Interview with Lucrezia

Our Italian contributor Ilaria Pauletti chatted to tattooist Lucrezia about her beautiful tattoos and recognisable style… 

Lucrezia is a Sardinian girl with a colourful heart and sea waves in her hair. Her Sarditional style is getting more and more renowned and here she explains the perfect mix for a tattoo made with love. Among coricheddos (little heart shaped sweets), delicate feminine figures and amulets, she is bewitching the web! You can find her in Milan, at Toy Tattoo Parlour.

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You are a complete artist- a graphic designer, illustrator and tattoo artist! Can you tell us a little bit about your artistic career? It was a quite natural process, you know, I grew up with colors in my hands and I used to leave my marks on every surface. My path as an illustrator and tattoo artist were parallel to each other, they reflected a way more rebellious and emotional side of my studies in architecture and graphic design. My degree surely gave me the basics useful to search the composition and balance in each drawing I make.

What is your first memory connected to tattoos? My first memory is a feeling, I see the tattoo as a very important gesture that helps to fix an emotion and one that is on your skin for you to wear forever. As a tattoo artist,I find that the tattoo is a rite, that binds deeply the tattooer and tattooed during the creation of the piece.

The transformation of a story into a picture and the subsequent transposition of the skin, the pain, the amount of tension and excitement, and an indelible bond that is created with all my clients. These are the things I love the most about this work and I’d never imagined they could become so essential and vital for me.

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How would you define your Sardinian style? Is it a declaration of love for your homeland and the coricheddos (typical Sardinian sweets mostly made of almond and honey)? The sarditional was originally born as a hashtag game on Instagram. Initially, before I started tattooing, I filled my illustrations with little women tattooed with Sardinian buttons and motifs derived from the Sardinian tradition. Beginning my career as tattoo artist, they became my main subjects, executed using the technique of traditional style. The designs were simplified, with thick lines and black shadows, from there I put that Sar-ditional touch. Now it has become a real characteristic of my style, which is to bring to the world the Sardinian tradition, from ‘pavoncelle’, kokkoi, to buttons and coricheddos. And all those jewels that the Sardinian tradition considers to be protective amulets and charms. That’s how the design of a sarditional becomes a real ritual to put on the skin: for Sardinians and beyond!

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What are your daily inspirations, both personally and professionally speaking? Every day, the inspirations are the most varied, most of the time I get influenced by my moods, from the weather and especially by music. This last is crucial because it helps me to channel myself in mental states that may not belong to me and, for example, when I prepare a drawing for a client I can get closer and better identify himself using music.

From Alghero to Milan: how are you living this experience and what are your expectations? Milan is basically adopting and taking very good care of me, I am very good and I also managed to do a lot of experience, getting to know many people and growing especially from the professional point of view. Alghero will forever remain the seat of my roots and going home to do some guest spots is a must for my creativity. Sardinia is a land that offers so much inspiration, and especially its silence and its mystery stimulate creativity in me.

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Corals, beads, women faces filled with love. What are the subjects you prefer to tattoo? My favourite subjects are without doubt the little women, I find them super expressive and I am able to communicate anything through their eyes and hands.
I try to draw every little woman to resemble as closely as possible the client who will wear them forever.  In fact, I generally choose the colours together with the client, also to see what kind of colours and feelings that person sends me, and most of the time I guess right!

Who have you been tattooed by and who is on your wishlist? I have two beautiful surreal pieces made by the great Gabri Pais. Others by my boss Amanda Toy, who has spoiled my skin with bright colours. A piece signed with perfect lines by Paul Colli. A wonderful little woman by Viola Ceina. Another woman who remembers the old pieces of George Burchett, masterfully executed by Marco Sergiampietri. And a super old school tattoo by Alessio Errante.
In my wishlist you will find; Chiara Pina, Nicholas Rinaldi, Giampiero Cavaliere, Carlotta Cawa, Luca Font and internationally Bouits, Danielle Rose, Kirk Jones, Emily Rose and many others!

