Royal College of Art graduate develops a personal tattoo machine 

Jakub Pollág, a Royal College of Art graduate has developed the Personal Tattoo Machine which allows users to create markings on their skin to be associated with memories and meanings, rather than art. “Personal Tattoo Machine democratises the tattoo industry,” he said. “It puts a tool used only by a limited group of people into the hands of enthusiasts, who are seeking an alternative and unique way to permanently mark their meaningful memories onto their skin.”

Pollág has some homemade tattoos on his own skin that he executed with a needle and ink, but he wanted to try and make this diy experience more “user friendly” and accessible. The same way that prisoners fashion tattoo machines out of found objects is what influenced Pollág’s design for his own machine.

Pollág allows only one thickness of needle and a much slower speed within the machine so that it allows the user to focus on what they are drawing…hopefully enabling more precision.

 So far the machine prototype has been used to create 30 tattoos on 20 different subjects. However, Pollág still recommends visiting a professional parlour for more accurate designs. “This machine is not aiming to replace tattoo parlours,” he said. “It’s there to offer a more personal option. If you want a realistic portrait of your, let’s say, cat, you should still go to a tattoo parlour and not use this machine.”
Pollág is presenting his project at this years RCA graduate show in London which ends today, July 5th.

 

Music Review: Brand New

Our guest blogger is inventory buyer, freelance writer and creator of Typewriter Teeth blog,  Amber Carnegie. This is the first in a series of music review posts in which Amber will be documenting her experiences at various music shows. First up is her review of the band Brand New who played at The Glee Club, Birmingham earlier this month… 

Earlier this year Brand New announced a small amount of intimate dates across the UK, in the minutes that they sold out, we were held in a sort of  limbo. Were we about to experience something that you can never find in an arena or witness knee deep in mud at a festival?

Mic-stands wrapped in flowers stood patiently waiting on the stage in a nod to The Smiths, before the band shook them as they opened with ‘Mene’, Brand New’s first recording in five years. Taking the lyrics ‘we don’t feel anything’ as our own before progressing into ‘Sink’ as if working back through their discography. In a raw instant the crowd was exposed and swept together into a close moment that could only be embraced in a venue like this. ‘Gasoline’ then followed the same fervent route, the distorted end constructed the quieter moments into ‘Millstone’.

For everyone in the room there is a track or an album that has pulled them through something or become a soundtrack to a period in their life. ‘The Devil And God Are Raging Inside Me’ illustrates something to me and that is what is so perfect about this set, to everyone in the crowd there was a meaning. But the moment that Brand New continued with ‘You Won’t Know’ is one that as fans we could share.

‘Sic Transit Gloria… Gloria Fades’ erupted into ‘Deja Entendu’, these favourite songs that still generate the same responsive passion that we all felt the first time we heard them more than a decade ago. Tracks that now stir emotional drunk sing-alongs at club nights and never fail to draw a crowd. ‘I Will Play My Game Beneath The Spin Light’ and ‘Okay I Believe You, But My Tommy Gun Don’t’ fittingly continued the teenage angst choir that had taken over the crowd with:

The kind of song that makes people glad to be where they are, with whomever they’re there with.’

Brand New persistently deliver incomparable shows, no matter where they play. With such a tight discography it is impossible to find a set list that doesn’t ensue an ardent atmosphere between the band and crowd. We were treated to an incredible full band version of ‘Brothers’ or ‘Untitled 03’ which is something I had never witnessed live before. Hearing a tracks like live for the first time really enhanced the night, making it stand out against all the other live shows I have been to.

‘Jesus Christ’ marks the final track to be performed by the entire band, winding down from an impassioned and perfect set, filled with everything that gets missed in a recording studio. Stirring every sentiment of nostalgia and of being in the moment.

Closing the show saw Jesse Lacey take the stage and lay every emotion out there for ‘Soco Amaretto Lime’. Usually at this moment the audience take the track for themselves,but in this close-knit venue Lacey clutched onto his words in an emotive and pained repetition with altered lyrics and a room silent in awe.

‘I’m just jealous cause you’re young and in love.’

You Won’t Regret That Tattoo

Australian director Angie Bird has created a short yet heart-warming documentary, ‘You Won’t Regret That Tattoo’, that shows the stories and memories connected to the tattoos of an older generation. The film seeks to challenge the idea that ink is something that people will come to regret. The tattoos are there to commemorate occasions, whether good or bad, show love for those in their lives both past and present, and some of the tattoos are simply for fun, to make people laugh.

To hear more tattoo stories watch the documentary below:

If you’re anything like this group of interesting people you certainly won’t regret your tattoos later on in life…

Things&Ink The Fruity Issue starring Jody Dawber

This is our favourite time in the Things&Ink calendar! The cover star reveal… and this issue we are super excited to showcase our fruitiest cover star of them all, the amazing tattoo artist and queen of the fruity tattoo JODY DAWBER.

Issue 11 is THE FRUITY ISSUE and is available to buy now from our website: thingsandink.com. It features an exclusive interview with Jody and the full set of fruity, Carmen Miranda vibes photos. Enjoy all the fruity goodness.

Photography by Stuart McCarthy
Hair, makeup and styling by Keely Reichardt using MAC Cosmetics
Art direction and styling by Adrianna Veal
Assisted by Maisie Jo Manning
Cherry head piece by Le Château des Gâteaux