“Clients aren’t just a canvas, we sometimes forget that when we focus solely on the tattoo aspect. Marketing is more sophisticated now yes, but it’s ALWAYS been a part of our job,” tattoo artist Kezz Richards talks social media and its impact on the tattoo industry

Kezz Richardson

Social media has undoubtedly influenced the tattoo industry, bringing both advantages and drawbacks. A lot of people have found their favourite tattoo artists and styles through online platforms, and smaller tattoo artists are gaining much-deserved recognition through their social media presence. The benefits are huge, making the tattooing world more accessible than ever before. But, what are the downsides? Is social media shaping or breaking the tattoo industry?

We sat down to have a chat about it with Kezz Richardson, tattoo artist, studio owner and mentor who helps tattoo artists increase their bookings and avoid burnout. With over 20 years of experience, Kezz has seen the influence of social media on the tattoo industry. Inspired by this, she founded ‘Tattoo Smarter‘ and recently launched a new course designed to help tattoo artists master their social media presence and discover personalised strategies that work for them. So, if anyone understands the ins and outs of social media and tattooing, it’s definitely Kezz.

Kezz Richardson (@tattoosmarter)

First off, do you think social media has helped or made it more challenging for tattoo artists?

This is such a nuanced question, it’s made some parts harder and others easier. Social media is so dynamic, it’s changing all the time.

I’ll start with the positives: social media has helped so many tattoo artists connect with clients on a much wider scale than before, all with the click of some buttons. Pre-social media, you might have had 50 people walk into your shop every week – then suddenly you can put your work in front of thousands of potential clients just by using your phone.

Another positive is that social media has helped tattoo artists see and be inspired by other artists’ work more easily. We used to rely on magazines and conventions, which have historically been curated and shaped mostly by white cis men (whose platforms were often influenced by industry politics).

Social media has enabled more minority voices to find their place in tattooing and has given a platform to many types of artists for the first time.

Social media has connected artists on a mass scale, and sharing information digitally has pushed both technical tattoo and business standards much further than if we were still progressing at an analogue pace. The rate at which artists are improving is astonishing compared to even ten years ago.

It’s also provided a huge opportunity to create a more diverse network of artists that may never have met before- going for guest spots meeting up at conventions etc, community & support absolutely make tattooing easier.

Now the downsides: social media has changed at such a rapid pace that some artists that aren’t able (or don’t want) to keep up are feeling completely disenfranchised and lost. They have found themselves with less and less clients because the ability to be visible online is now much harder. I completely get why they feel like this. They wanted to tattoo; the job has lots more moving parts now.

The evolution of social media has especially affected the artists that embraced social media at the start when they found it was so easy to collect followers and followers equalled bookings. Now follower count is mostly irrelevant and lots of artists don’t understand engaged niche followers are much more important now.

Social media has evolved way quicker than our collective education about how to use it.

Those who have always had social media to market themselves are on the whole more adaptable but are still struggling with the changes. I was around well before it and it’s benefitted my career massively. We didn’t need social media before, but we have become to rely on it if we want to be competitive. It was a free tool at the start where the barrier to entry was low – the goalposts have now changed.

Lots of tattoo artists still say we don’t need online visibility and that it’s just word of mouth that’s important but I strongly disagree with this. The first thing clients do after getting a recommendation is to go look online at artists before they make a decision, they very rarely just decide to walk to the tattoo shop without some digital research.

Social media has undoubtedly contributed to more people wanting to become tattoo artists – this means greater competition than before, but this isn’t necessarily a bad thing. There are clients for everyone – different styles, different budgets, different experiences are now catered for. Unfortunately, lots of tattoo artists don’t like the idea of so many newer artists coming into the industry and doing things in a different way or them having to adapt to be competitive.

There are more clients than ever before, but some tattoo artists feel that these new clients aren’t ‘tattoo people’ and are too ‘mainstream.’ This has made gatekeeping more important for those trying to exclude others.

Social media has also allowed clients to think that we owe them our time.

People expect quick responses, and send impatient messages with the expectation of an instant reply, instead of allowing us to focus on the client in front of us or have actual rest days, only adding to our stress. I advocate for professional boundaries, such as forms and digital booking systems, to address this issue. However, tattoo artists as a whole have been slow to adopt these practices, despite my efforts over the past two years to promote them.