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Do you have any side projects you would like to tell us about?
I carry on various projects and collaborations, where I leave my mark with my illustrations. I have a newborn project this year, where my illustrations are combined with stories of “Appunti sparsi di una trentenne a Milano”; I often work approaching the magnificent letters of Gabriele Cecere. I always carry forward my graffiti under the name of La*tete, it was all born one evening, many moons ago, out of curiosity and in Milan, thanks to my good friend Nacho. When I have some time left, I also collaborate with the great artist and friend La fille Bertha.

Do you have any future guest spots and conventions planned?
My future guest spot will be in August for Cagliari Tattoo Convention. And then I will be in Rome and Florence within the year. The next dates and locations will be surely posted on my Instagram!

Interview with Rachie Rhatklor

27-year-old tattooist Rachie Rhatklor works out of Blue Lady Tattoo in Melbourne Australia and creates beautifully fierce tattoos. We chatted to Rachie about the strong women who inspire her and her own sassy women tattoos… 

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How long have you been tattooing? I’ve been tattooing for eight years now.

How did you start? What did you do before? I was living in Auckland, New Zealand at the time. I took a gap year after high school working at a cafe. I really wanted to start tattooing, so I quit and focused on drawing and painting flash for months and months. When I felt like I had some what of a portfolio to show (looking back now it was so bad), I approached as many tattoo shops as I could find. I was shit scared and the tattooists I spoke to were definitely intimidating.

Eventually one guy, Clint Jones at Blue Lotus Tattoo, told me that he couldn’t pay me and he already had an apprentice, but that I could hang out a couple of days a week. I showed up everyday and worked my ass off and eventually the other apprentice was let go. It was a fairly old school apprenticeship. We didn’t use pre-made needles, Clint made them every morning and taught me how to. I would do all the cleaning, emails, scrubbing tubes, setting up and breaking down, draw all his tattoos and stencil them by hand and more, plus trying to squeeze in learning what I could. That apprenticeship was tough as hell but I really appreciate it all now. That’s how it should be.

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Do you have a background in art? Art was my strongest subject in school for sure. I didn’t really care about anything else at the time.

What drew you to the tattoo world? Drawing came naturally to me and I had some outside influences like some family members and friends who were getting tattooed. It always fascinated me, it’s one of the oldest cultural traditions around. I also wanted to be able to make a living off of what I loved to do, and I was really drawn to tattooing because of every other challenge it involves. There’s a lot to learn, it never stops either.

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Describe your style, how has it changed? I would say it borders on traditional because of the way it’s put down – bold lines and simple shading and colour. But I’m trying to push different images, using references from sources other than traditional flash and where I can, from my own head.

What do you like to tattoo and draw? I think my absolute favourite subject to draw is women. Every aspect is always different, the hair, the face, I never get bored with them, they’re always fun to tattoo. I like to draw tough, sassy ladies and anything that ties into that theme.

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What inspires you? Strong women, I am lucky to know so many of them! Especially my mum who had the hardest childhood and still managed to raise three kids, work full time and now rides a Harley! She’s a big inspiration, which is why I think I like to portray strong women in my artwork. Also, vintage playboy, cars, movies and beauty advertisements, old tattoos, nature, classic hip hop & soul, 90’s girl grunge bands and my boy Jordi who is the hardest working person I know and influences me everyday.

What would you love to tattoo? I love tattooing from my flash of course, ladies, man’s ruin themes etc. I still enjoy traditional flash too. I think as long as there’s people wanting to get tattooed I’m happy to do anything.

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Do you have any guest spot or conventions planned?  I’ve just come back from a guest spot in New Zealand at Two Hands Tattoo. No other plans set at this stage, but I would love to get over to the States, Asia and back to Europe in the next couple of years!

Can you tell us about your own tattoos? Most of them are from trades with good friends I’ve been lucky to have worked with over the years. You guys rule!

Interview with Arianna Settembrino

Our Italian contributor Ilaria Pauletti chatted to Arianna Settembrino, who works out of her personal studio Skinwear Tattoo in Rimini about what inspires her and how she sees today’s tattoo culture…

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You were one of the first women to stand out in the tattoo world, not just here in Italy but in the world. How did you get to where you are now? I’m very proud of what I have become. My path, somehow, has always been characterized by great commitment and great sacrifice.
I am very self-critical, but very determined. When I was young, I can remember, being given the chance to work in a studio as an assistant/apprentice, and how I devoted all of myself to this job, making the most of everything I was required to do by my mentor.

