Paul Clark: Scalp Micro Pigmentation

Paul Clark initially trained as a tattooist before specialising in scalp micro pigmentation and works at Brandwood Clinic. We chatted to Paul about the processes behind his work and the clients he works with… 

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What is scalp micro pigmentation? Do you tattoo hair onto other parts of the body? Scalp Micro Pigmentation is a procedure that creates the appearance of hair using an insertion of ink and the micro-dermal level. It is (as the name suggests) mostly for the scalp but we also replicate facial hair -beards, stubble. This is particularly for alopecia but also for those who want the look of stubble without the work of keeping it trimmed or people whose natural stubble isn’t dark or thick enough.

We work with other technicians who are skilled in semi-permanent make-up for eyebrows and the like. Essentially we can offer the whole package.

How does it work? What is the process? How long does it take to heal? We insert a pigment into a shallow layer of the scalp, we use thousands of impressions randomly distributed in order to replicate the appearance of hair follicles. The end effect is an appearance of hair at its shortest, we regularly describe it as the ‘buzz cut’ look. When working with clients who have some hair it can add density to the thinner or thinning areas, something we’ve done with both women and men.

It’s a procedure that usually takes three sessions distributed over four weeks or more. Overall the healing process is five days from the last session, when the pigment size has reduced to appear ‘as hair’. It’s effectively healed when the pigment size matches the existing or previous hair follicles.

How do you match the colour? We have 70 different shade variations which get close to any hair colour. They are specifically mixed for each client. We use a special pigment which is totally organic, all plant based and suitable for vegans – very important to me as I am one!

What sorts of clients to you get? What do they ask for? Are they happy with the results? Most clients ask for a natural, realistic end-result that can’t be detected easily. They are seeking the appearance of hair. It can be all ages, I’ve treated a 15-year-old with alopecia and a 70-year-old guy wanting his hairline back. It’s many different walks-of-life: celebrities, armed forces, musicians, sportsmen. Essentially anyone who is image-conscious and doesn’t want to be bald.

It often takes a long time for people to come to the decision that they want this treatment, we frequently talk to people who are on a journey and coming to terms with their hair loss. Once they’ve had the treatment it restores a level of self-confidence, they’re liberated and feel extremely happy. It’s an incredibly rewarding role to have in someone’s life.

Can you tell us about your pioneering work? It’s a relatively new industry, the very first procedure was probably only a decade ago. I was the first ‘full-time’ practitioner and have helped to train a lot of the people working in the business world-wide. The first treatments were in the straight-looking, defined hairline style and this is still something that a lot of clients like. What I’ve tried to do over the years is to perfect a more natural looking hairline because people’s hair tends not to grow in razor-sharp lines.

One of my early clients was Simon Lane who’s been on an incredible journey of his own  with scarring and hair transplants and the like. He trained as a practitioner and we’ve been close friends ever since.

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Simon’s hair journey

Working together we experimented with a few different styles of hairline and definitions. We first introduced the broken hairline, moved onto the jagged and eventually the feathered look which is one of the most advanced procedures that can be performed.

When we started Brandwood Clinic we were keen to introduce a whole new method and spent a few months perfecting something we call the 3D Scatter Technique. It’s a way of working, particularly with clients who still have some hair, to deliver the most realistic appearance possible. It is the most sophisticated procedure available and, at present, we’re the only two practitioners who can perform it. We’re naturally proud of it, as it demonstrates a great leap forward for scalp micro pigmentation.

Can you tell us about where you work? Me and Simon are at Brandwood Clinic in Solihull where we see people from all over the UK and further afield. We have a client regularly flying from Ireland and a guy coming to see us from Spain in early 2016. The whole ethos behind the clinic is that we deliver a professional service in a comfortable and clean environment. Our aim is to improve the overall respectability of Scalp Micro Pigmentation, improve standards and work towards regulation of the industry.

Costs are variable depending on many factors – what level of hair density you have remaining, whether there are scars from hair transplants or other treatments and what look you are trying to achieve. We also ‘top-up’ a lot of previous clients and have updated some of them to the 3D Scatter appearance.

Treatments (over three sessions) can take up to twelve hours, an average cost for a completely new treatment is in the region of £3,000.

Can you tell us about your tattooing background? How long were you a tattooist? Where did you tattoo? I did a six month apprenticeship in Birmingham. I studied art and felt that this was a natural progression but then found an opportunity with scalp micro pigmentation that didn’t exist in traditional tattooing. It was a chance to really help people but also, eventually, use some of my knowledge of art and tattooing background.

I felt that I wanted to concentrate more on that and not jump between the two. I wanted to immerse myself in the technique of micro pigmentation and perfect it. Trying to tattoo at the same time would be confusing, they’re different disciplines. I’ve treated tattooists and they’ve always been blown away by the work, I always felt like it justified the decision I made. I’m very passionate about scalp micro pigmentation.

