It’s that time of year again and Halloween is fast approaching. To celebrate the spookiest time of the year we have picked some of our favourite Halloween inspired tattoos…
Embracing female tattoo culture
It’s that time of year again and Halloween is fast approaching. To celebrate the spookiest time of the year we have picked some of our favourite Halloween inspired tattoos…
Our guest blogger is Natalie McCreesh aka Pearl, a fashion lecturer, freelance writer and creator of Fashion Pearls of Wisdom. In this post she’ll be talking about her decision to not cover her tattoos at her graduation ceremony…
This summer I had the opportunity to don academic robes for the graduation ceremonies at the university where I work. I gained a PhD in Biochemistry (textile and fibre analysis should you be intrigued) in 2010 however this was the first time since then I would wear my robes, this time to watch my own students graduate. Graduation ceremonies are filled with tradition and seen as formal affairs, dress code is generally smart and conservative. For my own graduations I’d worn smart basics such as a blouse and pencil skirt with some cool shoes for a bit of personality. There is also the practicalities of wearing the gown to consider, they were designed to be worn by men in suits, the hood looping around a shirt button to secure it. Thus wearing it over a dress can cause it to slip around. That said in the 11 years since my first graduation things have changed, the dress code is more about what the students see as ‘their best’ which can be anything from evening gowns to party dresses, t-shirts under blazers and so on. No matter the changing styles it’s an occasion to get dressed up and of course celebrate these amazing achievements.
I’d planned to wear a shirt with loose tapered trousers due to the afore mentioned practicalities, however the day turned out to be a scorcher (robes are heavy and hot at the best of times) so I just threw on a light summer dress, one I wear for work often, instead without much thought other than to make sure I found some safety pins to avoid being strangled by my gown’s hood.
It was only upon putting on the gown and looking at myself in the mirror did it occur to me I should perhaps put on tights to cover my tattoos. As I said these ceremonies are formal affairs. I’m lucky enough to be given the freedom at work to wear whatever I want. As it happens you can’t really see my tattoos with what I wear to work due to the fact I dress in what I deem appropriate – I wouldn’t wear backless dresses or shorts to work say. What I do tend to wear are calf length dresses with jackets, so in the warmer months you can see the tattoos on my lower legs and feet. If anything my tattoos have only brought positive reactions. Although this hasn’t been the case in previous jobs, it has never been a problem for me to cover my tattoos if requested, I think it would be ignorant not to acknowledge the fact there is still very much a stigma around tattoos. Many of my students are tattooed and they are always encouraged to express themselves however they wish, there is no dress code per say for them.
So what made me decide to keep my tattoos visible on this day? It was actually something a friend had said to me ‘look at you with all your education and your tattoos’ and I thought yeah, just look at me, because it really doesn’t matter if you have tattoos or not and we need to break those boundaries. I’m not encouraging anyone to get tattooed, that’s personal choice, but I am in a position to help break the negative stigma attached to tattoos and that I feel is an important place to be.
Jessica Sharville is a 30-year-old freelance illustrator who also manages Tattoo Workshop in Brighton. Jess uses a pastel palette to transform what she sees around her into eye catching illustrations and tattoo covered characters. Inspired by The Horror Issue she has created two drawings, titled ‘Maneater’ and ‘The Pact’ especially for Things&Ink. We chatted to Jess to find out more about her tattoo inspired drawings and her ever expanding tattoo collection…
How would you describe your style? I think its realistic with a kind of exaggerated stylized feel, it has moments of fashion illustration and traditional tattoo art but with stories behind the illustrations. Romantic and sometimes quite sad.
What inspires you? I get told that people see me in a lot in my illustrations so I think I am inspired by people or events in my life possibly more than I realised! But apart from things in my life I would say that what inspires me the most is just people and moments I see in day to day life, perhaps a couple walking down the street laughing or someone crying on the phone and me wondering if they are going to be ok. (I am a bit of a people watcher). I work five days a week at Tattoo Workshop, and when I’m there I’m surrounded by so many incredible artists who all happen to be bloody ruddy good eggs too.
Maneater
What medium do you use? I use heavy weight paper as I draw very heavy handed, and I only use Pentel 0.9mm mechanical pencils. I then scan my work and sit on photoshop using my Wacom bamboo graphic pad and do a bit of colouring in! It allows me to keep my original illustration and work with colours and effects and not spoil the drawing.
What do you like to draw? It’s probably obvious I love drawing people and tattooed people but I also love drawing patterns and text too. I have painted a few murals and large pieces in the last few years and found a new love for that. I think I just love little details and it has been great doing large scale things to push myself. But if I sat down with a blank piece of paper, I am nearly always going to draw a couple in bed.
The Pact
Do you have a background in art? I have a degree in Illustration from Plymouth University and a family full of illustrators and graphic designers. I have worked lots of different jobs to support my illustrations throughout the years and luckily most of them have been creative which has helped push me with my art.
