Apprentice Love: Jessica Ashby

Meet Jessica Ashby, she is a tattoo apprentice under Mike Stockings at Legacy Ink in Haverhill. This is her story of how she came to be a tattoo apprentice and the hard graft involved…

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How long have you been tattooing? Looking back through my diary, I’ve been tattooing on a regular basis for about 7-8 weeks now. I started my apprenticeship in October of 2015 and my mentor let me tattoo myself after about four months so I could get a glimpse of the world I was stepping into. I tattooed myself again a couple of months later and then a handful of my wonderful friends volunteered to let me tattoo them, and then all of a sudden I’m tattooing every day alongside all the other artists at the shop. This is something I’ve wanted for so long and sometimes I still wake up and think ‘is this really my life now?!’

How did you start? What did you do before? I remember telling my tutor at college that I wanted to be a tattoo artist and she looked at me blankly with no advice to give. I then went to university for a year, worked in bars and restaurants, went travelling for a bit, all the while knowing I still just wanted to tattoo.

It got to the point where I couldn’t stand my job any longer and I plucked up the courage to email Mike Stockings (my mentor) and asked if he would be willing to see me to discuss the possibility of an apprenticeship at his studio. I had been avidly following his work for years and I had my heart set on learning from him. He agreed to see me, went through my work, picked it apart, gave me some advice and then told me to go away and draw some more. I don’t think he expected that I’d ever come back, but I continued to take more work to show him for about six months until he offered me the apprenticeship.

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Do you have a background in art? Drawing was always ‘my thing,’ when I was younger. I remember going round to other kids’ houses to play and being shocked that they didn’t put the lids back on their colouring pens, or that they only had scrap paper to draw on. Looking back, I’m so grateful to my mum for nurturing my interest in art. Even at a young age she would take me to exhibitions and buy me good quality drawing materials.

I studied art at college and even went on to university to start an illustration degree. I probably thought my art classes were boring at the time but I realise now that they really did teach me some valuable things about composition, light and shadow, complementary colours etc.

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What drew you to the tattoo world? I remember seeing some of Guy Aitchison’s luminous bi-mech work when I was about 16 and I was instantly blown away. It was like at that moment, my eyes were opened to a whole world of tattooing beyond the high street flash that I was familiar with. I then went on to discover Emily Rose Murray, Tiny Miss Becca, and (dare I say) Kat Von D who were all women starting to make waves in a male dominated industry at the time. I was so inspired and excited that you could make a living out of drawing wonderful pictures on people. I was desperate to get tattooed when I was a teenager and now I’m starting to build up a nice collection of my own I feel more comfortable in my skin than ever.

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Are there any artist that influence your work? I really like all the bold, bright work that is coming out of Germany at the moment. Lars Uwe Lus lips, is one of my absolute favourites. His use of colours, line weights and style in general is pretty mind-blowing. I love the illustrative quality of Kate Selkie’s work and I am always reminded that good drawing skills are the foundation of a good tattoo. And of course, watching Mike work is probably my biggest influence. His work has so much character and he’s always trying to push boundaries and put out fresh new ideas. It’s impossible not to be inspired.

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Describe your style, has it changed? I’d say my style changes a little bit with every tattoo I do. I think my work is leaning towards neo-traditional, working with bright colours and bold line. The guys where I work taught me early on to follow the fundamentals of traditional tattooing, emphasising the importance of clean lines and getting a good amount of black into any tattoo to create contrast and a tattoo that will age well.

What inspires you? Everything really. I guess that’s a pretty terrible answer but it’s true. I’ll often find myself sneaking into people’s front gardens to take photos of their flowers to use as reference, or stuffing a leaflet in my bag because I like the colour palette that’s been used. I feel like my eyes now scan everything to see if it’s a possible reference or inspiration in some way.

I love Japanese art and culture, art nouveau, pop art, film photography, and really enjoy going to museums and galleries. Even if the work doesn’t influence mine directly, I always feel so creatively energised after seeing another artist’s vision come to life.

