“It’s hard to split my style from my personality – I’m very delicate in my personal life and work,” interview with tattoo artist Yoshi

Tattoo artist Yoshi (@yoshi_tattooer) works at Third Eye Studio in Busan, Korea. Their career spans 14 years. We sat down with the artist to talk openly and super-honestly about what inspired their journey into the tattoo world, their work, hopes for the future and where it all began…

Yoshi’s first tattoo was a memorial tattoo. “I wanted to keep a memory forever,” Yoshi says. Born in Japan to Japanese and Korean parents, sadly his father passed away when he was just a year old. “After that, my mom changed my citizenship to Korean, and I grew up in Korea,” Yoshi tells us.

Yoshi is Korean, but he always wanted to find the roots of his family in Japan. It was when Yoshi met his grandma and family in Japan that he decided to get his first tattoo.

And it was this experience that made Yoshi fall in love with tattooing. “The tattoo makes me remember who I am, it makes me stronger. I now have a lot of extremely meaningful tattoos, so I don’t forget those special things.” But that first tattoo is the most precious. “It’s the dates of both of my parents’ deaths, and they are on both ankles. I have Japanese kanji for my father and Korean hangeul for my mom.”

When we ask what drew Yoshi to that tattoo world, he’s very honest. “It was the financial aspect,” he says simply. “That’s why I became a tattoo artist. We all need money in our lives. Especially if we don’t have parents to help us start out.” Yoshi says his parents’ deaths forced him into the “hard mode of life.”

Dropping out of university, Yoshi needed to find what he wanted to do, what he could do well and how he could make money from it. “My major was fine art, so with that background, I just needed to learn the technique of tattooing,” he says, “I already knew how to make designs, so I needed to start tattooing. It was perfect for me.”

The first tattoo he ever did on someone else was a complicated pattern in a three centimetre clover shape. Yoshi did this with a coil machine with a 1203 round liner. “I wasn’t too nervous,” Yoshi says of this experience, “but maybe just a little bit, because I did the tattoo on my best friend. I knew I could always do a cover-up later on, if we needed.”

When it comes to describing Yoshi’s style of tattooing, he tells us that it’s hard to split it his style from his personality, as Yoshi is very “delicate” in both his personal life and work life. “My style also comes from way back when I was at middle school,” he explains, “when I would do a lot of drawing with pencils and fine pens.” Back in 2010, when Yoshi learnt to tattoo, he mainly did traditional tattooing, although his art has always retained a fine-line style.

“When I started experimenting with fine-line art in my work, everyone around me told me it wasn’t a real tattoo.”

But Yoshi kept getting told that fine-line tattoos weren’t the way it was done in the tattoo world. “So I did traditional style tattoos until 2022,” he says, “I do still enjoy this type of tattooing but fine line is more me.”

Yoshi recalls when he first tried to do a fine-line tattoo for a walk-in client – “it was so much fun,” he enthuses. It’s what made him realise that he was really good at these delicate style of tattoos. It reminded him of how he used to draw with pencils. “So from then on, tattooing and my art just clicked, I began to make delicate line tattoos in my style. I now tattoo what I love.”

There’s a theme to Yoshi’s work and the eye is a recurring motif. “I like the Korean proverb: ‘the eyes are the window to the soul’. Our eyes can see a lot of things in others – including emotions like fear, anger, sadness, hate, contempt, disgust,” he explains.

“Eyes don’t lie. I also just really like drawing eyes.”

When it comes to inspiration, Yoshi admires any artist who does their own custom work, especially those who can make their own original designs.

And that’s how Yoshi works, too. His portfolio of tattoos is about 95% custom work. “I often post a design idea that I have, and a client can fill in a form to claim this piece,” Yoshi says.

When it comes to travel, we ask Yoshi where he’d like to go. “Space?!” he laughs, “tattoos for aliens! Just kidding, but I would really like to go to America. I really loved my time in Amsterdam. I worked at the Amsterdam Tattoo Convention and there was a lot of talented artists there.”

For 12 years, Yoshi says he worked as a tattooist that not many people knew. But then with Instagram, he started to make a name for himself. Instagram opened up his portfolio to the world. “I tattooed many people and gained a lot of likes on Instagram,” he says. Yoshi even noticed that other tattooers began to copy his designs! Which he took as a sign that he was starting to make it, carving out a name from himself. “2022 is a year I won’t ever forget, when I really found myself and style,” he says. “From then on, I pushed myself to be the best I can be and do the best work I can.”