@tattoosmarter

Lastly, I believe social media has contributed to a decline in tattooing hygiene – or at least an increase in the number of tattoo artists with appalling hygiene standards. When reels showcasing terrible hygiene practices are shared, it gives the impression that such behaviour is acceptable or normal, leading others to imitate these bad practices. For example, there was a case where a tattoo artist used an actual cat’s paw to apply the stencil onto a client’s skin, with the cat remaining on the client’s legs throughout the entire tattoo session. We’re witnessing more alarming instances where people prioritise views over their clients’ safety. Examples include matching BFF tattoos where open wounds are rubbed against each other, uncovered beds or armrests, artists wearing watches, and hair or sleeves dipping into open tattoos—the unfortunate list goes on.

Phew. So like I said, nuanced as fuck.

Does managing your social media as a tattoo artist feel like a second job?

Absolutely. Tattoo artists have like 25 jobs on top of tattooing and social media is now a huge part of staying visible. There are tons of other jobs we do like admin, customer service, we are our own HR department, accounting etc.

@tattoosmarter

It takes up a lot of time and energy – especially when it’s an entirely different skillset to tattooing. It feels like an extra job because lots of tattoo artists just want to tattoo. When we only focus on the tattoo part though, we are forgetting that connecting with our clients is also a huge part of our job.

Clients aren’t just a canvas, we sometimes forget that when we focus solely on the tattoo aspect. Marketing is more sophisticated now yes, but it’s ALWAYS been a part of our job.

My advice for anyone struggling is to streamline all your off-skin work practices rigorously. For example, admin tasks can be vastly improved with a digital booking system, saving hours each week. You can then use this reclaimed time for marketing on social media, integrating it into your regular workload rather than piling it on top.

Also, educate yourself. Social media becomes more manageable when you understand what you’re doing; there’s no shame in seeking help or striving to improve. This is even more crucial if you work in a private studio where visibility is limited. If your studio has a small following, you’ll need to put in extra effort.

Be cautious with social media “assistants”; many may not be knowledgeable. If you decide to outsource, ensure they have demonstrated significant engagement. There are countless “experts” out there just looking to take your money.

Do you think social media brought more stress than good to tattoo artists?

This answer is artist-dependent. Some artists have thrived using social media, some have become completely disillusioned and some have thrived for a short period and then completely burnt out.

For some tattoo artists, social media increases anxiety about not posting enough or feeling behind compared to others who appear to have everything under control, even when they don’t. Much of this perception is an illusion. To reduce stress, the best approach is to learn how to use and manage your energy online and embrace therapy. Anything related to our income is always going to cause stress to some degree, learning about social media gives back a bit of that control.

Does having an active social media presence affect the number of bookings for an artist?

Absolutely not. You could post three times per day and it won’t get you more engagement from the right people or bookings for a number of reasons.

Understanding your client journey online is huge. I still see tattoo artists with no location in their bio or no directions to their link to book using an enquiry form etc. When you miss out on these simple things you are missing out on bookings because you’ve made it difficult for clients to book with you. Making the client journey as easy as possible gets you bookings.

Understanding your retention is massive too, you might get clients through your door using socials but if you don’t get repeat clientele then there’s something up with your client experience.

You can’t just rely on your socials. It’s one part of the puzzle.

If your content isn’t engaging it doesn’t matter how much you post. The goal for your socials is to know your audience and post quality content that will make people feel something. It also helps to be able to analyse the data around your metrics too. Tons of likes don’t mean anything – a good post with lots of inquiries does.

As I mentioned earlier your socials should be all about connection. Tattoo artists turn their noses up at the world ‘content’ but anything you post online is content, including tattoo photos. It’s just that the majority of clients don’t find tattoo photos engaging anymore. You need to find new ways of repackaging your work in a more palatable format to get you up the rankings, on to the explore page, and actually seen.