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What would you love to tattoo? I consider myself incredibly lucky that Mike gives me the freedom to tattoo what I want already. He has always really emphasised that if you do work you enjoy then that will be evident, and people will come to you.

Eventually I’d like to be tattooing larger scale animal designs and faces (tattoos of faces, not tattooing on faces!) I love the idea of working on a project and can’t wait to be piecing together ideas for a sleeve or back piece. For now though, I am happy doing my little designs, trying to make each one cleaner and better than the last. I think there’s a fine line between continually pushing yourself to improve, and trying to run before you can walk. The guys at work will often tell me that I’m not ready to tattoo a certain part of the body yet, or that a design is too complex and then I just have to take a step back and remember that it’s still really early days for me.

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What is a typical day like for you? I usually get to the studio at around 9 am, mop the floor, clean the grips, set up Mike’s station and try to make sure everything stays tidy during the day. I’m trying to do one tattoo a day at the moment and truthfully I couldn’t tell you anything that happens in the shop during that time!

Shaded: Rich Wells

‘Shaded’ is an on-going interview series created by 22-year-old Bournemouth-hailing music journalism student, writer and editor James Musker, which focuses on tattooists, the interesting people that wear their work and both the artist and canvas’s relationship to the craft.

Rich Wells is a 29-year-old tattoo artist, clothing designer and co-owner of Dock Street Tattoos, who is currently living and working in Leeds. As part of Things & Ink’s ongoing interview series ‘Shaded’, the documentary enthusiast sheds light on his love of C-list celebrities, his relationship with simplicity and how he sees his Louis Theroux inspired clothing range, Jiggle Apparel, evolving.

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What is Jiggle ApparelJiggle Apparel is a Louis Theroux influenced clothing range that’s mainly centred around his infamous rap episode. I design the t-shirts and my friend John, who runs the operation with me, screen prints them and looks after all the online stuff. It’s a Louis Theroux obsession that’s gone a bit too far.

Can you speak about your relationship with Louis Theroux? I’m an old-school Louis Theroux fan. His ‘Weird Weekends’ series is definitely my favourite thing that he’s done. I’ve watched them hundreds of times and they never get old! It’s the only reason I have Netflix.

What influenced you to design and print the first t-shirt that eventually led Jiggle Jiggle Apparel to come together? The first Jiggle Apparel design was originally drawn up as a tattoo design for a flash sheet. I hadn’t thought about putting it on a t-shirt until I uploaded the design to my Instagram account. It got way more attention than I thought it would, so for a bit if fun I decided to print it. People were really into it and Jiggle Apparel was born!

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What do you do when you’re not thinking about Louis Theroux? A good 80% percent of my day is spent thinking about Louis. You know, working out how I could meet him, or maybe just brush past him at a UFO convention or a swingers party. The other 20% I spend tattooing at Dock Street Tattoos Leeds. I co-own the place.

What inspires you artistically? I’m really into documentaries and I draw a lot of inspiration from the strange side of human nature: cults, conspiracies – all that type of stuff. I also like to design things around words, like, quotes or songs. I find it’s a really good foundation for a solid idea.

What do you admire in other people’s work? Simplicity is one of the things I admire in other people’s work. I can appreciate tattoos with incredible detail, but I personally get more out of simplistic, bold, powerful designs. The ability to create something effective using only simple techniques really appeals to me.

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Can you tell me about your own tattoos? I have a photo-realistic black and grey portrait of Ross Kemp on the back of my calf. I got it done as a bit of a joke really. Rather than getting an A-list celebrity tattooed on body, I thought I’d go a little more C list with Kemp, as I was watching a lot of ‘Ross Kemp on Gangs’ at the time. I ended up going to one of his book signings that he held at ASDA a few months after having it done. I told him I had a little something to show him, pulled down my jeans and presented him with the portrait. He was totally freaked out by it. I think he thought I was going to stick a potato sack over his head and stick him in the boot of my Corsa. I haven’t seen him since.

