Tag: tattoos

Posted on

Eat, drink and be merry: our fave food tattoos

Our editor Rosalie loves food and – of course – tattoos. So what’s better than combining these two loves? It seemed a lot of you agree with her. In this blog, she shares the stories behind some of her – and your – food tattoos.

Rosalie Hurr: “This is my silly cat wearing a cake and it’s by Lucy Alice (@_cattnip). I actually won a tattoo giveaway and just thought this was a fun idea. The edamame bean was done on holiday in Newquay by Gemma (@helfire). This foodie tattoo is for one of my oldest friends, Cath. We always share edamame beans when we see each other, it’s a bit of tradition. My cute bean reminds me of all the good times and food we’ve shared together. Awwww…”

“Then, there’s my cinnamon bun by Hayley Blackwood (@hayleyblackwoodtattoo). I just reeeeeeally love a warm doughy, comforting cinnamon bun. While honeymooning in Canada, I made it my mission to seek out the best ones. The words ‘forever hungry’ honour trying to stay open and, more literally, my constantly rumbling tummy.”

“I also share tons of amazing food tattoos on @Foodie.tattoos!”

Joey, 31, living in London

“My strawberries were done by Korean tattoo artist @mym_room. Based on a song by my favourite band about strawberries – a heart is like a strawberry, it has nothing to protect it. In an emotional, rather than literal, sense…”

Amie, 32, Operations Manager for a small charity, living in Bristol

“My lil lime tattoo is for my besties! We all love a shot of tequila, obvs with a lime. So, I thought it would be nice to honour my favourite women with a bright green lime on my leg. It’s by @abiloveless. “

Rachel, 30, from Leeds

“I have a pizza slice tattoo. I also have a tomato by Fiona (@growing.basil) but I got that because my cat was called Tomato. So it’s more symbolic but it’s still food!”

Lucyna, 36, hairdresser, Nottingham

“I love PIZZA! I just like pepperoni pizza!”

Amy, 38, tattoo collector and cat mother, Manchester

“Paula Castle (@paulacastletattoos) did my food tattoos. A cup of tea solves everything. And this is my teapot with a bee as a representation of Manchester. Custard creams, malted milks, fondant fancies have always been faves of mine. My mum will always do me a brew with biscuits when I visit so it’s a bit of a homage to her.”

“Scones are also a fave (jam first always), plus it always feels special to go for afternoon tea with scones, jam and cream. Food definitely brings people together – even in the hardest times. Sometimes a brew and a biscuit is what you need to know you’re loved and cared for. One of my nieces pointed at my biscuit tattoos and said those are her fave too – that made my day!”

Nicola, 40, from Sunderland

“Alex Rowntree (@alexrowntreetattoo) did my milkshake tattoo. There’s no story to it other than I love a good narna milkshake! I wanted it for years before I actually got it.”

Vicki, 48, SEN teacher

“My banana was custom by Sarah Whitehouse (@warahshitehouse) back in 2018. I got a tattoo for my younger daughter, then I asked my eldest daughter what I should get for her. She was 14 at the time, but she said a banana! Most of my tattoos have faces so that was what I went for. I teach students with special needs and it’s the tattoo they always comment on. My nephew has loved it since he was a baby, too. A banana with a happy face seems to cheer people up.”

Bek, 30, Clinical Deputy in secure services, Birmingham

“My tattoo was done by Lucy Blue (@lucybluetattoo) when she was an apprentice about 8 years ago. It was a drawing on a print she had created with other foodie ladies and she wanted to tattoo them, so I said yes. You usually see the ladies with fruit on their head, but I liked how fun and different the junk food was.”

Have you got a foodie tattoo? Let us know in the comments and tag us on Instagram!

We’re always sharing amazing tattoos and tattoo artists. Keep scrolling and check out our latest tattoo posts.

Posted on

“Tattoos are an amazing way to express our individuality,” tattoo artist, Ehyang

Tattoo artist Ehyang adores putting her art on people’s bodies. “I think it’s a proud and rewarding thing that someone likes my paintings and keeps them on their body for the rest of their lives,” she enthuses. “There‘s nothing more glorious as an artist than that.” We caught up with her to find out more…

What’s your earliest memory of tattoos? Did you always want to get tattooed?
“When I was young, I just liked getting tattoos because they looked cool… then I started to just fall in love more and more, so I thought what could be better than to make them my job?”