Tattoo Smarter With Kezz Richardson

If you’re interested in learning more about Kezz and her services, you can visit her website here. Kezz has recently introduced a new course for tattoo artists on social media marketing here, along with a range of other advice and courses. She is also the founder of the Together Tattoo Network business events, which support women, queer, BIPOC, disabled artists, and other marginalised voices often overlooked in the tattooing industry. For details on their in-person event in October, visit their Instagram page @togethertattoonetwork

@togethertattoonetwork

“I am still working on perfecting the tattoo style I want to be known for. It’s a journey,” interview with tattoo artist JayHan

Tattoo artist Jay Han (@jayhan_tattoo) works at Goodvibes Gooddays tattoo studio in Ulsan, South Korea, where he creates tattoos mixing realism, brush strokes and oriental motifs. Here we chat to the artist about…

How long have you been tattooing?

I’ve been tattooing for around nine years. I came to tattooing quite late compared to a lot of tattooers. Before that, I ran a hot dog restaurant in Daegu, South Korea, for two years, it was called: Han Sangjo Hot Dog. After that, I moved to Seoul and worked as a carpenter for two and a half years – which overlaps with the tattoo apprenticeship. I started my tattoo artist apprenticeship when I was 30, and I’m now 40.

Do you have a background in art?

I have loved pencil drawing and Oriental art since I was young. I majored in Oriental art and graduated from Oriental Art College in Ulsan. After graduating from college, I worked a few different jobs as I was looking for other things to do besides painting.

But in the end, painting and my experience were always in the bakground so I then decided that I wanted to work in the painting field again. Art chose me.

What made you want to become a tattooer?

When I decided I wanted to paint again, at the same time, my best friend became a tattoo artist. I saw what he was doing, and through him I was recommended to a studio. I found tattooing interesting and thought the profession was really cool. So, I started tattooing.

How did you become a tattoo artist?

I was able to become a tattoo artist with lots of practise. I simply turned my drawings into tattoos and gave them to my clients. To make the best tattoos I can I am training more and continuously studying.

Do you have any tattoos?

Yes, I have a few tattoos. My chest features Chicano-style lettering. I also have realism portraits on my arm. I love music so I have a few musicians on me. When I was 13 years old, my neighbour owned a record store and played American hip-hop and R&B to me rather than Korean hip-hop. I have portrait tattoos of Michael Jackson, Snoop Dogg, and Tupac.

What was the first tattoo you did on someone else?

I gave my friend a rat tattoo. It was a simple line design, but I was sweating a lot and nervous. I can’t forget that feeling because it was also my birthday that day.

How would you describe your style?

I like mixing oriental art with black and grey. I also like doing backgrounds with brush strokes. I am still working on perfecting the tattoo style I want to be known for. It’s a journey.

What do you like to tattoo?

The tattoos I want to do are a collaboration between oriental and black and grey. That’s important to me, but I also want to do tattoos that make my clients feel happy and satisfied.

What inspires you and do you have any artists you admire?

Yes, there are a few people. Artists I respect include Q Tattoos, BackGGang, Robert Hernandez, Chenjie, and many others. There are more black and grey tattoo artists and oriental tattoo artists that I respect. Looking at their work inspires me.

How can clients book in with you?

In Korea, there is a messenger called “KakaoTalk” and I receive a lot of enquiries through that. I am also communicating with customers and receiving reservation enquiries through Instagram. But clients can email me too.

Sometimes I’d like to receive booking enquiries through just one platform, but clients want to contacts me in their own convenient way, which I don’t mind so I have opened up multiple methods.

Do you have any guest spots planned?

If a good opportunity is available, I would like to experience various countries. However, I think there may be visa issues, so I am refraining from traveling as much as possible.

Is tattooing underground or becoming more mainstream nowadays in South Korea?

Koreans’ thoughts on tattoos are very open. Because many artists (singers, actors, etc.) have been exposed to tattoos they talk about tattoos on social media and YouTube. This means the younger generation’s negative thoughts about tattoos have decreased significantly. However, celebrities who appear on broadcasting stations still cover their tattoos with flesh-coloured stickers.

It can be said that tattoos in Korea still remain underground. And among tattoo artists, there are some who think it’s a subculture. But there are many people who think of it as just a job and only for money. The interesting thing is that, although tattoos are illegal in our country, there are many talented Korean tattoo artists around the world. When I see this, I am so proud and I want to develop further, and follow the same path as them.

What’s been your proudest moment so far?

I created a tattoo on a client who had a keloid scar. He was so stressed out about his skin that he couldn’t even date people. However, many good things happened to the customer after we covered the scar with a tattoo. Seeing that customer happy and satisfied made me so proud of the work I do.