Are there any artists you admire? I am a huge Norman Rockwell fan and Charles Keeping who are my two favourite artists when it comes to capturing moments between people and creating illustrations which just silently tell stories. I also admire so many different tattoo artists and the amazing creative bubble inspires me, just being around these amazing artists (who all work substantially quicker than me!)
Can you tell us about your tattoos? If you don’t have any are you planning to? What do you think of them? I have possibly too many to explain but I have a few favourites, I have a couple of Kate Mackay Gill pieces, my feet are my favourites which are a mouse on a powder puff on my left foot and a perfume bottle on my right. Then I have a Kola Hari (from The Circle) Buddhist temple on my leg, a very new Peony on my knee by Jack Thomas Newton at Into You Brighton, lots of music related ones such as ‘Well I Wonder’ my favourite Smiths song, a few sneaky Arctic Monkeys related ones and many more.
I love my tattoos but I actually can be quite private about them. I enjoy having the choice of having them on show or not and sometimes people might not even realise I am tattooed at first. I also just love wearing black and layers!
Wolves in my Bed
Lynsay Neil is a 30-year-old writer, podcaster and creator of Miss West End Girl blog, from Glasgow. We chatted to Lynsay to find out how she started her blog, her style tips and tricks and her colourful tattoo collection…
How did you get into blogging? I’ve always had a deep love for writing, ever since I was a kid – when all my classmates wanted Tamagotchis (remember them?!) I was asking my parents for a typewriter. It seemed like a natural progression for me to start a blog as a platform to share my life and stories. I used sites like Livejournal and MySpace when I was younger, like most people – but it was when I took the plunge and got my own domain space that I considered myself to be a blogger.
How did you start? I started blogging under the name Miss West End Girl about five or six years ago. It started off as a fashion blog, because I was reading a lot of fashion based blogs at the time and also because I love to have fun with my own personal style. But over the years, it’s evolved into what I consider to be a lifestyle site as I love to write about all manner of things that make me excited, so much so that I have to share the details with my readers.
What can people expect to see on your blog? My blog is essentially a guide to living life with joy and style, and embracing what makes you unique. You can expect to find guides to Glasgow (my home city), personal and blogging advice, DIYs, interiors, personal style, beauty, food, travel…the list goes on! In a nutshell, it’s the things that make me smile and that I think will make other people smile or feel inspired.
You have a lot of positive messages and upbeat posts, how have you cultivated this mind set? Any important life lessons for our readers? That’s very kind, thank you! I think that happiness is a choice and it’s one that we make each day when we wake up. Negativity is pretty toxic stuff, and even though it’s easy to feel dragged down, I try to concentrate on the things that should be celebrated. We only get one shot at life, and I firmly believe we should make the most of it! Be adventurous, be kind, look after yourself and believe that you can do anything (because you can!).
Do you have any advice for people either thinking of starting a blog or who have one already? Think about what inspires you and go write about it. There is no right way or wrong way to blog – that’s the beauty of it! If you’re writing something that you don’t care about, or for the sake of it, it will show. Don’t put pressure on yourself either – some of my favourite blogs are only updated once in a while, and when a new article drops I get super excited! You’ll find a rhythm and routine that suits your writing style and your life.
How would you describe your fashion style? Where do you shop? How has it evolved? Sometimes I feel like I’m permanently dressed to attend my own birthday party – I love to wear bright dresses and statement accessories. I’m rarely seen without something on my head – be it a flower crown, a glittery slice of pizza or a massive bow. My personal style has been described as ‘cartoon-like’ which I take as a compliment!
I shop in a variety of places because I don’t tend to stick to whatever is ‘on trend’. An average outfit could be a mixture of indie designers, vintage, thrifted, high-street and high-end. I love discovering local design talent and people who are thinking outside the box. I like to have fun with fashion and dress for myself!
When I was a teenager I was a bit of a sulky goth, all black jeans and kohl eyeliner. This has massively evolved – particularly as I studied film and media at university and feel very inspired by some of my favourite colourful characters.
Does your home/homewares reflect your style? Absolutely! After eight years of renting beige nightmare flats, my boyfriend and I bought our flat last year and have been having the BEST time decorating it. I love sharing home tour posts of the flat on my blog so I can document our little interiors journey! After I posted pictures of our living room, an interiors magazine wanted to run a story on our bright and cheerful home – we ended up getting a 12 page feature in a magazine and I still can’t quite believe it! I’m proud to have created a happy home that I can relax in. It’s somewhere I can write my blog and record podcasts, as well as hang out and entertain friends.
What are your beauty secrets? Any tips or tricks for our readers? Finding products that work for you and make you feel amazing is my number one tip. I’d feel lost without my eyeliner flicks and a pop of bold lip colour! The best way to get comfortable with make up is to get in front of a mirror and practice – it’s also fun to experiment with products until you find what’s right for you.
Skincare wise, I am all about the classic advice. Look after your skin so you don’t end up looking like a second-hand handbag! Wear sun protection (minimum of SPF 50, especially on those tattoos!), drink water, moisturise plenty and always remove your make up before bed. Some advice never goes out of style!
