions, including a personal one.

In the last year I have become very interested in graffiti which allows me more of an understanding and way to develop my drawing and tattooing. The attention I receive is very motivating and pushes me to create even more complex and interesting works.

Can you tell us about your own art exhibition? As I said, in addition to tattoos, I spend a lot of time drawing. In my spare time, I paint canvases, experiment with various techniques and materials. I try in every possible way to expand the range of my skills and abilities. 

At the Moscow Tattoo Convention 2021, I presented a series of my experimental canvases and art objects. All works from the exhibition are made in colour, which is rarely present in my work. On these canvases, I tried to show my vision of the problems of a modern person who tries in every way to hide from himself in pursuit of illusions, which leads to negative consequences.

I care about and want to show in my art similar topics, such as loneliness and depression. Unfortunately, there is a lot of this around us, but some do not see it, while others hide it. With my creativity, I want to show that if you listen to yourself, look a little further than you usually would and stop being afraid to accept this world, you can solve many problems and achieve a lot.

What moment in your career are you most proud of? I think for me it’s mostly moments of joy rather than pride that stand out. When you receive an award at the convention, when you read or listen to words of gratitude from colleagues or clients. All this is a reminder that all your trying is not in vain, plus it pushes me to start working even harder. As an artist, I’m not at all interested in getting credit without doing anything. I create because I can and because I like it – if it makes the world a better place then I’m happy.

Make sure to follow Maksim on Instagram for more amazing tattoos.

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Interview with Alberto Lelli

25-year-old Alberto Lelli from Italy creates rad traditional tattoos mixed with Italian Futurism and German Bauhaus at Seven Doors Tattoo in Lane, London. We chatted to Alberto about the inspiration behind his pieces and the affects of the pandemic on tattooing...

How long have you been a tattoo artist? I did my first tattoo at 18 so this year it’s my seventh anniversary in the tattoo world. The first thing I did after turning 18 was get a tattoo. I immediately fell in love with this world and started visiting the tattoo studio almost on a daily basis. One year after I finished high-school I started my apprenticeship in the same tattoo shop.

What drew you to the world of tattooing? During high-school I studied at art school. This is where I got a strong education in the history of art and graphics. I took a lot of inspiration from the artistic movements of the 20th century.        

How would you describe your style? My favourite definition of my work is “a contradiction between the past and the future”. Indeed, my style conjugates artistic elements from the Italian Futurism and German Bauhaus. When I started tattooing my first approach was American traditional. I think knowledge of what has been done before you is key to being able to build your own interpretation. I am always studying, learning and trying to find new elements and inspirations.    

Can you tell us about your process, how long does a tattoo typically take? The process  is determined by the size, placement on the body and the amount of work going into the design. I am pretty lucky because most of the time my customers choose pieces from my sketchbook, but obviously if I have to do something custom I need more time to create the design. I’m pretty fast in tattooing and normally my tattoos take two to three hours maximum.

What do you like to tattoo and what would you like to do more of? My favourite subjects are definitely figures of women and men. I really want to do more architecture inspired tattoos in the future, I’ve already done a few and I really enjoyed it. I’m from Bologna and I grew up with the architecture of the city, filled with arcades. This strongly influenced my love for geometrical shapes.

How have you found the pandemic, have you found time to be creative or been feeling blocked? At the beginning it was very bad. I think everyone in the last year has been forced to change their way of life and when you feel forced to do something you can’t be happy and you work is going to reflect that. I have now learnt how to deal with that and actually I’m happy because I have found more time for painting and to do a lot of things that I wasn’t able to before. At the moment for example, I’m experimenting in the field of carpets and rug design.

What does tattooing mean to you and what does it mean to not be tattooing? Tattooing is my life and I really miss it. At the moment I’m not working at all in London as everything is closed due to national lockdown. I also miss travelling a lot and that is a really important part of my job. I hope that after the vaccine has been administered to enough people and the crisis has been contained we will slowly go back to normality.

Follow Alberto on Instagram for more traditional style tattoos.

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Be kind & be wild: Lola Blackheart

East-London based illustrator and artist Lola Blackheart chats tattoos, her journey to self acceptance and the inspiration behind her body positive art…

I grew up with an adoration for very old-school, traditional tattoo work, classic pin-up imagery of the 1940s and 50s, and in my teens I discovered the world of burlesque. The confidence and energy of these professional female performers of all different sizes and shapes, plus the empowerment they bring to their audiences, really resonated with me.

It was the first step in what I guess you would call my ‘journey’ of self-acceptance. I also discovered how using these women as inspiration in my artwork felt like a small way to not only feel part of this movement of strong, confident females, but also could work to bring others in to that world. 

I went to the Brit School of Performing Arts, and (not many people know this) actually started out as a dancer. After a severe ankle injury as I was going into my third year there, I realised that my passion for the art department had also began to naturally outgrow that of dance, and I spent my final two years studying art & design. I suddenly felt like I actually belonged somewhere. The dance world can be quite cruel and demanding, especially when it comes to appearance.

I went on to study Visual Communications at Leeds College of Art, where I did my own thing and specialised in casting and sculpture, with some illustration too. I was making installations made up of things, such as big hand-painted skulls for high-end store’s windows by my final year, and had my own studio.

Moving back to London made this a lot more expensive and illustration became more practical (and a lot less physically challenging!) It allowed me to turn my ideas into a reality much quicker. Instagram definitely changed my life, and being able to share my work so easily and to such a broad audience really pushed me to keep going and to keep engaging. 