How long have you been tattooing for? How did you train to become a tattoo artist?
“This year marks my third year. For my sanitation education, I took theoretical classes on machines and needles After that, I practiced with a rubber board.”

How would you describe your style of tattooing?
“My style is fine line ornamental. To differentiate myself from other tattooists, I draw animals with an ornamental twist. That’s the characteristic of my tattoos. I love fine lines and decorative tattoos.”

Do you tattoo lots of tourists who’ve travelled for your work?
“Half of my guests are foreigners and some of them visit Korea just to get a tattoo from me.”

How long is your wait list? How do customers book in?
“I’m taking reservations by e-mail, I used a Korean chat app, but I think e-mail is easier. I usually tattoo one person a day.”

What are the rules for tattooing in South Korea? Is tattooing more underground or becoming more mainstream nowadays?
“I think Korea is still a little conservative about tattoos. Most young people get tattoos, and they like to get small tattoos. But I think there are more people getting tattoos than before.”

“I love that a client’s idea can take me somewhere I never thought I would go. “

What’s the best way for customers to come up with an idea for you? Do you offer flash or prefer custom work?
“Customised work is more fun. I love that a client’s idea can take me somewhere I never thought I would go. The design that I and the customer made is new and interesting…”

What is the address of your studio?
“It’s 61-1, Donggyo-ro, Mapo-gu, Seoul. It’s my private studio.”

Any interesting hotels / shops / cafes nearby?
“There are many cute and pretty cafes near Mangwon-dong, Korea. There is a famous street called Mangridan-gil, and there are many cute shops there. Mangwon Market is also famous. It’s hard to walk around on weekends because there are so many people.”

Do you ever do guest spots? If so, when / where?
“I did in Singapore, Australia, Canada, and the U.S.”

What are your hopes and plans for the future?
“Now I want to settle down somewhere. I’d love that to be in America because I think I can do something fun and big with more diverse materials than in Korea. I’d love to create a unique style tattoo that only I can do…”

What do you love most about tattoos?
“Tattoos are attractive, there are so many styles and it’s fun to be able to express our individuality. And as an artist, I’m proud to be able to create my own creation with tattoos, and I don’t think there’s anything more interesting and attractive than that.”

Give Ehyang a follow on Instagram @e.hyang.tattoo.

Posted on

Cheeky blackwork: Interview with tattoo artist Alice

Tattoo artist Alice (@oneskinnyleg) creates “cool tattoos for cool people” at Sanctuary Body Art in Edinburgh. We caught up with the artist to find out more about her style, inspirations and hopes for the future…

Tattoo artist Alice
Portrait of Alice by @continuous_portrait_project

How long have you been tattooing? 

My first tattoo was October 2021 – so you could say it’s been since then. 

What inspired you to become an artist?

As soon as I started getting tattooed, I knew that’s what I wanted to do. It was a horrible itch I needed to scratch. I knew the remedy was tattooing, but I couldn’t reach the ointment at the back of the bathroom cabinet. You get the idea with this dermal analogy, so I’ll stop there. I got my apprenticeship aged 29 – a bit late to the party, but I normally am anyway. 

What’s your earliest memory of tattoos? Did you want them as a child?

I didn’t think about them much until I was 16, then they were all I thought about. I desperately wanted some Death Cab for Cutie lyrics down my forearm – not just one line, like actual verses.

I also tried to get my fingers tattooed when I was 18. It was in a shop in Yorkshire where I went to school, and it was pretty much just in the living room of a terraced house. I got told to come back when I had more than zero tattoos.  

Can you tell us about your own tattoos and your first tattoo?

My first tattoo was a falcon on the back of my arm. It’s been described as looking like a fish and a cannabis leaf, but never a bird. I wanted it to be as small as possible so this is absolutely my doing. 

Some recent cool stuff by Edinburgh pals Justin Yaroma, Enrique Vega and Sophie Bellingham, all of whom I can’t recommend enough. 

Do you have a favourite tattoo experience?

I had just the most fun with Justin Yaroma. We laughed a lot and I left the studio a better person with a banging tattoo. 

Do you have a background in art or anything creative?

Growing up I worked on my mum’s stables picking up a lot of horse shit. Over the years, I became an expert – my muck-heaps were something of an artform and have been known to make builders cry.