And we can’t wait to see where his tattoo journey takes him next.

To book in, clients can get in touch by sending a DM on Instagram @yoshi_tattooer. Keep an eye on his Instagram as he often does guest spots – including London at Princelet Tattoo back in June. Travel plans also include Tokyo, Osaka, and Kyoto and LA.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“Tattooing is leaving a lasting impression that transcends skin,” interview with tattoo artist India

Tattoo artist India @india.tattooartist (she/her) owns a gorgeous monochromatic studio in Lisbon, Portugal, in which she “welcomes all souls seeking to connect” through her art. Here she shares her tattoo journey, opens up about creativity and her tattoo tour plans…

How long have you been tattooing?

I’ve been tattooing for about seven years now and each day feels like a new adventure in self-expression and creativity.

How did you become a tattoo artist?

Growing up with a Portuguese mother and an Indian father, I’ve always been surrounded by creativity. From my mother’s ceramic art to my own love for drawing and painting. Despite initial discouragement, I pursued my artistic interests through academic studies and eventually found my way to tattooing in 2018, thanks to the encouragement of my husband.

I decided to explore this new artistic avenue, and I haven’t looked back since.

What first drew you to the world of tattooing?

What initially drew me to tattooing was the opportunity to delve into another form of artistic expression. I’ve always been passionate about art and tattooing felt like a natural progression in my creative journey.

What was the first tattoo you did? Do you still remember how you felt doing it?

The first tattoo I ever did was on my boyfriend, who’s now my husband. I tattooed a mermaid on his ankle and it was a mix of nerves and excitement. But his trust in me fuelled my determination to create something beautiful on his skin. Nowadays he has a lot of tattoos done by me and I don’t feel nervous anymore.

Can you tell us about your own tattoo collection? We’d also love to know more about your “lockdown leg” tattoo project? 

My own tattoo collection is a reflection of my journey as both an artist and an individual. I started getting tattoos at the age of 17, always with designs I had created myself. During the lockdown, I embarked on a personal project – tattooing ornamental and floral designs on my own legs.

This experience marked a significant turning point in my career, showcasing my dedication to my craft and my commitment to pushing artistic boundaries.

People began to see how well my tattooed style looked on legs and started requesting more projects from my portfolio. I can say that legs are my favourite areas of the body to tattoo.

How did your ornamental style come to be and what inspires you?

My ornamental style is deeply inspired by my Indian heritage and my love for intricate details. I find inspiration in everything around me, from nature to cultural symbols, and I strive to infuse my designs with elegance and femininity.

My ornamental style focuses on delicacy and intricacy.

I utilise techniques such as contrast and variation in line weight to enrich and add interest to the designs. By incorporating these elements, I create tattoos that are not only visually captivating, but also dynamic and engaging.

Each project is carefully crafted to achieve a balance between elegance and complexity, resulting in unique and compelling pieces of art. I’m also greatly inspired by nature and constantly take photos of flowers and plants to incorporate into my projects.

Do you have a favourite style of art, artist or work?

I’m an admirer of all forms of art, but I can say that Baroque painting has always fascinated me. When I studied Art History in high school, I remember being captivated by the intricate floral arrangements of Jan van Huysum. He has always been a reference for floral delicacy and the texture of plants with remarkable precision.

Nature plays a significant role in my life and consequently in my art. I’m also greatly inspired by the Indian tradition of Rangoli, which involves creating geometric and floral designs on the ground using rice powder or coloured sand. In the world of tattoos, thanks to social media, I am inspired daily by various artists, and it’s incredible how accessible the connection becomes.

Do you prefer flash or custom designs? 

I prefer custom projects because they allow me to create something that connects my artistic creativity with the essence and desires of my client. I always have numerous ideas and my mind is quite creative when fueled by my client’s concept.

There needs to be a lot of trust and freedom in the development process and I’m grateful that my clients are always incredible and trust me as an artist.

We engage in a collaboration of ideas and opinions, always resulting in a wonderful and unique project.

I also work extensively with my freehand technique, which allows me to create a fluid and harmonious design on the chosen area of the body. Since we are all different, it’s essential to create something unique and tailored to our physique. I enjoy understanding what the client wants and, before finalising the design, I send them a mock-up for visualisation. On the day of the appointment, we take the necessary time to refine the details and bring the creation to life.

How many sessions does a delicate sleeve tattoo take? 