If you weren’t a tattoo artist, what would you be doing now? Another great passion of mine is education. I would definitely like to work in the school environment, with particular attention to adolescents. I strongly believe in the value of rehabilitation and recovery- I would have probably worked on a project of rehabilitation and reintegration of young people when they leave juvenile detention centres.

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Do you believe that every tattoo artists chooses their tattooing style based on the characteristics of their own personality? It is absolutely true! The style of a tattoo artist and the characteristics of their work are an external representation of their character and of their essence. I would say that on one side we choose the style, and on the other one, the style chooses you.

Who and what inspires you? Is there any recurring themes in your art?
My sources of inspiration have always been tied to classical iconography of traditional tattoos, with bits of Victorian style and religion thrown in. I’ve definitely found my identity and style, and my own self-discipline and awareness have helped me to do this. I love anything form of art that is very graphic, futurist and Gothic or the brilliant works by Bosch- these intrigue and enchant me, even the music.

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What has changed since you started tattooing? What would you like to change and what would you never want to change? It has changed a lot. The tattoo world reflects significantly the society in which we live in and nothing is as it was then.

Tattooing has evolved so much, especially where technology and equipment are concerned. Social media has elevated tattoos to new heights, and more and more people are getting tattooed because of it. But on the other hand tattoos being so available has generated the false belief that a tattoo is easy- people think they’re cool and simple to create. It takes respect and awareness to be a good tattooer, nowadays no one respects the art or their customers. There are so many ‘famous’ tattooers that do not always know the meaning of ethics and professional conduct, and tattoo their face and hands with a carelessness that leaves me astounded. It is an already saturated environment, and in a way it is so widespread that it has lost value. This job is not for everyone, you have to earn it!

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Do you have a personal mantra that you live by?
My personal mantra is “I am present”. I use it every day, not just at work as I need to keep in touch with myself and stay centred.

What do you think of people who call themselves tattoo collectors? What I think of today’s tattoo collectors is that many of them are hurrying to fill up every little blank space, getting tattooed only by those branded and trendy tattooists. Their collection is not a true representation of a story, it hasn’t grown over time, with no life experiences instead it is a mere status symbol- a pre-packaged design. A visual impact that really makes me sick.

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 If we think of the first tattooed people, years and years ago, we understand that tattoo was seen as something wild, forbidden but fascinating. Considering this, how do you see the future of tattoo culture? If once tattooed people were seen as freaks and people paid a ticket to the circus to see them up close, well, today I would say that we have gone the other way. Today is just the non tattooed person to be something exceptional. It is both good and bad, nowadays many people are getting tattooed because everyone else has one! I hope the future of tattoo art will be positive and that it will flourish, I hope that quality will win against quantity.

Toy Tattoo Machines

Emily Rose is a 31-year-old stay at home mom who was a tattooer in Lewisville, North Carolina in the United States who runs an Etsy business from home selling toy tattoo machines that she makes. We chatted to Emily about how she makes the toys and what inspired her to do so… 

il_570xN.808635497_4h7wMy health and lack of child care after having our daughter meant that I was forced to stop tattooing for the time being but I found a way to still contribute to my family and stay somewhat relevant in the tattoo industry when I started my Etsy adventure so I just found another way to work.

I have a solid background in art, I’ve been in art classes my whole life and have my bachelor’s degree in fine arts from a university here in North Carolina. I started my apprenticeship straight out of college and never looked back; I was 21 and now my husband and I run our own shop in our little rural town. He now tattoos there by himself while I’m home with our daughter making toys. It’s tough but I like to think we’re making the best of some difficult situations we’ve been handed.