Can you tell us about your tattoos?  I have quite a few tattoos, sleeve and chest area mainly and a recent one on my hand. Andy Cryztalz at Park Street Tattoo in Birmingham did the dot work and mandala on my hand, it’s a great piece. I also like Dawnii at Painted Lady who did my sleeve, Mike Philip at Immortal Ink did my chest, all great artists. In the new year I will be starting on my other arm!

Careers: Tattooed Model Booker

We chatted to 22-year-old Laura who works as a model booker in London, about her beautiful tattoo collection and people telling her she doesn’t look like the tattooed type… 

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My first tattoo was (I’m embarrassed to say) those feathers with little birds coming out of them with the quote “Not all those who wonder are lost” I cringe so much looking at it but despite what it is it’s not actually a bad tattoo but just poor decision making on my part. I was 18 when I got my first tattoo and have learnt a lot about tattoos over the past four years so I try not to feel too bad about my first couple of tattoos!  At the time I loved it so I’ll never regret it but at the same time feathers and birds are so cliché;  I didn’t even realise the quote was from The Lord of The Rings (sorry!) so that makes me feel bad!

There are two people in my life that influenced me. My older cousins had tattoos and I used to think they were so cool. I’m like 12 years younger then them so they were my idols. When I was older (like 16/17) I worked with an Aussie girl at Dr Martens and she had beautiful tattoos, I can’t remember the name of the tattooist she went to but from then on I was set on getting at least one tattoo. I lost touch with her after leaving Dr Martens but I always think about her and her tattoos.

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I guess one of the first thing people notice is that the majority of my tattoos are ladies and animals, animals on my legs (there’s a couple of exceptions to that though) and ladies on my arms/chest. I have a tattoo by Daniel Gensch based on Rebecca from a novel by Daphne Du Maurier that’s on my arm, Sam Smith also tattooed a portrait of that author on the same arm. I love my Eckel tattoo, it took years to finally get a reply from him and I still can’t get over that I managed to get booked in with him!

My tattoos are quite girly apart from my chest piece that is a lady with daggers going through her head. Sam Smith tattooed that one as well, she finished it all  in five and a half hours, it’s one of my favourite tattoos but hands down the most painful. I’ve been really lucky with who I’ve been tattooed by;  Sadee Glover, Drew Romero, Kodie Smith, Magda Son, Georgina Jurd.. My most recent tattoo is a portrait of the actress Felicity Jones by Rose Hardy.

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There are so many artists that I admire and still want to get tattooed by, including Emily Rose Murray, Jacob Gardner and Sam Clarke, to name just a few! There are so many more though! I can’t wait to get my back started by Aimee Cornwall, I’m really excited but nervous because I hate not being able to watch myself being tattooed.

I saw my current job on Fashion Monitor whilst at my previous internship. I applied, got an email back 10 minutes later, had my interview the next day and got offered the job a couple of hours later! I started working at Scallywags which is a child’s modelling/acting agency and I’m starting up a little model division with Simon & How which is Scallywags big sister company. I look after Scallywags social media, answer the phone to parents but mainly look after new briefs that come in from clients I submit the children that match the briefs to the client, book in children for auditions, shoots. I do a lot of scouting as in town and have meetings with photographers and potential new clients.

Before that I was interning at the Anti Agency which was really fun, I learnt a lot and really enjoyed working there! Aside from that I’ve worked at Dr Martens, Fenwick’s, Whistles, Fred Perry, Office and Waterstones so yeah I’ve had quite a few jobs. I attempted university twice and changed my course three times. My courses were fashion based so I guess I tried to to study for my current job.

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Another thing I’ve been really lucky with  is doing lots of work experience. I started doing work experience at Vogue in the classified department when I was 14, I worked hard and eventually was allowed to work at GQ and Russian Tatler, I had done a lot of the packaging of clothing and accessories that had been on set for shoot. I assisted different stylists for a couple of years as well, interned at Tank, worked at Fashion week doing photography.

I tend to dress pretty casual for work as the office is super chilled. When I came for my interview I covered up all my tattoos and when I got my job I came into the office with most of my arms and legs on show. I’m lucky that my bosses actually don’t mind at all about tattoos. In general I usually wear a lot of dresses and skirts, little tops. I think I live in a constant mental state of summer, I hate winters clothing!

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I think my family have just accepted all of my tattoos now, they were never angrily against me getting tattoos but my parents were more worried about the financial side of things. I’ve got a twin brother who doesn’t have any tattoos and I just think that my family were more surprised that out of the two of us I started to get all the tattoos that I now have because I’ve always been the slightly awkward, quiet one. I think my work colleagues were surprised that I have tattoos just because they said I didn’t look like someone to have any interest in tattoos. That’s the most common thing I’ve heard people say about my tattoos that they were surprised I had any because I didn’t look the type, I don’t know like to me it feels normal and natural to have my tattoos but maybe to others it might not make sense.