A delicate sleeve tattoo can require two to four sessions to achieve the desired level of intricacy and detail. The number of sessions can vary depending on the size and complexity of the design, but I always prioritise quality and precision in every session.

Is there anything you’d love to tattoo?

I’m intrigued by the idea of delving into full-body concepts, infusing them with my signature ornamental and floral style but with heightened contrast and diverse dimensions.

Exploring the human canvas in its entirety, weaving intricate designs that dynamically interact with the body’s contours and movements, is a creative endeavor I eagerly anticipate embracing.

Can you tell us more about your tattoo studio? Why did you decide to use just one colour?

The studio was designed to be a safe and comfortable space for my clients. Its decoration exudes calmness due to the chosen colour: terracotta, a hue reminiscent of the spices of India, known for its tranquil and harmonious sensation; leaving those who behold it pleasantly surprised by its aesthetic.

My clients find the studio’s concept quite different from the usual tattoo shop, they appreciate the visual and are fascinated by the fact that all the decorations match with the floor, the ceiling and the walls by being in the same colour. With everything in terracotta, the space directs focus to the main art, the one we will create.

My clients and the art we will create are the main focus, with energy concentrated fully on them.

We’ve seen you’re on a tattoo tour; how can people book in with you and where will you be?

Currently, I am travelling to various countries to share my art with new audiences. Those interested in booking a session with me can reach out through my website www.indiatattooartist.com. I’ll be visiting some countries in Europe but I would love to tattoo in USA and maybe go back to Australia.

What’s been your proudest moment so far?

One of my proudest moments so far was winning first prize at Lisbon fest tattoo convention for my ornamental leg project. It was the first time the fine-line category existed in my hometown. It was a validation of my artistic vision and a reminder of how far I’ve come on this incredible journey.

Finally, what does tattooing mean to you?

Tattooing is more than just a job for me; it’s a form of self-expression and a way to connect with others on a deeper level. It’s about creating meaningful art that resonates with both the wearer and the observer, leaving a lasting impression that transcends skin.

Make sure to follow India on Instagram for updates on her tattoo tour!

We’re always talking to amazing tattoo artists, check out our latest interviews.

What to wear when you get tattooed – a guide

Tattoo collector, writer and vintage fashion enthusiast, Carola Kolbeck (give her a follow @chameleoninhighheels) guides us through how to dress when we’re getting tattooed…

There are many important things to consider when getting a tattoo. First of all, the artwork itself and where it will grace your body for the rest of its life – and yours. Then, you need to find the right tattoo artist and have a few conversations with them about your idea and their take on it. Once you’ve paid your deposit and waited in giddy anticipation, the day has arrived and you’ll be getting ready, full of that indescribable excitement only an imminent new tattoo can evoke. And right at this point, we may forget another important question to ask ourselves: What should I wear when getting a tattoo?

It may sound like such a benign thing, shallow even, to think about an outfit for your big day in the tattoo studio. It’s certainly not because your artist will rank you on a list of ‘best-dressed’, nor will they care about your sense of fashion. But given that their canvas is your body, they’ll have some thoughts on your foresight on making their job as easy and pain-free for them as possible. So, what are the sartorial recommendations of the professionals for a comfortable and seamless experience in the tattoo chair?

Tattoo artist Steph Hesketh, co-owner of Evergreen Tattoo Studio in Coventry, has been tattooing for over 15 years and is the creator of six of my tattoos. Most recently, she designed and tattooed pointe ballet shoes on my leg, marking my lifelong love for ballet and dance.

Steph isn’t just one of the most amazing artists I have ever met, she also has a wealth of experience from seeing hundreds of clients in her chair over the years. Needless to say, when it comes to outfits, she’s seen it all: the good, the impractical, and the downright useless. I asked her professional opinion and suggestions on what to wear and what not to wear, depending on where you’re having your new body art.

Carola’s ballet shoes by Steph Hesketh

Tattoos on your arms and legs

Generally, when it comes to getting your limbs tattooed, opt for tank tops, t-shirts, shorts or skirts in summer, and loose tops and trousers that can easily be rolled up and out of the way of the artist and the placement of your new tattoo. “We don’t mind you bringing anything that makes you more comfortable, like slippers, blankets, pillows, or towels,” says Steph, and also confirms that taking off your shoes for long sittings is completely fine.