Follow JayHan on Instagram for more tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“It’s hard to split my style from my personality – I’m very delicate in my personal life and work,” interview with tattoo artist Yoshi

Tattoo artist Yoshi (@yoshi_tattooer) works at Third Eye Studio in Busan, Korea. Their career spans 14 years. We sat down with the artist to talk openly and super-honestly about what inspired their journey into the tattoo world, their work, hopes for the future and where it all began…

Yoshi’s first tattoo was a memorial tattoo. “I wanted to keep a memory forever,” Yoshi says. Born in Japan to Japanese and Korean parents, sadly his father passed away when he was just a year old. “After that, my mom changed my citizenship to Korean, and I grew up in Korea,” Yoshi tells us.

Yoshi is Korean, but he always wanted to find the roots of his family in Japan. It was when Yoshi met his grandma and family in Japan that he decided to get his first tattoo.

And it was this experience that made Yoshi fall in love with tattooing. “The tattoo makes me remember who I am, it makes me stronger. I now have a lot of extremely meaningful tattoos, so I don’t forget those special things.” But that first tattoo is the most precious. “It’s the dates of both of my parents’ deaths, and they are on both ankles. I have Japanese kanji for my father and Korean hangeul for my mom.”

When we ask what drew Yoshi to that tattoo world, he’s very honest. “It was the financial aspect,” he says simply. “That’s why I became a tattoo artist. We all need money in our lives. Especially if we don’t have parents to help us start out.” Yoshi says his parents’ deaths forced him into the “hard mode of life.”

Dropping out of university, Yoshi needed to find what he wanted to do, what he could do well and how he could make money from it. “My major was fine art, so with that background, I just needed to learn the technique of tattooing,” he says, “I already knew how to make designs, so I needed to start tattooing. It was perfect for me.”

The first tattoo he ever did on someone else was a complicated pattern in a three centimetre clover shape. Yoshi did this with a coil machine with a 1203 round liner. “I wasn’t too nervous,” Yoshi says of this experience, “but maybe just a little bit, because I did the tattoo on my best friend. I knew I could always do a cover-up later on, if we needed.”

When it comes to describing Yoshi’s style of tattooing, he tells us that it’s hard to split it his style from his personality, as Yoshi is very “delicate” in both his personal life and work life. “My style also comes from way back when I was at middle school,” he explains, “when I would do a lot of drawing with pencils and fine pens.” Back in 2010, when Yoshi learnt to tattoo, he mainly did traditional tattooing, although his art has always retained a fine-line style.

“When I started experimenting with fine-line art in my work, everyone around me told me it wasn’t a real tattoo.”

But Yoshi kept getting told that fine-line tattoos weren’t the way it was done in the tattoo world. “So I did traditional style tattoos until 2022,” he says, “I do still enjoy this type of tattooing but fine line is more me.”

Yoshi recalls when he first tried to do a fine-line tattoo for a walk-in client – “it was so much fun,” he enthuses. It’s what made him realise that he was really good at these delicate style of tattoos. It reminded him of how he used to draw with pencils. “So from then on, tattooing and my art just clicked, I began to make delicate line tattoos in my style. I now tattoo what I love.”

There’s a theme to Yoshi’s work and the eye is a recurring motif. “I like the Korean proverb: ‘the eyes are the window to the soul’. Our eyes can see a lot of things in others – including emotions like fear, anger, sadness, hate, contempt, disgust,” he explains.

“Eyes don’t lie. I also just really like drawing eyes.”

When it comes to inspiration, Yoshi admires any artist who does their own custom work, especially those who can make their own original designs.

And that’s how Yoshi works, too. His portfolio of tattoos is about 95% custom work. “I often post a design idea that I have, and a client can fill in a form to claim this piece,” Yoshi says.

When it comes to travel, we ask Yoshi where he’d like to go. “Space?!” he laughs, “tattoos for aliens! Just kidding, but I would really like to go to America. I really loved my time in Amsterdam. I worked at the Amsterdam Tattoo Convention and there was a lot of talented artists there.”

