“My own mark” – mastectomy tattoos

Diane de Jesús, 35, London, is owner of Piece O Cake Nutrition, a nutrition communications consulting and advisor for Personal Ink (P.ink) – an organisation to connect breast cancer survivors with tattoo artists. In this interview, Diane shares her own experience of breast cancer and how getting a tattoo made her feel about her mastectomy. 

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Photo of Diane by Lydia Perez DeJesus @momdetresshoots

Can you tell us about your  cancer diagnosis and treatment. At 29 years old, I was diagnosed with DCIS, ductal carcinoma in situ, which is the earliest stage of breast cancer. I was told that while my life was not in immediate danger, the cancerous cells would have to be removed. Thus far, the medical community is unable to determine which DCIS cells will become invasive cancer and when. This combined with my very young age meant that we couldn’t just take a “watch and wait” approach. Also, my disease was so extensive, filling nearly my entire left breast. This meant I would have to have a mastectomy to remove the entire breast.

How did you feel about your body after the mastectomyI was thrilled to have such a good prognosis and to have such great doctors who provided me with excellent mastectomy and (silicone implant) reconstruction results. After recovery, I was grateful to very quickly dive back into my normal life: working by day, going to school at night (working toward my registered dietitian certification) and exercising regularly. I thought I was adjusting just fine. It wasn’t actually until after I got my tattoo that I realised how much I had been through emotionally and how I had been avoiding looking at my chest in the mirror. I had always done everything in my power to care for my health and my body had always reflected that. Suddenly, my body had betrayed me.

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By Roxx, owner of 2 Spirit Tattoo, Los Angeles

Did you consider other options before deciding to get tattooed? No. I knew that I wanted to get a tattoo very early on, possibly even before having my mastectomy. While I researched what to expect from my surgeries and recovery, I came across stories and photos of women who were post-mastectomy and had chosen to cover their scars with tattoos. I wasn’t so much drawn to the idea of covering my own scar but of finding some way to encapsulate and honour all that my husband and I had been through and also to put my own mark, of my own choosing, on my body.

What made you decide to get that tattoo design? In some mastectomy cases, the nipple can be preserved but in most, the nipple and areola are removed with the rest of the breast tissue. This was the case for me. While I was discussing reconstruction options with my plastic surgeon, I was offered the option of nipple reconstruction many times. The idea of having a fake nipple constructed from the skin on my chest—a nipple that would never feel anything, respond to touch or temperature, or release breastmilk—just never resonated with me. Neither did the idea of having the image of a nipple and areola (even a fancy 3D one) tattooed onto my chest. What did resonate with me was something that Geralyn Lucas did, and wrote about, in her memoir of her experience with breast cancer. Geralyn also had a mastectomy with implant reconstruction but no nipple reconstruction. Instead, Geralyn had a tattoo placed on her chest, near her scar. As soon as I read about this, I knew it was what I needed to do and as I came across images of other women who’d done the same, I was motivated to find a way to make it happen. Of course, since I’d never been tattooed before, I didn’t know the first thing about selecting an artist, studio or design. I also didn’t realise the cost of tattoos.

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Photo by Gigi Stoll, Gigi Stoll Photography, New York

Did it transform what you thought about your body? Getting my mastectomy tattoo helped me to close the door on that chapter and finally move on. I was tattooed in October of 2013, three years to the day since I was told that cancerous cells had been found in my breast. After getting the tattoo, I could look in the mirror without averting my eyes from the sight of my chest. I found myself feeling more confident. I was myself again.

How do you feel about it now? I continue to be so grateful for my tattoo and for the woman who tattooed me: Roxx, owner of 2Spirit Tattoo in L.A. I also love that this tattoo continues to provide me with the opportunity to discuss breast cancer and reconstruction options with other breast cancer survivors and their support networks.