What inspires you? I feel inspired by lots of things, but if I had to pick one thing it would be meeting other people that are passionate about what they do. That kind of feeling is infectious and you can really feed off of each others’ good vibes.
Can you tell us about your tattoos? I have 14 tattoos, and have been getting tattooed for just over 10 years. My very first tattoo was my stocking seams, which run from my achilles heels right up to the top of my thighs – go big or go home, eh? They were inspired by my love of vintage glamour and pin-up culture. This was the only grey and black work that I have had done, every other tattoo is very bright!
My tattoos don’t have too many meanings or tributes behind them – with the exception of two! I have two tattoos that are matching ones with my boyfriend. We got them on our fifth and ten year anniversaries.
I like to think that my tattoos are a reflection of my personality, as they are very feminine and colourful with a rock n’ roll twist. On one arm, I have an old fashioned perfume bottle, a Russian doll, a spider web (bright pink, of course!), a cupcake, a sugar skull, love heart candies and a lipstick. On my other arm, I have a swallow, a strip of pink leopard print and a lucky cat. My legs have identical stocking seams and I have a heart-shaped locket on my foot.
All of my pieces have been custom designed, via consultation and brainstorming with the artist so that we get it just right. I’ve never regretted a tattoo and put a lot of planning into each idea.
Do you have any future tattoo plans? Always! I think about getting tattooed all the time, and with so many amazing artists posting their work on Instagram the only question is, who to book with? I feel like a kid in a candy store.
The Horror Issue of Things&Ink features a music playlist by apprentice tattooer 28-year-old Meg Langdale. We visited Meg at The Burton Tattoo Collective in Leiceter for an evening filled with creepy yet cute kewpies. As our editorial assistant Rosie was being tattooed, we chatted to Meg about her developing style, how she started out and her tattoo collection…
What first attracted you to the tattoo world?
I’ve always known I wanted to do something creative but I just wasn’t too sure what. I did a fashion and design degree at university, and at the time all the design and illustration jobs I looked at just seemed like glorified office jobs, which wasn’t for me. Tattooing has given me the freedom I wanted creatively and in an environment I feel comfortable. I think my illustration work was the stepping stone into the tattoo world. Meeting my boyfriend, who is a tattoo artist, of course had a huge influence. I feel like it’s what I was meant to do, it maybe just took me a little longer than others to realise.
How did you get your apprenticeship?
I was fortunate enough to be given the opportunity by my boyfriend, which I will be forever grateful for. I started my apprenticeship in September last year and I’ve only been tattooing around four months. So far I have really enjoyed tattooing lots of floral pieces, but a lot of my illustrations are quite dark and creepy, I want to bring this into my tattooing. None of it would have been possible if it hadn’t been for the support from my whole family. I feel very lucky how things have worked out.
How would you describe your style?
My style is still evolving but its super illustrative, and it includes flaws and imperfections. I really want my tattoos to look like illustrations. When I draw, I like that my designs aren’t perfect, don’t get me wrong I spend hours drawing and redrawing designs. But I sometimes like the little wobbles in lines and lack of symmetry. I also weirdly like tiny little flaws in my own tattoos. I’m lucky enough to have some beautiful pieces down by amazing artists but I quite like that in most tattoos you can find tiny little imperfections. It’s not a question of liking or having bad tattoos, mine are perfect to me and I love them. But I think flaws make them real. I’m not perfect and neither are my tattoos.
What inspires you?
I’m really critical of myself and my work, so that in itself inspires me to want to keep improving and keep pushing myself. I really hope to be respected as an artist by other artists too, and not just for drawing pretty stuff. I want to be able to put in solid lines, and produce really nice quality tattoos.
I also collect old reference books; I adore medical illustrations in old anatomy books, and simple line drawings in books of wild flowers. I like combining quite delicate floral stuff with elements of darker stuff. I’d much rather draw from real life or old books than have to rely on the internet.
How did it feel doing your first tattoo?
Terrifying. I tattooed pig skin a lot to build my confidence initially. Then myself which was just dreadful. It’s so hard to overcome inflicting pain on yourself to focus on putting in decent lines. My first tattoo on someone other than myself was on Dane’s brother in law, it was so nerve wracking. He’s always been really supportive of my work and was quick to offer up some skin for me to practice on. At the same time I just remember thinking this is it, this is what I’m going to be doing forever now. I get nervous before I tattoo, but I’m always fine once I start and I just get into my little zone. My confidence has definitely been one of my biggest hurdles.
Can you tell us about the tattoos on your body?
My own tattoos are a combination of styles, mostly black and grey. Weirdly enough I don’t have any that are that similar to my own style, but I’m saving my right arm for lots of illustrative floral bits and bones, I’m just undecided on who I want to do it yet. I’ve been lucky enough to get tattooed by some amazing artists in the last couple of years, and of course Dane, he’s done a lot of my favourite pieces. I do have a few colour tattoos too, currently no plans for any more, although I had considered having some really muted colours on my legs in-between lots of black of course.
Photographs by William Kirk