tattoos Archives - Page 59 of 91

September 7, 2015September 7, 2015

Flavia Carvalho: Transforming Scars

Brazilian tattooist Flavia Carvalho has been tattooing women who have encountered domestic violence or have had mastectomies. The marks caused by abuse and cancer are there for life, even though the scars will fade, the memories will always be visible.

Flavia is transforming these scars into beautiful tattoos, for free, so that women can reclaim their bodies, find closure and love themselves again. Flavia’s project has been running for over two years , and is named “A Pele da Flor” which translates as The Skin of the Flower, taken from the Portuguese expression “A flor da pele” meaning deeper than skin. Flavia explains that “women are like flowers and deserve to have our skin protected and embellished.”

Speaking to the Huffington Post Flavia explains how the project started:

It all started about two years ago, when I worked with a client who wanted to cover a large scar on her abdomen. She told me that she was at a nightclub, and when she turned down a man who approached her, he stabbed her with an switchblade. When she saw the finished tattoo, she was extremely moved, and that deeply touched me. I was suddenly struck by the idea of providing free tattoos to women who were left with scars following domestic violence or mastectomies. Each tattoo would act as an instrument for empowerment and a self-esteem booster.

Images and quotes Huffington Post

September 4, 2015September 4, 2015

House of Butterflies

Justin Taylor and Charlie Lane are the creators of House of Butterflies, a small online business that sells framed butterflies, moth and beetles. The couple set all of the specimens themselves from their home in Maidstone, Kent. We chatted to Justin and Charlie to find out more about their arty adventures…

How did you start House of Butterflies? What do you create? The House Of Butterflies started from an idea we had at a craft fair, where Charlie was selling prints and original artwork. We thought it would be fun to do something together, we both share a common interest in taxidermy and art so thought why not combine the two. The framed butterflies idea came from Justin’s grandparents house as they have a small collection of framed butterflies hanging in their hall way. We both thought how great they look and wondered if we could make something along the same lines. We sat and researched the idea for a month or so before finally taking the plunge and having a go.

What inspires you? The inspiration for our boxes comes from the idea of preserving something beautiful. They are inspired a lot by the seasons, nature and by things we really like. We find when we sit and talk about ideas we tend to inspire each other. We try to choose the butterflies or moths first and then try to match the background to them rather than the other way around. The art in general is inspired by the outdoors; gardens, plants and animals.

Do you have a background in art?
Charlie: Yes, I studied at Maidstone UCA and have a degree in print making. I learnt a lot about etching and I helped with adult courses in a print making studio. I have done a lot of commission work for small businesses, band logos and for special occasions. I spent a couple of years in the tattoo industry working in a couple of small studios.

Where do you source your items from? We source all of our specimens from a entomologist based in the UK. He sources all of his specimens from butterfly farms abroad, people hear “butterfly farm” and usually think how terrible. When actually they are the most ethical way to source specimens, they bring employment to poor areas and stop the practice of wild collecting which has had a devastating affect on some species. Finding an ethical source and supplier was a big thing for us, a lot of time and effort went in to finding the right supplier with the legitimate source.

How do you create them? What is the process? The process is a fairly long one and takes time and patience, we had a few disasters at the beginning. We are completely self taught when it comes to the setting of the butterflies and it was a total case of trial and error. Internet videos make it look easier than it actually is.

The process starts by having to relax the butterfly, moth or beetle as they arrived to us in a dry/closed state. The specimens go into a relaxing tub which has a mild chemical solution in it. The chemical solution breaks down the enzymes in the specimens body making it pliable again. The specimens stay in the relaxing box until the reach this state, once there you can remove them and start the setting process. Opening the specimens is always the most fun part as you get see the true glory of what your setting. We pin the specimen to a setting board, which is a board with a small channel down the centre to hold the specimens body in place when you spread the wings. Then we very carefully pull the wings into the position we want using tweezers and then with strips of wax paper pin the wings so they are secure. We then leave them to dry out again for a number of days, depending on size. Then we unpin the specimen and then you have a set specimen, which is always very rewarding.

The vintage frames we stain ourselves to give them that old look, then we add the vintage artwork and add specimens we think work well with the artwork.

Where can people buy pieces? Do you do commissions? We have a small Etsy shop where people can buy from us, we update regularly with new items as we like to keep a good variety of pieces on there. We can be found on Instagramwhere with have a direct link to our store.

We take on commission work and our always up for a challenge, whether it be artwork or a specific butterfly or a combination of the two, we will always try our best to accommodate.

What are your plans for the future? We are hoping to keep going and maybe expand more, we do a lot of craft stalls, especially in the winter months leading up to Christmas. The big plan is to have a small high street shop where people can come in and browse.