What advice would you give to other women who have breast cancer? Every single breast cancer experience is unique. It is overwhelming to receive a cancer diagnosis of any kind but I think that every person diagnosed can benefit from finding a way to listen to her (or his) body and making the decisions that are best for her/him. Also, it is unfortunate, but at some point you may find you really must be your own advocate. You will work with so many different individuals and sectors of the healthcare community who may have the best intentions of providing you with the best advice but this advice may not always be the advice that is best for you. This is easier done with a good support system. Having a spouse, family member or friend to come along to appointments or help with research, paperwork, phone calls, etc. is invaluable.

Can you give us some background about P.ink day… what it is and how others can get involved. P.ink (Personal Ink) is an organisation dedicated to educating breast cancer survivors about mastectomy tattoos as an alternative healing option, and connecting survivors with experienced tattoo artists who can help. One way we do this is through P.ink Day, an annual all-volunteer effort to connect tattoo artists and survivors for a day of healing with tattoos. What started with just 10 artists and 10 survivors at Saved Tattoo in Brooklyn, New York, for our first P.ink Day in 2013 has grown into a true grassroots movement, with 46 artists, 48 survivors and hundreds of volunteers across 13 locations in North America, as of October 2015. In total, we’ve facilitated nearly 100 incredible mastectomy tattoos via P.ink Day. P.ink Day occurs every 10 October and 2016 will be P.ink Day’s fourth year.

To learn more, visit the Personal Ink website at p-ink.org

Art Macabre: Becoming Art for a Night

Our editor Alice Snape was asked to pose for an Art Macabre lifedrawing session at Museum of London, which was part of the Tattoo London exhibition. As a first-time naked model, here’s how she felt about the experience and seeing her body as art…


img_5701.jpg“Me? A model? That I am definitely not. I hate having my photo taken, and I am very critical of my appearance, which probably comes from years of self-conscious anxiety and a childhood spent in a chubby awkward body that I was never quite comfortable in – I think I am yet to grown into my nose! But when I was asked by Nikki, who runs Art Macabre, to be a lifedrawing model for the evening, I had to say yes. It felt like one of those experiences that should be on your bucket list, and as a 32-year-old woman who has worked really hard on overcoming that teenage insecurity and becoming comfortable in her own skin, there didn’t seem like a better time to do it.

“Before the evening, I asked Nikki to give me some advice, as a first-timer. She told me to: Breathe and relax into poses and, on a practical note, bring a dressing gown to wear in-between poses and during the break. All day before the event, I was a bag of nerves, running different scenarios though my mind – a constant reel of what ifs! But, the moment I took step onto that platform and got into the first pose (five minutes to warm up), I felt incredible, empowered, strong and beautiful.

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“I fixed my eyes on the twinkling lights that surrounded the space and they lulled me into a mediative state. I listened to the sound of pencils and quiet concentration, eyes looking up at me and back down to the blank canvas, pictures of my body and tattoos slowly forming on the pages. I thought about how my body might look through the eyes of everyone in front of me, during one pose I focused on a determined looking woman who seemed lost in the movements of her pencil. A few brief moments of self-doubt flitted through my mind – what if I am not interesting enough to draw? – but they soon dissipated when I realised everyone surrounding me was creating their own interpretation of me.


“The evening consisted of a few short standing postures and some longer (25 minutes) seated poses. As the night drew to a close, each of the artists lay their work onto the floor to share it with each other and the models… Looking at each work of art, I realised I have grown very fond of my body as it has become more covered with tattoos. I have taken ownership of my body by choosing where each tattoo goes, and I love my colourful skin. Over the past couple of years, I have also started exercising regularly and even ran a marathon! I love the fact that my body is fit and healthy, and that has boosted my confidence hugely. My thighs, for example, have always been a part of my body I have hated. I always think they are chunky, they have bumps and cellulite that no matter how much I exercise will not disappear. But they are mine, they are strong and that means they are beautiful.

