Halina Mutinta Jewellery

26-year-old Halina Mutinta Hamalambo is a silversmith and a part time photo re-toucher at a photography studio based in Brighton. We caught up with Halina to find out more about the jewellery she creates, what inspires her and of course her growing collection of tattoos…

How long have you been making jewellery? I’ve been making jewellery for around two years now, and I started my first jewellery class in early 2016.

How did you get into making jewellery? I was actually doing a photography degree at the time I got into making jewellery. I was interested in finding a creative hobby alongside my photography degree (said no student, ever) and jewellery making/silversmithing seemed to appeal. So I enrolled on an evening jewellery making class in Brighton. Armed with my new skills and knowledge I’d picked up at my classes, I started looking for work in silversmithing, that’s when I began working once a week for Freddie Grove in London.

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What did you do before? I dropped out of college and became a dental nurse at 16 – I did this for around six years. Dental nursing was a huge part of my life at the time and I genuinely thought that was it; that was what I’d be doing forever! After years of working in a medical profession I figured that a dental nursing career wasn’t my calling, I felt there was something more creative within me and I wanted to explore this in my day-to-day work. That’s when I started studying photography at Brighton University. I never studied jewellery at university, only photography – they both amalgamate pretty well though, which is a bonus!

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What inspires your designs? A lot of things inspire me to create my designs, my background is pretty diverse – I’m half Polish, half Zambian and I was born in Sweden; so I’m fortunate enough to visit some amazing places. Nature, animals, insects, books, art, anatomy, tattoos, textures and patterns are just a few things that inspire me. Oh and my mum! She always wore heavy, chunky silver and large stones around her neck and hanging from her ears. Since I was a kid my mum has always passed her jewellery she’d outgrown down to me, which I’ve been collecting for years.

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How would you describe your process? My process usually starts from sketches, I’ll then figure out the materials I would like to work with (mainly silver) and then I begin making. Some of my designs are created in wax and then cast in to silver or gold; this is so I can reuse particular designs. Initial ideas don’t always work out so it can be challenging, yet it’s fun and rewarding. Silver can easily be recycled too; I can melt it down and forge it, which is great – no waste.

What is your work station/room like? I love my little workstation, it’s usually pretty tidy with MOST things in order – it’s quite literally the opposite at home though! I’ve gained so many great tools too, my boyfriend’s mum used to make jewellery so she’s handed down loads of her cool tools and stones from around 30 years ago. I never thought I would I enjoy tool collecting so much!

Can you tell us about your tattoos? I’ve been collecting tattoos for a while now, I have some that are pretty shitty but they mean a lot and a load that are personally meaningless yet the coolest designs. My most recent tattoo was an anvil made by Adam Sage.

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Do your tattoos influence your designs? In some ways yes, they definitely do. A lot of my friends are also tattooed and my boyfriend, Jack Thomas Newton is a tattooist so there’s always a load of inspiration around me – especially in our home. Jack influences me a lot creatively. My next tattoo will be a Rangoli, so I reckon some of my next designs may be inspired by Asian art and culture.

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How do tattoos make you feel? Tattoos make me feel good and I’m sure this goes for most people that have some! I think it’s amazing that we can wear a piece of art – even if that is something meaningful, decorative or even just silly.

Tattoo Artist Fede Gas

Known for his realism tattoos, 38-year-old tattoo artist Federico Andújar, aka Fede Gas works out of Gas Tattoo Studio in Seville. In this interview he tells us about how he started in the business and what he loves most about tattooing…

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I’ve been tattooing since 2006, so 12 years now. In the beginning I just wanted to paint graffiti, but one day a friend of mine asked me to join him in a tattoo studio. This is when I started to learn about tattooing and how to tattoo. After a long period spent as a tattoo apprentice I started my own career as tattoo artist. I’ve worked conventions in Barcelona, Milan, Brussels and London and I hope to work them again some day and new ones.

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I would say my style is a mix of realism and watercolor or abstract effects. Now it’s changing though as I am starting to work with more Neo-traditional styling.  I think it will allow me to develop my ideas further and really connect to tattooing in a more personal way.

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What I love most about my job is the freedom and that everyday is a new and different day. My favourite sentence is “always learning”, I even have it tattooed on my fingers, this is how I want to live my life.

After 12 years of tattooing what I really want is to express myself in every tattoo, to put a piece of myself into every tattoo I make. I don’t really care that much about the subject, but I do care about the confidence my clients put into me, how they let me create my vision. I need to express myself and not to copy an image onto the skin.

Interview with Jonny Saunders

31-year-old tattooist Jonny Saunders tattoos out of Pulse tattoo studio in Banbury, Oxford. We chatted to Jonny about his dotwork swirl designs, how art relaxes him and how he chooses to decorate his own body with tattoos…

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How long have you been tattooing? I’ve been tattooing professionally for four years now. I used to study art, I had private art classes with Sue Burns who is the wife of Jim Burns the airbrush comic artist. Growing up with ADHD I found nothing interested me, except art. Art was the only thing I could do for hours on end and it helped to calm me down, it still does.

What made you want to become a tattooist? I wanted my artwork to have a bigger impact than I got on paper – it’s one thing to draw on paper and frame it but it’s another to mark someone for life. I love the rush of tattooing knowing I cant make any mistakes, the whole way from the power output to my running of the machine to how deep to go and what angle, and having it all work together to create amazing artwork to last a lifetime.

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You tattoo in a lot of different styles, which is your favourite? Working full time as a tattooist brings many different styles of art daily. My favourite style and the one I want to make my name for is my 3D Dotwork stippling.