Tattoo by Steph Hesketh

Hand tattoos

“Be prepared to remove jewellery for the tattoo process,” warns Steph. “Rings should be removed if you’re having a lot of work on your hands done. That’s not just for hygiene reasons, but also because any swelling could cut off the blood supply to your fingers if the rings are too tight.”

Foot tattoos

When you’re getting your feet tattooed, your main concern should be with what shoes to wear after, when you’re on your way home. Chances are, the area will be tender and swollen, so you don’t want to squeeze into a tight pair of boots or trainers. Wide and roomy shoes are best, or sandals that won’t rub and aggravate the affected area.

But what about those more hidden areas on your torso – what’s the best sartorial choice without compromising on comfort and dignity?

Neck tattoos

No roll-neck jumpers for this one, please! A tank top or vest is best, and a blanket in case you get cold. Also if you have long hair, bring clips and hair ties, advises Steph. That’s not just helpful when you’re getting a neck tattoo, but also if you get tattooed anywhere near your hair, such as upper arms, shoulders, chest, back, and ears.

Tattoo by Steph Hesketh

Full back tattoo

A button-up shirt worn backward is ideal, or if the back piece incorporates the bum, then a dressing gown worn the same way is a suitable choice. If dressing gowns outside your home aren’t your thing, then wearing joggers or bottoms with loose, stretchy waistbands will also work. They can be easily pulled down to give the artist plenty of space.

Tattoo by Steph Hesketh

Breast and chest tattoo

Here, a button-up shirt worn the traditional way is ideal, and you may want to combine it with nipple covers or pasties. Those pasties are adhesive stickers you can place over your nipples; you may well have seen them in various designs on celebrities wearing sheer garments on the red carpet. Generally, the pasties are provided by your artist but if you’re unsure, make sure to check with them when you book your appointment. In addition, think about bringing a big scarf or pashmina. If you get chilly, you can wrap it around your shoulders, or stomach area while getting your upper chest piece.

Tattoo by Steph Hesketh

Bottom

Bring your dressing gown or a kimono to be worn back to front. You should also make sure you wear stretchy underwear that can be pulled aside if the artist is only working on one cheek. If your whole bottom is covered, then thongs and g-strings are best, so both sides of your derriere are visible to the artist. If you think you’ll feel uncomfortable or any areas may be exposed, bring a large scarf so the artist can drape it across those body parts.

Private parts

If your tattoo is close to your nether regions, tighty-whities are not going to make for a comfortable experience. Stretchy underwear or tie-side bikini bottoms will ensure there are no awkward conversations about the artist being able to do their work. The advantage of tie-side pants: your artist can tape them in place to make sure they don’t fall down when you have to move.

Process of elimination is often helpful when you start thinking about your outfit choices when getting tattooed, so what, according to Steph, should you be leaving in your wardrobe?

Steer clear of anything white, brand new, expensive designer gear, and precious clothes and shoes. Although tattoo artists are meticulous and conscious people, at times, ink can transfer to your clothing and it will be difficult to wash out.

Leave anything uncomfortable or super-tight at home. You can wear that swag again when your tattoo is fully healed and ready to be admired in its eternal glory.

In the end, Steph says, “The most important thing is to think where your tattoo is going. Wear something loose and comfortable that gives us plenty of access not just around the immediate area that’s being worked on, but also the surrounding area. We need to place stencils without stretching the skin and want to see that your tattoo is central, straight, and exactly where it needs to be.”

Clothes are an important part of who we are and should reflect our personalities. Just bear in mind that not every outfit choice is ideal for a trip to the tattoo studio. Keep it comfy, loose and practical. And remember: when you’ve got a tattoo, you’re always looking the part. 

Carola’s beautiful tattoo complete with ballet-inspired outfit @chameleoninhighheels

Give Steph an Insta follow @stephhesketh

We’re always talking to amazing tattoo artists, check out our latest interviews.

“When I was tattooing, I felt guilty I wasn’t working on my business. When I was doing marketing, I felt guilty I wasn’t tattooing. This inner fight took 10 years, until I gave in to the business side,” tattoo marketer Sandy, from Inksane

Tattoo marketer and artist Sandy (@sandy_inksane) owns Inksane Tattoo in Belgium. Not only does she create amazing art but she’s also developed a digital agenda system for tattoo studios. Here we dive into her tattoo style and how she’s helping other artists in the industry…

First of all, tell us more about your work as a tattoo artist, how did you get into it?

