Apprentice Love: Tammy Bestwick

We spotted the work of 22-year-old tattoo apprentice Tammy Bestwick on Instagram and instantly loved her traditional style tattoos. We chatted to Tammy to find out more about her life as an apprentice at Black Rose Tattoo, Barnstaple, Devon where she works…

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How long have you been tattooing? I worked at a tattoo shop in Exeter doing my apprenticeship for two years. I got to do a few small tattoos here and there but it’s only really since working at Black Rose that I’ve been able to tattoo regularly. I started working at Black Rose back in June so it’s just going into six months of tattooing now!

What did you do before? Do you have a background in art? My first job was selling tickets at a zoo. Straight after that I started my tattoo apprenticeship for two years, I did a couple temp jobs where I made some of the most wonderful friends who still come and get tattooed by me now! I studied art at GCSE and A-level but I didn’t find it overly enjoyable, it was more about looking deep into the meaning behind why a square could’ve possibly been painted green and writing essays than actually being artistically creative. It was only since leaving college that I started to draw what I enjoyed.

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How did you get your apprenticeship? As soon as I finished college, I took some of my drawings into a tattoo shop that was just over an hour away from where I lived. I didn’t really know anything about tattooing at this point but I’d been interested since I was 13. This shop was just opening and my mind was blown by the work of the tattooists there, I’d never seen anything like it before and so I just knew I had to try my luck. I wasn’t expecting much to come of it as it was the first shop I’d attempted to try work at and I was fully aware I had a lot to still educate myself on and so much more I could try do with my portfolio. A week later and they got back to me and they were willing to give me a trial run! Nothing could compare to that feeling when I found out I was being given a chance at something I’d wished to do for so long.

What drew you to the tattoo world? I started off being fascinated by all kinds of body modifications which then developed into tattoos. Anything a little different or controversial always drew me in. Being creative was the only thing that ever kept me interested so I knew I had to do something with it. I’m quite a quiet person and I love to have my own head space and be free with what’s on my mind, no rules or anyone to answer to. That’s what drawing was for me.

I used to draw a lot with my gramps. He painted beautiful acrylic landscapes and was a signwriter, so that’s definitely where I get my artistic flare from! The tattooists that inspired me to begin with are very different to the tattooists that inspire me now. My tastes and opinion of tattooing has developed a lot.

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How would you describe your style, what do you like to tattoo? I’m never really sure how to answer this. Before I tattooed I only ever attempted realism. Currently I do different styles according to the customer’s needs and I’d love to get to the stage where I could do anything anyone asked of me and really challenge myself. Having said that, I’d be perfectly happy if I could only ever tattoo traditional again. That’s what I enjoy tattooing the most, super bold and colourful or just a lot of black! I’d love to get to do more movie related tattoos too.

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What or who inspires you? Nature and books but Instagram is a god send for being able to closely follow my favourite tattooists and their daily work. Gem Carter (this is insanely cheesy because I now work with her) has inspired me from day one, before she was even tattooing herself I followed the work she was doing. Currently, I obsess over the work of Sammy Harding, Jack Peppiette and Bradley Tompkins to name a few. But I am completely fascinated about where traditional tattooing began – Ben Corday, Percy Waters, Amund Dietzel. There is just so much inspiration and so much more to be found that it’s overwhelming.

What is a typical day like for you? I very rarely will be tattooing 11-6 at this stage so I take my time with the customers I do have in and the rest is spent providing ultimate banter, replying to emails and drawing!

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Can you tell us about your own tattoos? None of my tattoos have any meaning. I get something from a tattooist because I love their style of work, so I’m happy for them to do whatever they’d like to do or choose something they already have drawn! If I get tattooed by someone I want it to be a piece that is distintive to their style. I currently have work done by Danielle Rose, Sammy Harding, a re-work by James Pool (I’m dying to get something of his own too), Sento and mega babe Gem Carter.

Interview With Lauren, The Ghost With The Most

We chatted to Lauren about her love of all things Hallows Eve, her tattoo collection and her home which we are desperate to visit…

Firstly, a little bit about yourself, where are you based? I’m based in Liverpool. Born and raised here!

What do you do for a living? I have a very mundane job working in a bank, but it funds a lovely social life and many a (regular) tattoo trip!

[Luke Jinks]

Where did your love of Halloween come from? I think I’ve always had an obsession with quite morbid and macabre things. One of my earliest memories is of playing different characters with friends, and I’d always want to play a girl who died, very tragically, and returned as a ghost to haunt them.