During lockdown I started drawing digitally for the first time, made a bunch of t-shirts which sold alright, and then managed to get an apprenticeship from there. Cheers, furlough! 

How would you describe your work? What drew you to this type of tattooing?

I would describe my work as cheeky blackwork plus cats.  

I was inspired a lot by the work of tattooers Sad Amish & Matt Bailey during the immaculate conception of One Skinny Leg as an art Instagram page. I love the way the artists can express so much movement with lines and solid black – nice bold ideas and bold tattoos.

I was drawn to this type of tattooing as I love the contrast of solid black against the skin. 

Portrait of Alice by @continuous_portrait_project

What do you like to tattoo and what would you like to do more of?

I like to tattoo lady faces, and I would like to tattoo more lady faces. I’m really digging a big bold line at the moment so anything with this I’m super excited to do. Shoutout to my customers who have an awesome range of weird and brilliant ideas – always down for more of these. 

What inspires your pieces and flash?

Things I think are cool get added to the list. Cars are cool. Fire is pretty cool. Cars on fire? Yeah, that makes it. I’ll probably do some cowboy flash –  everyone who’s anyone has wanted to be a cowboy at some point. Christian imagery is iconic too, so a little pinch of that. 

Where do you see yourself and your art in the future?

Looking forward to my first guest spots next year. I’m super happy to be in a warm and welcoming studio – so looking forward to growing and improving within a supportive environment. 

Make sure you follow Alice (@oneskinnyleg) for more fun blackwork tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Posted on

Interview with outstanding tattoo artist NAKKAB

Tattooist NAKKAB creates incredible tattoos that flow with his client’s bodies. We caught up with the artist to find out more about his style, process and plans for the future…

How did you get into the industry? 

I got into it the old school way I would say. I was young and full of energy! You know; cleaning around the studio, making tea for clients, setting up the stations, taking bookings etc. That’s when I learned most about tattoo equipments and hygiene, and of course how to tattoo. I was an apprentice for about seven months, by the end of my apprenticeship I was already tattooing clients. 

I’ve now been tattooing for around eight years and I enjoy every year more than the other. 

Blue abstract tattoo on head

What made you want to become a tattoo artist?

When I think back, I can say that the roots took hold back in my childhood. I was working as an apprentice at a barber shop between the ages of 10-12. I remember one evening when our boss got a tattoo inside the barber shop! It was a wing tattoo on his neck. I was fascinated by the process as it was pretty badass and looked very cool to me. Just as I turned 18, I got my first tattoo and that day I decided to do my research on how to become a tattoo artist in Turkey.

How would you describe your tattooing style? 

To describe it quickly we can say abstract tattooing. But of course this is not enough so I named my technique as “sernakkab”. This is where I use the possibilities of traditional Turkish marbling (ebru) and blend them into the individual’s skin by taking their muscle and bone anatomy as a reference.

It’s a combination of traditional paper marbling and contemporary tattooing with a minimalistic approach.

What inspired your unique style?

I studied fine arts and painting when I was in Istanbul. There we had a class called “Traditional Turkish Arts”. It was optional to take the class but I went for it to grow my vision, since we were mostly taught about contemporary art and Bauhaus school disciplines. I was so inspired by that class and I wanted to blend it into the lineworks I was working on then. At first it was a bit experimental, I was showing my designs to our professors and they were giving me constructive comments. In time I got more and more conscious and deliberate with what I was doing. 

Can you tell us more about performing humanity in an artistic way?

That has been written in my bio for years now. I don’t even know if it’s gramatically correct but it sounds poetic. It means that with my artistic identity, I am actually performing as a human, rather than just being one.

What’s the process behind your pieces? 

In my atelier I have a corner where I create shapes through marbling. I usually spend time there and work on new designs on different papers. When my clients ask for a design, I search through these papers and pick the one that fits their vibe. Then I study the individual’s body part where they want the tattoo.

In the end I blend the design with the anatomy of my client so that it flows on them. On the tattooing day we make slight adjustments if necessary. Sometimes I go freehand on some parts of the tattoo. Eventually we end up with a tattoo that is organic and unique for each individual.

How long do they take? 

Smaller works usually take about two to three hours. Bigger works mostly vary from four to eight hours. Even though I do big works sometimes, I use a lot of space in my designs to emphasise the anatomy, that’s why some very big tattoos might take less time. My longest tattoo took 16 hours, of course we completed it in three sessions.