I’ve been asked this question a lot and I still don’t have a fancy story for it. I was young, 24, full of energy (still am), and I just wanted to do it. Being self-employed and making an income with art was appealing to me.

How would you describe your tattooing style? 

My style was black ‘n’ grey and colour photorealism. In the last few years, I’ve evolved into bio-organic tattoos. This style has always been more of a hobby for me. I would do it when I was drawing or painting for myself on a daily basis. I would do this type of art more on a canvas rather than on actual clients.

Can you tell us more about what bio-organic tattoos are?

Bio-organic is a style that pays a lot of attention to the anatomy of the to be tattooed bodypart. It follows the muscles. It was first done by HR Giger, who also created the creatures and scenery for the Alien movies. I guess it can be compared to biomechanic, where the mechanic version is mostly insinuating metallic, smooth shapes. The organic version is insinuating ‘organisms’. We use a lot of textures we find in nature in these tattoos. You see a lot of unearthlyy shapes flowing, some would describe it as a horror style.

What’s your studio like and where is it? 

My studio is called Inksane (www.inksane.be ), and it’s located in Roeselare, Belgium. It’s been around 13 years since I opened it, and we’ve been growing steadily ever since.

Every time it got too busy or our waiting list per artist was over six months, I’d accept an extra artist or apprentice. It grew to the point where we had 15 artists working on a daily basis. To manage all of that I hired a marketing manager and a shop manager. Also my partner helps with the reception and bookings. Because of the pandemic and the economy we’re now at around 12 artists a day, so we are still a large studio.

Around four years ago, we started expanding the studio to different locations through a franchise scheme. The other two Inksane shops aren’t run by me, but they’re under a franchisee system.

From left to right: Anke (receptionist Roeselare), Michael (owner Brussel), Maxim (owner St-Niklaas), me, Danny (reception Roeselare, my partner).
Photo taken by our marketing manager Tom. For an Inksane promotional campaign.

Where are the two other Inksane shops and who runs them?

We have Inksane Roeselare run by me. Inksane Brussel by Michael, Inksane St-Niklaas by Maxim and Inksane Gent will be run by Cristian.

What’s the tattoo scene like where you are?

The tattoo scene around here is normal, steady, and friendly. Nothing fancy either. There are a few smaller conventions in the area on a yearly basis.

Do you remember what first made you fall in love with tattoos? 

The focus. The way you can get sucked in and keep drawing and practising for days and weeks and years. Also the ongoing learning process. It never ends. You can get better every year for the rest of your life.

And what do you still love about the tattoo world now?

I’m not tattooing much these days. I gradually moved into business and marketing. It was not a consious decision.

In the past, when I was tattooing, I felt guilty I was not working on my business. And when I was doing marketing, I felt guilty I wasn’t drawing or tattooing. This inner fight took about 10 years, until I gave in to the business side. 

Now with my studio (and the franchise locations) I make sure that our artists can focus on only being creative. We do all the other work for them. Like social media, drawing, managing customers, taking bookings, answering emails, reception and ordering stock etc.

We have the right person in the right place and the right tools – like our agenda system.

What exactly is a digital agenda system? What does it do?

Tattoogenda.com is a digital calendar/CRM (customer relationship management) for tattoo studios. Think Google Calendar, Calendly, Square, but mixed and fine-tuned to the tattoo industry.

It takes digital deposits from clients, sends automated reminders via sms or email, it has consent forms, waiting lists, aftercare emails, keeps track of deposits, etc. You can also use booking forms on your tattoo studio’s website to take consultations or piercing appointments.

Sandy standing and teaching her receptionists & franchise managers some marketing. “We do this on a monthly basis. Every month we have another topic to teach or talk about.”

How does it work for your studio? And are other studios using it? Is it a global thing?

I designed it myself so we could be more organised when running our own studio. When I made it available to my franchise locations, I realised I could also offer this software to other studios, too. Everybody can now take out an easy online subscription at www.Tattoogenda.com/pricing, so indeed it is a global thing.

I have the best development partner that takes care of the engineering part. I do quite a bit of development myself now. I also help other tattoo studios get set up with Tattoogenda and integrate it with their website.

Left to right: Michael (Brussel), Maxim (St-Niklaas), Sandy, Anke (reception at Roeselare), Danny (reception, Roeselare). Photo taken by Tom (marketing), for an Inksane promo campaign on a monthly franchise day.

What are your hopes for the future?

My goal is to work together with more tattoo professionals from around the world on getting their tattoo studio organised. Also improving my software along the way.