Do you have favourite Halloween horror films or book? Some of my favourite films now are ones I obsessed over as a kid. I loved Hocus Pocus and Return to Oz. I would read Goosebumps and Point Horror books at every available opportunity, and my favourite TV show was Are You Afraid of the Dark? I read Roald Dahl’s The Witches religiously (at least seven times!) as I loved his twisted humour and obsession with creepy individuals.

[Mark Cross]

Halloween seems to reflect in every part of you, tell us more about your personal style and accessories, how do your tattoos fit in with this? I don’t think I have a set style any more as I’ve never wanted to be pigeon-holed as looking a certain way, or fitting into a specific trend. I guess my tattoos are a permanent reflection of my likes, or things that I’ve always/will always love, whilst the way I look and dress changes.

I’m quite open to experimenting when it comes to clothing, but there’s usually a little nod to my love of all things spooky. I have found though, that the more tattoos I acquire, and the more patterned my skin becomes, the less patterned clothing I wear!

Does this creativity spill into your home? Your IG is full of fantastic treasures you’ve collected – do these influence you at all? It doesn’t so much these days. I studied Fine Art at uni and my final project was based on hoarding, collecting and taxidermy in art, but I rarely make anything these days. My boyfriend is an artist, though! He goes by the alias Daggers For Teeth and a lot of what he creates stems from his love of horror-punk and retro Halloween ephemera, so I feel like I live vicariously through his work!

How do people react to your tattoos Very positively, which is often a surprise! I tend to expect comments along the lines of, ‘but what will you do when you’re older?’ or ‘what about when you get married?’ – they’re things people have said to my tattooed, female friends! I’m lucky that I’ve not had anything negative said about mine, the majority of people tend to ask if they’re real, or if I’m wearing patterned tights. The nicest comments I tend to get are from tattoo artists who are happy to add to my ‘collection’, or people asking for recommendations.

Do your tattoos help you feel more confident, or help you to see your body differently? I’m not too sure. I’m quite shy, which people tend to be surprised by as they think that if you look ever so slightly outlandish, it’s for attention or that you’re an extrovert. I definitely love the idea that I’m decorating my body in pieces by artists who’s work I adore, and I’m honoured and so lucky that they agree to do it! So I’m happy with how I look with tattoos as opposed to not! But sometimes it does warrant unwanted attention which makes me feel a tad uncomfortable!

[Jemma Jones]

Do you have a favourite tattoo artist That’s a tough question! I have so many favourites! I’d love to get tattooed by Toothtaker, Daniel Octoriver, Diana Leets and Jon Larson! Also, all of the guys at Smith Street!

I consider myself so lucky to have been tattooed by a lot of my favourite artists within the UK already.

[Jemma Jones]

Do you have any favourite halloween tattoos / or can you take us through some of them? Yeah! I have a pumpkin lady by Harriet Heath where her boobs are where the ‘eye-holes’ should be! I also have an old witch and moon in some crazy-bright colours, that I got from Mark Cross whilst on holiday in New York last year. I love to find out what tattooers are working in cities I’m planning to visit.

I have a ghost with the word ‘spooky’ across it, so that the OOs make up the eyes, by Louie Rivers. Also, a little devil baby in pram with ‘Rosemary’s’ across it, by Jemma Jones, my mum’s name is Rosemary!

[Harriet Heath]

Have you got a favourite costume you’ve dressed up as for Halloweeen? I do! I dressed up as Lydia Deetz from Beetlejuice, in full wedding garb, the year before last. I’d planned it for a good while and made parts of the outfit. She’s one of my movie heroines! My boyfriend, Craig, and I also dressed up as the Grady twins from The Shining this year. He looked pretty hysterical with a wig, moustache and dress!

Any future tattoo plans? Always! Craig and I are off to Barcelona next week so we’re going to try and book something whilst we’re there. There are some incredible artists there! We love all of the artists at LTW and have been tattooed there twice before.

Other than that, I tend to book tattoos on a whim.

Young Saigon: Ans Pham

We chat to creative developer Nick Jones about his role at Rice, the Young Saigon film series and tattooing in Vietnam…

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Rice was founded in late 2014 by a group of filmmakers who wanted to promote other young, talented filmmakers and give them the freedom to produce films. Since then, we’ve produced over 100 videos on subjects in and around South East Asia. As creative development I get involved and guide everything to do with the creative process, like concepting, shooting, editing etc.

