Redwood Tattoo, Manchester

Established in October 2014, Redwood Tattoo Studio is already carving out a name for itself in the city of Manchester. The studio is home to four custom tattoo artists, each with their own style of artwork. A hand-picked, close-knit team that are as dedicated to the design stage, as they are with the quality of the final tattoo.

Chelsea Ladish specialises predominantly in watercolour and line-based pieces, Lauren Sutton in unique geometric and custom dotwork. Kieran Barnard translates his beautiful sketches onto the skin with bold lines complimenting the fluidity of his designs, and last but certainly not least, Chris Green is producing piece after piece of consistently solid neo-traditional.

With an underground vibe, Redwood is proving to be a new little gem in the already diverse and popular Northern Quarter. All enquiries can be made to redwoodtattoostudio@gmail.com or 0161 258 9252.

 

 

INTERVIEW WITH CHELSEA LADISH:

How did you get into tattooing? Becoming a tattoo artist is something that happened pretty organically for me. I have always had a healthy interest in the art of tattoos, and started my personal collection at the age of 19. It wasn’t until I was working in Brisbane, Australia, that I met the man who would eventually train me. I had booked into Westside tattoo studio, in the West End there, and chosen Lawrence Hocking to do my souvenir tattoo. I actually had to cancel my original appointment because I was moving home to England to drum for a band down south, but he overheard me chatting to the receptionist and managed to squeeze me in on his day off! I’ll always be thankful for that, because after leaving the band a year later, he offered me an apprenticeship at his new studio, Seventh Circle. I was incredibly lucky to be surrounded by such wonderful, dedicated artists. He took a chance on me, and I still appreciate that every day.

Backpiece by Chelsea Ladish

How would you describe your style? If I were to say I had a particular style, it would be a mixture of watercolour and lowbrow. I tend to use a lot of watercolour and black inks on my paintings, and that has bled across into the way I tattoo. I’m pretty changeable though, and like to try new things. I like that when artists develop as individuals, and experience different things in their own lives , it can be seen in what they create.

Robin Williams by Chris Green


How long have you been tattooing for? 
I have been tattooing since the summer of 2009.

Dotwork Raccoon by Lauren Sutton

Where do you get your inspiration from? I often get inspiration from the people that I surround myself with. I think on a personal level, I also draw inspiration from nostalgia, and the places that I have been/people that I’ve met along the way, fragments of time. I’ve always been quite wrapped up in keeping time. Journals, excessive amounts of photographs, all the good stuff. If you pay attention to these things, they can offer an infinite level of inspiration. There’s a richness to the small things that can often be overlooked. On a more superficial level, the artwork of bands that I loved growing up (particularly DEVO), skateboard culture graphics, 80’s popular culture and film, lowbrow artists such as Robert Crumb… I have a lot of time for Robert Crumb.

Inverted shaded skull by Kieran Barnard

If you weren’t a tattoo artist, what else would you be? There are a lot of things I’d like to try. I’d like a restaurant, the kind with a Cheers vibe, where everybody knows your name. I’d also get a huge kick out of making documentaries. Learning about different cultures and lifestyles for a living. I can definitely think of worse things.

First Tattoo at 90

On her 90th birthday Grandma Heather Brooks from Canterbury got her first tattoo!

Heather chose a Cancer Research pink ribbon to signify her victory after a five year battle with cancer. Her two grandchildren are tattooed and persuaded her to commemorate her birthday with her very first tattoo.

It just seemed to me to be a fitting tribute to Cancer Research, who do such good work. I owe my life to them. I am also lucky to have an amazing family around me.

Images and quote from Kentonline.co.uk

Death Under Glass

Have you ever wondered what your tattoo looks like magnified? Have you found it hard to visualise where it sits in the layers of skin?

The Death Under Glass exhibition at The Mutter Musuem, Philadelphia, USA  is a collection of microscopic art has been created and curated by medical examiner Marianne Hamel, MD, PhD and forensic photographer Nikki Johnson. The photographs of magnified human tissue, have been taken post-mortem and are on show until the 16th December.

Red tattoo pigment 400x:

Do Not Resuscitate Tattoo

Nel Bolton, from The Hauge in the Netherlands, has had the words ‘Do Not Resuscitate me! I’m 91’ tattooed on her chest. She hopes that if she falls ill the doctors and her family will follow her wishes and respect her right to die.

In the Netherlands there is much debate concerning whether these types of tattoos are legally binding and also whether paramedics and other medical staff should follow the declaration.

Ms Bolton is not the first to have a tattoo of this sort, but her’s is the biggest. In 2011 Joy Tomkins had the statement tattooed on her chest in a bid to stop Doctors from reviving her.

 

 

Images from Daily Mail and Abroath

Can you be friends with your tattooist?

Can you ever truly be friend with your tattooist?

Sure, you probably would never have met outside of the tattoo studio and the only reason you have is because they can create something you want. But having met them, you may realise you have lots of stuff in common, that you make each other laugh, making the whole tattoo process more enjoyable.

You have singled them out for their drawing style, their colour palette or maybe on a recommendation. The evolving world of social media means that you can often view tattoos without ever seeing the person behind them. In simple terms your relationship with your tattooist is a business transaction, swapping a product or service for money.

But is money the means for a friendship to grow? Or can it be something that is problematic? If you are a loyal and regular customer to one tattooist should you get a discount or mate’s rates? Or like everyone else should you pay a fair price. What if you have something to exchange for a tattoo? Does the number of followers on your Instagram or blog have an affect on the price of your tattoo? Should the fact that you are inadvertently advertising the tattoo artists work when you post it count for something?

With large pieces comes longer time spans, more hours under the needle, more emails, more travel, more expense. You inevitably spend more time with the artist, you chat with them while you are in a vulnerable position, most likely undressed and in pain. What if your personalities clash and you realise that you really dislike the person? Or on the flip side you could become closer, realising that you not only love their work but also enjoy their company.

 

Tattoos by @jaketattoos & @karigrat