At the same time I enjoy running my own Inksane studio and intend to keep it that way. We will be opening a third franchise location next month in Gent. I’m very exited about that. The franchisee (manager) is a tattoo artist that has been working with us for a long time and I’m very proud of him.

Make sure to follow Sandy on Instagram.

We’re always talking to amazing tattoo artists, check out our latest interviews.

“Tattooing is based on mutual respect, so It’s important to find the middle point between what the customer wants and what I want,” tattoo artist Isle

Tattoo artist Isle (@1sle_tattoo) works in Korea and has been honing her craft for the past five years. We sat down for a chat about her journey, her inspiration and what’s next for her beautiful botanical tattoos…

What first made you fall in love with tattoos? Do you have a strong first memory?

I’d always wanted to get a tattoo since I was a college student. But Korea was a very conservative society at the time, and the various styles of tattoos didn’t exist like they do today. I just thought that people with the tattoos looked so cool. After college, I switched my thinking, I started to think about what I actually wanted for myself and my life.

My body is mine, and I thought I should do what I want no matter what others think.

So I got my first tattoo, and two years later, I started learning the craft. The reason I started was not because I liked tattoos, but the more I did it, the more difficult it became, and the more fun and rewarding it was. It’s the same now, five years after I started tattooing.

What made you want to become a tattoo artist?

I’ve been doing painting whole my life since I was kid. So I’ve been thinking about how I can use my paintings commercially – other than exhibiting. And I wanted to learn a technique that will never disappear.

How long have you been tattooing for and how did you practice?

I started tattooing in 2019, so it’s heading to five years now. At first, I learned tattooing from my teacher. He thought me basic skills and then I practiced on a silicon pad. I repeated it until I drew the line straight, practised with my drawing, and I got confirmation from my teacher. I did it many times, and I finally did it on the human body. It became my graduation work and my first work.

We absolutely adore your beautiful botanical style, how would you describe it? 

Thank you for the compliment. In fact, I don’t just stick to botanical tattoos, I can draw anything interesting. But most interests come from nature. That’s why I’m drawing a lot of things related to nature. When I draw for tattoos, I use an iPad and a coloured pencil brush the most. Sometimes I use a watercolour brush when I want to express it in a different way. My style is hard to describe in one word, but I think it’s a mixture of asian and western paintings. Since I majored in oriental painting, I think that kind of atmosphere naturally manifests itself.

Where does your inspiration come from?

Art work, films, landscapes, everything visual. Most of the subjects are nature, and the way of expression and colour are inspired by many things such as paintings and the scenery made by light.

You’re currently based in Korea, what’s the tattoo scene like there? Do you often tattoo tourists or mostly locals?

Mostly local. Korea’s tattoo scene has grown so quickly. As I said, Korea was a very conservative about tattoos but suddenly it became a trend. A lot of tattoo artists in Korea have good skills and a unique style. 

How do you like to work with your customers to bring designs to life? Is it a collaboration, or do you prefer to have full control of your work?

Normally I prefer to have full control of my work. Clients come to me believing in my paintings and abilities so I want them to trust my aesthetic. Tattooing is based on mutual respect. So It’s important to find the middle point between what the customer wants and what I want.

Do you tattoo flash pieces or mostly custom?

Mostly custom I think. I’d love to do more flash works, but it takes a lot of time. Flash designs are good because I can present more in the direction I want.

What are your hopes and dreams for the future?

I want meet a lot of clients who can make a bond with me. I want to do more big pieces and develop my skills and style. And I want to draw many paintings and maybe even put on an exhibition.

Any other thoughts on the tattoo world itself?

It’s getting more competitive. With different styles emerging and blurring the boundaries between tattooing, painting and illustration, more artists seem to be entering the field.

It’s a good thing for the clients, but I’m not sure if it’s a good thing for an artist. Tattooing is not a must, so it’s also an industry that is badly hit by the economic situation. I think it’s been tough worldwide since COVID-19. Still, I love this job and I don’t think I’m going to quit art, so I try to survive.

Do you have any plans to travel for guest spots?

Maybe Europe. Since I started this work, I have become more brave. To live in a place I don’t know well, meet various people, experience culture, etc. After going through it, it’s not as difficult as worrying about it, but I think it’s a good experience to expand my world.

Make sure to follow Isle on Instagram for more stunning botanical tattoos.

We’re always talking to amazing tattoo artists, check out our latest interviews.