For 12 years, Yoshi says he worked as a tattooist that not many people knew. But then with Instagram, he started to make a name for himself. Instagram opened up his portfolio to the world. “I tattooed many people and gained a lot of likes on Instagram,” he says. Yoshi even noticed that other tattooers began to copy his designs! Which he took as a sign that he was starting to make it, carving out a name from himself. “2022 is a year I won’t ever forget, when I really found myself and style,” he says. “From then on, I pushed myself to be the best I can be and do the best work I can.”

And we can’t wait to see where his tattoo journey takes him next.

To book in, clients can get in touch by sending a DM on Instagram @yoshi_tattooer. Keep an eye on his Instagram as he often does guest spots – including London at Princelet Tattoo back in June. Travel plans also include Tokyo, Osaka, and Kyoto and LA.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“Tattooing is leaving a lasting impression that transcends skin,” interview with tattoo artist India

Tattoo artist India @india.tattooartist (she/her) owns a gorgeous monochromatic studio in Lisbon, Portugal, in which she “welcomes all souls seeking to connect” through her art. Here she shares her tattoo journey, opens up about creativity and her tattoo tour plans…

How long have you been tattooing?

I’ve been tattooing for about seven years now and each day feels like a new adventure in self-expression and creativity.

How did you become a tattoo artist?

Growing up with a Portuguese mother and an Indian father, I’ve always been surrounded by creativity. From my mother’s ceramic art to my own love for drawing and painting. Despite initial discouragement, I pursued my artistic interests through academic studies and eventually found my way to tattooing in 2018, thanks to the encouragement of my husband.

I decided to explore this new artistic avenue, and I haven’t looked back since.

What first drew you to the world of tattooing?

What initially drew me to tattooing was the opportunity to delve into another form of artistic expression. I’ve always been passionate about art and tattooing felt like a natural progression in my creative journey.

What was the first tattoo you did? Do you still remember how you felt doing it?

The first tattoo I ever did was on my boyfriend, who’s now my husband. I tattooed a mermaid on his ankle and it was a mix of nerves and excitement. But his trust in me fuelled my determination to create something beautiful on his skin. Nowadays he has a lot of tattoos done by me and I don’t feel nervous anymore.

Can you tell us about your own tattoo collection? We’d also love to know more about your “lockdown leg” tattoo project? 

My own tattoo collection is a reflection of my journey as both an artist and an individual. I started getting tattoos at the age of 17, always with designs I had created myself. During the lockdown, I embarked on a personal project – tattooing ornamental and floral designs on my own legs.

This experience marked a significant turning point in my career, showcasing my dedication to my craft and my commitment to pushing artistic boundaries.

People began to see how well my tattooed style looked on legs and started requesting more projects from my portfolio. I can say that legs are my favourite areas of the body to tattoo.

How did your ornamental style come to be and what inspires you?

My ornamental style is deeply inspired by my Indian heritage and my love for intricate details. I find inspiration in everything around me, from nature to cultural symbols, and I strive to infuse my designs with elegance and femininity.

My ornamental style focuses on delicacy and intricacy.

I utilise techniques such as contrast and variation in line weight to enrich and add interest to the designs. By incorporating these elements, I create tattoos that are not only visually captivating, but also dynamic and engaging.

Each project is carefully crafted to achieve a balance between elegance and complexity, resulting in unique and compelling pieces of art. I’m also greatly inspired by nature and constantly take photos of flowers and plants to incorporate into my projects.

Do you have a favourite style of art, artist or work?

I’m an admirer of all forms of art, but I can say that Baroque painting has always fascinated me. When I studied Art History in high school, I remember being captivated by the intricate floral arrangements of Jan van Huysum. He has always been a reference for floral delicacy and the texture of plants with remarkable precision.

Nature plays a significant role in my life and consequently in my art. I’m also greatly inspired by the Indian tradition of Rangoli, which involves creating geometric and floral designs on the ground using rice powder or coloured sand. In the world of tattoos, thanks to social media, I am inspired daily by various artists, and it’s incredible how accessible the connection becomes.

Do you prefer flash or custom designs? 

I prefer custom projects because they allow me to create something that connects my artistic creativity with the essence and desires of my client. I always have numerous ideas and my mind is quite creative when fueled by my client’s concept.

There needs to be a lot of trust and freedom in the development process and I’m grateful that my clients are always incredible and trust me as an artist.

We engage in a collaboration of ideas and opinions, always resulting in a wonderful and unique project.