How did you meet? How long have you been together? We met through a mutual friend who Charlie was tattooing, she thought we would get on well, turns out she was right. We had a few dates, realised we shared a lot of common interests and thats about it, and people say romance is dead! We have been together now for two years.

Can you tell us about your tattoos?
Charlie: My tattoos are a mix of things that remind me of all the places I have lived across the world as a kid, and pattern work that I’m really into. I like the geometric and dot work tattoo styles as it is how I myself draw. I like the work of Vana Chanelle, who has tattooed me a few times, along with Dan Frye who done a stunning traditional style Indian bride on my arm. I have tattooed myself a lot.

Justin: I’m a big fan of traditional style tattoos and love fat lined pieces. I have a lot of skateboard related tattoos as it used to be my favourite past time. I have a bit of a mix of black and grey, traditional colour and pattern work. I have my good friend Ben Griffiths to thank for a lot of my work, also Dan Frye and his partner EJ Miles.

August 31, 2015

The Art of Chris Guest

Chris Guest is 36-year-old painter living in London, he creates large-scale oil paintings featuring tattooed people. We chatted to Chris to find out more about his style of work, the people he has painted and the workshops he runs…

DSC_1860 copy

Do you have a background in art? I studied illustration at Bournemouth University, and at Brunel College in Bristol.

How did you learn to paint? Other than studying illustration at uni, I’m an avid reader of art technique books, plus I do a lot of life drawing (although this isn’t painting, it does help you see things properly). With painting, you just have to practice like mad, that’s the only way to get any good – nobody picks up a paint brush for the first time and paints the Mona Lisa – you have to put the time in to develop your skills. When I first picked up oils, my paintings were awful! I also think it’s very important to constantly learn from your mistakes, I always try to think of ways that I could’ve made my work better.

What medium do you use? Mostly oil, although I do draw with pencil and charcoal a lot as well. Oil feels so nice to work with and is so forgiving, once you know how to use it properly. I love the history of oil, and the fact that it hasn’t really changed much in hundreds of years (pigment mixed with safflower oil). Despite all these acrylic paints you can buy, they still can’t make anything better and they’re nowhere near as nice to use. I like the idea of producing some watercolours in the not so distant future too.

Can you tell us about the exhibitions you are involved in? I will be exhibiting some pieces at this year’s London Tattoo Convention, so please check it out if you’re coming! Seeing art framed and well lit in real life is so much better than on a computer screen, as you really get to see all the brush strokes, and the scale of the work, and get an idea of what the artist was trying to convey. As well as originals, I shall also have prints available.

How would you describe your style? The way I paint is quite classic in style and technique, similar to 18th century painting, but a modern subject matter, painting tattooed people. Obviously my work is quite realist, but you only need to get within a metre of it to see its quite brushy up close!

Who have you painted? Several tattooed models, probably the most well known being Cervena Fox. I’ve worked with Cervena on numerous occasions now, and feel we’ve built up a good working relationship. When we talk about what I’m looking to achieve for my next body of work, I always find Cervena gets my ideas, and really helps them come to life. When you’ve built a good working relationship and your models know you, you’re both a lot more relaxed, and it feels more like friends hanging out, rather than a work thing.

Do you paint from photographs or real life? Both actually – there’s nothing better than painting from life, and I always find the results are more pleasing, plus its more fun. Although sometimes you don’t have the luxury of having someone sit for a four hour session, or if you’re looking to paint someone outside in a street, for example, you have to work from photos.

How long do the paintings take? Sometimes paintings just seem to work, and they feel finished and complete after a few hours. Other pieces sit in my studio for months and then get revisited, so it’s really hard to put a time scale on it. Also, due to the nature of oil paint, you have to leave a layer to dry for a few weeks before you can paint over it, so if you’re impatient, its probably better to try something else!

Do you do commissions? Of course – best thing to do is drop me an email at mrguest@hotmail.co.uk to discuss your ideas!

Where can people buy your art? I have prints and art cards available on my website store. If it’s originals you’re after, best thing is to email me for availability, prices etc. I’ll have originals for sale at the London Tattoo Convention. I also put my work in several group shows in galleries every year, a lot of them happen to be in the US though!

Can you tell us about the workshops you do? I currently teach a ‘painting a head from reference’ workshop, in several tattoo studios, mainly in London, and a few around the UK. It’s a great way to learn some basic techniques, as I go through colour, materials, values, stuff like that, to help you achieve good results with your painting. It doesn’t matter if you’ve never picked up a paint brush in your life, or you’re the next Rembrandt, it’s more about taking part, having fun and producing your own painting. If you’d like to attend or perhaps host your own workshop, best thing to do is drop me an email at mrguest@hotmail.co.uk for more information.