The above film is part of a series called Young Saigon, which is about young artists working out of Saigon (musicians, dancers and artists), though this one is the only tattoo-related film in the series. The artist in this film 29-year-old Ans Pham, who works at Saigon Ink, which is probably the most well-known tattoo studio in Vietnam.

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A tattoo by Ans

We decided to make the film after a friend of mine had a tattoo done by him. Tattooing is something quite alien to me (I’ve been mulling over my first tattoo for a while) so I really wanted to explore a couple of things. Firstly what makes a tattoo artist tick, and to try and understand what goes on in Ans’ head when he’s working, and secondly, the perception of tattooing in Vietnam. Here tattooing is often seen as a taboo by older generations, but in contrast, tattooing among the younger generation has exploded. So I wanted to ask a working artist what his feelings were about the changing tattoo culture in Vietnam and his place in the middle of this change.

Like what you see? View the rest of the films here.

Tattoos in the workplace: A guide to your rights and discrimination awareness

Hands up if you’ve ever been advised not to get a tattoo in an overtly visible area in case it affects employment opportunities?
Chances are that’s a fair few of you.

But despite the forewarnings from our elders, tattoos are very much an integral fabric of society today, particularly amongst young people. In fact, it’s suggested that nearly a fifth of UK adults have had tattoos, with those under the age of 40 more likely to have them.

Tattoos in the workplace is not a new topic of discussion. However, it’s important that those with tattoos are familiar with their rights in the workplace and the discrimination that can arise during the recruitment process.

Here’s everything you need to know about body art at work.

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Recruitment

The UK Equality Act 2010 protects job hunters from a large range of diversity prejudice, from age and gender, to nationality and disability.

However, body art is not a characteristic that is protected by workplace equality law. As a result, prospective employers can make their hiring decisions based on tattoos if they wish.

However, job opportunities are improving for those with body art.

While once upon a time many customer-facing organisations were not open to hiring those with tattoos, many have now adopted a no-visible-inking policy. Some of these organisations include airlines, the police and even McDonalds.

This means that it’s now possible for those with easily concealed tattoos to apply for a greater range of roles, although if a no-visible-inking policy is in place, candidates are likely to be asked to provide photographs of all inkings with a visible measure for scale.

In the workplace

Businesses are within their rights to have rules in place around appearances in the workplace. This is because dress codes can help maintain professionalism, company branding, and even company atmosphere.

However, it’s important that the standards are appropriate for the business, staff and company culture and are not solely based on personal preference.

We’ve all seen the headlines about heels at work…

If your tattoos go against company policy, then your employer can dismiss you and you are not protected by the law. Therefore, make sure you are aware of the dress code in your place of work so you know where you stand.

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How to make tattoos work for you

Despite the statistics, policies and general perception of tattoos, they don’t necessarily have to be a hindrance for you at work.

Here’s what you need to bear in mind.

Show your dedication to the industry

While many employers are missing out on the top talent for jobs due to tattoo policies, body art could make you more employable in some instances. You may be more employable within the creative industries if your skin exudes your artistry and innovation.

What’s more, if your tattoo pays homage to your favourite brand or company you want to join, like these inkings, you might increase your chances of securing an interview since your dedication game is strong.

Go with your gut

If you’re looking for work and are not sure how well your tattoos will be perceived in an interview or in the company’s culture, it’s important to trust your instincts.

Try and make a fair evaluation based on the organisation’s environment and industry before you show off your tattoos.

For example, if you’re applying for a client-facing finance role in a corporate firm, revealing your creative sleeve may not go down so well. However, if you’re applying for a position in a tech startup, where suits are a rarity, your tattoos may not be an issue at all.

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Be aware of stereotypes

We’re all familiar with the stereotypes surrounding heavily tattooed people. But no matter what your opinion on tattoos is, you must try to keep an open mind and remain aware of how others may perceive you in the workplace.

Ultimately, you may want be known for your professional ability, you may not want to be known as “the one with the giant Batman tattoo”. While it’s great to be unique, try not to let your artwork define you or upstage your professionalism or it may do more harm than good.

Laura Slingo is Digital Copywriter for the UK’s leading independent job board, CV-Library. For more expert advice on job searches, careers and the workplace, visit their Career Advice pages.