I also work extensively with my freehand technique, which allows me to create a fluid and harmonious design on the chosen area of the body. Since we are all different, it’s essential to create something unique and tailored to our physique. I enjoy understanding what the client wants and, before finalising the design, I send them a mock-up for visualisation. On the day of the appointment, we take the necessary time to refine the details and bring the creation to life.

How many sessions does a delicate sleeve tattoo take? 

A delicate sleeve tattoo can require two to four sessions to achieve the desired level of intricacy and detail. The number of sessions can vary depending on the size and complexity of the design, but I always prioritise quality and precision in every session.

Is there anything you’d love to tattoo?

I’m intrigued by the idea of delving into full-body concepts, infusing them with my signature ornamental and floral style but with heightened contrast and diverse dimensions.

Exploring the human canvas in its entirety, weaving intricate designs that dynamically interact with the body’s contours and movements, is a creative endeavor I eagerly anticipate embracing.

Can you tell us more about your tattoo studio? Why did you decide to use just one colour?

The studio was designed to be a safe and comfortable space for my clients. Its decoration exudes calmness due to the chosen colour: terracotta, a hue reminiscent of the spices of India, known for its tranquil and harmonious sensation; leaving those who behold it pleasantly surprised by its aesthetic.

My clients find the studio’s concept quite different from the usual tattoo shop, they appreciate the visual and are fascinated by the fact that all the decorations match with the floor, the ceiling and the walls by being in the same colour. With everything in terracotta, the space directs focus to the main art, the one we will create.

My clients and the art we will create are the main focus, with energy concentrated fully on them.

We’ve seen you’re on a tattoo tour; how can people book in with you and where will you be?

Currently, I am travelling to various countries to share my art with new audiences. Those interested in booking a session with me can reach out through my website www.indiatattooartist.com. I’ll be visiting some countries in Europe but I would love to tattoo in USA and maybe go back to Australia.

What’s been your proudest moment so far?

One of my proudest moments so far was winning first prize at Lisbon fest tattoo convention for my ornamental leg project. It was the first time the fine-line category existed in my hometown. It was a validation of my artistic vision and a reminder of how far I’ve come on this incredible journey.

Finally, what does tattooing mean to you?

Tattooing is more than just a job for me; it’s a form of self-expression and a way to connect with others on a deeper level. It’s about creating meaningful art that resonates with both the wearer and the observer, leaving a lasting impression that transcends skin.

Make sure to follow India on Instagram for updates on her tattoo tour!

We’re always talking to amazing tattoo artists, check out our latest interviews.

What to wear when you get tattooed – a guide

Tattoo collector, writer and vintage fashion enthusiast, Carola Kolbeck (give her a follow @chameleoninhighheels) guides us through how to dress when we’re getting tattooed…

There are many important things to consider when getting a tattoo. First of all, the artwork itself and where it will grace your body for the rest of its life – and yours. Then, you need to find the right tattoo artist and have a few conversations with them about your idea and their take on it. Once you’ve paid your deposit and waited in giddy anticipation, the day has arrived and you’ll be getting ready, full of that indescribable excitement only an imminent new tattoo can evoke. And right at this point, we may forget another important question to ask ourselves: What should I wear when getting a tattoo?

It may sound like such a benign thing, shallow even, to think about an outfit for your big day in the tattoo studio. It’s certainly not because your artist will rank you on a list of ‘best-dressed’, nor will they care about your sense of fashion. But given that their canvas is your body, they’ll have some thoughts on your foresight on making their job as easy and pain-free for them as possible. So, what are the sartorial recommendations of the professionals for a comfortable and seamless experience in the tattoo chair?

Tattoo artist Steph Hesketh, co-owner of Evergreen Tattoo Studio in Coventry, has been tattooing for over 15 years and is the creator of six of my tattoos. Most recently, she designed and tattooed pointe ballet shoes on my leg, marking my lifelong love for ballet and dance.

Steph isn’t just one of the most amazing artists I have ever met, she also has a wealth of experience from seeing hundreds of clients in her chair over the years. Needless to say, when it comes to outfits, she’s seen it all: the good, the impractical, and the downright useless. I asked her professional opinion and suggestions on what to wear and what not to wear, depending on where you’re having your new body art.

