Celebrities and Tattoos

Newspapers and the internet are crammed full of celebrities showing off their new tattoos and getting tattooed.

Rihanna flew tattoo artist Cally-Jo to the Dominique Republic to tattoo her hand.

We’ve even spied celebrities doing the tattooing!

Earlier today, after getting tattooed by Lauren Winzer, Miley Cyrus gave Lauren a tattoo. Miley is almost as famous for her tattoos as she is for her music, she frequently tattoos her friends and other tattoo artists including Bang Bang.

Miley’s Hands by Lauren Winzer

Miley's hands by Lauren Winzer

 

Celebrities are influencing tattoo designs and creating trends in the tattoo world. One of the most famous and replicated tattoos of the moment is Cheryl’s hand (also her bum is also pretty famous too):

What do you think of the rise in popularity of tattoos and celebrities?

 

Images from
DailyMail
Instagram.com/laurenwinzer
Stealherstyle.net

 

Female Tattoo Artist Show

Earlier in September, we had a stand at The 4th Annual Female Tattoo Artist Show in Leamington Spa.

But we wanted to find out more about the need for an all-female tattoo show, and why it was first set up. So we spoke to one of the organisers at CBA Promotions to find out more, see how the show went for them and if any changes will be made to the convention in the future.

How long has the show been running for and who started it? This was our 4th year of running the show and it was started by Dave Boyle with a lot of help from his team at Creative Body Art in Coventry

Why have you chosen to create a female only convention? Honestly, we just wanted to put on a tattoo show and this was the only thing that had not been done in the UK before. The idea came from a show in the USA that has run for more than 20 years.

Is it at related to sexism in the workplace or the tattoo industry? Do you think it is harder for women to get noticed purely for their work? It is not related directly to sexism, however people would be stupid to think that it doesn’t exist. Even now, in our tattoo studio, we have guys come in and ask the female artists where the tattooist is. We were also told by a female artist one year she was denied applying to work a tattoo show “because they already had enough female tattooists on the list”.

I don’t think it’s harder for female artists to get noticed these days, the tattoo industry has come a very long way in recent years and there are now so many amazing tattooists both male and female. Most studios have a female artist – and so they should, I’ve always had female artists in my studio and long may that continue. I can remember when you could count on one hand how many female owned tattoo studios there were in the UK and now that has changed and it’s totally awesome.


Why was the judging done by three men when it is a female only convention? It wasn’t something we gave a great deal of thought to to be honest, in recent years we have had female judges, but like all tattoo shows we grab what judges we can as it’s not a job everyone wants to do, it usually depends who’s free and available at the time.

The entertainment was very similar to other conventions – dancing girls, pinups etc – why did you pick the same formula? The 1st Annual Female Tattoo Show had a very vintage feel. This theme came from the Art Deco and up-market venue, so the show was born from that. We are only a very small, one-day show and we put a lot of time and effort into the entertainment.


What are your plans for next year? Will you change anything? We are currently in the planing stage idea wise for next year’s show, I don’t think we will change much. We have a few things to address and we learn every year and listen to feedback. We make slight changes every year, for example we reduced the entrance fee this year and allowed children in for free, whereas previous shows have been 18 only. We are looking at reducing the cost of trade spaces too, especially for smaller independent traders.

Was the show a success for you? Any words for people wanting to attend next year? This year’s show for us was a huge success! The number of people who attended was up on last year and we had a huge waiting list of artists wanting to work. We also sold out of tattoo booths three months before the show. Anyone thinking about attending next year’s show definitely should as it’s a great day out. There is lots to do in the local area if people wanted to make a weekend of it, we have Shakespeare’s birthplace just up the road, Warwick and Kenilworth Castle and Coventry Cathedral are all great places to visit. Leamington Spa itself has some lovely shops, cafes and bars.

Photos from Things&Ink and Female Tattoo Show

Liane Plant Illustration

Liane Plant is a 22 year-old illustrator based in London. Liane is also founder of Valkyrie Skates a company that creates more than just skateboard decks but works of art. We chatted with Liane to find out more about her style of illustration. 

Tell us more about your background, did you go to Art College? I went to art college for three years straight out of high school as I knew I wanted to have some involvement in the arts (despite not knowing what that was). The school had a super loose system so I spent three years experimenting, seeing art and reading comics. The artwork of Robert Crumb  and Gary Erskine were a big influence on my work at the early stages. I would draw everyday, experimenting with techniques and materials, but I always preferred working in black and white. This is still the case today.
After college I went on to study graphic design at Central Saint Martins and I moved down to London. I learnt how to screen print and in my final year I helped out at Lovenskate, and I interned at Puck studio, where I was picking up lots of different techniques.  I did a lot of screen printing at Uni and during my internships, I loved the imperfection and tangibility that you don’t find in a digital piece.

What inspires you? I am inspired by artists that make bold graphic images, these include German Expressionists, early 80s skateboard art especially Pushead and Jim Phillips, circus signs, mythology, curiosities and gore from Sci-Fi and horror movies.

What medium do you use to create the work? All my work is hand drawn, scanned then coloured in Photoshop It is then reproduced through screen printing, so I am always working in layers.

Where can people see and buy your work? I’m excited to be involved in the next New Rule collective Horror Show, this Halloween, an illustrated tribute to Classic and B-Movie Horror Cinema.
The show is running October 31st – November 5th at 5th Base Gallery, 23 Heneage street, E1 7LJ.  Come down for some creeping!