What attracted you to tattoos in the first place? No one in my family really has any. The influence came from seeing the bands I was into at the time with them. I thought they were really cool! My first tattoo was done in a street shop that was next to my old school. I got the tiny sunflower that’s on that girl’s t-shirt on the cover of Green Day’s album Kerplunk. It’s really small, but I thought it was the best thing ever at the time.

Most tattoo artists have no space left on their body for additional work, but do you have any plans for more tattoos in the future? Yeah, I still have some space to get some more work. I’m not totally covered yet. I’d like to get some more single-hit traditional pieces. I guess a Louis Theroux tattoo is on the cards as well.

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Since you have now found yourself bridging clothing and tattoo art with Jiggle Apparel, can you speak about the relationship between the world of fashion and the world of body modification? I really like the crossover! The high end world of fashion collaborates with tattoo artists all the time. I think company’s like RSI Apparel who commission tattoo artists and illustrators to work on designs for them offer artists a whole new platform for their work to be seen which is really great. However, I could definitely live without Ed Hardy’s diamond studded jeans…

How do you see Jiggle Jiggle Apparel evolving? We’re looking at getting some more merchandise; hats, hoodies, patches. Maybe our own brand of red, red wine would be nice! The ultimate goal though would be for Louis to actually see what we do, stick one of our t-shirts on and possibly take us out to dinner. If he could be there when we open our first store that would also be pretty great.

Learning to Love my Body and my Stoma Bag

27-year-old Caz Caines, from Newbury, Berkshire is a make-up lover and compliance administrator. We chatted to Caz who is sharing her story about her stoma bag as a way of celebrating her body, spreading self love and helping others… 

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How did you feel when you first had the bag fitted? Can you tell us about why and how you came to have it? I have had my stoma [a pouch placed over the stomach to collect waste products that usually pass through the colon] for six years now. I was really poorly and admitted to hospital with a very swollen stomach, turns out my large intestine was so stretched and my organs were shutting down. When the surgeons opened me up my large intestine split. They had to operate and create a stoma, which I named Krang. I was so scared and upset but relieved. I woke up from surgery with the bag, totally unexpected and a big shock. After I got over the initial shock, I felt relieved because I knew that I’d feel better in myself, this could give me a new lease of life.

IMG_0705Did you always feel so confident? Nope, definitely not! I found that when I had surgery my body changed so much – I lost four stone while in hospital as I wasn’t allowed to eat for 10 days. I really started looking at it differently as I now had this ridiculously big scar with added poo bag on my stomach, not something you see everyday. So I felt a bit self conscious at first, that didn’t last long though. I started blogging soon after, speaking to other young people with stomas and really trying to encourage others to see themselves as the attractive, positive person they are or soon could be.

What advice would you give to others who struggle to feel good about themselves? You just gotta think this is the only life you’re gonna have so appreciate yourself and focus on the things you like. I love make-up and creating different looks with that, it really does make me feel better about myself. Get your nails done, put on your favourite music. Surround yourself with wonderful, hilarious people. My friends helped me out so much when I was poorly, they’re absolutely brilliant people. You always need that friend who will tell you to stop wallowing, I like people who are forward, you need people like that in your life.

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How do you try to celebrate your body? Is Instagram a way for you to do this? I just try and appreciate it the best I can, I’m not one to deny myself a pizza every week. Instagram can be a way, my recent bag picture did get a lot of positive comments and attention which is great, social media is crazy! I have spoken to more people who had bags, there is a big network of Ostomates on Instagram, more people are showing their bags off. I definitely have my down days and hangs up like everyone, I try not to let it get to me, I just need to remind myself that my bag saved my life so I should be bigging it up.

Why do you think sharing your story and spreading body positivity is important? Because there are so many people out there who probably feel a little lost after surgery, you really don’t feel 100% so I just want to show people, it’s cool, you’ll get back to feeling good again! You just gotta embrace what you have, even those without bags! You have one body, don’t listen to the magazines, you don’t have to be a certain way. I don’t want people who have bags to feel like they’re ugly, nor the people who don’t have them to think we are. I get messages from so many young people saying I’ve helped them feel more confident, it’s just so great, it’s nice knowing you’ve helped someone just by saying what you truly feel.