I was first tattooed at 16, and kept going from there! There was nothing quite like the excitement of going for my next tattoo, especially in my late teens and early twenties. I had friends that were starting out as tattoo artists, so I have quite a few that I don’t reveal as much as others, but they all hold funny or interesting memories.

Some of my all-time favourites are my coffin on my arm by Matty Darienzo, my panther on my hand and ‘Lola’ cat girl on my upper arm by Dani Quepo, and my hand-poked bible with upside-down cross and saw on my forearm by Kirk Budden.

The meaning and purpose of my work and brand has definitely continued to evolve over time, and I’m at a point now where I really want to push these messages of self-love and self-acceptance. I wish this had existed at the level it does now when I was growing up and that I had been given access to beautiful imagery of women that didn’t all look a certain way (tall, thin, whit etc.)

I ensure that everything I see on my Instagram is either educational, inspiring or body positive, and I hope that the work I’m putting out there and the content I share falls under these categories in some way or another. I also love that the basic aesthetic of the 50s pinups is still so embedded in my work, as it brings that element of classic glamour, and the celebration of the female body – although we should all support vintage aesthetic over vintage values!

I’ll continue to create work that explores the beauty of bodies and how different we all are. I have some exciting hand-painted projects coming up, as well as expanding on what I offer in terms of products on my Etsy store. My prints will always be central, but releasing small runs of organic, vegan, high quality products is something I’m going to be pushing. It’s amazing to see the interest and reaction from people when I do release something like a limited edition t-shirt. I also continue to work a lot with brands, so as soon as I’m given the go-ahead to share this work I will!

I’m open to all kinds of commissions, both for individuals and brands, but my most popular is the ones where I draw customers as one of my pin up girls! You can read more about this, purchase and get added to my waiting list here.

Be sure to follow Lola on Instagram for more tattoo and pin up inspired art.

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Alice Needham illustration

Leeds-based freelance illustrator Alice Needham creates artwork with vibrant colours, detailed lines and graphic styles. Alice also created this beautiful tattooed woman just for us, read on as we chat to her about her amazing tattoo collection and the art she creates…

Can you tell us about your tattoos, do you have a favourite or favourite artist? I don’t know how many tattoos I have these days but I still have plenty of space left to fill, always got ideas ticking along for what I want next. A large proportion of my tattoos have been done by the lovely people at Easy Tiger in Leeds, I’ve been going to Lucy O’Connell since I first got tattooed and she is the artist who has done my botanical sleeve and the huge whale on my thigh that we call Susan.

I’ve got two blackwork pieces on my shins by James Butler of Lord of the Rings and The X-Files and a chameleon that I got done for my mum by Barney. I just think they’re all amazing and seriously nice people, Easy Tiger is definitely my favourite studio. All the people I’ve been tattooed by are fabulous and I highly recommend them all for their individual styles; Nat Hues at The Aviary, Luke , Collette at Snake and Tiger, Lucy at Cobra Club, Joshy at Rose and Thorn, Hannah at Rose and Thorn and I have to give a specific mention to Chloe who did the Van Gogh piece at the top of my arm, I put her way out of her comfort zone and she did such an incredible job!

When did you start getting tattooed? What was your first? It was my 18th birthday that I got my first tattoo and it was part of what now makes up the sleeve on my left arm all done by Lucy O’Connell. I got my full inner forearm done, it’s a floral piece with a Poppy, Rose and Forget-Me-Nots. I’d always wanted to get tattoos and I booked in a year in advance with Lucy for my birthday with that idea because I’d been following her work for so long. It covers up self-harm scars from when I was a teenager and reminds me of my growth.

I hate when people ask what tattoos mean but I would say that my first is probably my most meaningful, I always used to say it is inspired by the Edvard Munch quote, ‘From my rotting body, flowers shall grow and I am in them and that is eternity.’

Have tattoos affected how you see yourself and your body? Having tattoos has helped me with loving my body, I like being a walking piece of art and that I can show so many different stories through my skin. They just make me feel more comfortable even if they do attract unwanted attention at times, it usually makes me laugh.

What inspires your illustrations? How would you describe your style? I’ve always been interested in illustration but I went to uni to do Fine Art which drew me away from traditional methods of art making, it was only in my final year that I started doing my illustration work on the side that I really got back into it. I tend to take inspiration from what’s going on in the world, feminism and representations of the body but I also love anything to do with botanical illustrations and bold tattoo work.

I’ve always wanted to get into the tattoo industry and it’s become what feels like a bit of a pipe dream for me, I think that’s why I like creating work that takes inspiration from tattooing but with my own style on it that works for illustration. I would say my style is bright and bold with detailed line work, I tend to work in a range of styles depending on the client or what works best with an idea.

What medium do you use? How do you create each piece? I work digitally mainly through Procreate, it just offers the freedom to be able to work wherever I need to and there are no limitations. I do occasionally work in pen and ink but it’s been a while since I have! Most of the time when it comes to creating I just get an idea that pops into my head, usually if I’ve seen something that has inspired me.

I tend to do a quick sketch to get a rough idea of what it’s like then build on the detail as I go, I think I’m fairly methodical with it and I like to use colours that are complementary even if they aren’t realistic to what is being portrayed. If I’m working on a commission then I follow the client’s brief in a similar way.

What message do you hope to share with your work? Or is there a driving force behind what you create? I think a lot of my work is a bit of fun and it’s something to brighten up their spaces. Though a lot of my pieces do have a political or social stance to them which I think is important.

Do you do commissions? Where can people buy your art? Yes, I do! I’m always taking commissions and the best way to commission me is to have a look at my website then give me an email. I also currently sell my prints through Etsy.