Do you prefer working in colour or black ink?

It depends on the individual’s vibe. Sometimes I make suggestions when I believe some colours would look good on the design, even if my client had black in mind. Mostly they give me the freedom to go with whatever I have in mind. I appreciate it a lot and do my best to come up with a design that we both love.

What tattoo projects have you been working on?

Lately I have been studying traditional Turkish calligraphy (hat) and interpreting it with my tattoo designs. I am looking forward to sharing it with my followers very soon!

What’s really been getting you excited? 

I am excited about the future. Meeting new people, doing new projects, being part of fun collaborations and inspiring the newcomers!

Close up abstract tattoo

What do you want to do in the future?

I want to start a YouTube channel and share the experience I have with people. To this day I have learnt a lot of things online, and made too many important decisions with the help of people on the internet. Well, I want to give back to the community whatever I can! 

Head tattoo

What’s been your proudest moment?

The sernakkab works came out as my final project when I was studying at university. Being the only one in the university who did artwork with tattooing was a proud moment for me. I always love to play around with the limits of the materials, give them different purposes to bring out anything progressive. Finding a sweet spot between traditional marbling and contemporary tattooing was one of them.

Make sure to follow @nakkabdoesit for more outstanding tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

Posted on

Tattoo artist Grigorii Butrin’s masterclass on photograhing tattoos

It’s never been more important to get an amazing photo or reel of your freshly made tattoo. Not only are you a tattoo artist but you also need to be a social media manager and photographer too. To help you capture your art in the best way, realism tattoo artist Grigorii Butrin is sharing his top tips…

Black and grey realism is a style that remains one of the most popular trends in the world of tattoo culture to this day. Grigorii Butrin (@butrin.tattoo) is a talented artist, many would say he’s up there with the best tattoo artists working in this style.

Grigorii conquered the world’s tattoo community with his realistic tattoos consisting of striking contrasts, complexity and detail. They bring the image to life so that it looks 3D on his client’s skin. His sense of detail, light and composition makes his work different from others in the industry.

Gregorii’s tattoos are known in many countries, they have been frequently appreciated by judges at international tattoo conventions around the world. Grigorii Butrin is a member of several professional teams and clearly understands how to make black-and-grey realism truly spectacular. It’s this understanding of the craft which has gained him hundreds of loyal clients across the globe, and allowed him to give master classes to other artists. He’s also collaborated with world-known brands and giants in the tattoo industry – he’s a tattooer on the rise.

Looking at photos of his work from a professional standpoint you can see how he scrupulously works on photographing his tattoos. According to Grigorii, “this is very important, because it is not enough to make a high-quality tattoo, it is necessary to present it correctly to the audience.”

“Practice shows that you need to photograph tattoos immediately after the session. The reason for this is very simple: in 90% of cases, the creator will never see this tattoo again, and there is no point asking clients to take photos later, because they will not be able to do it correctly.”

Grigorii Butrin shares his recommendations in photographing tattoos to his colleagues:

  1. Do not turn off the light in the studio completely, dim it. To illuminate the work itself, use a light together with a polarising film – this makes the picture more natural, especially if you are photographing a miniature tattoo. Many tattooers prefer to photograph the work with a single light source, which makes the photos gloomy due to the lack of background.
  1. In the case of using several illuminators, glue the films to them in the same way, in accordance with the instructions. If the lights are not synchronised, then they will have to be turned over in order for them to work correctly. Cut the film according to the size of the luminous surface of the lamp, do not allow non-polarised light to get into your work.
  1. On your phone, use the first three settings for the final edit of the photo: Exposure, Shine, Light areas. They have the least effect on image quality. You can also adjust the Saturation. In order to increase the set of processing tools, I recommend installing photo editing applications.
  1. Remember that the photo will only show what was projected by the lens into the phone’s memory. If the photo is highlighted and if the whole tattoo is flickering with highlights, then it ‘s not possible to restore what did not get into the phone’s memory, when you took the photo no matter what subsequent processing you do. That is why you need to use polarising filters. Processing will only correct some flaws, but will not change the image itself in any way. Take high-quality photos initially.

Find out more about the realism tattoos Grigorii makes in our interview with the tattoo artist.

We’re always talking to amazing tattoo artists, check out our latest interviews.