Carola’s ballet shoes by Steph Hesketh

Tattoos on your arms and legs

Generally, when it comes to getting your limbs tattooed, opt for tank tops, t-shirts, shorts or skirts in summer, and loose tops and trousers that can easily be rolled up and out of the way of the artist and the placement of your new tattoo. “We don’t mind you bringing anything that makes you more comfortable, like slippers, blankets, pillows, or towels,” says Steph, and also confirms that taking off your shoes for long sittings is completely fine.

Tattoo by Steph Hesketh

Hand tattoos

“Be prepared to remove jewellery for the tattoo process,” warns Steph. “Rings should be removed if you’re having a lot of work on your hands done. That’s not just for hygiene reasons, but also because any swelling could cut off the blood supply to your fingers if the rings are too tight.”

Foot tattoos

When you’re getting your feet tattooed, your main concern should be with what shoes to wear after, when you’re on your way home. Chances are, the area will be tender and swollen, so you don’t want to squeeze into a tight pair of boots or trainers. Wide and roomy shoes are best, or sandals that won’t rub and aggravate the affected area.

But what about those more hidden areas on your torso – what’s the best sartorial choice without compromising on comfort and dignity?

Neck tattoos

No roll-neck jumpers for this one, please! A tank top or vest is best, and a blanket in case you get cold. Also if you have long hair, bring clips and hair ties, advises Steph. That’s not just helpful when you’re getting a neck tattoo, but also if you get tattooed anywhere near your hair, such as upper arms, shoulders, chest, back, and ears.

Tattoo by Steph Hesketh

Full back tattoo

A button-up shirt worn backward is ideal, or if the back piece incorporates the bum, then a dressing gown worn the same way is a suitable choice. If dressing gowns outside your home aren’t your thing, then wearing joggers or bottoms with loose, stretchy waistbands will also work. They can be easily pulled down to give the artist plenty of space.

Tattoo by Steph Hesketh

Breast and chest tattoo

Here, a button-up shirt worn the traditional way is ideal, and you may want to combine it with nipple covers or pasties. Those pasties are adhesive stickers you can place over your nipples; you may well have seen them in various designs on celebrities wearing sheer garments on the red carpet. Generally, the pasties are provided by your artist but if you’re unsure, make sure to check with them when you book your appointment. In addition, think about bringing a big scarf or pashmina. If you get chilly, you can wrap it around your shoulders, or stomach area while getting your upper chest piece.

Tattoo by Steph Hesketh

Bottom

Bring your dressing gown or a kimono to be worn back to front. You should also make sure you wear stretchy underwear that can be pulled aside if the artist is only working on one cheek. If your whole bottom is covered, then thongs and g-strings are best, so both sides of your derriere are visible to the artist. If you think you’ll feel uncomfortable or any areas may be exposed, bring a large scarf so the artist can drape it across those body parts.

Private parts

If your tattoo is close to your nether regions, tighty-whities are not going to make for a comfortable experience. Stretchy underwear or tie-side bikini bottoms will ensure there are no awkward conversations about the artist being able to do their work. The advantage of tie-side pants: your artist can tape them in place to make sure they don’t fall down when you have to move.

Process of elimination is often helpful when you start thinking about your outfit choices when getting tattooed, so what, according to Steph, should you be leaving in your wardrobe?

Steer clear of anything white, brand new, expensive designer gear, and precious clothes and shoes. Although tattoo artists are meticulous and conscious people, at times, ink can transfer to your clothing and it will be difficult to wash out.

Leave anything uncomfortable or super-tight at home. You can wear that swag again when your tattoo is fully healed and ready to be admired in its eternal glory.

In the end, Steph says, “The most important thing is to think where your tattoo is going. Wear something loose and comfortable that gives us plenty of access not just around the immediate area that’s being worked on, but also the surrounding area. We need to place stencils without stretching the skin and want to see that your tattoo is central, straight, and exactly where it needs to be.”

Clothes are an important part of who we are and should reflect our personalities. Just bear in mind that not every outfit choice is ideal for a trip to the tattoo studio. Keep it comfy, loose and practical. And remember: when you’ve got a tattoo, you’re always looking the part. 

Carola’s beautiful tattoo complete with ballet-inspired outfit @chameleoninhighheels

Give Steph an Insta follow @stephhesketh

We’re always talking to amazing tattoo artists, check out our latest interviews.