“I saw that each person had drawn my body slightly differently, my curves slightly more or less rounded, in some I looked bigger and in some small. Everyone sees an object through their own eyes, putting on that object their own preferences. It was enlightening and uplifting to see that subjectivity about the form of my own body – no one is ever going to be as critical of it as myself.

“I walked away from the evening with renewed self confidence and a want to relive the experience. It felt like a true celebration of my naked self and at last a goodbye to any anxiety I had!”

Here’s some works of art created on the night:

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Guest blog post from Christina Owen – Tattoos and the women who love them

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Guest blogger – Christina Owen

I am very excited to announce the introduction of a new guest blogger – Christina Owen. She is a Th’ink feature girl and tattoo collector. Here are her thoughts on women and tattoos.

Tattoos and the women who love them  

I’ve been thinking a lot lately about women and tattoos, and what it is we love about them, and how they compliment or juxtapose our femininity, what they add to us and what they might take away.

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I read this article in the Daily Mail by Alex Blimes, which, while written in 2008 (before LA Ink hit our screens and suddenly everyone was going crazy over Kat Von D) was nonetheless published in a time where tattoos (on men and women) had never been more popular. And the article implies (in fact, it doesn’t even imply. It SAYS) that tattoos on women are unsexy, badly thought out and representative of nothing other than a vague hankering to be like a celebrity with a crazy lifestyle. I wondered if this woman had ever had an intelligent conversation with someone like you or I?

And so I decided to defend our position. Research wise, I didn’t know where to begin. And as I’m not as scientist, or a historian, I decided to ask my friends what they thought. Smart, professional men and women in our twenties, thirties and forties, most of whom have tattoos and none of whom regret them. Their thoughts were many and varied and they seemed to respond to many different questions about tattoos that I hadn’t necessarily asked, but that nonetheless come up in everyday life.

This is what they said:

“All mine have personal meanings to me. Also, personally ,once I had the first one I found them addictive . I don’t care what people think about me or my tats, I got them for me and if people want to judge you cause you have them, that is their problem.”

“I was very excited to make the transition from non-tattooed lady to tattooed lady. I’ve always found good tattoos beautiful and fascinating. For me, it’s about getting a good piece of art. It doesn’t necessarily have to have a meaning (although mine does), I just want it to be a great piece of work that I will always own and will just be mine. Even if I don’t always hold much to the meaning, good art doesn’t suddenly become bad art.”

“When people say the tattoos will look horrible when I am old, I think that when I’m old(er) I’ll have varicose veins, paper thin skin that bruises and tears every time I bang into the door frame and I won’t use the upstairs of my house as it will take two hours to get up and two hours to get my breath back. If my mental capacity has deteriorated badly enough then I’ll probably look at the tattoo on my arm and wonder whose arm that is. It’s likely that I’ll faint when I stand up and if I drop anything, I ain’t picking it up as I’ll be going over myself – I suspect that how my tattoos look, will be the least of my worries !”

“Chicks with tattoos are HOT !” (Okay, most of us are smart too!)

“Tattoos are just a way of adorning your body and modifying it.”

“Tattoos on women, if done well, look amazing to me, and I try my best not to judge anyone based on their ink.”

“With my first tattoo I do remember distinctly lying in bed that night thinking “Oh good god I’ve permanently scarred myself…” but I knew it was the right thing to do. That first one was a little bit about being free from all of the ‘What ifs?’ and so part of why I had it was to deal with that moment of panic. I suppose I wanted to give myself something I could deal with, to try and show my stubborn brain that if I am happy with something (or some part of me or my personality) then it doesn’t matter what anyone else might think. And future be damned because we can’t plan everything. Sometimes you just have to jump in and hope for the best and not spend your whole life worrying about what will happen if you do something and it’s wrong.”

Nowadays there are so many different interpretations of what is attractive that does it really matter to one person if another is covered in tattoos? For so many of us, it isn’t just mindless and it’s not just a whim. We’ve thought about it, we love it and we love how having tattoos makes us feel.