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I created my toy tattoo machines out of necessity really, our daughter just needed one, and there wasn’t one out there for her, so I made one. She stayed at the shop with us for the first year of her life, we opened the shop when she was a month old. I had to take her with me to breastfeed and tattoo, it was a mess really, but the one thing that made it all worth it was seeing how much she really loved to be at the shop as she grew. The bigger she got the easier it was to have her there with us, so she’s just been a little shop girl from day one.

It was too hard for me to say “no you can’t handle that machine, or that ink” because she couldn’t understand why, so I tried to find ways to make her feel like a part of what we were doing at the shop. But it really inspired me to start making her things that she could use to mimic what she saw us doing at work. I thought they make those little doctor kits why not a tattoo kit? And it worked!

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She had her own little machine and didn’t need to mess with mine, she had something that made her feel like a part of the work day and I decided to start selling them locally before I eventually opened up an Etsy shop. The first ones I made were just scraps of wood and bits of stuff I had laying around, I was able to make them better! I save enough here and there for a new tool or some fancy new paints and I get the most rewarding feedback from moms out there! I could tell my own little one was dying for a way to connect with us over work, she sees us so dedicated and in love with our work I think it’s only natural for her to want to be a part of that too.
I’m beyond excited to see how many people are ordering for little girls, the toys avaliable for girls are still geared towards shopping and domestic duties so I’m happy to see how often the pinks sell out! People are excited to give their kids something other than what they see at the store, and they’re excited to be getting it from me! It’s amazing!

 

IMG_5454Emily’s art work 

I grew up around the art world but it wasn’t until I started getting tattooed that I really felt like I’d found where I was meant to be. I just felt an instant sense of belonging in the tattoo industry as soon as I was old enough to start collecting my own. I was drawn to tattooing because for me I can make such an impact on someone’s life just by giving them the fruits of my labor. I can tattoo anyone, normal people, cancer patients or victims with scars and they always feel so much better afterwards. I liked the idea of sitting with someone and helping them make a monument on their bodies to some internal struggle or painful event, I loved the idea of helping people feel more beautiful.
When I get tattooed it’s almost like I’m becoming more of who I was meant to be, like this colored and decorated version is the real me and I’m just revealing it as I get tattooed, I wanted to help people feel that way too. I also really enjoyed being friends with artists, feeling really connected to them as the people I’d chosen to tattoo me. It’s a special bond, I miss it terribly!

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My own tattoos are mostly pieces I’ve collected from friends at conventions and shops in my years. I have a full sleeve from an amazing friend in Texas named Mark Vanness and it’s a whole arm of birds, it’s probably my favorite! I have a birds nest on my hand there and even a secret ostrich on my bicep, my other arm is generally American traditional and I have black and gray movie portraits on one leg, and some weird ocean creatures on my other leg. I’ve been saving my back for a really epic pelican I’ve been thinking about for years while waiting for the right artist to cross my path. I have saved all the worst spots for last.

Check out Emily’s Etsy store for tattoo toy machines… 

Inkluded Launch New Online Store

Here at Things&Ink we are big fans of the Inkluded blog founded by freelance journalist Beccy Rimmer. So when we heard Inkluded launched a brand-new online store, we had to share it!

We’ve teamed up with Inkluded to give you the chance to win a T-shirt! Check out our Instagram for more details.

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Inkluded have created a clothing range in which every design has been drawn by tattoo artists. Inkluded has worked with five UK tattoo artists, Hannya Jayne, Dan Metcalfe, Mike Love, Clare Lambert and Kat Winifred, who have all designed something from scratch for the launch range.

Founder of Inkluded, Beccy Rimmer, said: “At Inkluded, we’re passionate about showcasing and sharing amazing tattoo art. This country’s creative tattoo scene is fast-growing and flourishing with talented artists, remarkable artwork and innovative styles – we thought it was time tattoo enthusiasts had one online place from which they could buy tattoo products and fashion.”

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Inkluded was set up with a strong mission, to raise awareness of exceptional tattoo art through blog posts, art exhibitions and by creating an artistic community that people can feel included in. As well as browsing the new products, readers can meet the artists through a series of interviews published on the blog.

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A selection of limited edition T-shirts and vests (prices from £15) are available from www.inkluded.co.uk/store.

Photographs by JustJodie Photography