August 27, 2015

Dina Litovsky: Under the Needle

Brooklyn based photographer Dina Litovsky has created a series called Under the Needle, in which she captures the serene and painful moments of people being tattooed. The photographs were taken earlier this year at both the Empire State Tattoo Expo and the New York City Tattoo Convention.

August 27, 2015

Long Term Illness and Tattoos

Our guest blogger is illustrator and crafter Rachel Rawlings, creator of Rachel Vs Body blog. On her blog Rachel writes about her various chronic conditions and how they affect her life and have changed how she experiences the world. In this post she talks about her tattoos and how they help her to regain control of her body…

The human body is an interesting thing. Take mine, for example. In 2012, I was in my final year of studying for my illustration degree, working as a healthcare assistant in my spare time, spending most evenings in the week cooking and hanging out with my friends and coursemates. I was 20 and everything was – for the most part – working fine. But then, I got sick.

It was just a virus to start off with, but over time, I didn’t get better. I was constantly in pain; I felt dizzy at the smallest motion; food became my greatest enemy, triggering nausea and cramps at the most pathetic nibble; my concentration was shot; walking became something akin to climbing mount Everest; and, above all, I was EXHAUSTED. Not tired; not fatigued; not sleepy or dozy; but that all consuming physical exhaustion that you get when you’ve had a particularly bad bout of flu. I was diagnosed with M.E. (Myalgic Encephalopathy) and P.O.T.S (postural tachycardia syndrome) on top of my existing health conditions (chronic migraine, IBS, eczema, eczema herpeticum and asthma), and three and a half years on I’m still undergoing tests to see what’s making me so unwell.

Moth by Paul Davies at Loki Ink, Plymouth

Things got progressively worse, and these days I can’t work or study as I’m mainly confined to my bed (although on good days I make it to my living room); I use a powered wheelchair ( or crutches if I’m feeling particularly perky) to get around because walking is so difficult; I’ve lost a lot of friends who can’t figure out how to cope with me being poorly. Trying to be well is my full time occupation.

With my body failing me in such an extravagant fashion, there is one thing that makes me feel like I have some modicum of control over it; getting tattooed. I got my first one in early 2014 while I was doing my MA and had been sick for a couple of years. It’s a small deathshead moth on my wrist done by Paul at Loki Ink in Plymouth, a subject matter I chose because of its connotations of transformation and freedom.

Connor Tyler at Joker Tattoo, Portsmouth

Getting tattooed is a bit of an ordeal for me. The actual tattooing is fine – I’m very lucky to have a high pain threshold (pain holds very little fear for someone on painkillers as strong as the ones I’m on) so I can sit under the needle for hours without it bothering me. The issue is everything else.

First off, I have to get to the place – which is hard. I usually only leave the house once a week, twice if I’m lucky, and always with someone else (it’s not safe for me to go out alone), so the logistics of organising that can be tough.

Then, getting there, I have to deal with the sensory overload of a place full of people and buzzing machines and music; with M.E., your senses are often in an extremely heightened state and any noise, light, touch can be excruciating. The noise is a particularly tough one for me as I get migraines and tinnitus, so I have to really prepare myself for the aural onslaught of a tattoo shop.

Chrissy Hills at Kingston Ink

Having to sit or lie in one position really still is hard for anyone, but when you get muscle spasms and convulsions on top of chronic pain, it can be … interesting for all involved. P.O.T.S causes tachycardia, dizziness and blackouts if you’re upright for too long, so I have to be in a position which is safe for my particular conditions. I have to bring my medicines, lots of water, layers of clothes, my walking aids, ear plugs, sunglasses, a whole bunch of nonsense just to get through the session. After a tattoo, I’m always in agony – but the tattoo itself isn’t the problem, the joint and muscular pain incurred is.

It took me a while to draw up the courage to get tattooed – not because of the pain (note the aforementioned painkillers), but because I was scared of doing something so permanent to myself. But my body was already permanently altered from the way it should be, so that was no longer an excuse. I was scared that people would judge me on sight – but if you’re a twenty-something having to use a wheelchair or crutches, people give you some odd looks anyway. So, sod it, I thought – let’s give them something to stare at.

Marcelina Urbańska, Rock’n’Ink, Krakow

It seems like a lot to go through just to get an image on my skin, but for me it’s worth it. After feeling like my body had turned traitor, I have taken back the reins and forced it into a form which makes me happy. Sure, I may be covered in scars, a bit chubby from the medication, pale as death and with eyes like pissholes in the snow, but I’m still in control of how my body looks – on a superficial level, at least. Tattoos have helped me accept the changes that have been forced upon me by letting me shape the way I look, even if I’m powerless to control the way my body works. There’s a lot to be said for a needle and ink and the power of positive thought – it might not make the crippled walk, but it can damn well make us feel good sitting down.