I get a bit of a mixed reaction from strangers in the street, I get stared at A LOT and most the time I just ignore it but if I’m having a bad day and I’ve got someone glaring at me and shaking their heads it just makes me really anxious. People come up to me and start talking to me about my tattoos and that’s really nice when people have a genuine interest in the art that I have. I’ve had some mean comments as well from complete strangers like I was going to order a coffee from Costa and the guy serving we was like ‘oh you look really scary’ I only wanted my coffee not your opinion on me but yeah thanks! Recently I got told I looked like a public toilet which was very nice- people have such a lovely way with words!

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I would say to people thinking about their career when getting tattooed to think carefully about getting a obvious tattoo like on your hands, knuckles, face etc. just anywhere that can’t be covered just purely because some companies still judge someone on appearances as opposed to their skills and what they’re capable of. I think it’s a rubbish way of judging someone but at the end of the day that’s what people are like so before making a rushed decision and then being angry about not getting a job maybe just try sit down and have a careful think. As for getting tattoos on any other part of the body that can be covered then go crazy!

In the kind of job I have it doesn’t really matter about whether you have tattoos so I’m really happy about that, to be honest I’ve never really had a job (whilst having tattoos) that have a no tattoo policy, even when working at Waterstones I got my job because the manager liked my tattoos.

Rosey Jones Illustration

23-year-old Rosey Jones from the Netherlands creates bright and bold illustrations. We chatted to Rosey about what inspires her, her fashion style and her awesome tattoo collection…  

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When did you start up your company/big cartel store? I started my store exactly 10 weeks ago! It’s funny to think my intentions were never to make prints of my designs, it was coincidence that I got asked to make one of the designs I handpainted on a tote digital for a band from the UK – then I realised I could do this with more of my designs and eventually the main focus became making designs for prints instead of hand painting them on totes. That’s kinda how this all started!

What kinds of things do you create? My main focus is on making artwork for my prints, besides that I also handpaint tote bags that I sew myself too, but I haven’t got as much time for it at the moment. The designs on my prints vary from teacups to roses and from donuts to daggers, I literally just draw whatever I fancy at that exact moment which could be anything really!

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How do you create things, what is the process? I try not to think too much about what I draw so I usually just start sketching up some stuff that comes to mind, which usually happens when listening to music (might explain why half of my designs got lyrics included in them), then when I start seeing it come together as a whole I redraw my sketches with a sharpie, scan the image, and colour it digitally. I love the mix of it being both analogue and digital without it being super obvious how it’s done (if that makes any sense).

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Do you have a background in art? After I graduated high school I worked for Vans for three years so I had time to build up a portfolio – my biggest dream was to study photography. I eventually got accepted in the school of the arts in which I’m a third year photography student now!

What inspires you?  Literally anything and everything inspires me, I get fascinated by small things really easily which makes it quite easy to stay inspired all the time! Also cool looking people and nice tattoos inspire me a lot, and seeing amazing artwork of others always makes me want to get better at what I’m doing. I’m crazy lucky to be surrounded with passionate people, it’s really hard to be uninspired or unmotivated when the people closest to me are so supportive and hard working themselves.

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How would you describe your style? Both fashion and art.  I would say my artwork is pretty much the exact opposite of the way I dress, my artwork is all bold and bright while my clothing style is literally all black everything most of the time! I like simplicity, black jeans, black tee, black denim jacket and some sneakers to go with it (ok, maybe some dr martens when I’m feeling adventurous). I think for some strange reason my glasses make my outfit look a lot more fashionable as people keep on asking me where I got them from.

What does the word beauty mean to you?  Not much, if there’s one thing I learned over the past few years it’s that beauty is relative.

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Can you tell us about your own tattoos? I got quite a few tattoos for a 23 year old but then again, I started getting tattooed at the age of 16. My goal has never been to get covered as quickly as possible and I’ve never been one to get a whole suit planned out on my body either. Lately the main focus is on my legs as I just find that super pretty, finally got my second knee done too woo hoo! Couldn’t be more excited about that. Most of my pieces are done in the traditional style which is what I love most, there’s some very colorful ones and also some black ones but I think they go really well together. When I first started getting tattooed I always made sure I had some story to go with it but now I don’t really care about that anymore. Now I just want to get things tattooed that I find pretty or funny without it having to have a meaning – my latest addition is the donut design I drew myself. I’m super happy with how my legs are looking, all my favourite tattoos are on there.

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Which was your first, do you still love it? My first tattoo was Stay True on my wrist, got it done in Germany when I was 16 and knew nothing about tattoos or how they were supposed to be done. This might explain why it’s upside down too, but I don’t really regret it, it’s something I still stand for – wouldn’t say I love it but I wouldn’t get it covered either!

PostSecret: Tattoos

PostSecret is an ongoing community art project where people mail in their secrets anonymously on one side of a postcard.

People send in all kinds of secrets, some funny, some heartbreakingly sad, yet most are relatable and allow readers to realise that they are not alone. The blog is updated every Sunday and Frank Warren, who started the project, has released books comprised of postcards. He also does live shows and works closely with suicide prevention and mental health charities.

Here are a few of the tattoo related secrets posted in anonymously from all over the world:

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