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How have tattoos helped? I had tattoos before surgery, I’ve always loved them. I do have a piece which I got last year by Jody Dawber – it is a lady with two sets of eyes, as if to say ‘don’t see yourself through other people’s eyes’. I wanted to get something that tied in with my message of body confidence and my bag as well as looking fabulous.
When I get a new tattoo it’s exciting, I get such a rush from seeing it go from paper to skin – I can’t stop looking at it once it’s been done and definitely can’t wait to show everyone this fantastic piece of art.

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What tattoo plans do you have? The plan has always been heavy coverage, I love the look. I was a stupid 18 year old and started on a sleeve which I now can’t stand and I’m working on blacking out. I want to get more work by Jody, she is definitely one of my favourite artists as her style is so cute and distinctive, it also helps that she’s so easy to talk to and would put anyone at ease. I would also love another Danielle Rose piece, her work is so stunning, it takes your breath away. I follow a few artists on IG, it is one of the easiest places to find new tattooers, so I have my eye on a few people currently – Craven Tattooer, Max Rathbone and Aimee Lou are a few I’m loving at the moment.

Apprentice Love: Jay Rose

We spotted the work of 21-year-old apprentice Jay Rose on Instagram and instantly loved her dark dotwork and floral tattoos. We chatted to Little Jay to find out more about her life as an apprentice at Black Dot Tattoo Studio in Glasgow where she works… 

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Photo by Nik Antonio

How long have you been tattooing? I’ve been an apprentice for just over a year, I did my first tattoo on May 18th 2015.

How did you start? What did you do before?  I’ve always had an interest in tattooing, I was exposed to tattoos my entire childhood. My granddad has some really old traditional style tattoos, I grew up looking at pop eye tattooed across his hand, with old school lettering in a heart for his mum and dad. I think being exposed to tattoos so frequently they drew my attention more towards them. I knew I was going to be heavily tattooed; I just didn’t think I’d be the one doing it!

When I started to properly get tattooed one of the people who tattooed me was Raph Cemo, when I went to get tattooed by him I was a little lost, things weren’t going to plan and I’d lost my vision of what I wanted to be doing. I came out of that tattoo session so empowered (and a little physically drained), knowing what I wanted to do and feeling silly for not realising how obvious it was that I should start tattooing. It wasn’t until a year later, when I had set up a clear path and done a lot of self-development that I met Tom and somehow convinced him to let me be his apprentice.

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Do you have a background in art? My parents brought me up drawing and letting me make creative messes in the house, my mum’s a wonderful artist but she’ll never admit that to anyone. My nan used to paint water colours and I’d draw the flowers in her garden when I was a little girl, I guess that’s where my love for flowers comes from as well. I’ve always been artistic due to the way I was brought up, I studied fine art and photography before starting my degree in painting and printmaking at Glasgow School of Art.

What drew you to the tattoo world? I get tattooed for lots of different reasons, but long story short tattooing is allowing me to create a vessel I feel comfortable in and am proud of. My journey with my body is a continuous one that I work on loving everyday but tattooing has allowed me to externalise the vision I hold for my body, watching that come to life and loving myself a little bit more each time is an emotional path. I have never been more myself than I am now due to tattooing, and that’s a really comforting feeling. This vessel is the only thing I will ever truly own, the only thing that will ever truly be mine and I am working on improving it and worshipping it every day.

I am so thankful for all of the artists that have allowed me to sit in their chair and help me with my journey, if I can even help someone half as much as these incredible beings have helped me I’d be overjoyed. Seeing how much of an impact you have had in someone’s life, be that from helping with self-improvement or to be a part of a creation of a memory is magical to see, that’s why I love tattooing.