What do you love to tattoo and what would you like to do more of? As I’m still fairly new to tattooing I would love to do more and be known for my dotwork paint swirls and my custom mandala geometric designs. Big plans and designs to come.

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What inspires your work? Are there any artists that you admire? I get inspired by doing photography and speaking with customers and their ideas. Without sounding stuck up I don’t admire anybody. I’m a strong independent artist with my own ideas and way of thinking. I have taught myself to tattoo and because of this I have my own way of working. I have my own thoughts on how art should turn out. In truth I want to be the one other admire.

When did you get your first tattoo? When I was 22, I got a tribal rose that was for my mum as her middle name is rose, but now I have it blacked out (my mum forgives me).

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You’re heavily tattooed, including your face, what sort of reactions do your face tattoos get?  Having face tattoos for me has done nothing but make me so much more confident and free. I get stared at constantly and random people come up to me asking about them and I love the attention. I blacked out one of my ears as I didn’t want to look stupid by blacking out both.

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What inspired you to cover your face and black out your ear? Was this a journey or more of a spur of the moment thing?  For me just the look of black abstract tattoos is as deep as it gets. It doesn’t mean anything to me there is no planing when it comes to the outcome of my body art. I get tattooed by Eli who works in Brighton, I show up and get tattooed. There is no plan, I just let him go crazy and I feel that with this way I won’t ever regret my body art. To be completely free of planing or worrying about if it will come out as planned feels amazing, there is no goal and no end.

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Head to Jonny’s website to see more great tattoos or follow him on Instagram.

Tattooed Travel Photographer Kym Ellis

We chat to 29-year-old Kym Ellis, a technical marketing lead and travel photographer, about her tattoos and work. At the moment Kym has no fixed address and instead chooses to slow travel around the world – right now she’s in Chiang Mai in Thailand…

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When did you get your first tattoo and what was it? It was on my eighteenth birthday and it’s a small pisces star sign symbol at the bottom of my nape. I wanted it when I was 16, but my dad who has very old tattoos which he hates, told me to wait until I was old enough. It’s not a very good tattoo but I still kept it as part of my back-piece.

What inspired you to start getting tattooed? Music mostly, I grew up in my late teens with MSN and MySpace and getting into punk and metal was the first time I felt like I had my own identity. I actually kept my music tastes a secret from my school friends for quite a while because I knew they were not into that scene.

Then when I turned 16 I decided enough was enough and changed my style overnight. I never looked back, it was extremely freeing to express myself in the way that I wanted to rather than trying to please others.

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Have tattoos changed how you see yourself and your body? Absolutely – getting tattoos gives me agency over my body and I definitely became more confident as I started to get more big pieces. Whenever I get a new tattoo, it only takes a few days for it to become a part of me. I often forget I have so many, and when I see old photos of a less-tattooed version of me I find it very strange to look at.

I still have some big gaps on my arms and legs that I want to fill up, but I am just taking it steady and enjoying the proces.

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Do you think your tattoos affect how others see you?  Yeah, in both good and bad ways. To be honest I don’t get too much negativity about my tattoos these days, but it can happen occasionally because I travel so much and different places have a different perception of tattoos as a whole.

What sorts of reactions do your tattoos get? For the most part I get a lot of compliments about my tattoos and people often ask me where I got them done, how many I have, or how long they took. Sometimes people want to touch them, that’s kinda weird!

There are still certain places that I visit where tattoos are less accepted and I definitely notice people staring at me. But it really isn’t the majority of people, and my way of dealing with it is to be proud and confident.

If people ask me what the meaning behind my tattoos are, I show them the tribute portrait of my cat that I grew up with. I carry her memory around with me everywhere and yes I am aware that this puts me firmly in the crazy cat lady category.

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My cat Tess, by my friend Sam Stokes

How do you find your work and tattoos mix? Can you show them freely at work? In the earlier days of my career when I worked for companies in the UK, I mostly had to cover my tattoos up. It’s not the worst problem in the world to have, but I never felt like I could take my full self to work and it did wear me down eventually. In hindsight I should have just had them on show. It probably wouldn’t have done me any favours in the workplace but I also don’t think it would have got me fired.

Ever since I started working remotely for technology companies, it’s been the complete opposite. I’ve always been accepted for who I am by all of my colleagues. I wouldn’t take a job where I have to hide my skin again.

Is your photography a creative outlet that allows you to share the real you? It used to be, when I started out with photography about eight years ago I did a lot of portraiture and used myself as a subject when there was no one else around to photograph. Alongside building my tattoo collection, this was a means of expression.

Travel photography is my main focus now, because that’s such a big part of my life. I share a lot of my photos for free on Unsplash.

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What future career plans do you have? I have made some big career leaps in the past couple of years, from finding my first remote job to becoming more of a technical marketer and improving my coding skills. I’m really happy with my career at the moment and in the future I’d like to move into senior leadership or marketing operations.

I’m going to keep travelling too – being able to work from anywhere is such an incredible opportunity. My next project is to learn how to sail a boat. Then my nautical tattoos will really come into their own!

How do you find travelling and getting tattooed?  It’s really hard to get tattoos when you travel a lot. From living in places where there aren’t many artists who do the style you’re after, to trying to get a booking when you’re only going to be around for a few weeks. I have a full back-piece that is still missing it’s colour because I need to get back to the UK so Ben Stone can finish it up for me.

Back Piece by Ben Stone

That said I’ve managed to get some really great tattoos during my travels. I got a mountain range on my arm when I was in the Arctic Circle, a beautifully gothic traditional tattoo at a convention in Cape Town by @jarretcrosson, a gorgeous snake and florals from @mooreahum.tattoo in Vancouver, and my stomach piece was by @romain_labordille in Bali.

tattoos by jarret crosson and moorea hum