I also recently designed a print for the Paradise series ‘Sweet Babylon’ exclusively for Skull and Heart. It is available to buy online, and there are many works from incredible artists including Dan Mumford, Mr Gauky, Ian Mcarthur and Tom J Newell so it’s worth checking out!

In addition to  Valkyrie Skates has an online shop with a range of apparel  and skateboards.

Do you do commissions? The most recent project I have been working on is a Valkyrieskates x 3rd rail collaboration of a Norse beer themed skateboard for the 3rd rail Beer Visions show.

Be sure to check out Liane’s Instagram, Twitter for more awesome illustrations.

Damien Frost Photography

Damien Frost is a 38 year-old graphic designer who works and lives in London. His Instagram showcases a collection of people he has photographed while walking the streets of London. He predominately chooses to photograph people he thinks stand out from the crowd. We chatted to him about his – yet to be named – project, and who knows you may be one of his subjects in the future…

Does the street project have a name? It doesn’t really have a name, I just call it “a portrait a day”, which is insanely boring, but does the job – for now.  At the end of the year I would like to make a book of the daily portraits and I should probably think of a name for that.

Why did you begin to photograph people on the street? I’d always wanted to do a project like this but have always been a bit shy about approaching strangers. I’m a naturally reserved person so it can be difficult sometimes approaching people on the fly like I do, but often the more challenging it is, the more rewarding it is.

I started this “photo-a-day” project  before I went home to Australia at Christmas and the photos I was taking there were kind of a celebration of what I loved about Australia, but also using strangers as a subject. Coming back to London  you question why it is you’re actually leaving the beach-side warmth to come back to a cold  city and I figured it’s for the people – that’s what I love about this town.

On my way back from the airport on the train I was thinking this and there was this guy with a pink guitar, big vintage headphones and sceptre sitting nearby and  maybe I could turn this photo-a-day thing into a “portrait a day” project,  and I’ll start with this guy, but then he got off the train.  I thought what the hell and  hopped off after him and asked for his photo. I’ve kind of seen it as a celebration of what I love about London – all the interesting people living here.

 

Funnily enough the more followers I receive on Instagram the more I feel this sense of obligation to find a picture that will be of interest as well.

 

How do you decide who to approach? That’s an interesting question because I’m not sure myself. It’s generally when someone “stands out” from the crowd for me visually. Of course, there are different levels of standing out from the crowd (and it depends on the crowd too) and it might be for something really subtle or for something completely flamboyant. Even though the project is not about fashion as such, I do like to find people that are inhabiting their style well (whatever that style might be). When I approach people I tell them that I’m taking photos of the more “visually interesting, colourful or stylish” people that I see around town and very loosely that is what I’m looking for.

I feel a deep sense of gratitude to everyone  let me take their portrait – there’s a level of trust that I’ll use the image in a sympathetic way (and that I’m not taking the piss) and I’m humbled that they grant that.

Lately I’ve been trying to think more about the background and having that remain as minimal as possible. I like to get the person as isolated as possible which can be hard and try to create a sense of stillness or “quietness” out of the busy city streets. One thing I like about the photos is that you don’t really get a sense of the fact that I’m often being bumped as people are passing behind me and the person is maintaining an expression as if there’s no one else around and that the whole street isn’t watching them and making funny little comments which is often the reality of it.

How do people react? Have these photos led to more photo shoots or
projects? I sometimes forget that it’s a little strange to suddenly accost strangers and ask for a photo but generally people are very positive about the whole thing. There’s the occasional person who’s kind of rude and it can sometimes make me feel like a bit of a jerk for asking, but mostly people are absolutely lovely about it. It’s hard not to let it get you down if you get a few refusals in a row but I do really respect someone’s right to refuse a photograph.

I once had someone tell me afterwards that for them, letting me take their photo was such a big deal since they suffer from body dysmorphic disorder. The night I approached them was the first night they’d been out  for weeks, then to be approached by someone asking for a photograph was quite significant and to say yes to that was difficult. When I sent through the photograph (I always offer to send the original high resolution image to the person) they were really pleased with it and felt it helped them in some way.
I’ve done one follow-on shoot from meeting someone randomly where we took some photos of an outfit in a studio with a view of making a print for people to buy down the track and there might be some more shoots in the pipeline but at the moment the street shots take up a lot of my free time so it’s difficult to fit other projects in.

Where can you be found? Can people approach you to appear on the
Instagram? Generally on  week nights I’m loitering around Soho,  I just hang about after work looking for the right shot, but on a weekend I’m usually around East London as that’s where I live. My general rule is that I can’t go back East until I have at least one photo, there are some nights where I think I might not find a photo. If I have a good photo I never really remember how difficult it was to get, I just think how wonderful it was to meet the person and for them to let me take it.So much of it is down to chance – walking down the right street at the right time, finding someone in the right mood or in the right location.

I’ve never really had anyone approach me to ask for a photo before (though weirdly I have had a couple of people ask me if I’m @harmonyhalo when I’ve asked them) and I’m not opposed to the idea, especially if they feel they would fit in with the general style of the subjects. Sometimes I like to imagine the collection as being almost anthropological but that sounds very cold and more objective than it is because I do feel a real affinity with the people I photograph even if I’m not necessarily part of their “scene” as such.

See more incredible portraits @harmonyhalo