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Describe your style, how has it changed? I guess the style I tattoo in would technically fall under dot work, my style itself however is constantly changing and developing as I meet new people and discover new things. Tibetan art has been a major influence throughout my life and was a really heavy part of my style and what I was tattooing at the beginning. The impact it has on me hasn’t changed however I’ve naturally moved towards more botanical tattoos as of late. I wish to never become ignorant of the origins and meanings of what I tattoo on others as well as what I put onto myself.

What inspires you? It sounds cliché but for me I gain inspiration from the little things, a lot of my inspiration comes from flowers, I find myself happiest when sitting in botanical gardens surrounded by life continuously blossoming around me.

I didn’t have the most stereotypical upbringing, my mum taught me about Buddhism and took me to galleries so that I was exposed to different cultures and their art. I take a lot from Tibetan Buddhist art and symbolism, their art is not only aesthetically beautiful but the meanings behind everything comes from love and understanding.

People and places are the most vital inspirations you can get as that’s what is continuously surrounding you, if you make a point of living a positive life, surrounded by the most inspiring people, in the most beautiful places you’re going to have such a love filled creative outlet and there’s something really blissful about that.

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What would you love to tattoo? At the moment I’m really enjoying more botanical pieces, I’ve recently grown a love for drawing plants with the bulbs attached. I’ve started to get really into anatomical drawings as well, so I’d really like to do a large botanical/anatomical thigh piece, I think that would be really stunning.

What is a typical day like for you? It normally involves a lot of reading, I get a lot of inspiration from books so am often reading a few things at once and often drawing from them as well. My work outside of tattooing is text based so a lot of that involves writing pieces and hammering them into large metal plates for hours on end. That’s also where I end up drawing up a lot of my tattoo designs, as it’s my creative space and outlet.

I work in a private studio, so it’s by appointment only which means I get to control the amount of tattoos I’m doing a day and I don’t have set hours. Tattooing is where I find my mind the most clear, when I’m tattooing, drawing or reading my mind is simply taking in what is in front of me. When I’m tattooing I am so engrossed in the experience, in what I’m tattooing, in why the person is getting it and who they are, that I often forget this is a job.

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Can you tell us about your own tattoos? A lot of the work I hold upon my own body is that of Tibetan and Buddhist symbolism along with some personal links with friends and family. Everything I hold on my person means something, which can be taken in the form of Buddhist myths to my own personal connections to the objects or imagery my vessel now features.
One of my favourite tattoos is an outlined heart with ‘JuSt’ written inside; ‘JuSt’ stands for Julie and Stephen which are both of my parents names, the font is from my typewriter and the non symmetrical heart is hand drawn by me and was kept imperfect to represent me along side them as a continuous link to one another when I’m far from home.

I also now posses The Three Graces upon my arm which is taken from Botticelli’s painting the ‘La Primavera’, after studying this painting for a year whilst studying history of art at the age of 18 I flew to Florence to view this painting in the flesh.  I sobbed staring at it for hours mesmerised by the impact it had not only on my body but on me as a person. I decided to get the Three Graces tattooed on me due to what they represented as goddesses of such things as charm, beauty, and creativity.

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Photo by Nik Antonio

I made a start of my full back piece earlier this year with Hannah Sykes which is not only the largest piece on me to date but arguably the most physically and mentally draining also. The whole process through the amount of time, continuous alterations, and adjustments to fit the vision that both Hannah and myself hold for my body is a long and exciting journey we hope to finish at the end of this year. The piece itself is an array of Tibetan flowers spread over my full back and wrapping around my bum. Getting my back tattooed was a huge decision for me, not only for the amount of space it spanned on my body but also to make sure it fitted and worked with my petite frame rather than over powering it. However any worry swiftly disappeared when I saw the vision Hannah had come up with and altered to fit my body perfectly, and I couldn’t be happier with the way in which this continuation is turning out.

The Art of Henn Kim

We’re obsessed with the dark twisted and fantasy work of artist Henn Kim after discovering her  illustrations on Instagram. Henn’s monochrome drawings tend to feature beautiful yet faceless girls full of mourning, restlessness and a deep sense of sorrow…

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